Clear skies or totally veiled skies are both candidates for this kind of “Close / Far Perspective. I will walk the shadow line on parallel ridges to find those elusive little areas of Zen. There are a million of those little areas in a scene but you have to line up with one to actually see it. It all has to do with angles and your viewpoint.
This is dry high ridge country here in the borderlands of Wyoming / Montana . The location several miles into the backcountry of this 4000 foot in elevation ridge. In this area, occurred a fire that burned all summer during the 1930’s. That fire didn’t go out until the snows fell in the fall. This obviously changed the landscape from a heavily forested pine grove into a more open landscape. Prior to human habitation, wildfires were always burning unchecked across North America. Then it got worse because native Americans did a LOT of burning to open up the deep woodlands. A grassland/forest mix is good for the wildlife. And they knew it. Pretty much right up until maybe 100 years ago.🤔
Wildfire is natures way of controlling the build up of forest floor litter. The old trees do fine in the smaller grass fires under them. Many pine cones open releasing their seeds due to the fires. Fires are responsible for trimming back woods creating grasslands. Trees like this if hit by lightning will burn for days. If there is a LOT of fuel, it get’s pretty spicy in the grasslands. The snow ultimate controls the burns in nature.
This is a very busy photo with all sorts of of things going on. Enjoy the looking. I ought to put a “where’s waldo” in some of these images lolol.
It was cold near zero when this was taken a week ago as this posts. “Winter is Coming” and in reality has come here to the borderlands. Fall was on a Tuesday this year it has been confirmed. ❄️
The sunset here was a clear sky with low yellow alpenglow show which almost always pushes me toward snags to work wide lenses….Grab that 12 – 24mm or sometimes like this I have a 10mm wide angle full frame lens. I use it when ever I get a chance. It is very wide.
Perspectives and clear skies seems to go together… Cloudy complex skies detract from the detail up close. I feel that detail is the point of the photo myself but your opinion may differ lol.
RegardingFallen logs: “Snags” each has it’s own character and personality I find out. Some are masculine and rugged like this one. Others are more curvy and feminine with a grace that is hard to describe. Orientations change from tree to tree, opportunity emerges as I drive by on the ridge tops. I see the possibilities as I go though sometimes I get on a mission for a particular tree.
The air is full of ice turning the sunset low sky yellow. This little shelter under this tree has provided an expedient rain shelter. Many a small animal as it’s roots make quite a cover. I find deer beds all around this area as the big tree also provides a windbreak . Such a shelter is a rare thing. Particularly on these wind blown slopes. Soon this fairly recent tree fall will be rife with woodpecker holes. Thusly then to graduate to full fledged “wildlife tree”.
A famous myth like the Phoenix, a magnificent creature of paradise, a land beyond the sun. . Fatigued from building it’s nest before the sun rise, you notice it’s obvious tiredness. The sun god began to carry the sun up from the horizon to it’s zenith, the Phoenix bends it’s neck back like a crane. It begins to sing a haunting cry that stops the sun in it’s tracks. So beautiful was the song, the sun god stopped to listen to his notes. Upon his resuming his journey, a spark falls from the sky igniting a fire that consumes the nest and the bird. But please avoid worry, it rose again from the ashes reborn young and renewed. 😜
Those crazy ancient greeks thought the Phoenix lived across the straights in Arabia. Living next to a well (paradise in Arabia apparently ), it bathed there every morning. (bird tea I’m thinking). That song stopped Apollo and his chariot in the sky (with the sun), the rest is history 🤔
We’ve seen destructions, creation, life, death along with learning that life in Paradise isn’t all it was meant to be lolol. The Phoenix lived a thousand years each rebirth cycle. Never destined to stay destroyed but to be reborn again. A lesson of time works into the story as well. There are several versions of the story, one where the bird self-immolates lol.
This is from a good Game Trail Camera sitting mostly on the ground. Catching a flock of what I think are cowbirds coming in to a water hole to drink. The only control you have over a Game Trail Camera is where you place it. Love the lens flares …..
Oh Christmas Tree (with all due respect to Mario Lanza I changed the title to my image to Oh instead of O….)
Even the Wildlings way out in the backcountry have decorated trees to enjoy this Christmas day. A trillion of these moments in space and time happen all the time. It is a matter of realizing the possibilities and having the technology (in your hand) to capture the image.
Each and every one of these trees was casting a hugely contrasting shadow. I just had to pick the place where I could see the whole shadow. Again topography controls / limits my photography. That gravity thing is also a problem.
This well blown snow accumulates around the Yucca Plants. While where I’m standing is only about 6 inches, there are places in the hollows where it’s knee deep. Getting here was half the fun of this photograph 📸🎄 I’m locked out of most of the backcountry now. I have to plow a road if I want to get up on the big ridge. A couple of miles of plowing but I like to wait for a big storm to come through and blow around. Let it drift abit before I take the time and diesel fuel to clear a path.
Hope Christmas morning was blessed with family and gift giving to all of you. It’s right around noon as this posts and it’s gonna be time for a nap sometime soon lol.
It was cold breezy morning, a walk down by a small remote lake. Stepping over and around various obstacles being the key to staying up right. I spend some time circling the lake and stop here. This HIGHLY weather enhanced piece of driftwood was laying there. It was all beautiful in it’s weathered finest.
This is one of my Close/Far perspectives from the viewpoint of a mouse. I have to think small to see this kind of rule of thirds image develop at ground level. I imagine what the effect is then I employ the proper lens to capture the scene. Looking into a sun while capturing detail in the shadows is one of my favorite things to succeed at. Still inadequate equipment prevents detail to easily be found in the shadows These details in the “dark” came out as the sun was veiled just enough
This lake I have seen run dry before but not this year. We were way above average moisture accumulation. It remains full through the current. Wood lasts a long time up here. It’s pretty dry , as a result, beached driftwood lasts decades. I don’t know how low it took to furrow this log but it was a long time. Living in the backcountry tends to boil down life to the essentials. I find that photography, simple is usually better. Wood, Water, Grass and Sun combine for this composition.
Sunrise Through the Knothole. IT was a crisp cold morning, I was out collecting chips from Game Trail Cameras. I was also working the sunrise as opportunities presented themselves. i went for a walk along the shore or this small lake. The sun was just emerging as the horizon dropped away exposing the nuclear furnace. (Remember, the sun doesn’t move, the earth’s horizon drops away exposing the sun.).
Driftwood can be knot holed and this piece was big enough to stick my camera accompanied with a a wide lens attached. I’m honestly not sure which side of the border this is on as it’s pretty much on the border lol. I didn’t have my GPS with me. I usually reserve that device for fossil hunts where landownership and exact location is a bit.
Thinking like a mouse looking through a window, I take images of natural portholes/windows as I see them. It’s the close/far focus thing that is hard to do photographically. On manual mode, if deep focus is your Priority with your image, think immediately of turning UP your F-stop number. High f-stop numbers set your aperture (the pupil size of your camera) very pinpoint. As small a hole in the lens as possible. This give you the deepest focus (thickness of the zone of focus). Low f-stop numbers give you shallow focus. Maybe a nose is in focus but not your ears. It lets in LOTS of light going big pupil (low f-stop) but you have fuzzy backgrounds. If full image (close/far) focus is what your after, then high f-stop numbers are your playground.
Once you learn F-stop is a double edge sword either taking or giving light, it also effects focal depth. The other two settings are adjusted after f-stop to compensate and balance your light equation. If you learn nothing else from this, learn f-stop means focus depth.
Perspective: Pine Noodles Bough is a capture initiated by the -2 degree morning, the icy air and the lighting. The later of which was JUST coming over the ridge but about 15 minutes after sunrise.
Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 20 miles out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunrise is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles. Here I saw this long pine bough covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. You’ve GOT to turn your camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment.
Perspective: Rock Ledge Shelter is a capture that I put myself into the mind of a mouse to compose. I find that compared to scale of the backcountry here in the borderlands, I’m a mouse anyway😋 Everything is proportional which is the game with photography. This is about 2 miles into the backcountry. I know of another one that I can walk under and stay very dry. The Hell Creek/Lance formation this ledge is a part of, is not known for large caves. That’s limestone that dissolves away to make caves. This is sandstone so we get Rock Ledge Shelters here.
You can’t build a fire under one of these safely though. Many a person has been killed by rocks falling from above a fire build under a rock ledge shelter. The rock expands from the heat and a dead fall trap ensues. It will keep you dry and out of the wind though, pull up some leaves and pine needles and relax.
Angles and leading lines. I am always thinking compositions when I click the shutter. Sure you focus (last thing). You worry about your settings. (With a mirrorless camera you see what your getting BEFORE you take the photo BTW). The Proportions of 1/3rds, and a “hero” which here is the sunstar. This defraction star is light bouncing around in the lens off of the edges of the aperture (the pupil) of the lens. The aperture is known as f-stop.
You need to learn that fstop is a double edged sword. Turning it up high like this (F22) gives you very deep fields of focus from up close to infinite. The sword part is where you really shut the lens down to light (pin point pupil). A LOW fstop nubmer (f2.8 say) will give you a very narrow field of focus say the grass but not the sky. A blurry background is good sometimes but not in my landscape perpectives. By nature they are close/far focus as it’s all about the close details. The background is important yes but its the detail I’m after.