ART…. THIS IS ART. Well unless you take just the right or the left side by itself. Then it is just photography. Each is one photo next to itself flipped horizonally. The Magic is different people imagine different things with such a presentation. Your tendency to see anthropomorphic shapes in random data we are teaching to computers doing facial recognition. This is of course is a brilliantly bright setting sun breaking through a crack in the clouds over a ridge 40 miles out.
Some sunsets are limited to a very little spot of the sky. To look deeply into them when no human eye could is a spiff of using good equipment. It requires one to pretty much turn off your camera to light
This is an image I didn’t know what to do with thus the obvious choice…. The clouds were absolutely ROILING like a boiling pot live real time. I don’t do video. I’m not a videographer so I need to explain what I was seeing in this viewfinder.
When I look at a scene it can instantly transformed into a vision in my mind. In this case I saw a mask I was looking to. Some childhood memory of a Halloween costume no doubt. The best images bring back memories long forgotten. I find.
Mirroring scenes is a mental exercise I do pretty much with every sunset somewhere in any extended session. It’s just a check box for me to fill if I have the time. I always look for natural body parts in clouds so a set of eyes are welcome to the parts collection. 😜😜📷
I absolutely identify with this Pronghorn Does attitude here. That Mosquito had just dropped in front of her face as I was watching. The attempt at catching a little extra protein in it’s diet was aggressive. I’m pretty sure she was irritated at it as we all get from now and then. Skitters grow pretty big out in the grasslands but fortunately we have a lot of biologic control in the form of dragon flies in this country. The further away from water you get though those mosquito eating heros of the insect world’s population thins out. The mosquitos don’t seem too in a wet year.
Out there photographic musings:
This is a very long capture literally from a Jeep Window Rested Orion refractor telescope I’ve adapted for terrestrial use. At a full 3 feet long, it is by far is the cheapest way to get very high magnifications. Using astronomic glass for terrestrial work has it’s issues but I’ve used up to 6400mm optics in the field by hand, fixed aperture though. You only have shutter speed and camera sensitivity to play with as far as camera settings. No aperture/f-stop adjustment in telescopes. They are always wide open. Mine has a 110 mm front lens and it is very fast like 3200mm at f20 fast. Fast lenses are lenses with a low f-stop number available. Big open apertures give you lower fstops and a greater ability to collect light. I was at least 100 yards out for this capture.
Perspectives from the viewpoint of a kid climbing a tree, at least that is what I was after here. I always look at a scene and zoom in to that alternate view in my mind. I try to extend my perspective from where I stand to where the light is calling. These little areas of zen seem to just appear in front of me. Wyotana backcountry is rife with old ground, ground not disturbed by humans at all (except maybe for fires). . Lots of it by the hundreds of square miles. This is several miles off the nearest county road.
Wonderful backcountry captures happen because of paying dues. You have to be there with a camera in your hand to get some of those moments in space and time. They are fleeting, you often only have moments to capture them before the light changes. The more you carry a camera (s) around, the more cool captures your going to get. 📷 I’m always looking for visual tunnels….
This shows the icy backcountry snow getting a crust on it with a few above freezing days. These followed by subzero nights. The crust actually makes it harder to get around because your wheels are always trying to climb on top of that crust. Your basically in 4 holes all the time coincident with your wheels. Plus the snow becomes like ball bearings…. It’s about time for a big snow though. February is a busy snow month historically. The wet season of course is in the spring when all the biggest snows are. Usually LATE spring around late April or early May have have memorable storms historically.
Sunset Snow Squall (2:1 Diptych is 2-20″x20″ images) A snow filter to the light…..🤔👀📷
This might be a little abstract for my normal viewers. I like the artistic swash of color making its way through a tremendous dumping of snow locally. This was a wonderful moment of orange snowflakes falling heavily everywhere. They were big clusters of merged flakes the size of quarters some were. It was a very wet dump from above. Transitory as such things usually are, lasting about 10 minutes. Then moved on as it was getting quite dark. Time to go home. This storm left an inch on the ground in a very short period of time. Those dots in the sky here are ALL snowflakes from close to infinity frozen in their travels for this moment in space in time.
Here we are mid winter and the snow pack could be deeper. We have been having some smaller snows that are slowly adding up in accumulations. We have indeed had a strange weather year. All climate is local as the world has NO climate. It has ALL climates. Our climate this year started out with a month short summer. We had lilacs blooming on the 4th of July this year. Oct 1 is when winter started in 2019. It really hasn’t been cold here yet though. Most winters we see 20 below actual temps several times, not yet this year however. We have been below zero one period so far. This has been a pretty mild winter by local standards…. So far. (mid-february 2020)
Winter sets in deep during mid-February. The cycle of the year repeats over the century this ground has been settled/worked.. This tractor first chugged along in 1939. The first year of the International M tractor. I need to change the tires on it but it runs if I add gas and give it a jump. It has a crank on the front but I’m not as strong as I used to be. (or foolish). I’ve driven this around pulling this and that on the ranch over the time I’ve had it. Lost a tire a year ago and have to just cough up the cash lol. A big ranch operation takes time and money spent fixing things. 😜
The long late day winter sun throws deep shadow casts on the ice crystal projector screen the surface provides. The contrasts present were blinding to the human eye. Those in and of themselves are unable to behold such a scene unaided by technology. The Icy surface intensifies the glare reflecting into your vision. You instantly avert your eyes to avoid damaging them. Sunglasses would have been inadequate. You can not look directly at the sun with them. Mirrorless cameras have significant ability to turn down the volume on the incoming light. I see the scene on a video screen before I commit to take the image. You’ll want to have a full frame mirrorless before attempting this.
Disclaimer. Do not do this with a DLSR as there is a direct light path to your eye through the camera. This could EASILY blind you instantly. I only use Sony Alpha 7 R series cameras which has no direct light path internally to your eye.
When my name is included in the Title, the image is ART, usually taken from real photos . I disclose when I screw with images to any significant degree. I had fun with this one.
This Image became ART by removing 2 inches of the center hombre’s rope loop to give the illusion of it going behind the moon. The gate that provided me the photons for this capture, is our front gate. (albeit slightly re-arranged for this art work). When I screw with images I really can do anything I want but this is actually pretty true to what happened. Just a bit a rope, a little movement of the horses from their real positions and I end up with this illusion. I do like to occasionally put some art up. As I’ve said before, “all work and no play makes Frank a dull boy”.
The metal work is my original design but I did have it professionally cut with a computer controlled plasma table. We put this gate up 15 years ago at the front entrance to the Dinosaur Ranch. . There is also a T-rex on this gate but I excluded him for this particular illusion. This is ART remember :). With no rules I impose on myself to be photorealistic, I get to move, remove, replace, resize, recolor or pretty much do anything else I want to ART work. There are no limitations in the digital world. lololol (laughing maniacially). 👀😜😜
I do see some RARE colorcast Twilight situations now and again. This is real color I swear. The red light making it to the clouds above totally saturated the snow below with the same color. Like a projector screen reflecting the red to my camera. I am very accurate in my highlight colors and this is as I remember the scene vividly. This is actually the West view/back show with the eventual sunrise 20 minutes later than this capture.
I have one other similarly colorcast dominated image with a more yellow color. It was too a morning early Civil twilight even . I have just finished it’s image which is waiting in the wings to post here in a few days perhaps. The yellow colorcast image was a different twilight entirely. I’ve experienced only a few occasions of this kind of lighting in several decades of watching sunrises/sunsets. . It takes a very specific series of conditions to make this kind of twilight illumination. Catching and reproducing color accurately in my images is what I try to do. If it weren’t this way and it was a normal twilight, I would have removed this color from the image (which I could easily do). But this was the scene as I experienced it. Dramatic as heck to be honest.
Being there with a camera is the hard part in mid-winter. This particular occurrence happened in December 2018. I kept the camera busy that morning lol. 📸📸
Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜
This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
This is ART done from a photograph (I did mention this is ART didn’t I?) Oh the moon was real and the cow was real but she wasn’t exactly pointing her head upward. Simply speaking I drew her head in for the moo pose within the digital darkroom. . I’m sorry, I had to cheat to get this with her “mooing”. Everything was going well except you can never get a cow to look up at the moon when your in the right position for this otherwise silly hard technical image. Getting a long uphill slope to a ridge, a cow and the waxing gibbous moon rising in enough light to get a grassy slope in focus…. lots of things to go right.. .
She was 300 yards uphill easy. 800 mm lens. The moon is out a bit further than her. Of course high f-stop numbers are in play here.
The decidedly blue color cast is my doing of course since this is art. Blue Moo and all that. A little time in the digital darkroom makes almost anything possible. No question I try to be a photorealist at ALMOST all times. I have found that all work and no play makes Frank a dull boy 😜🤘📸
Have a great evening as this posts at 7:30 Wednesday the 19th February. This is a written one week before it posted on social media.
Only the Yucca and the Highest grass is standing above the snow back in this backcountry cul-de-sac of a valley. I was driving the ridges adjacent to this lower area. I’m able to drive mostly two tracks at the time I type this. It has been drifting a bit in the backcountry lately. Makes it hard on me. Tricky…
I have seen this group around in several familiar locations to them and myself. . These 3.5/4.5 year olds all have known me since the beginning by seeing me out on the ranch land taking photos of their childhood and parents. They have slowly started to really accept me as a another grazing animal. I slowly over time carefully approach deer. They are aware of my new vehicle now. How I approach them is the same. The “trick” is that I drive like I’m a grazing animal. Stopping, moving a little and stopping. No hurry. Might take me 1/2 an hour to get up this close. I’ve actually worked inside of deer herd boundaries before.
I wasn’t destined to integrate with the herd here, the terrain was against me getting to them in the first place. Problematic is the travel noise my rig was making. Too much noise busting over/through snow crust. Crunchy noises are not the best way to make deer comfortable I have determined. Make no mistake these are wild deer. These guys were moving slowly across the landscape trailing to bedding in this late day light. They each to an animal have seen me drive around here in my new rig quite a few times now. Hard to get this close in the snow however.
Perspective is indeed was a really cold morning but it was a pretty sunset. Crawling out into the pines seemed like a good idea at the time🤔 We actually have 2 fresh inches of snow on the ground here today (as I type) and expect some more of it. The scar on the tree is from a lightning bolt exploding the layers of wood with water in them. The heat from the bolt flashes the water to steam and boom. This old soldier survived it’s wounds.
This gloomy day with VERY flat light wasn’t that inviting. Anything exposed to the wind because coated by hoar frost. The temps were around zero with some light wind. T-shirt weather without the wind up here. Add some wind, put on the three layers under the Parka. I get out and walk around up on the forested ridges to see what I can see. I use these locations for many of my images. From the POV of field mice.
Every season seemed to be a month late in 2019 . Winter came early, rinse and repeat to mid-February. Last spring, Winter ended late. We had Lilacs blooming on the 4th of July at least a month late. I’ve noticed that the deer rut was late starting by several weeks. It only got to 100 degrees F once this year if memory serves me right. July and August were not nearly as hot as normal. All climate is local I point out. . Global warming didn’t happen here this year. Far from it. It’s just mid-February too so this cold/wet/icy stuff might be around for a while.
Sunset Pillar Skyshow Triptych (3 – 20×20 inch images. )
Sun pillars are shafts of light. Ice reflected spotlights as it were shooting generally 90 degrees up or down to the horizon.
I’ve seen them below the sun many times as well. They form on ice crystals in the atmosphere. A combination of many many reflections off the large flat face of horizontally falling plate ice crystals. The effect is very similar to any slightly tilted horizontal surface. For instance, water reflect a light source (usually the sun) and spread it out vertically. This one is pretty big. This is close to a 24mm image which is about 1/2 again the angle than your normal vision at 55mm.
The Physics explains it of course but the bigger they are, the rarer they are. The maximum extent of the pillar is about twice the maximum tilt of the plate crystals. For this Phenomena to occur, big oriented plates of ice at a high angle are required. The crystals are all flat 6 sided plates. These fall the same way due to atmospheric resistance and their shape. Calm falling air is necessary. The high tilt is unusual. I’ve read that 5-10 degrees tall is not unusual. I bet this is 40 degrees tall if not 45 degrees. This is a very big image wide and high. (I’d have to look at the meta data and do the math. It certainly seemed big to me at the time (click click click etc ).
Perspective on Snowy Backcountry Ridge (Rare Halfie
The “thin layer” of Yellow Alpenglow colors the floating ice above the rising horizon covering the sun. This sets the stage across the middle of this “halfie”. I maybe take 10 ‘halfies” where the horizon is 1/2 way up the frame a YEAR. This capture won over my better instincts as it has such a big perspective. Leading lines are incoming in all directions. I think all the good things compositionally in this image over come the general rule against “halfies”.
“There seems to be no doubt that the vast quality of mutton can be grown here, pound for pound, as cheap as beef; and, if so, then sheep-raising must be profitable if cattle-raising is.”
Silas Reed, surveyor general of the Wyoming Territory, from his report for 1871.
It took a while for the notion of raising sheep to catch on out on the frontier. Eastern states and Ohio raised most of America’s sheep early on in the migration west. . Small numbers of sheep arrived in Wyoming as early as 1847 according to Levi Edgar Young’s The Founding of Utah, a Mormon pioneer company that left Omaha in July 1847 and arrived in Salt Lake City on September 19 included 358 sheep.
Back to the present. The stone Sheepherders Cairn just to the right of the sun has stood perhaps for 100 years acting as a marker or boundary point . Sometimes they were a place for a supply drop for the backcountry solitary herder hanging out with the sheep. The herder protected the sheep of course from coyotes/lions/other predators. They usually lived out of a covered wagon for months at a time literally alone with their flock.
About 6 months off season, the forest fires to the far west. This is a VERY bright scene but the sun was indeed markedly yellow and the sky crimson on this tiny portion of the sky placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp. When taking such images, movement of your head fractions of an inch makes a REALLY big difference. The lens is an 18 inch 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun made it to me though. The pall of smoke trapped all the shorter wavelengths of light from getting to me. I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field.
The Journey we are on is varied in the paths we take. Many roads traveled and many not. Some choices were made to get where we are. Many were correct in the decision. Others might have been best remembered as a detour along the way.
As travelers, often we must choose between two bad choices others times the choice seems clear. I’m my journey, I have seen the best laid plans fail, and the least anticipated outcomes prevail against all logic. I’ve learned not to swim upstream. I try to float with the current that tows us all along with it’s inexorable pull.
Time and space occupy my thoughts some of the time. Oh not outer space but inner space. For I feel our understanding of what is “without” will be found from “within”. Much of what I observe externally conforms to my beliefs on how the mechanics of the universe I learned from my teachers. Their thoughts gathered from their professors and handed down thusly. The understanding of generations of observers of the natural world painstakingly and sometimes erroneously recited. There is a loss of information in the game of telephone.
The one truism I have learned during my many steps. Things are the way they are, not the way you are told or what you think. I always re-evaluate and modify my path to conform to the values that I have accepted over those miles. Just like taking a path down an untraveled snowy two track off into the distance. One must choose ones’ path carefully.
This MesoCyclone was Veiling the full Moon. Enough to catch the stars visible to my naked eye. Using a 20 second time exposure, some lightning flashed during the interval. Details in the clouds that are seldom to a camera pointing at the full moon. Most you see are fakes or composites. Time exposures over a second tend to overexpose the full moon badly. Even a moon that was unveiled. Limitation of the technology.
Straddling South Dakota, Wyoming and Montana, this rotating storm was around 100 miles across. Containing the energy of an atom bomb expended over it’s life.
The view I had of this storm was perfect enabling me to photographed it. I was up in the higher backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars. No other man made light sources in view from the highest mountain top around kind of backcountry.
Various colors are way saturated which is what time exposures do. I actually really dampened down the purples that were native in the camera’s software in this image. 20mm lens, cropped in a bit. I wouldn’t go over 20 seconds with a 20mm as longer would have blurred the starts. That time varies with the focal length of the lens so look it up on google lol.
This ranks as one of my personal favorite images of the year. There are a few others….🤔 Taken Mid Summer 2019. 2×3 aspect.
Boy is there a lot going on here. This was a dramatic morning to a student of clouds. The Kelvin-Heimholtz type Wave Cloud patterns on the top dark band is not a terribly common cloud phenomena. Differences in air density moving past one another making waves… Add to that the spread across the sky crepuscular rays during twilight. I probably have 4 other images in 30 years of photography. Twilight Crepuscular rays hard to find in my experience.
I was looking madly for a foreground object(s). Ones I could use on a mostly treeless parallel ridge between me and the show. The main sunrise still 10 minutes away. I move pretty quickly from place to place if it’s possible. Mid-winter presents it’s challenges to my access or more importantly egress from some of my ridge top photographic locations. I had to drive about a mile in variously deep snow to get this angle on the tree lined ridge over 2 miles distant from my position. There is a large deep drainage between that ridge and myself as well. Can’t get there from here lolol.
The yellow to orange to red Alpenglow gradients is typical morning midwinter. The longer traveled red rays illuminating the cloud deck from below. The Yellow / Orange part of the image is mostly Alpenglow. Alpenglow is exquisite here in the winter. Every twilight has some if the sun is not occluded by clouds. . There is usually ice in the atmosphere in the borderlands even mid summer sometimes. I’ve seen Alpenglow every month of the year.
This sunburst coming just over the edge of the far ridge is one of the most prodigious I’ve had come out of this camera. Part of it was there was a LOT of fog in the air for this. Primarily these sun star are diffraction artifacts inside the lens of the camera. They are either attractive to you or not I have found. I personally like them.
Are these rays there in the real world? Yes they are a result of light passing through a very small aperture. Light diffracts off the edge of the opening which you are seeing here. The same thing probably happens to your own eye but you’d be blinded if you tried so you turn away lolol. No one can look into a scene like this for very long twice. No human eye could do more than glance past this. Then you’d still be seeing spots. When the diffractions stars are BIG, it’s really bright. Also the F-stop is turned up to give me a small aperture. Cuts off light too … Wide focal fields with high F-stops lets me properly focus the grass at my feet AND the hillside.
This was taken a day before we got a pretty good snow. IT’s a LOT harder to get around up on the high ridges now. We’ve been in the deep freeze for a while with mid-February weather spitting a few inches every other day at us. No huge storms YET this winter, I hope we get snow spread out in smaller dumps rather than huge punctuated events with named winter storms.
It’s not magic using a 12 inch Meade LX 200 Telescope at 3200mm. The result can be very interesting in the details… This bottom 1/3rd of a D moon (first quarter). I took this in infra-red capture… so any color would be artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….It doesn’t happen often enough even up here at 4000 feet in the dark dark westerns skies of the Montana/Wyoming borderlands.
It takes me 6 images at this magnification to stitch together the full moon into one frame. The resultant file is rather large lol. There was very good “seeing” that night. “Seeing” is a term astronomers and amateurs as myself use to describe the atmospheres transparency at any particular time. WHen the moon is straight up, the seeing tends to be better due to the less atmosphere your looking through. I see horribly distorted moons near the horizon where the atmospheric distortions have their way with the transmitted image. Turbulence above me usually blurs the details that this this light let through to my photon capture boxes (cameras).
Pursuit of the moon is a very cyclical thing. If your hunting for details, then you want LONG shadows to accentuate them. Full moons are wonderful of course, generally easy photography but the detail in the craters are elusive. I live very much in tune with the lunar cycle as well as the yearly sun’s migration I photograph both when they present me with opportunity and light worthy of your attention.
Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.
Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms
This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.
The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)
Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.
Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔
Back to my normal programming:
Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….
Pink Alpenglow on Snow Moon (Moon Monday all Day Plus a Windmill Weekday)
Rare mornings each month does the Full moon set with the sunrise behind the photographer. Rarer yet are the mornings that we’ve just had a fresh snow coating everything. Add to that the Red/Pink light of the Belt of Venus falling down on the snow. The 40 miles wide Little Powder River Valley stretches across to the “Red Hills” (Their real name). The 6 inches of fresh snow over the last couple of days has been blowing around from a strong wind. “Sneaky Pete” the Windmill had to get into the picture as is his propensity of course. I have no control over his photobombing actions. In his defense, I find he provides scale for this perspective crushing telephoto shot
Mustings on Agility:
Standing back 400 yards from this .5 second exposure that was on a window clamp mount using my vehicle as a tripod out in a snow covered field that allowed this angle. Yes, this morning I was driving through drifts and 6 inches flat of snow all over the place. I have enjoyed the extra clearance that this new f-150 Raptor has. I’ve never had to take it out of 4 wheel high so far. Off road even down hills pretty steep hills (and getting back up) is doable so far. Usually valleys are black holes for 6000 pound objects that drop below the ridge line. I’ve not managed to get it stuck so far. I’ve gone many places that would have stuck my old jeep hard. I am much more agile in this rig than any other I’ve driven up in the high backcountry.
Always aware of glare effective my images, I not that this particular night was very very golden from the ice projector screen floating in the atmosphere. This is a side show well to the side of the sun which is off frame hard left. It won’t be long until the sun sets in that V-notch as the sun sets a little further north each day on the Big Horn Mountains. Standing at Ridge one on my ranch, The last “Ridge” seen here 130 miles away. That ridge has several 13,000 foot peaks seen her
Photographic Musings focusing on :
When I don’t get detail in the landscape, you can assume that the lighting was pretty dim or very bright. Slow speeds let in too much light. A rested camera at 1/15 th of a second is pretty tough to keep from blurring plus you HAVE to have either a timer to initiate the shutter and a tripod/sandbag or your going to blur. I say if it’s 55mm and smaller that 1/50th is fine and stable unless your taking photos of moving things. The longer the lens, the more ANY movement will tend to blur. WIth a 800mm lens, if I’m working handheld at less than 1/200th of a second is rare and use a rested camera.
My rules of Thumb for Handheld cameras shutter speed. (manual mode) all times are in fractions of a secondl You MIGHT get away with less and slower speeds blurring things intentionally is a valid photo technic. I’ve done that slow setting for a blur numerous times intentionally with bees and other fliers. Freeze the body but blur the wings composition sort of image…
Sitting still subject: 1/50th or faster..
Walking human 1/200th.
Running anything 1/800th
Flying things/moving vehicles: 1/2000th
Bumble Bee Wings 1/4000th. Looking into bright scenes? Try 1/4000th…
These are just a rule of thumb and you can sure get away a bit on either side of those numbers. Of course the faster your exposure and the less light will enter the camera over the shorter period of time. You will have to adjust for fast shutters by either turning up ISO or turning down the F-stop numbers (bigger aperture). There are only three things to adjust in manual mode after all. You just learned one of them. 😀
This U.S. General Land Office Survey Benchmark says 250 dollars for removal. Placed here in the 1914 survey, this marks a 4 section corner very close to the 45th parallel. . These surveyor guys putting these brass markers using mules to haul their bulky plane table and alidade across the 45th parallel. Plus they were carrying a bunch of these heavy markers plus tenting/shelter for this country.. Tough slog to say the least. The 45 degrees north latitude coincidentally is also the Montana/Wyoming border. It’s also 1/2 way precisely between the North Pole and the Equator.
They are kind of a dangerous thing to suddenly find with your ATV or other vehicle if you by chance happen to be chasing a cow through deep grass. This is a big place and these things are about a foot to 18 inches high off the ground. When I find them, they get flagged. . I haven’t taken out a suspension yet with one but I suspect if I do backcountry enough I eventually will. 3500 miles on an ATV in that backcountry in 2018 is a lot of exposure. I found a few of these by seeing them. I do have a “general” idea of when I’m close to one. They really are a potential hazard to an ATV or truck. Remember this is private ranch land. We can/do by necessity chase cattle almost anywhere.
Location: almost literally up on the Border, Bliss Dinosaur Ranch, Wyoming/Montana (Wyotana)
Moon Rise in Pitch Black (This is the Moon NOT the sun AND full Screen is a Must).
Moony Alpenglow I’m thinking. This is a 20 second long time widefield exposure with the camera aperture at low f-numbers (wide open). ISO is less than 1000 for this. High ISO is an evil thing in night time exposures.
I don’t do much work late at night as I do photography all day so there has to be a nap time somewhere. On the occasional night when I’m up over a mile away from my door up on Ridge 1 late at night, I usually bring a tracker along. Set up on Polaris. Takes a few minutes usually. Your camera mounts right to the tracker. 300 -400 bucks on amazon.
Rule of 600 in Star Photography:
The rule states that the maximum length of an exposure with stars that doesn’t result in star streaks is achieved by dividing the effective focal length of the lens into the number 600. A 50mm lens on a full sized sensor camera, therefore would allow 600 / 50 = 12 seconds of exposure before streaks are noticeable. That is unless you are using a device that moves the camera the same rate as the stars move. These “trackers” are a fairly inexpensive gadget but you do have to understand how to find Polaris (North star). Then you can take sharp stars over long intervals instead of getting lines from them moving.
Of course 20 seconds with a wide open iris totally overexposes the moon. That was the point. I wanted to see the moony Alpenglow it was projecting even faintly visible to my naked eyes lolol.
A hundred year old settled area (only), Rockypoint Wyoming has a rich history of community surviving in the northeastern corner of Wyoming.
This spot is a good 12 mile drive over good gravel roads from my residence. That takes me about 18 minutes from my driveway if I drive below the speed limit. I have found that I’m a rediculously careful driver. The police driving course I took and subsequent on the street work, watching speeders and turn signal stops all day,. I was also an EMT for 17 years. Saw a lot of the result of bad driving. Sometime Days at a time in a small town in Ohio lol. I digress…
So every time I drive to this intersection, I see an image, and locked up the “antilock” brakes. With less than ideal traction, there was a spasmodic response of deceleration. The truck slowed jerking to a stop. I backed up, rolled the window down to verify what I was seeing. It was pretty cold at the time and setting up a tripod is of course the game.
THe Misty Mountains 40 miles out are the Three Missouri Buttes (center) with the Devil’s Tower to the far left horizon. Mostly hidden in the mists, it rises 1200 feet about the nearby Belle Fourche River (the lowest place in Wyoming where it crosses the border).
Location: Rockpoint Wyoming. Crook County about 7 miles south of the Montana border. (still Wyotana).
As Canada Geese migrate, they make nightly stops here on open water which was getting rarer as the season went along. Migration consists of these big birds moving from where there were born, to warmer areas, then back to their birth place.
These geese are amazing birds with up to a 75 inch wingspan weighing between 5 and 15 pounds. Now a 15 pound bird is a LOT of bird. Big Males are nothing to mess with if they are being territorial and habituated to humans in city parks etc. They never stick around up here to give me a hard time so far. They will violently attack any creature that is a perceived threat to their goslings including humans.
The Canada Goose is literally the largest goose in the world. Having said that, there is a subspecies of canada goose that is the smallest goose species in the world as well. The oldest captive goose lived 40 year with 30 years being common in captivity. 10-25 in the wild is typical. They mate for life but if one mate is lost, they will take another.
True Story here on ranch…
I have some experience with geese chasing me. Never fought one. I did however have a confrontation with (captured them by hand) a wild 30 pound bird or 2 before (turkey) that was in our log house under construction at the time with no windows in the building yet. A flock of 1/2 dozen turkeys were inside. Not wanting to clean up the mess, it was my job to get them out…. I went in with safety glasses, a light jacket and gloves. I have determined that turkeys while flying through missing windows do well. Not so much flying out the same windows blanks in a log wall. (to the light). I had to catch each one of the birds Stuck on running around the room from me rather than trying to leave via the window. Dinosaurs all. Just no tail and teeth.
Catching a Pronghorn during Levitation is a demonstration of Stotting or Pronking. Relatively stiff legged they more or less pogo stick across the ground. Apparently it’s an energy efficient way of moving but not their fastest method lol.
Pronghorns are the fastest land animal in North America and pretty much hit 50 everyday around here at one time or the other lol. This apparently is an efficient way of covering ground quickly as they are moving when they do this. Maybe 30 ish…. This is harder to capture than you might think….. This is not really an everyday thing for them. Hard to capture as only once in a while do I see this. You have to be there to start with and then they have to do the behavior you want lolol. Technical camera settings are straightforward but opportunity wins every time. 📸
This of course is a summer photo as the lack of mid-winter snow AND the total absence of the Pronghorns this time of year. There are no Pronghorns on ranch that I am aware of that are overwintering here. We do keep water open but it looks like all of them have migrated south about 30 miles to the Thunderbasin National GrassLands. They gather there by the thousands for running water and lots of grass. I’ve seen individual herds of 250-300 before and they were just a random herd. I know there are bigger groups down there.
(ART… Did I mention this is ART?? ). a mirror/mirror reflection.
All work and no play makes frank a dull boy. So Every once in a while I will do create one of these works. One needs to have just the right image. I actually look for scenes that lend themselves to this. But I often don’t take the time to do the work being busy with photorealism instead.
Dramatic sunset through the eyes of a all seeing creature? Perhaps a Butterfly with two yellow spots on it’s orange wings. The original photo was a good image to say the least. I figured two image for the price of one would be an appropriate response. Some may see a malevolent eyes here. Rorschach would be jealous of this one. A nearly 3 dimensional Ink blot in full color courtesy of mother nature is a lot of fun to create.
I always like to enlarge / zoom in to the image to look at the “totem pole’ that runs up the center of the image. There are always a host of creatures that develop as a result of the mirroring. Human brains associate bi-lateral symmetry with creatures of all kings. We see two glowing dots in the dark, our mind fills in the blanks. Seeing patterns in random data is called Pareidolia. 100 years ago such tendencies might get you put in an asylum as a psychotic. Now we are training computers to do facial recognition all over the globe.
Taken just after a gentle spring rainstorm. The air was fresh and drenched with moisture. 99 percent relative humidity has everything wetted as you see here. A drop of water with it’s little moon following dropping from the flower’. A strong scent of wet sage was lofting across our homesteads lawns, the tips of my tennis shoes wet from the grass. Green Green Green, the “Bokeh” (good google word) here was ideal for a gentle background to the Giant ornamental onion from the orient. This one is just starting to bloom and had pulled back a little with the rain falling. The Allium flower isn’t a terribly long lasting bloomer but boy are they great in clumps of 8 or 9 bulbs in a spot you want conspicuous for a few weeks a year.
Allium giganticum means Giant Garlic interestingly. Probably from the similarity in shape of the bulbs and not the taste I’m thinking. Otherwise the classic Crocodile Dundee reference would be “needs Allium”. … (if you get that I’m worried about you😜😜) Even Bumble bees were temporarily grounded due to the rain. I went out just as it let up. Rain and Cameras = Hazardous duty pay + overtime. I’m pretty careful with water. Taking photos next to or over water with a good camera is like taking photos next to a flame with plastic clothes on.
I could take this photo with the background in focus or not in focus. High f-stop numbers will put that in focus. Low f-stop numbers give you a thin field of focus and you only get the flower sharp. It is a good tool in your Manual mode tool kit to actually decide what and how much of your image you want in focus.