Alpenglow with a Zig Zag Landscape Ladder with a reflective ice surface. That pond is filled by the melting snow off that hill.
This is pretty far back into the backcountry on my ranch. I didn’t even know there was a pond in this “Cul-de-sac” until a few years ago when I first found it. It was built in the 1950’s according to the engineers office. It only fills with melt water from about 200 acres of a small portion of this overall drainage system. This is sandstone country with about 500 feet in 10 miles difference between the “Little Powder” river in the valley with the ridge tops here.
I have to climb that far ridge to see the eastern sunrise and you’ve seen many dozens of images up on it. It’s a little harder for me to get to the top in the winter but I’ve done it numerous times. For those of you that keep track of such things, this is just east of ridge one looking at ridge two on the far south end of the ranch. That’s right at 300 feet difference in elevation and about 2000 yards to the ridge top. That takes a while to get there lol. It’s all two track roads over the divide. Then I walk or ride on ridge tops as is interesting with the light. I have an 80 mile view east from that ridge.
Musings on getting out of Dodge:
Knowing when to stop taking photos is a significant skill to acquire as a photographer. Wasting time, battery and disc space is bad JuJu. I know my camera backs pretty well and know instantly when I have the scene in front of me captured. The image rolls around in my head like a melody does for some. Then: It is necessary at that moment to analyze the possible future scenarios of the light unfolding in front of oneself. To predict the future is a skill worth working on. That very attribute leads me to a better area/angle/direction. Working landscapes is all about that. Finding the Frame.
Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. This Evening the skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon rise this clear is “keep busy” lolol.
A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The hillside was WAYYYY easier to get to “sign”. This was a cool evening by the way. It was around 15 degrees at the time, 3 inches of snow all over the ranch land.
Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the hillside would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the normal hillside. Topography is my master.
It was very dark for this and is sort of a time exposure for a full moon. I’m digging seeing the highlights in the grass on either side… First time I’ve see it.
In the spring of 2019 mid-April, I took a “Wyoming backroads” trip up the Powder River Valley crossing the Montana / Wyoming border. This area is about 70 miles west of my ranch. It takes about 2 hours to travel to the start of this excursion.
The light this night was second to none. I drove this 2.5 hour drive in 4 hours. The last hour and a half was pitch black night on unknown country roads. I do carry two compasses at all times. I didn’t have a GPS which I have to admit would have been nice that evening. Navigating the crossing roads is not easy up here as they might start out going east but eventually wind straight north. So dead reckoning might just get you the first part. I’ve actually only been disoriented one time in 30 years up here. That was on an overcast night in the middle of a very large featureless grassy pasture. I had a compass which got me to a fence line with narrowed down my choices to two lolol.
The country along the Powder River reminds me of the Yellow stone plateau but without the geysers, tourists or buffalo. There are a lot of cattle ranches and CLASSIC photos to be taken along that drive. If you need directions and suggestions I request you PM me and I’ll get you on the right track.
Some twilights are full of primary colors so pure they rival a new Pantone swatch chart (about 300 bucks new). I very carefully reproduce what happened that morning here. The snow had a decidedly cyan tint which I can see clearly in my minds eye from the moment of the shutter release. I don’t see it too often, it’s always under intensely involved Twilight Skies. I see so many posted images of electric blue snow. I’m confused because I have never seen electric blue snow in real life.
I’ve lived in Wyoming working with color images professionally or other artists beginning 1991. Experienced a few well taken winter images up here I have. It is my observations that Blue Colorcast in Snow is quite rare. Images that have it, are (usually) either 1: improperly set up white balance (most likely), or 2: intentional twisting up the volume on a broad stroke color enhance control. Now I’m all for art in a photograph but with full disclosure of the deed. I’m not going to present an art work as a photograph. It’s a matter of Professional Courtesy to other photographers.
I have found that a good portion of the viewer ship like color enhanced photos. Everybody has their own likes and that what art is all about. Unfortunately for that segment I’m a photorealist and try VERY hard to accurately reproduce what I saw at the time. I’m sorry, if you like blue snow, you’ll have to look at another artist. I live within in a blue snow free zone.
There are 19 bones in the toes of “Triceratops horridus” . These toe bones are each a separate animals contribution to this composite assemblage. All approximately the right sized toe bones properly place to assemble those toes to scale. Our Ranch sits entirely with the Dinosaur Fossil rich Hell Creek/ Lance Formation at the surface. The 66 million year old/Cretaceous Terrestrial Sandstone Formation is not abundantly fossiliferous but I’m sure there are several animals around here. The trick is seeing them through the rock. Each and every bone I find promotes an adrenaline filled EUREKA moment. I’ve been a student of paleontology since I was 5 years old with my first EUREKA moment. 🤔🤣
Each one of these individual bones was a separate excavation at different times and 3D place in the outcrop. None of these belong to the same Triceratops. It took a few years and a little work to gather the bits and pieces for this assemblage. Several of the pieces show repair, a few are as found broken/cracked. Stabilized all with a diluted superglue compound. (Paleobond or Starbond). Soaking into the porous bone, the capillary action wicks the thin cyanoacryilate stabilizing the fossil. Deposition occurred long before the Big Horn Mountains rose from the earth. 130 miles to their west. The River that transported these bones also carried sand from Mountains long gone now. Mountains come, and mountains return to the sea as sand carried down by the river.
The hooves/claws/fingertips are the RARE bones but I indicate that just “plain old” Triceratops toe bones don’t grow on trees anymore lololol. Particularly pretty well preserved ones. This particular fossil site providing these is a wonderful place. 📸
Table below is an Eocene lake bed from Kemmerer. The whole table has several fossil fish on it but that’s not the focus for this post. You can see a partial on the lower left corner and a tail on the far right. The white spots are cuprolites. For a Scale I used an 18 inch ruler. The table weighs about 400 pounds. It rolls well on it’s side though. 🤣👀
Sunrise, Moon set. This remote backcountry road here in the late Wyotana spring is easy to get around on. As I type this a spring storm dumped 6 inches on everything but the light has been flat. Six or more inches of snow that did blow around graces our backcountry drives now. At least for a few days we will avoid the mud season with 8 degrees on April 2nd, 2020. Winter comes late to the high ground of Wyoming/Montana (Wyotana).
The look back and the sky beyond is a technical challenge I’ve been working on for years. Occasionally I get one just as I remembered the scene. The inadequate technology in the cameras is unable to overcome the limitations of the physics of the moment. With a removable lens camera, this is the technical walking a tightrope. You can only capture deep focus images like this in Manual mode with a really good DSLR or mirrorless camera. It would be way easier I believe with almost any cell phone in the country. 🤣
I miss the familiarity/control of my old Jeep Grand Cherokee. It was under me for 15 years in this backcountry and never got me stuck. Of course I traded it in back in December, 2019. Last Truck sold by the local Ford Dealer that Decade. … The Raptor I drive now is WAY better but not as familiar yet. Knowing where the wider vehicle is…. tough… I digress. What a sky 📸👀
Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.
This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.
I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances
Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷
I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
You just have to be there to look at the right time and place about 200 yards away…… 😜😜
I usually don’t take too many photo’s of Pronghorn walking away. I was watching these young buck wander off and hit the machine gun button on my camera. From my perspective, they were swerving back and forth. It appeared a semi-drunken path as the cattle trail pulled them side to side. The way their color is, blending is part of their evolutionary camo plan. A wonderful color scheme as they really blend into this country. Thusly produced a seamless illusion of “Siamese Twins” I don’t get a chance at too many of these.
Graphic Artist note:
I could have EASILY removed the extra legs but I think they are fine so you can see what’s going on. I get this kind of alignment occasionally. More so from HEHIND lolol. I’ve even built images similar to this for fun. This one is legit and unmolested.
Boy are these Sony Alpha 7R4’s fast on the trigger with a 60 meg .jpg resultant each click. 📷👀 Machine gunning cameras that produce big files is costly to backup and store. I do fill up 32Gig cards with these things. Usually in about an hour and a half’s work on a normal day out in the backcountry. I always run into something interesting out there.
Long Lenses Crush Perspective tremendously. Far and near objects become “closer” in the frame through them. Long telephotos are tricky to use versus wide angle short lenses. They are very sensitive to motion.
Location: my backyard at the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
There are two bird silhouettes in this image. I watched this little melodrama unfold through my camera lens from about 100 yards out. The Raptor on the left.. (I’m thinking a Red Tailed Hawk. Interested in staying overnight there it was. It’s a big comfy Heron nest . 50 feet up the fully mature Cottonwoods with a wonderful sunset going on below this frame off on the horizon. This was happening real time though. Here’s how it went.
The Raptor had spied this nest. He obviously had designs on the roomy spread. I don’t know how long Great Blue Herons have nested in this spot. So things got really sporty between these two with the Raptor heading out for the clouds beyond. I’m pretty sure that nest has been there a LONG time. Wood really decays slowly out here. I would not be surprised if it were 30 years old. It has been there since I moved onto this ranch in 2000. There have been birds nesting in it every year I’ve been here along with the other 5 nests. They have the best position on the tree line.. I’ve seen hawks nest down this line of trees. Smaller Raptor nests are pretty hard to find camo’d in the trees.
I would indicate that that Herons beak could pierce the raptor to the heart. If I were a hake, I would not want to fight a Great Blue Heron. Roughly 5 pounds at 5 feet tall and very capable of eating about anything silly enough to stay in front of it. These guys are basically dinosaurs in the mind of this Paleontologist. They just lack a tail and teeth. Everything else is pretty much there. All the Dinosaurs didn’t die off at the end of the Cretaceous. Some of them, the Avian Dinosaurs lived on. Flying around us today they are. 🤔👀⚒📸
Every capture I post is my memory of a moment in space time that will remain in our digital universe. Anything posted on the internet will probably survive us all. Digital memory is forever assuming a massive solar EMP doesn’t throw us back to the stone age. In a sense this image and most of my work is preserved as long as the internet remains a viable domain. Eventually Artificial Intelligence will know everything all of us have ever posted on the internet. Kind o scary huh?
So I had myself a mirrored pond on a rare becalmed evening up here. This spot is exactly on the Montana/ Wyoming border. 45 degrees North Latitude is precisely 1/2 way between the Equator and the North Pole.🤔👀📷 (There are new people reading this lolol).
I made this an action shot. Driving my F-150 Raptor into the pond generated a large train of ripples slowly expanding outwards from the disturbance. The resultant ripple crests were a perfect mirror train to repeat the suns ever expanding reflections as they approach the lens.
These high land ponds are ephermeral, drying with the onset of summer. The sandstone rocks under them soaking up the water slowly replenishing the local “water table”.
About this photo:
The Dynamic Range in this photo is incredible. I’m using a Sony Alpha 7R4 which has 15 stops dynamic range. I’d like to have a few more of these cameras lol. The dark lower part of this picture has very few artifacts from the WIDE range from straight into the sun to almost pure black but you can see the details in both ends of the lights dynamism.
Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save the moon yet again. GOOD thing I’m standing up wind..👀
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Weekday Windmill Junkies Unite : 🤘
Manual Mode Phobia: (You know who you are) ….📸
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
I believe this is a Triceratops Toe (nail)… It’s known as a Pez Ungual to be precise.
The difference between Hadrosaur Dinosaurs (Duck Bills) and Triceratops (Three Horn) is a matter of opinion i believe lol. Wider like this is probably Triceratops. Longer thinner versions of the same bone I usually attribute to either Hadrosaur or PachyCephalosaur (Bone Head with Spikes). . These three and others had hoofs very similar in general shape. The larger ones are probably all Triceratops as they constitute over 50 percent of the fossil record of the Hell Creek Formations. Hadrosaurs only were about 25 percent of the herd.
It’s like the bone that is under your fingernail. Except the cuticle/nail covered it like a horn. The holes and grooves are all venous processes and nerve pathway/holes for those to base around the blood rich toe tips.
Hadrosaurs and Triceratops were both the “cattle” of their day. All the Raptors accounted for less that 5 percent of the fossil record. I have found a dozen of these over 20 years. River transport beat up most… . Often someone chewing/breaking dinged them.. Random breaking in the outcrop is also selective against these being preserved. This particular one is essentially perfect, no glue needed. This needs a serious session under an miniature sandblaster using sodium bicarbonate to blast away the sand on the surface.
Formation: Hell Creek / Lance Cretaceous Terrestrial River / Lake sediments at the end of the reign of the dinosaurs. Circa 66 million years ago.
My camera lens front just from the warm car, captured two flakes of frost falling from the trees. Those ice flakes hit the warm glass and turned to liquid with the heat transfer. Providing two extra lenses for me to peer “through”. Artifactual obviously ….. Pretty anyway 😜😀📸
I usually don’t publish images with lens artifacts but the artist in my liked the way this came out. In full disclosure I had to fix the flare on the right which for what ever reason doubled enough to be distracting from the symmetry of the image. Just a slight double ghost I fixed there. So technically I removed a beer can from the postcard photo here. ART.
I have a tendency toward pointing cameras into suns lol. This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truly amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The orange red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
The lighting during the “Golden Hour” is usually markedly rediish/orange. The distance traveled by that light through the atmosphere is a path that drops the longer wavelengths to the side. I actually drove up in my mobile photo studio (my Ford Raptor) and never had to get out of that portable blind. It took me about 10 minutes to drive up once I crested the hill.
When I approach this area, I slowly encroach in steps. It’s comparable to imitating a grazing animal. The Raptor is pretty quiet. Particularly when compared to my previous Jeep Grand Cherokee. It is also very Black, dark and stealthy in it’s appearance. Lots of black animals walking around the hills (angus cattle). So my new rig is working very well to integrate into the scheme of things up here. The various creatures on ranch become accustomed to that truck with time. I also worked a herd of deer this same evening getting very close for this early in the season.
This particular trip into the backcountry was the first one this spring with Pronghorn AND meadowlarks seen and photographed. The return of the Great Blue Herons signifies the start of nesting season. I have only seen this ONE Heron so far and expect the others to straggle in as they work their way back from winter haunts south. There are 6 nests in the trees across the lake from where this guy stands here. He did fly up to the nest which my truck was parked near. (to look across the lake at this bird). He obviously wasn’t worried about my truck as he was motionless for 20 minutes all through my approach till when I backed up and away to change the scene. (got enough photos lolol).
Warbler and Turtles Sunning . (I have a big backyard)
First of all this is a game trail camera capture from last summer.. I have several 360 degree cameras that sense all around them for heat movement. I set this up on a landing under a tree to take pictures about 90 degrees to this. The heat of the Golden Warbler’s body triggered the camera and caught in freeze frame the turtle race ongoing on the log behind the grass curtain. The Male Warbler with Chestnut colored patches on his chest is not a particularly common bird up here. I caught this one several times with this camera though. I run a network of 29 game trail cameras spring through the early winter months. I have quite a few to gather after the winter isolation. Most will be out of batteries for various reasons. I do get interesting images from them. 🤔👀📸
That is a bunch of Western Painted Turtles sunning. This year I’m walking through there with a machete before I plant that camera. The grass is obfuscating to the turtles but I will get them next time lolol.
I saw the first Pronghorn on ranch for the spring this evening on the way to this pond. I took images of an early arrival Great Blue Heron this evening that will take a week to publish on line. A week is my minimum turn around generally these days. The time of same day “take the image” and “post the images’ has long since passed lololol.
Here on the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was very bright sky with a sharp sun and a dense cloud deck above the glare. The combination of the two required a foreground for the image to suit me.
To use randomly obtained feather to grace a veiled sunset is not a new effort but is always a worthy target. Feathers contains such an elegant form. Smooth curves abound. Over the years I have found that “you are where you are during the final minutes of sunset”. My mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fast with a wonderful sky as behind this shoot and use what is at hand.
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use natural filters to reduce the glare from the furnace above. Here the edge reflections create a bullseye into the camera. Even a few percent light reduction helps. Any photo is a light balancing act inside the camera. You only have just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷
Crimson Cloud Roll Sunrise Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise.
The sky starts to light up quickly, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early March. We had light snow then, none now…. Dry year but mud is my current nemesis because I loath to leave tracks. I have a new vehicle now with excellent capabilities so I should be a productive spring up on the ridge tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
The minute I saw this scene I knew I could capture the moody nature of the stage show unfolding in front of me. I love low light color when it comes out from it’s hiding place. There are so many areas of zen up here to anticipate and pursue. Even in flat light….
The sky leading up to this was mostly overcast. It is a bad bet/ use of time to go out with cameras. Each time I go to take pictures these days, I put myself further behind finishing the rest of my portfolio. If your new to my work, I’m only about 3700 portfolio images yet to finalize to current standards. I’m one page at a time, 4 a day building and posting “Pages” for several eventual books. Each Image I produce/post has at least a 250 word narrative. 1300 + finished pages contained within that web based “book” currently on line . 👀 I try to keep busy. lolol.
It’s easy to work with skies that are textured and complex but flat grey presents a serious challenge. To bring the colors that were vibrant in the flat light into a mechanical/electronic contrivance is a complex task lol. Several computer algorithms process images inside the camera even though I only use manual settings. I haven’t used anything auto on my cameras for years. I really don’t even know how to use those features except in theory. No auto focus, no auto light balance, no enhancements. Conversions of file formats occur automatically with the digital process from camera to computer.
When I drive out into the backcountry up to the high ridgelines, I never know what I’m going to find. The Rime snow coated all the grasses and fences that morning. I really didn’t notice it until the sun came up enough to highlight all the ice. The roughly 1/8th inch coating made for a late winter sunrise scene worthy of my time getting up the ridge lol.
The sun wasn’t very warming that morning. There was a good breeze from the left that cut through my cold weather armor. Wyotana here with both states in the image. I’m standing in Wyoming looking to the north east with the sun rising on the spring equinox (straight east). Here in Early April, we still have a month of winter weather possible. Last year was cold till the end of May. We had lilacs blooming on the 4th of July for you gardeners to compare with your seasons.
I miss chasing bees with cameras and finding Preying Mantis sitting for me swaying back and forth like a breeze. It has been a LONG winter. The seasons will change but the seclusion in this remote part of the earth is comforting in these troubled times. I hope this finds you all safe and secure in your homes. We have a 1 person per square mile population density in this country. Ranches are 5 to 10 miles away from most places but it’s still 70 miles from the nearest stop light here.
A little wind that night but it was spotty. The sky show was muted at first.
This capture was well worth of hazardous pay. The particular camera rig I use for this kind of work is about a 5500 dollar outfit. (lens and camera body). When you literally touch the water with the camera, there is this reflexive pucker of certain gastro-intestinal muscles that occurs. I instinctively pull back from such threats to beloved gear. I had Goretex™ lined boots on as I did wade in a bit for this. Never got wet feet though. I’m not sure when putting electronic gear this close to destruction bothers me but it does lolol. 🤔📸
The sky this night actually went full involvement with this sun a little later on in the time line and those images will be posted as I finish them. I actually spent a lot of time with a nearby herd of buck deer all but one sans antlers (a stag) this night.. I left here shortly after this. Worked them for 10 minutes and proceeded back to here for the rest of this show off this reflecting mirror.
Yet another Blue Image from me. I have done 3 in the last week which is virtually unheard of. Not sure if it’s a mood thing or not but it’s definitely happening.
Be safe all and enjoy all the TV time.
Gear (Sony Alpha 7R4, Sony 28-135 G series lens. ).
This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.
This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔
To me the ultimate perspectives are the foggy ones. Shadows within frame set up by the sun presented themselves to me. Foggy sunrises are not a common thing up here in the high country. There is a lot of topography here. Differences in elevation a mile apart can be 3-400 feet in this backcountry. Big Long ridge tops tower over the surrounding drainage. In order to see the sun in this area, one has to be on a ridge top. Fog is not as common on ridges. When It is, I try to be there.
I’m trying to remember how many of this kind of photo I have…. errr,…. none but this one I think. Foggy shadows are rare in my world of backcountry ridges here in the highlands. I see fog in the valleys rarely, 5 or 6 times a year. More likely, the cloud deck moves down with no mercy over us with 100 yards visibility at a bright LED Bulb. Totally obscuring all but grey flat light.
I’ve been OVER a cloud deck like this only few times up here. I got lucky anticipating the clearing above the Inversion layer, I went outside and saw a few stars break through a small window. On that, I took a trip to the highest point I can drive to around and instantly was in the clear. This is one such time. There were just wisps of moisture pushing over the ridge top this unusual morning. It was fully overcast flat light down in the valleys lolol. 👀📸
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight. The sunset is far right off frame looking from the Montana/Wyoming border to the southwest toward the range.
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight. When the alpenglow colorcasts the snow on the Mountains, I get interested 👀📸.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. Orange here is a mixture. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
Blue is a rare color scheme from my cameras. I don’t work blue skies very often mid day . Most nights around the solstice (as here) are brightly colored. IT was an odd night. But the wind was dead calm. I thought that a trip a few miles into the backcountry to get to this place would worth the trip.
Backcountry…. I use the term all the time. OK, Here’s how it goes…
This pond is 2 miles of bumpy two track road from the county road passing through a seriously hard wire gate to pass through. Tight bastard it is… The nearest county road is gravel, it is 14 miles then to the closest paved road. It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way flashing red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. This spot is right at about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the Image as do most of my photos.
The Dam was built by cowboys probably 100 years ago. Located directly on the Miles City to Newcastle Cattle Drive Route, many a herd over nighted at this spot historically. Wetlands are rare this high up the ridge. The crack in the earth that that lets the aquifer leak into this puddle is hundreds of feet deep into the Fox Hill Formation (The Beach sand of the Dinosaurs). I’m still looking for a fossil beach umbrella…..😜
Golden Locust Purple Flax. ( From last spring about 45 days from when this posts. )
Boy I am really tired of Mud and Brown Season. Typically we will have had several spring snows after the mid-winter cold subsides. The wet spring storms usually move through. I’m not seeing those just yet. I’d like to see 4 inches each from weekly 31 degree storms from not until early May. A foot or more of snow would really help the apparent snow drought we are currently in. All the snow has melted.
The grass is still brown and matted from the snow cover. As I’m looking through images to finish, I run across this lovely image of some Lavender Flaw poppiing up through a low branch of Golden Locust tree. The locust is naturalized into the back yard gardens. It lives protected in the Bliss Dinosaur Ranch Homestead’s Compound. This area is fenced in with electric wire. That tends to keep the deer out. It’s not a deer “Proof” zone but it is deer resistant.
Such deer “proofing” work enables scenes like this otherwise, they destroy ornamentals mostly. We have in the past lost thousands of dollars or plantings to deer that were persistent to penetrate the 6 foot fence and 16 foot wide cattle gates we have. I had to go to 8 feet high and keep gates closed at night to keep them out lolol. Everybody needs some Purple in their life once a week ……
Location: The Homestead: Bliss Dinosaur Ranch, (In the Windbreak) Wyoming/Montana borderlands (Wyotana)
This low pointy feeder band was forming in front of me and flowing toward the larger storm system right.
This marvelous sunset is the result of a complex weather system moving through. Complex skies with multiple layers / levels are usually worth stalking at sunset / sunrise. There is just off frame right and above, a single huge rotating Mesocyclone storm. The air is rife with ozone. A mimic of a slight chorine smell as with any compound that will react with your sense of smell. The wet sage was ALMOST over powering the lightning induced tri-oxide. You might say the atmosphere was “Sporty” that evening.
Having passed right over us last summer at sunset (2019). This Mesocyclone storm cloud must have been 150 miles across. It provided me with a long feeder band into it’s wall cloud right at sunset. The yellow color low is atmospheric dust ice and moisture stopping all the colors with shorter wavelengths BUT red and yellow. The clouds high are white as that light didn’t travel through the atmospheric gauntlet at that angle. Still blue sky there.
These storms are HUGE, dominating the landscape. They are the source of most of the “bad weather ” we experience during green and brown season. Think of them as big spinning tops with the energy of an atom bomb inside. That energy is released over time but it’s still a LOT of kenetic and potential energy up there. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long. The cloud canopy straight up is still white
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Always Photobombing, “Sneaky Pete” the windmill graces my landscapes. I have no control over his actions but he seems to get into my landscapes a lot doesn’t he? 😜📷
This from early last spring. Green Grass is about a month away from the highlands at the time this posts. If you currently have growing grass, appreciate it under your feet lolol. By Mid May we are past the point of frost (mostly). I’ve seen snow in every month of the year living in Wyoming for the last 30 years. There is no promise after May 15th it won’t frost again. We had Lilacs blooming on the 4th of July last year. Most of you have lilacs in March and April latest I suspect.
Fully involved back show skies in front (sunset over my left shoulder) where JUST the top of the windmill is lit up, is all about timing. The shadow that is covering me is of the ridge 40 miles to my rear. The sunset was veiled by this deep weather system . Parts of the longest traveled red rays made their way between the lower bluish layer. All the way through to under light the much higher red/orange layer of clouds above. Backshows are well worth taking photos of if you can remember to turn around and look at them. About every 3 or 4 minutes I turn around and glance behind me while watching sunsets.