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Sunset Through Frosty Pines

Sunset Through Frosty Pines
Sunset Through Frosty Pines

Sunset Through Frosty Pines

This is a capture initiated by the -2 degree evening, the icy air and the lighting. The later of which was JUST settling down over the ridge with less than a minute left in the day.

Photographic Musings:

Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 1 mile out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunset for me is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.

Shadow line:

I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles into the light. Here I saw this long line of smaller pines covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.

The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. The trees are my cellulose filter in front of my lens. Regardless, I had to turn my camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment. Be careful pointing your camera into the sun.

Location: Bliss Dinosaur Ranch, Wyoming/Montana

Title: Sunset Through Frosty Pines

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Divergent Light Rays Perspective

Divergent Light Rays Perspective
Divergent Light Rays Perspective

Divergent Light Rays Perspective

The forest creates areas of interest by the way the vegetation effects the light. Light alleys, tunnels, vertical lines accentuated by pine “noodles” complicated the scene. In this forest, the only thing not covered by hoar frost was I. Anything near this spot was pretty much everything was reflective white. This effectively magnifies the brightness of the scene. Human eyes can not stand this level of light in the real world.

Photographic Musings:

I love REALLY wide angle lenses. Taken with a 10mm rectilinear lens. Taken in 2×3 aspect on a full frame camera. .

(back to english)

As the light wraps around the camera, similarly, the lens sees widely around the camera to see past what your eyes would normally see. Your peripheral vision has nothing on this lens. The perspective here wraps around you. It causes you peer into the center. Hundreds of leading lines in this image. Each line leading your eye toward the light. The joy of a good mirrorless camera is you can actually look at a video screen. Because you DON’T have a direct light path to your eye. Even a scene this bright will not blind you. Live real time not after the shot. Do NOT try this with a DSLR camera as the direct light path to your eye could blind you.

It was about 6 degrees and a freezing fog had moved across this ridge top all night. The resultant hoar frost was monumental in it’s effects. I have Many wonderful images from this ridge / morning. A little chilly with the humidity in the air lol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Divergent Light Rays Perspective

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Landscape: Snowy Borderline Ridge

Landscape: Snowy Borderline Ridge
Landscape: Snowy Borderline Ridge

Landscape: Snowy Borderline Ridge

Winter leaves a few nice scenes to offer me out in the backcountry. I have so many choices where to point my cameras. There are certain basic photographics principles one wants to follow. I am always trying to adhere to those rules. There is a strong rule of thirds here both horizonally and vertically. The old masters discovered visual tunnels of which I’m always on the lookout for. Framed here by the totally frosted pine “noodled” tree. The Visual tunnel to the mountains 40 miles distant is just above center. Every thing I saw through the eyepiece of my camera said “Click”. So I clicked lol.

Those are the “Red Hills” off in the distance. We actually have more snowthan in this image as I type this. Even the grass is coated with ice in this capture. Any surface that was exposed to the wind had freezing fog stick to it’s surface. Coating everything.

This beautiful hillside that I’m standing on is very close to precisely 1/2 way between the equator and the North Pole. A long walk either way lolol. Its exactly 5,000,000 (Five Million) meters from this hillside to either point. Some well connected person in history decided 1 meter would be 1/10,000,000 of the distance from the north Pole to the Equator. You can covert 10 million meters into Ten Thousand Kilometers though. 45 degrees north latitude precisely. This also corresponds to the line that IS the Montana / Wyoming border.

2×3 aspect to 36 inches.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Landscape: Snowy Borderline Ridge

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Perspective: Pine Noodles Bough

Perspective: Pine Noodles Bough
Perspective: Pine Noodles Bough

Perspective: Pine Noodles Bough is a capture initiated by the -2 degree morning, the icy air and the lighting. The later of which was JUST coming over the ridge but about 15 minutes after sunrise.

Photographic Musings:

Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 20 miles out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunrise is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.

Shadow line:

I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles. Here I saw this long pine bough covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.

The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. You’ve GOT to turn your camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment.

Location: Bliss Dinosaur Ranch, Wyoming/Montana

Title: Perspective: Pine Noodles Bough

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Perspective: Frosty Pine Noodles

Perspective: Frosty Pine Noodles
Perspective: Frosty Pine Noodles

Perspective: Frosty Pine Noodles

Satire: This young punk pine tree was sure that getting his needles “noodled” would upset his adult mentors. The 1/8th inch of ice sure gave him a frosty “do”. I suspect he was about ready to go hang out down in the gully where he could watch things move down drainage at a geologic pace. It’s not a very exciting place to grow up out in the backcountry.😉

Back to my normal programming…

SO it was -2, I was walking a high ridge, the pines were all ‘noodled’ on the north side of the tree. . The sun has been up for maybe 20 minutes so thusly is just cresting the ridge. The crisp air is moving and seeping into my gloves/mittens which are almost always my limiting factor. I’ve worked up here with -30 wind-chills many times. I’ve had various cameras (mostly old used Canon 5D’s) freeze up at those temps. . Rapid temperature changes aren’t good for anything but you don’t want to keep your cameras cold either.

“Winter is Coming” (If you don’t know the classic reference by now, you need to read a few books lolol). I actually enjoyed the audiotapes of “game of thrones” tremendously while building things in my shops.

In reality it’s been here since Oct 1 and the day before was fall. (fall was on a tuesday this year). Oct 1 is when winter started up here which continue till April anyway. Winter does bring certain photographic opportunities however and I enjoy the crisp cold. It’s easy down here at 4000 feet after living at 6200 feet in Jackson Hole for a decade. Warm here but MUCH windier here in the borderlands.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Perspective: Frosty Pine Noodles

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Pine Noodle Frosty Sunrise

Pine Noodle Frosty Sunrise
Pine Noodle Frosty Sunrise

Pine Noodle Frosty Sunrise is a perspective at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.

Photographic musings:

For some reason, I’m drawn to perspectives under icy sunrises. Focus close requirement(1) plus a sun show far (2)is my goal. Putting them in the same focal field is top on my list for planning this capture.

These two “priorities” fortunately compliment each other while in your Manual Mode camera settings. High light gives you the ability to set your widest lens to it’s highest fstop setting f-22 (ish). This cuts back light considerably which you need . It also lets you focus on things 10 inches in front of this particular wide lens AND have the background in focus. I always pay attention when I’m buying lenses to look for ones with the shortest distance to focus close. (macro) but if you want to do this, you need a wide angle say 12-24mm lens with a close focus.

Shutter speed 1/100 – 1/400 depending on your light conditions and ISO (camera sensitivity) is low like ISO 100 or ISO 200. This was a very bright light environment in the distance but just. The sun was just clearing the ridge.

The right gloves for cold work. There are many brands but I use:

The joy of -2 degrees is that the gear doesn’t like it, but my fingers take the brunt of the cold abuse. They don’t operate the equipment as well either if chiled.. I wear glove/mittens by “Red Head” that have the ability to open up your fingers. Fine detailed adjustments on a camera take more tactile feedback than through a glove sometimes. Finding your location on your camera body is the biggest problem. I find it is always better to have warm fingers and have quicker control of the camera bodies settings oddly enough lol. “Red Head Mittens” have been used by this photographer down to a -20 windchill with good results. I was tougher then though……

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Pine Noodle Frosty Sunrise