First note the jet contrail against the left side of this frame. It clearly curves around the HUGE Mesocyclone to the right of frame that was terrorizing Sundance and Newcastle Wyoming at the time. I was driving to Gillette through the Thunderbasin National Grasslands driving around it too . Smart Pilot there lolol. The road I’m on is about a 20 mile gravel trip to get to the 2 lane concrete highway traveling that direction. I usually run into something very Wyoming down there and this is no exception.
To see a storm that large mid day is not good news for those east of there under it’s influence. They have a presence you have to be near to understand but lets just say they intrude on your personal space from a long way’s away. There are just plain intense downpours under these storms sometimes. Depending on how fast they are moving makes you lucky or flooded locally lol. These only rain on a few percent of the ground area up here. Spotty! The ground under them becomes totally soaked if the storm doesn’t move.
These monsters are the source of most of the “bad weather” we experience in Wyotana during green and brown season. Think of them as big spinning tops with the energy of an atom bomb inside. That energy is released over time but it’s still a LOT of kenetic and potential energy up there. They take their own time over where ever they travel.
This kind of capture is why I run a network of high quality game trail cameras (29 currently) to catch some of the inhabitants of my ranch in a more candid way. I watched this MeadowLark time and time again land on this post with animals crossing the funnel this gate creates. This one is the best by far. Pure infra-red Game Trail Camera capture in a very early twilight environment.
Each game trail camera (GTC) image is problematic from a professional photo finishing standpoint. Let’s just say these images from the GTC take a while in the digital darkroom to get them to my current standards lol. The problem with Game cameras on automatic is I have no real control over the lighting adjustment. Low med and high lolol.
Apparently it just got this below that low light threshold and was still in black and white. The only parameters you can control with most game trail cameras is 3 levels of exposure and IR sensitivity for detection of animal movement. Placement of the camera…. I find this is by far the most important thing. Composition of the shot and having a funnel or attraction to have the animals go to where the camera is actually pointing is the baby. Set up those wildlife funnels.
Have a great evening this Tuesday night and be safe out there. It’s an interesting world you guys live in.
Jesus Duck to say the least. I’m not sure if much besides his feet are actually in the water. Humans can’t do that lolol. I’m pretty sure he / she was showing off for the two ducks just on shore that were watching this impressive display. I’ve seen ducks do this only a few times. The opportunity to catch one on camera was a pretty rare event I’m thinking….I’m tickled anyway… 😜📸
This was taken last summer as evident by the grassy shores and green reeds bokeh’d in the foreground of the frame. Shooting a long telephoto I sat in my portable blind (my old Jeep Grandcherokee last summer since replaced with a Ford F-150 Raptor). I spent about an hour watching this scene clicking away at the ducks in the water waiting for the Great Blue Herons (my actual targets for this photosession) on this lake. When the Herons show up, I’m generally not pointing at the water very much. The Heron’s nest 50 feet up the Cottonwood trees, the ducks not so much.
Ducks get my attention during the lull in other activities typically. I was focused on this guy swimming only 50 feet away…. It decided to do his Jesus thing and I machine gunned the camera catching this moment in Space and Time. It’s the small things that I really enjoy. I still consider myself as a Landscape Photographer. I am however, an opportunist and fairly quick on the draw with these long lenses.
This image was captured just as the horizon dropped exposing the relatively stationary sun. Everybody always says the sun rises but it’s really the horizon falling away. OK. This was a “sunrise” bone chilling cold. It was “breezy” this morning few weeks ago (as this posts). At 15 degrees F any wind amplifies the experience from a sweat shirt to full arctic gear. In dead calm air, -2 might as well be 50 and CAN be t-shirt weather. A Jackson Hole “Ex” resident, I’ve literally walked around in -20 on a calm day in a t-shirt.. I dress in layers and it’s a “dry cold” lolol.
Working in really cold conditions with cameras:
I’ve been up here in an open vehicle at -20 before so this was pretty comfortable relatively. Riding around with a box of 4 or 5 camera/lens in an open ATV in that temp is something I don’t like to do now. I’m getting wussy in my old age 😜
For this capture, I was walking around from place to place for quite a while. Drove up there. Usually my right had is my weak link. I wear “Red Head” Mitten/fingerless gloves. They are better than other gloves I’ve seen advertised for photographers and do a pretty good job. I always carry two pair. If they get wet, it’s time to change them. But you CAN work the delicate controls of a camera with them on.
I even had my Ford Raptor to retreat to . I prefer not to let my cameras get so cold so having them in a heated car has it’s advantages.
Working out of a car window in the cold:
You have to watch shooting cameras out of a heated car into very cold air. You can get distortion similar to a mirage that I’ve actually seen live and watched it distorting the image on the cameras monitor. The warm air and the cold air mixing makes a little distorting lens just for your annoyance. With a long lens the distortion caused by this interface CAN be significant. Each situation is different. I try to keep air flowing into the drivers window versus warm air flowing out. It’s a huge difference with long lenses.
Oh the history… Deep in the backcountry of Wyotana, is this old tin covered shack. It was used for many decades. From as early as 1900 some structures survive the years intact out here if the windows remain. Windows generally keep everything wild that might decide to overnight out. Cattle Pressure usually destroys windows in abandoned structure UNLESS they are in a fenced in an enclosure or corral area surrounded by other buildings. This on an abandoned homestead where the main house burned many years ago. It is indeed protected from cattle pressure.
This bunk house housed many hired hands over the years. All working on the larger ranch that used to head quarter at this site. Families came and went with the turning of the calendar. Generations perhaps of cowboys ‘passing through’ on their life journey. Father and son partnering, time passes, as eventually do the keys to the door. The number of boots passing that door must have been countless. Lives long since past. The poker games on the only table. The frost on the window ghosting one of the many hands passed with Aces and Eights. None of us has the perspective of this surviving relic of a past age. But perhaps to be a future alternative to the reality of todays world. We might all circle back to that life again.
Live in “interesting times” :
Maybe boring is better but change is of the essence wafting in the breeze. Not to worry as change has always been part of our existence here. It is as certain as life itself. When we become complacent and “used” to our lives, expect the unexpected. Things sneak up on you otherwise. Suddenly everything your “used” to changes. Then we reflect our thoughts to the stability of the old ways and realize that is where we belong. It is after all where we all came from.
I’m thinking I’m going to start practicing some more 1880’s technology than I already play with…. 🤔
Oh… the image…. Wonderful Alpenglow lights the background on an icy/snowy/frosty winter like spring morning. I love prodigious Alpenglow gradients during late civil twilight ❤️
Location: “Wyotana”, The Montana/Wyoming borderlands…
Right Turn “Clyde” series…. (Lot’s of detail in that dark )
This was less than easy to do. Handheld long lens rested on the Ford Raptor’s open door, (Clever Girl herself) with the 48 inch Rigid LED light bar lighting up the reflective sign. The trick of course is to get back far enough to get both objects in the infinite focal length. Then you still have to place enough light on the sign…. Now I handicapped myself by sticking with the truck. I could have walked back another 100 yards with a monopod and still have the same light on the sign.. I’m not always tolerant of windy/cold and this was a windy/cold night. Taken about an hour and 20 minutes AFTER sunset, the only real sources of light was the 98 percent April (Pink) Moon and my headlight. That is a dark night sky behind.
There were stars but even this crazy high dynamic range camera couldn’t sense/see them. The clouds right around the moon that were lit up, made it into the cameras data stream. Getting any detail around a moon of such wispy clouds scantily covering a moon is not something I’m able to accomplish some nights. Very very iffy that process. I’m thinking an average cell phone is not going to capture this.
This April 2020’s moon was every present for 4 photo-sessions in a row. I can’t remember a full moon interval where I’ve gotten to work it so much. The April supermoon, our orbiting partner was as close as it gets this year to the earth for this.
Imagine what a pioneer traveling to those peaks with an ox cart thought when he saw this vista. 🤔👀
Colorcast orange Banded BigHorn Mountains is an odd color to cover a landscape with. It was really that color lol.
I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. Some nights, the weather window is closed to the mountains. Closed to the sun that window was that night. It hid far to the right off frame. The 130 miles distant 13,000 foot high mountain range was shrouded in this Orange colorcas. It was like a stage light with an orange gel in front over the landscape.
Only lasting a few minutes. The sun moved down through progressively thicker and thicker layers of clouds.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The range is playing peek a boo with the weather controlling the show. I have many good captures from this month of the ranch which will slowly work their way into my work flow here.
The black ridge at the bottom is 40 miles out from this 800 mm telephoto capture on a very high resolution camera. If you hold a postage stamp at arms length and place it against the horizon, this image would fit into a square that side.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
The ephemeral wetlands of the Bliss Dinosaur Ranch, entertain many reflections every day but you have to be there at the right time to capture those photons that are worth catching…. The winds were somewhere else as the water here was mirrored as smooth as it gets. Dead calm air is quite unusual up in this high ridge line country. The ice floating on the surface of this rapidly depleting due to the warmth… Melt water pond will be here but a few more weeks. This water level is quickly dropping soaking into the Hell Creek Formation sands underlaying this spot.. There is NO snow left to melt up the hill from it. Nothing to feed it further so I’m expecting it to disappear shortly.
This nearly full March Worm Moon that evening a few weeks ago was a beautiful sight rising just a few minutes before sunset. I worked it with 4 cameras/lenses over about 30 minutes. I have a few photos to finish from the “sitting” lol. The “Golden Hour” lighting tinting everything an orange hue that is classic for the timing of the sunset ongoing over my left shoulder. The sky show there is a subject for another post another day. Seeing the full moon while the sun is still up only occurs for a few days a month, perhaps 4 chances during the month.
Location: Bliss Dinosaur Ranch, (pretty much directly ON the Montana/Wyoming border, the 45 parallel, precisely 1/2 way between the north pole and the equator. Exactly🤔
When I get a heavily blue and gold veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture.
This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras would be tough. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. Lone Tree Sky Show
Well they were watching me at the time watch the sunset….😜📸 . I’m thinking the deer were more into the iced grass along our back fence. I had to make some noise to get them to look up lolol. This was the first sunlight in 4 days for any of us. It had been foggy for most of that interval resulting in a highly frosted environment. This happened March 16th, 2020. (A day I will remember as I discuss below. ) There wasn’t much snow left. We enjoyed having had some 50-60 degree days the week prior. Then it got overcast, the clouds moved down over our ridge and didn’t leave for 96 hours. I find it is difficult to find color in an overcast frosty environment. No photography for that interval.
The sun slit seen here was long but not very wide. This was just about the first photo I took that evening. I think it went down hill from there. I drove out into the backcountry looking for a better angle on this. Drove a few miles back in, it was getting dark and I got too hot in my gear. Immediately as I was on a 30 degree down slope crossing a gully system to gain altitude and angle across that gully, I got motion sick. Turned on like a switch it did.
Now this might have been a reaction to a meal but I am sensitive to motion at times. I was 3 miles into the back country, got hard motion sick and it was getting dark. I only had to stop 5 times lolol. Finally made it home….Slept it off and was fine the next day.
The beautiful little girl was in perfect morning light with a nice morsel to munch on. . She was sniffing the air and had a gleam in her eye.
This is a Pronghorn. It is not an “Antelope” no matter if the “Deer and Antelope Play” song rolls through your head lolol. It is not a “Speed Goat” either and is not related to a goat. It’s not related to an Antelope, the natural location for the closest of which is in Africa. It’s Latin Name “Antilocapra americana” literally means “American goat”. It is not either a goat or an Antelope as I said.
These guys are the sole surviving members of the Antilocapridae family in North America. They have literally been in North America for at least a million years as a species. More of a relative of the Giraffe than any other animal… The best way to tell a male is to look for a black cheek patch. This is a female sans the patch.
They are active both night and day, have excellent eye sight and can see you up to 4 miles away. Your not sneaking up on these guys/gals very easily. It takes about 20 foot strides when running which helps it keeps it’s title as the “Fastest land animal in North America”. They are strictly a western United States creature of the Rocky Mountains and the grasslands of their foothills.
I attend virtually every interesting sunrise/sunset that occurs up here on the high ridges along the Wyoming/Montana border. The Bliss Dinosaur Ranch has about an equal amount of land in each state. Most of my images have parts of the scene either the sky or the ground of each or the other state. (now that’s a sentence lololol_😜
I see a lot of heavily saturated sunsets on forums and I see them too occasionally. I record them accurately. What I’m saying is.: This is the actual scene as it occurred without any highlight/color tomfoolery. I love this image as it is with detail in the colored areas, not solid color. My technique is all about exposing the highlights correctly. I’ll worry about the shadows in the digital darkroom. I left the landscape silhouette without bringing out what detail exists there. I seldom molest highlights.
Recording then presenting them exactly as I experienced them. I about said “Catch them on Film”. ……. I paused and considered the accurate replacement phrase. What exactly am I doing with this Mirrorless Digital Camera. No film here. These things use a digital chip inside to record the image in Red/Green/Blue dots. Technically it’s recording a series of 1’s and 0’s in sequence that when run through first Sony then Apple’s machinations via software. Of course Adobe had a hand. Then Facebook attacked what I uploaded with a compression process. The resultant jpeg/file quality drives me crazy sometimes. The full sized files are amazing. Full screen is a must here for sure as this is an image that needs to spread around your field of vision. 📸👀
IT’s obvious by the wear and tear on the wood under this hole that it has been landed on thousands of times. The relentless job of feeding young, the coming and going of small but strong claws grasping for purchase there. Someone took the time to hollow out this hole and I’m betting on Common Flickers being involved. That species is by far the most active Pecking bird that I see here in the borderlands.
Close/Far Perspectives are my stock and trade with cameras. I really enjoy working wide angle close focus lenses. Using natural lines drawing your eye to the vanishing point it a long used technique in both painting AND photography. I can think of no finer subject than a majestic tree that gave it’s life to become a home. I’m sure this abode will be here 20 years further on down the road as the tree itself is sound yet. Unprotected wood can survive perhaps 100 years in this dry climate. We have ranch / farm implements that old with wood parts remaining but that was hardwood. This tree is pine.
This tree has several other shelters contained within it’s natural architecture. Several other similar entrances grace it’s remaining substantial bulk as a 15 foot tall standing stump. It’s top laying off to the side bleaching in the summer sun, it’s branches slowly being rubbed off by cattle pushing against to scratch an itch. Wildlife trees are special places providing food and home to a host of backcountry creatures.
Golden Triangle Frame Sunset (This shot from last year but the snow conditions are identical at the moment)
I love to use natural cellulose filters to reduce the glare from the overly bright disc of ol’ Sol. There are all sorts of photographic accessories you can screw onto the lens of a DSLR camera. Same with a Mirrorless Removable Lens Cameras. I find myself becoming more of a purist all the time and revert to natural filters leaving the glass ones at home. For years I’ve excluded them from my kit. I don’t like extra glass of any kind in front of my lenses.
This photo drives me crazy but it is too fun not to share. A primary motivator and one of my true talents is my OCD. It drives me to want to align very precisely terrestrial AND celestial objects for the camera. Being off “Just a Little Bit” turns on that switch. . OCD needs no reason, OCD is a reason unto itself of course… 😜 This is a natural align so I would have loved for the sun to have been just a touch to the right and the tree wasn’t just so. I saw the possibilities, held my breath, click. Actually I was machine gunning the shots as the grass was moving..
Thus the requirement for timing involved here as the tips of the grass were swinging to and fro in the light breeze. The wind is a constant companion on these exposed hill slopes far above the Little Powder River Drainage here in the borderlands.
For a 30 (ish) Horse Power Tractor, this 1939 International “M” Tractor had 270,000 made by 1954. It only weight 5400 pounds and has a 4.1 liter gasoline engine. This one runs if I put gas in the tank and hit the starter. It needs new rubber. This is out back near our corral system, in our yard but way off the beaten path. (We live in a 10 acre fenced in deer resistant compound ).
We keep a few big bales of hay around in case we actually have to feed our small herd of Corriente Cattle. They generally don’t need extra food but will happily take it lolol. The vistas from our homestead are BIG to the south west with 130 mile view when conditions permit. We have way more snow than the low lands we overlook. It’s a stark difference our front yard versus 300 feet lower topographically down by the rivers. No or little snow down there which is not a good thing. I consider the local snow cover as light this year. (March 3, 2020).
Mostly multigenerationally fixed / patched fences, old ranches have complex Corrals lolol. Those fences take a LOT of cow pressure particularly near the alleys. A 1500 pound bull pushing hard will be defined as “Cow Pressure”. . You might get 30 years of reliability, if a corral is made of treated wood posts. Corrals made of steel, it lasts a century or two. Oil Well pipe and sucker roads, cables, panels, wire panels, you name it are part of the fixes. Repurposed coal mine rubber belts (4 – 6 feet wide) for alleys. I have seen a host of other materials incorporated into many corrals. Free(ish) fencing is very popular. I’m seeing 4 different types of fences just in this photo. There are dozens of fencing generations in this grandfathered 80 year old corral system. Some originally built about the same time as this Antique Tractor.
I was driving along a two track trail with the bright lights of my Polaris Ranger Crew UTV. Big Bright LED lightbars are a fixture on all the vehicles I routinely take into the backcountry for photography. Not only do they help you see what you don’t want to run into, they show you what you do want to find lol.
So, after a long sunset photographic work session, I spied this Prickly Pear Cactus Boom down on the prairie as I was passing. There was still some residual color in the western sky and I was determined to get it. This flower just happened to have a green beetle within enjoying the relative safety of this environment. Can’t blame him really. Scented room with a view until I came along with my smelly noisy UTV I suppose. At any rate, I’m sure it all calmed down there as I pulled away.
Prickly pears belong to the Genus Opuntia which contains over 150 species across the globe. The deer in this country grow fat on cactus “figs” grown on the low paddle shaped cactus. These cactus have been used in Mexican cooking for hundreds of years. Take off the spines, and they cook like vegetables. I’ve eaten fresh prickly pear and I compare it to a cross between water melon and bubble gum.
I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
This kind of Close Far perspective is a favorite way to deal with first light of morning. Fortunately this ridge had a 1/4 inch of Hoar Frost covering all the vegetation. I call these coated pine needles “Pine Noodles” as it just seems to fit. Add a fence for the far vanishing point due to the distance and we’re good to go 🤘
The earliest light as the sun is just rising has a decidedly yellow color cast on this particular morning. The Yellow light projected through the Alpenglow phenomena low on the horizon shows the color of light refracted by the ice suspended there. Transmitted to the local objects, pine needles and fences coated in ice make a very good projection/reflection screen. This yellow color cast is not that common on local vegetation. Usually it presents only perceptible on the atmospheric ice.
Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. The formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2 inches long.
About 6 months off season, the forest fires to the far west. This is a VERY bright scene but the sun was indeed markedly yellow and the sky crimson on this tiny portion of the sky placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp. When taking such images, movement of your head fractions of an inch makes a REALLY big difference. The lens is an 18 inch 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun made it to me though. The pall of smoke trapped all the shorter wavelengths of light from getting to me. I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field.
Alpenglow such as this occurs when there is a LOT of ice in the atmosphere mostly during winter. . I’ve also seen smoke do this kind of scene in the summer. Here on the high ridges of the borderlands, I get to look at parallel ridge tops like this 40 miles away to the east.
After passing through a gauntlet of filters in the atmosphere, crimson/orange/yellow are the survivor hues. Absorbed/blocked/refracted away are the shorter wavelengths of color. Can’t trap them in my photon capture boxes (cameras) if they don’t make it to me. Passing that gauntlet to blues/greens and indigos consists not only of hundreds of miles of low angle atmosphere plus all the dust and the dirt suspended within.
The sun isn’t actually occupying the line of site where it appears to be here. Because of atmospheric “lensing”, the sun is actually still completely below your eye to the horizons line of sight. It just looks like it’s up. This accounts for several minutes of differences from rise/set charts versus the observed sunrise with the day always being longer due to lensing. The atmosphere literally bends it’s light around the curvature of the earth thus the “lens” part of atmospheric lens. This courtesy of inversions and thermal-clines. The path this light took was at least 300 miles of low angle air. The higher I go topographically, the longer the light I gets path. The redder the alpenglow.
Looking westward across the 40 mile wide Little Powder River Valley , a cloud bank will snuff out the light within minutes. I am often sent home early with no “photos in the can” by cloud banks shrouding the horizon. When I head off road to climb up ridges chasing light, the mid-winter wins sometimes. This night I went up hill. Over 300 square miles of landscape presents here, all covered by this snow blanket. We get most of our 14 inches a year of precipitation during the winter.
You will note how effectively Yucca plants have a tendency toward collecting their own stash of water. The result of this is to soak the ground around them. The Yucca is a great plant up here providing food to the deer all year long. Deer from both species eat the seed pods from Yucca which grow in significant quantities up here. Yucca flowers are edible too I ‘ve seen ungulates take advantage of them every year. The deer grow fat on them. Already eaten, mostly deer have consumed the seed pods. By Mid-Winter, the deer have consumed much of the food reserves on this ridge. They have moved on to other pastures. Typically they head to sheltered gullies with water near by.
If it’s going to be winter, I wish it would freeze the backcountry ground. As I type this it’s been staying around freezing and just above for weeks. Mud in the backcountry completely blocks me from access as I don’t want to rut up my two track trails.
This is a capture initiated by the -2 degree evening, the icy air and the lighting. The later of which was JUST settling down over the ridge with less than a minute left in the day.
Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 1 mile out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunset for me is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles into the light. Here I saw this long line of smaller pines covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. The trees are my cellulose filter in front of my lens. Regardless, I had to turn my camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment. Be careful pointing your camera into the sun.
Oh Crap a Camera Lens If you had a “Crappy Old Year, this image is important. It’s going to get better after 😉
I’ve raised many parrots (I owned a pet shop in the 80’s). Working very closely with dozens of big birds before. I’ve been pooped on by the best. Big Birds Shoulder birds can really mess up a shirt … This meadowlark is not much different than those big birds but for it’s size. With this I’ve pretty much have all different obvious Meadowlark activities. Eating, sleeping, pooping and singing lolol. Most birds will do this move if they must right before they fly…
I’ve learned that all birds lift their tail and squat just a bit right before…. Note: If you have a parrot or other arm tamed bird on your arm, if the tail lifts, push it down with the other hand. They don’t/can’t “go” with the tail down. . So my timing only looks lucky. While this might be a bad example lol … anticipating a shot can save a lot of machine gunning with the camera. Storing photos is expensive if you do say 50 thousand 100 meg images some months.
Computer Tech Musings: So how do I keep track of and store that many 100 plus meg files? (How does a serious photographer deal with safe backups).
Finished photos are one thing (not as many of them). There are only a few thousand of those at 220 meg each lolol.. It’s The raw files streaming out of the 7 or 8 cameras I routinely use are huge files. There are also many. I like to keep the timeline so I have all the raw files for the last several years on demand. Older than a few years I have to connect external drives to the system.
I currently manage 50 TB of storage devices. Most storage drives I keep off line. All turned off to prevent any intrusion or loss. . I keep a monthly backup off site in a pile of 8 (currently) 4 TB SSD hard drives I keep adding finished work to. As they fill up, I add a new one to the pile and always have a pristine backup of the raw files and the they are kept in a fire safe.
Every image I finish is saved in three separate external hard drives as a last step. I’ve maintained professional graphic stations for 30 years. I’ve still got most of my graphics files available to me. Even those created decades ago available to me fairly quickly. Most of my old images, belonged to clients back in the day. Lots of them around. Can’t use them. But I’ve got a few of my own to work with
Late summer of 2019 it was time to run “the herd” through a crowding pen and sort calves from mothers. Some vaccinations ensued. Lots of “hunting / gathering required to collect the cattle. Collecting a herd of calves and cows from the square mile pasture takes maneuverability. These are real cowboys horses and good workers all.
The weather that after noon was a bit sporty to say the least. The little cumulonimbus storm off in the distance was one of several that went through the area that evening. Just as the last cow was released, everyone retreated to our large barn for tailgate food while it was hailing outside. A good time was had by all except a few calves that got branded that day. This is a ranch after all. During the year the ranch has over 200 cow calf pairs grazing the various pastures. The big pastures are around a square mile here. Other ranches that are bigger have bigger pastures lol.
Rotating pasture ground is important to manage the grass. We do have dedicated crop areas but we are a dry land ranch with no irrigation. Just the massive (not) 14 inches average rain we get a year. Most of that being from snow fall accumulation. This year 2019 was phenomenally a wet/cool year. We had the lowest forest fire risk ever. I didn’t even fill up my fire truck all summer.
Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.
Known as the “Bright Green Sweat Bee”, this native Wyoming Species was about the only thing flying around and they were working some naturalized Asters in our forest. The last freeze pretty much wasted every other flower but these are tough little fellows lol.
When I say Tiny, they are perhaps a 1/4 inch long and my lens is about 1 inch from him taking the photo. It has lights that illuminate around the lens for pretty good intensity even under fairly dark conditions if you get this close. This is a really deep focal field for this tight a shot from an ultra-macro lens.
Location: in the backyard of the Homestead, Bliss DInosaur Ranch, Wyoming/Montana borderlands.
I managed to get an “eyebrow” image of this feeding butterfly with a Checkerboard Eye. Stealth and not getting between it and the sun (make a shadow) which butterflies tend to fly off from….. Too bad focus depth on a camera that is about an inch away from the subject has a very short depth of field (focus zone). That is a Lady Bug behind it at the tip of it’s “nose”. I was very interested in it’s eye though. Pretty cool stuff the little things..😊
Location: Under one of the Apple trees, Bliss DInosaur Ranch, Wyoming/Montana borderlands