Alpenglow such as this occurs when there is a LOT of ice in the atmosphere mostly during winter. . I’ve also seen smoke do this kind of scene in the summer. Here on the high ridges of the borderlands, I get to look at parallel ridge tops like this 40 miles away to the east.
After passing through a gauntlet of filters in the atmosphere, crimson/orange/yellow are the survivor hues. Absorbed/blocked/refracted away are the shorter wavelengths of color. Can’t trap them in my photon capture boxes (cameras) if they don’t make it to me. Passing that gauntlet to blues/greens and indigos consists not only of hundreds of miles of low angle atmosphere plus all the dust and the dirt suspended within.
The sun isn’t actually occupying the line of site where it appears to be here. Because of atmospheric “lensing”, the sun is actually still completely below your eye to the horizons line of sight. It just looks like it’s up. This accounts for several minutes of differences from rise/set charts versus the observed sunrise with the day always being longer due to lensing. The atmosphere literally bends it’s light around the curvature of the earth thus the “lens” part of atmospheric lens. This courtesy of inversions and thermal-clines. The path this light took was at least 300 miles of low angle air. The higher I go topographically, the longer the light I gets path. The redder the alpenglow.
Looking westward across the 40 mile wide Little Powder River Valley , a cloud bank will snuff out the light within minutes. I am often sent home early with no “photos in the can” by cloud banks shrouding the horizon. When I head off road to climb up ridges chasing light, the mid-winter wins sometimes. This night I went up hill. Over 300 square miles of landscape presents here, all covered by this snow blanket. We get most of our 14 inches a year of precipitation during the winter.
You will note how effectively Yucca plants have a tendency toward collecting their own stash of water. The result of this is to soak the ground around them. The Yucca is a great plant up here providing food to the deer all year long. Deer from both species eat the seed pods from Yucca which grow in significant quantities up here. Yucca flowers are edible too I ‘ve seen ungulates take advantage of them every year. The deer grow fat on them. Already eaten, mostly deer have consumed the seed pods. By Mid-Winter, the deer have consumed much of the food reserves on this ridge. They have moved on to other pastures. Typically they head to sheltered gullies with water near by.
If it’s going to be winter, I wish it would freeze the backcountry ground. As I type this it’s been staying around freezing and just above for weeks. Mud in the backcountry completely blocks me from access as I don’t want to rut up my two track trails.
This is a capture initiated by the -2 degree evening, the icy air and the lighting. The later of which was JUST settling down over the ridge with less than a minute left in the day.
Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 1 mile out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunset for me is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles into the light. Here I saw this long line of smaller pines covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. The trees are my cellulose filter in front of my lens. Regardless, I had to turn my camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment. Be careful pointing your camera into the sun.
Oh Crap a Camera Lens If you had a “Crappy Old Year, this image is important. It’s going to get better after 😉
I’ve raised many parrots (I owned a pet shop in the 80’s). Working very closely with dozens of big birds before. I’ve been pooped on by the best. Big Birds Shoulder birds can really mess up a shirt … This meadowlark is not much different than those big birds but for it’s size. With this I’ve pretty much have all different obvious Meadowlark activities. Eating, sleeping, pooping and singing lolol. Most birds will do this move if they must right before they fly…
I’ve learned that all birds lift their tail and squat just a bit right before…. Note: If you have a parrot or other arm tamed bird on your arm, if the tail lifts, push it down with the other hand. They don’t/can’t “go” with the tail down. . So my timing only looks lucky. While this might be a bad example lol … anticipating a shot can save a lot of machine gunning with the camera. Storing photos is expensive if you do say 50 thousand 100 meg images some months.
Computer Tech Musings: So how do I keep track of and store that many 100 plus meg files? (How does a serious photographer deal with safe backups).
Finished photos are one thing (not as many of them). There are only a few thousand of those at 220 meg each lolol.. It’s The raw files streaming out of the 7 or 8 cameras I routinely use are huge files. There are also many. I like to keep the timeline so I have all the raw files for the last several years on demand. Older than a few years I have to connect external drives to the system.
I currently manage 50 TB of storage devices. Most storage drives I keep off line. All turned off to prevent any intrusion or loss. . I keep a monthly backup off site in a pile of 8 (currently) 4 TB SSD hard drives I keep adding finished work to. As they fill up, I add a new one to the pile and always have a pristine backup of the raw files and the they are kept in a fire safe.
Every image I finish is saved in three separate external hard drives as a last step. I’ve maintained professional graphic stations for 30 years. I’ve still got most of my graphics files available to me. Even those created decades ago available to me fairly quickly. Most of my old images, belonged to clients back in the day. Lots of them around. Can’t use them. But I’ve got a few of my own to work with
Late summer of 2019 it was time to run “the herd” through a crowding pen and sort calves from mothers. Some vaccinations ensued. Lots of “hunting / gathering required to collect the cattle. Collecting a herd of calves and cows from the square mile pasture takes maneuverability. These are real cowboys horses and good workers all.
The weather that after noon was a bit sporty to say the least. The little cumulonimbus storm off in the distance was one of several that went through the area that evening. Just as the last cow was released, everyone retreated to our large barn for tailgate food while it was hailing outside. A good time was had by all except a few calves that got branded that day. This is a ranch after all. During the year the ranch has over 200 cow calf pairs grazing the various pastures. The big pastures are around a square mile here. Other ranches that are bigger have bigger pastures lol.
Rotating pasture ground is important to manage the grass. We do have dedicated crop areas but we are a dry land ranch with no irrigation. Just the massive (not) 14 inches average rain we get a year. Most of that being from snow fall accumulation. This year 2019 was phenomenally a wet/cool year. We had the lowest forest fire risk ever. I didn’t even fill up my fire truck all summer.
Photographing Moor Rising: Lone Tree is a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. It’s a good skill to hone for when the right situation presents itself.. Like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Full frame not a crop.
Known as the “Bright Green Sweat Bee”, this native Wyoming Species was about the only thing flying around and they were working some naturalized Asters in our forest. The last freeze pretty much wasted every other flower but these are tough little fellows lol.
When I say Tiny, they are perhaps a 1/4 inch long and my lens is about 1 inch from him taking the photo. It has lights that illuminate around the lens for pretty good intensity even under fairly dark conditions if you get this close. This is a really deep focal field for this tight a shot from an ultra-macro lens.
Location: in the backyard of the Homestead, Bliss DInosaur Ranch, Wyoming/Montana borderlands.
I managed to get an “eyebrow” image of this feeding butterfly with a Checkerboard Eye. Stealth and not getting between it and the sun (make a shadow) which butterflies tend to fly off from….. Too bad focus depth on a camera that is about an inch away from the subject has a very short depth of field (focus zone). That is a Lady Bug behind it at the tip of it’s “nose”. I was very interested in it’s eye though. Pretty cool stuff the little things..😊
Location: Under one of the Apple trees, Bliss DInosaur Ranch, Wyoming/Montana borderlands