Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save the moon yet again. GOOD thing I’m standing up wind..👀
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Weekday Windmill Junkies Unite : 🤘
Manual Mode Phobia: (You know who you are) ….📸
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
I believe this is a Triceratops Toe (nail)… It’s known as a Pez Ungual to be precise.
The difference between Hadrosaur Dinosaurs (Duck Bills) and Triceratops (Three Horn) is a matter of opinion i believe lol. Wider like this is probably Triceratops. Longer thinner versions of the same bone I usually attribute to either Hadrosaur or PachyCephalosaur (Bone Head with Spikes). . These three and others had hoofs very similar in general shape. The larger ones are probably all Triceratops as they constitute over 50 percent of the fossil record of the Hell Creek Formations. Hadrosaurs only were about 25 percent of the herd.
It’s like the bone that is under your fingernail. Except the cuticle/nail covered it like a horn. The holes and grooves are all venous processes and nerve pathway/holes for those to base around the blood rich toe tips.
Hadrosaurs and Triceratops were both the “cattle” of their day. All the Raptors accounted for less that 5 percent of the fossil record. I have found a dozen of these over 20 years. River transport beat up most… . Often someone chewing/breaking dinged them.. Random breaking in the outcrop is also selective against these being preserved. This particular one is essentially perfect, no glue needed. This needs a serious session under an miniature sandblaster using sodium bicarbonate to blast away the sand on the surface.
Formation: Hell Creek / Lance Cretaceous Terrestrial River / Lake sediments at the end of the reign of the dinosaurs. Circa 66 million years ago.
My camera lens front just from the warm car, captured two flakes of frost falling from the trees. Those ice flakes hit the warm glass and turned to liquid with the heat transfer. Providing two extra lenses for me to peer “through”. Artifactual obviously ….. Pretty anyway 😜😀📸
I usually don’t publish images with lens artifacts but the artist in my liked the way this came out. In full disclosure I had to fix the flare on the right which for what ever reason doubled enough to be distracting from the symmetry of the image. Just a slight double ghost I fixed there. So technically I removed a beer can from the postcard photo here. ART.
I have a tendency toward pointing cameras into suns lol. This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truly amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The orange red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
The lighting during the “Golden Hour” is usually markedly rediish/orange. The distance traveled by that light through the atmosphere is a path that drops the longer wavelengths to the side. I actually drove up in my mobile photo studio (my Ford Raptor) and never had to get out of that portable blind. It took me about 10 minutes to drive up once I crested the hill.
When I approach this area, I slowly encroach in steps. It’s comparable to imitating a grazing animal. The Raptor is pretty quiet. Particularly when compared to my previous Jeep Grand Cherokee. It is also very Black, dark and stealthy in it’s appearance. Lots of black animals walking around the hills (angus cattle). So my new rig is working very well to integrate into the scheme of things up here. The various creatures on ranch become accustomed to that truck with time. I also worked a herd of deer this same evening getting very close for this early in the season.
This particular trip into the backcountry was the first one this spring with Pronghorn AND meadowlarks seen and photographed. The return of the Great Blue Herons signifies the start of nesting season. I have only seen this ONE Heron so far and expect the others to straggle in as they work their way back from winter haunts south. There are 6 nests in the trees across the lake from where this guy stands here. He did fly up to the nest which my truck was parked near. (to look across the lake at this bird). He obviously wasn’t worried about my truck as he was motionless for 20 minutes all through my approach till when I backed up and away to change the scene. (got enough photos lolol).
Warbler and Turtles Sunning . (I have a big backyard)
First of all this is a game trail camera capture from last summer.. I have several 360 degree cameras that sense all around them for heat movement. I set this up on a landing under a tree to take pictures about 90 degrees to this. The heat of the Golden Warbler’s body triggered the camera and caught in freeze frame the turtle race ongoing on the log behind the grass curtain. The Male Warbler with Chestnut colored patches on his chest is not a particularly common bird up here. I caught this one several times with this camera though. I run a network of 29 game trail cameras spring through the early winter months. I have quite a few to gather after the winter isolation. Most will be out of batteries for various reasons. I do get interesting images from them. 🤔👀📸
That is a bunch of Western Painted Turtles sunning. This year I’m walking through there with a machete before I plant that camera. The grass is obfuscating to the turtles but I will get them next time lolol.
I saw the first Pronghorn on ranch for the spring this evening on the way to this pond. I took images of an early arrival Great Blue Heron this evening that will take a week to publish on line. A week is my minimum turn around generally these days. The time of same day “take the image” and “post the images’ has long since passed lololol.
Here on the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was very bright sky with a sharp sun and a dense cloud deck above the glare. The combination of the two required a foreground for the image to suit me.
To use randomly obtained feather to grace a veiled sunset is not a new effort but is always a worthy target. Feathers contains such an elegant form. Smooth curves abound. Over the years I have found that “you are where you are during the final minutes of sunset”. My mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fast with a wonderful sky as behind this shoot and use what is at hand.
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use natural filters to reduce the glare from the furnace above. Here the edge reflections create a bullseye into the camera. Even a few percent light reduction helps. Any photo is a light balancing act inside the camera. You only have just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷
Crimson Cloud Roll Sunrise Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise.
The sky starts to light up quickly, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early March. We had light snow then, none now…. Dry year but mud is my current nemesis because I loath to leave tracks. I have a new vehicle now with excellent capabilities so I should be a productive spring up on the ridge tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
The minute I saw this scene I knew I could capture the moody nature of the stage show unfolding in front of me. I love low light color when it comes out from it’s hiding place. There are so many areas of zen up here to anticipate and pursue. Even in flat light….
The sky leading up to this was mostly overcast. It is a bad bet/ use of time to go out with cameras. Each time I go to take pictures these days, I put myself further behind finishing the rest of my portfolio. If your new to my work, I’m only about 3700 portfolio images yet to finalize to current standards. I’m one page at a time, 4 a day building and posting “Pages” for several eventual books. Each Image I produce/post has at least a 250 word narrative. 1300 + finished pages contained within that web based “book” currently on line . 👀 I try to keep busy. lolol.
It’s easy to work with skies that are textured and complex but flat grey presents a serious challenge. To bring the colors that were vibrant in the flat light into a mechanical/electronic contrivance is a complex task lol. Several computer algorithms process images inside the camera even though I only use manual settings. I haven’t used anything auto on my cameras for years. I really don’t even know how to use those features except in theory. No auto focus, no auto light balance, no enhancements. Conversions of file formats occur automatically with the digital process from camera to computer.
When I drive out into the backcountry up to the high ridgelines, I never know what I’m going to find. The Rime snow coated all the grasses and fences that morning. I really didn’t notice it until the sun came up enough to highlight all the ice. The roughly 1/8th inch coating made for a late winter sunrise scene worthy of my time getting up the ridge lol.
The sun wasn’t very warming that morning. There was a good breeze from the left that cut through my cold weather armor. Wyotana here with both states in the image. I’m standing in Wyoming looking to the north east with the sun rising on the spring equinox (straight east). Here in Early April, we still have a month of winter weather possible. Last year was cold till the end of May. We had lilacs blooming on the 4th of July for you gardeners to compare with your seasons.
I miss chasing bees with cameras and finding Preying Mantis sitting for me swaying back and forth like a breeze. It has been a LONG winter. The seasons will change but the seclusion in this remote part of the earth is comforting in these troubled times. I hope this finds you all safe and secure in your homes. We have a 1 person per square mile population density in this country. Ranches are 5 to 10 miles away from most places but it’s still 70 miles from the nearest stop light here.
A little wind that night but it was spotty. The sky show was muted at first.
This capture was well worth of hazardous pay. The particular camera rig I use for this kind of work is about a 5500 dollar outfit. (lens and camera body). When you literally touch the water with the camera, there is this reflexive pucker of certain gastro-intestinal muscles that occurs. I instinctively pull back from such threats to beloved gear. I had Goretex™ lined boots on as I did wade in a bit for this. Never got wet feet though. I’m not sure when putting electronic gear this close to destruction bothers me but it does lolol. 🤔📸
The sky this night actually went full involvement with this sun a little later on in the time line and those images will be posted as I finish them. I actually spent a lot of time with a nearby herd of buck deer all but one sans antlers (a stag) this night.. I left here shortly after this. Worked them for 10 minutes and proceeded back to here for the rest of this show off this reflecting mirror.
Yet another Blue Image from me. I have done 3 in the last week which is virtually unheard of. Not sure if it’s a mood thing or not but it’s definitely happening.
Be safe all and enjoy all the TV time.
Gear (Sony Alpha 7R4, Sony 28-135 G series lens. ).
This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.
This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔
To me the ultimate perspectives are the foggy ones. Shadows within frame set up by the sun presented themselves to me. Foggy sunrises are not a common thing up here in the high country. There is a lot of topography here. Differences in elevation a mile apart can be 3-400 feet in this backcountry. Big Long ridge tops tower over the surrounding drainage. In order to see the sun in this area, one has to be on a ridge top. Fog is not as common on ridges. When It is, I try to be there.
I’m trying to remember how many of this kind of photo I have…. errr,…. none but this one I think. Foggy shadows are rare in my world of backcountry ridges here in the highlands. I see fog in the valleys rarely, 5 or 6 times a year. More likely, the cloud deck moves down with no mercy over us with 100 yards visibility at a bright LED Bulb. Totally obscuring all but grey flat light.
I’ve been OVER a cloud deck like this only few times up here. I got lucky anticipating the clearing above the Inversion layer, I went outside and saw a few stars break through a small window. On that, I took a trip to the highest point I can drive to around and instantly was in the clear. This is one such time. There were just wisps of moisture pushing over the ridge top this unusual morning. It was fully overcast flat light down in the valleys lolol. 👀📸
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight. The sunset is far right off frame looking from the Montana/Wyoming border to the southwest toward the range.
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight. When the alpenglow colorcasts the snow on the Mountains, I get interested 👀📸.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. Orange here is a mixture. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
Blue is a rare color scheme from my cameras. I don’t work blue skies very often mid day . Most nights around the solstice (as here) are brightly colored. IT was an odd night. But the wind was dead calm. I thought that a trip a few miles into the backcountry to get to this place would worth the trip.
Backcountry…. I use the term all the time. OK, Here’s how it goes…
This pond is 2 miles of bumpy two track road from the county road passing through a seriously hard wire gate to pass through. Tight bastard it is… The nearest county road is gravel, it is 14 miles then to the closest paved road. It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way flashing red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. This spot is right at about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the Image as do most of my photos.
The Dam was built by cowboys probably 100 years ago. Located directly on the Miles City to Newcastle Cattle Drive Route, many a herd over nighted at this spot historically. Wetlands are rare this high up the ridge. The crack in the earth that that lets the aquifer leak into this puddle is hundreds of feet deep into the Fox Hill Formation (The Beach sand of the Dinosaurs). I’m still looking for a fossil beach umbrella…..😜
Golden Locust Purple Flax. ( From last spring about 45 days from when this posts. )
Boy I am really tired of Mud and Brown Season. Typically we will have had several spring snows after the mid-winter cold subsides. The wet spring storms usually move through. I’m not seeing those just yet. I’d like to see 4 inches each from weekly 31 degree storms from not until early May. A foot or more of snow would really help the apparent snow drought we are currently in. All the snow has melted.
The grass is still brown and matted from the snow cover. As I’m looking through images to finish, I run across this lovely image of some Lavender Flaw poppiing up through a low branch of Golden Locust tree. The locust is naturalized into the back yard gardens. It lives protected in the Bliss Dinosaur Ranch Homestead’s Compound. This area is fenced in with electric wire. That tends to keep the deer out. It’s not a deer “Proof” zone but it is deer resistant.
Such deer “proofing” work enables scenes like this otherwise, they destroy ornamentals mostly. We have in the past lost thousands of dollars or plantings to deer that were persistent to penetrate the 6 foot fence and 16 foot wide cattle gates we have. I had to go to 8 feet high and keep gates closed at night to keep them out lolol. Everybody needs some Purple in their life once a week ……
Location: The Homestead: Bliss Dinosaur Ranch, (In the Windbreak) Wyoming/Montana borderlands (Wyotana)
This gal was in perfect morning light with a very wet nose. She was sniffing the air and had a gleam in her eye. Odd horns on this girl. Sort of scraggly lol. Got her with her tongue out on the other cheek ….. You can see the landscape in the reflection from her eye.
This is a Pronghorn. It is not an “Antelope” no matter if the “Deer and Antelope Play” song rolls through your head lolol. It is not a “Speed Goat” either and is not related to a goat. It’s not related to an Antelope, the natural location for the closest of which is in Africa. It’s Latin Name “Antilocapra americana” literally means “american goat”. It is not either a goat or an Antelope as I said. It is the sole surviving member of the Antilocapridae family in North America and has literally been in North America for at least a million years. More of a relative of the Giraffe than any other animal…
The best way to tell a male is to look for a black cheek patch under the ear. This is a female sans the patch. They are active both night and day, have excellent eye sight and can see you up to 4 miles away. Your not sneaking up on these guys/gals very easily. They take about 20 foot long single strides when running . These guys own the title as the “Fastest land animal in North America”. They are strictly a western United States creature of the Rocky Mountains and the grasslands of their foothills.
This low pointy feeder band was forming in front of me and flowing toward the larger storm system right.
This marvelous sunset is the result of a complex weather system moving through. Complex skies with multiple layers / levels are usually worth stalking at sunset / sunrise. There is just off frame right and above, a single huge rotating Mesocyclone storm. The air is rife with ozone. A mimic of a slight chorine smell as with any compound that will react with your sense of smell. The wet sage was ALMOST over powering the lightning induced tri-oxide. You might say the atmosphere was “Sporty” that evening.
Having passed right over us last summer at sunset (2019). This Mesocyclone storm cloud must have been 150 miles across. It provided me with a long feeder band into it’s wall cloud right at sunset. The yellow color low is atmospheric dust ice and moisture stopping all the colors with shorter wavelengths BUT red and yellow. The clouds high are white as that light didn’t travel through the atmospheric gauntlet at that angle. Still blue sky there.
These storms are HUGE, dominating the landscape. They are the source of most of the “bad weather ” we experience during green and brown season. Think of them as big spinning tops with the energy of an atom bomb inside. That energy is released over time but it’s still a LOT of kenetic and potential energy up there. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long. The cloud canopy straight up is still white
I traveled 30 miles one way to get to this windmill. Left before sunrise and of course have a whole timeline of this scene from start to near finish as this was. I left back for home a few minutes after this shot. Snow all gone mostly…
Old Wooden Windmill towers are good for MAYBE 50 years. Some may last a bit longer. This is over in Crook County off Jenkins Road. I wouldn’t suggest traveling Jenkins road if there is any drifting doing on since the county may not plow it for a few weeks. This is a big backcountry up here and no one lives on this particular stretch of road. Very little commerce but ranching happens here. It is genuine backcountry Wyoming. There is a small bird hanging out on the sail of the Aermotor Wind Engine. That windmill has seen a local ranch house inhabited then abandoned nearby, but the mountains seem to have not changed very much over it’s shoulder.
It had snowed the whole drive there and I was leaving the first tracks on the road both ways. I often go on road trips for hours up on Wyoming/Montana backroads and not see another vehicle. Breaking down is not an option up here without LOTS of survival supplies this time of year. Blankets, sleeping bags, food and basics are all on board. I do have a very good radio that communicates via repeater from 30 miles away if necessary. Not to worry.
Location: 10 miles from the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana) (Looking into northern Crook County Wyoming
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Always Photobombing, “Sneaky Pete” the windmill graces my landscapes. I have no control over his actions but he seems to get into my landscapes a lot doesn’t he? 😜📷
This from early last spring. Green Grass is about a month away from the highlands at the time this posts. If you currently have growing grass, appreciate it under your feet lolol. By Mid May we are past the point of frost (mostly). I’ve seen snow in every month of the year living in Wyoming for the last 30 years. There is no promise after May 15th it won’t frost again. We had Lilacs blooming on the 4th of July last year. Most of you have lilacs in March and April latest I suspect.
Fully involved back show skies in front (sunset over my left shoulder) where JUST the top of the windmill is lit up, is all about timing. The shadow that is covering me is of the ridge 40 miles to my rear. The sunset was veiled by this deep weather system . Parts of the longest traveled red rays made their way between the lower bluish layer. All the way through to under light the much higher red/orange layer of clouds above. Backshows are well worth taking photos of if you can remember to turn around and look at them. About every 3 or 4 minutes I turn around and glance behind me while watching sunsets.
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
Long Red, Orange and Yellow wavelengths survived the gauntlet of the atmospheric filters present. This lake looks HUGE but I assure you it’s a perspective trick of angle and light. It is a small melt water pond on my driveway probably 15 feet across but that is irrelevant to the illusion. If it were windy that night, this would have been a reflective mess. I know the bottom here 😜.
This low area is part of the drainage inside my compound however . I’ve seen 4 inches of water flowing through this spot before during the spring melt. It is the secondary water course through my property. When the primary water channel is full of ice, this part of my driveway is a run off channel. Plan B as it were. lolol. My buildings foundations are a foot above this. I did the surveying for many of the structures here. I taught surveying to collect seniors in the Horse Creek Area east of Dubois.
Reflections from calm water are always darker than the skies they are reflecting. Rippled water presents a smaller surface to reflect the available light so windy surfaces are even more dark. The dynamic range of these Sony Alpha 7 series never fail to amaze me and I’ve used them for 2 years now. I put a lot of clicks on camera bodies lol. Hard use up here in the backcountry. Lots of dust /environmental exposure plus wear and tear.
This location is directly on my gravel driveway. Sometimes I don’t have to go far to chase the light. . As this posts the sun is setting further to the north or straight west each night after the March 19 Equinox at 9:50 PM MST. It set at 270 degrees that day. The sun is setting/rising north of east/west roads as well. There are so many opportunities over the next week folks, pay attention to sunset and sunrise and where those “leading lines” lead to.
The ephemeral wetlands of the Bliss Dinosaur Ranch, entertain many reflections every day but you have to be there at the right time to capture those photons that are worth catching…. The winds were somewhere else as the water here was mirrored as smooth as it gets. Dead calm air is quite unusual up in this high ridge line country. The ice floating on the surface of this rapidly depleting due to the warmth… Melt water pond will be here but a few more weeks. This water level is quickly dropping soaking into the Hell Creek Formation sands underlaying this spot.. There is NO snow left to melt up the hill from it. Nothing to feed it further so I’m expecting it to disappear shortly.
This nearly full March Worm Moon that evening a few weeks ago was a beautiful sight rising just a few minutes before sunset. I worked it with 4 cameras/lenses over about 30 minutes. I have a few photos to finish from the “sitting” lol. The “Golden Hour” lighting tinting everything an orange hue that is classic for the timing of the sunset ongoing over my left shoulder. The sky show there is a subject for another post another day. Seeing the full moon while the sun is still up only occurs for a few days a month, perhaps 4 chances during the month.
Location: Bliss Dinosaur Ranch, (pretty much directly ON the Montana/Wyoming border, the 45 parallel, precisely 1/2 way between the north pole and the equator. Exactly🤔
The Tres Amigo’s here are walking back home from a long winter down in the Thunderbasin National Grasslands.
So for this shot I was traveling back from Gillette Wyoming to my ranch. I took the “back way”. It’s about a 30 mile gravel road drive through a REALLY big National grassland area. That is the long gravel road that skirts the west side of the area on the maps. It passes right through some of the best places to see herds of Pronghorn anywhere.. I consider it the Serengeti of North America. There are several separate (huge) chunks of ground that make up the this amalgamation of reserves under this name in several states. They wander quite a bit and there are sometime I see nothing but grass and scenery. Half of the time. No cell phone service and no AAA up here…. Just saying 😀
The Thunderbasin Grasslands are indeed a remote area. The closest stop light is about 40 miles. There are not many private inholdings within this area and nothing but large ranches surrounding the reserves. There might be a few water and a few oil wells out there. They actually help the wildlife providing both connate water as well as deep hydrothermal water recovered from very deep oil production in the area. That deep origin hot water ( well treated) is a major source of water for wildlife as it remains unfrozen over most of the winter where it ponds.
Random encounters being what they are, worked out pretty well for this meeting in the backcountry. I will drive around two track trails, don’t make a lot of noise unless I’m driving through 4 foot high sage. The Ford Raptor is pretty quiet if you keep your foot out of the turbo’s. So not being a threat in a slow moving black truck, was sufficient to get this wild raptor on a post. Apparently it didn’t feel threatened by another Raptor…. 🤔😜
I don’t get this close too often as I’m thinking 30 feet maybe. It took a while and I’m really surprised it didn’t fly away. I drive like I’m a grazing animal. It looks best to the animal to stop, start, take a minute at a spot, move 20 feet, rinse and repeat is my “process” at approaching most wild animals in. Might take me 10 minutes so if they are sitting around, you’ll eventually get there. I take photos at each stop. At this lower f-stop setting, the focal field was about 22 feet deep and the background is totally bokeh’d out . Obviously after I came as close as he was tolerating, I started machine gunning the 400-1200mm lens. Click click click click ad nausium lol.
I’m not a hawk expert and the distinction between Red Tailed Hawks and Ferruginous Hawks seems blurred to me. I suspect somebody knows the answer that will be reading this. Feel free to correct my ID as I’m only about 80 percent sure. The different phases are an obfuscation but I think those orange nares are pretty diagnostic 😜🤔👀📷.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Looks like the aftermath of Captain Kirk having used his phaser weapon on my Morton Building. …. Actually a rising sun through HIGHLY Turbulant clouded air mass that got creative with the actual round shape. Since the sun is still below actual line of sight, the light being bent around the planet by the “atmospheric lens”. Red and Yellow light the only to arrive at my photon traps.
Certain Atmospheric Conditions create very unusual distortions of the sun. I watch somewhere around 500 sunrises/sunsets a year up here in my work. Give or take according to weather window whims. Now I’m counting a sunrise and 1 and a sunset as another one here. I work the light when ever it appears to need working lolol.
The number of distortions I see this severe is a few every other year or so. I don’t think I’ve ever seen a building shape. If you look really hard…I imagine an RV moving away right in the yellow shape but that is pushing it lololol. The sculpted edges were moving real time though the lens live.
The atmosphere was absolutely “ROILLING” boiling, distorting, mirage (ish). Looking at an area of sky smaller than your thumb on an outstretched arm, this 1200 mm magnification image is a very small portion of the sky. The sun, on the other hand, subtends an angle of approximately 0.52° (31 arc-minutes) to an observer on the Earth. It’s amazing and a striking coincidence. By sheer chance, it is almost the same as the angle subtended by the moon. I digress, this image is 1.5 degrees wide. It’s a pretty small slice of a 360 degree pie that morning 😀👀📸📸
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
Face to Face Stare Down …. 18in square aspect, ….. It’s a game trail camera capture again.👀📸
I’ve kept a couple of game trail cameras pointing at this spot for well over a year now. I discovered this is a major game intersection point where game either goes under or over the fence. It is the local pass between the grazing pasture and the local water trough. We have a solar panel driven well about 300 yards down drainage from this point. For generations animals have been stopping here for a variety of reasons. Birds stop here too as the fence line is the first/last place to land above the water. The topography guides the flow of the animals here.
I’m thinking this is a little close for proper “Social Distancing these days. The play remains the same but the actors have changed .
Satire for a paragraph or 3 : ….
The local Pronghorn population is known for their awareness of world events. Their network is face to face of course. I don’t translate Pronghorn very well yet. Or as the Commercial says, I’m OK at reading Pronghorn lips. . I translate their written language much better as that is very straight forward. Usually forward in the direction they were moving when they left the cuniform like tracks in the ground. What if they are writing a story as they run along. Oh wait….they are :
Some Pronhorns was cajoled by “Sneaky. So he probably heard news from “Sneaky Pete” the windmill. Passing it on here in this capture “Down Yonder By The Fence Line”.
“Sneaky Pete’s” the windmill’s role up here is complex but generally his role is one of an information broker. My side of the “Deal”. I give him publicity and enable his photobombing of my landscapesSituated with a world class view, “Sneaky” knows all that happened around him. who originally heard it from the chickens that eavesdrop under my radio shacks. There is a whole network of connected creatures up here in Wyotana. For giving “Sneaky Pete” so much time, he sets up stuff like this for me in return. 🤔😜
I can count the number of Blue Sky Background images I produce a month on both hands. I have been finishing 150 -180 images a month for the last 7 months. I’ve got 1300 pages finished on my future book (s) project. My tendency is to have a definite preference away from the longer colors of the spectrum. Robin’s Egg Skies are ubiquitous up here at certain times of the year. This visual tunnel with the anastomosing feminine form of the snag caught my attention driving along that late evening. The shadows were very long in the late golden hour low angle light. The Fallen snag in the foreground frames the bottom, the surrounding pine boughs frame the sides.
Telescopic perspectives are always worthy of the attempt. This is a 600 mm 28 inch long lens with me standing down this hill hundreds of yards. These long shots are deceptive in how they treat relative distances. That plus the lighting on this scene drew me to stop my rig and set up to take this cornucopia of textures and contrasts.
Taken late fall 2019, it’s just making it’s way into my workflow. I have the job security of 3800 portfolio images left to finalize lolol. Finishing more than 5 a day is hard work. These days are warming so that might have to go to 4 a day over the summer. I get distracted by fossils and ranch chores during the warmer days. I’ve finished 1300 since Sept 21, 2019. It’s be easy if I also weren’t finishing new material as I take it lololol. 😜📸