Perspectives from the viewpoint of a kid climbing a tree, at least that is what I was after here. I always look at a scene and zoom in to that alternate view in my mind. I try to extend my perspective from where I stand to where the light is calling. These little areas of zen seem to just appear in front of me. Wyotana backcountry is rife with old ground, ground not disturbed by humans at all (except maybe for fires). . Lots of it by the hundreds of square miles. This is several miles off the nearest county road.
Wonderful backcountry captures happen because of paying dues. You have to be there with a camera in your hand to get some of those moments in space and time. They are fleeting, you often only have moments to capture them before the light changes. The more you carry a camera (s) around, the more cool captures your going to get. 📷 I’m always looking for visual tunnels….
This shows the icy backcountry snow getting a crust on it with a few above freezing days. These followed by subzero nights. The crust actually makes it harder to get around because your wheels are always trying to climb on top of that crust. Your basically in 4 holes all the time coincident with your wheels. Plus the snow becomes like ball bearings…. It’s about time for a big snow though. February is a busy snow month historically. The wet season of course is in the spring when all the biggest snows are. Usually LATE spring around late April or early May have have memorable storms historically.
Only the Yucca and the Highest grass is standing above the snow back in this backcountry cul-de-sac of a valley. I was driving the ridges adjacent to this lower area. I’m able to drive mostly two tracks at the time I type this. It has been drifting a bit in the backcountry lately. Makes it hard on me. Tricky…
I have seen this group around in several familiar locations to them and myself. . These 3.5/4.5 year olds all have known me since the beginning by seeing me out on the ranch land taking photos of their childhood and parents. They have slowly started to really accept me as a another grazing animal. I slowly over time carefully approach deer. They are aware of my new vehicle now. How I approach them is the same. The “trick” is that I drive like I’m a grazing animal. Stopping, moving a little and stopping. No hurry. Might take me 1/2 an hour to get up this close. I’ve actually worked inside of deer herd boundaries before.
I wasn’t destined to integrate with the herd here, the terrain was against me getting to them in the first place. Problematic is the travel noise my rig was making. Too much noise busting over/through snow crust. Crunchy noises are not the best way to make deer comfortable I have determined. Make no mistake these are wild deer. These guys were moving slowly across the landscape trailing to bedding in this late day light. They each to an animal have seen me drive around here in my new rig quite a few times now. Hard to get this close in the snow however.
Perspective is indeed was a really cold morning but it was a pretty sunset. Crawling out into the pines seemed like a good idea at the time🤔 We actually have 2 fresh inches of snow on the ground here today (as I type) and expect some more of it. The scar on the tree is from a lightning bolt exploding the layers of wood with water in them. The heat from the bolt flashes the water to steam and boom. This old soldier survived it’s wounds.
This gloomy day with VERY flat light wasn’t that inviting. Anything exposed to the wind because coated by hoar frost. The temps were around zero with some light wind. T-shirt weather without the wind up here. Add some wind, put on the three layers under the Parka. I get out and walk around up on the forested ridges to see what I can see. I use these locations for many of my images. From the POV of field mice.
Every season seemed to be a month late in 2019 . Winter came early, rinse and repeat to mid-February. Last spring, Winter ended late. We had Lilacs blooming on the 4th of July at least a month late. I’ve noticed that the deer rut was late starting by several weeks. It only got to 100 degrees F once this year if memory serves me right. July and August were not nearly as hot as normal. All climate is local I point out. . Global warming didn’t happen here this year. Far from it. It’s just mid-February too so this cold/wet/icy stuff might be around for a while.
In a rare display of a pre-sunset yellow to blue gradient all the way to the roof of the sky. A nice golden lower sky alpenglow color-cast downlow smoothly mixes against the still rich blue of the upper sky. This gives a smooth mix of color through the pure blue at the zenith.
From the stand point of a photographer that has watched a few sunsets:
Just took this a few days before I type this. I consider this sunset as in the top 20 that I actually said “WOW” while I was taking it. Several times as I was clicking away with different compositions with the same backdrop sky show. That immediate wow factor to me pushed it to the front of the line somehow lol. This image publishes right at 10 days from when I took it. I am no longer live the same day. All these narratives are written about a week before the actual post.
I do however try to read every comment and respond to questions as best I can. It might take me a week to make it to any particular forum but I do eventually read everything that I find. I answer several hundred comments (like 300 ) comments a day this year. I check PM messages best I can lolol. Please forgive me if I missed you. I appreciate all comments event the critics. I’m my own worst critic so nothing anyone else can say hurts lololol.
I spend well over an hour taking, finishing a photo, write a 250 -300 word narrative publish it and answer responses to them. 5 per day currently. Facebook is a busy place for me.
Traveling the high ridges one tends to get tunnel vision. You look where your going not necessarily where you’ve been. Occasionally, I will stop and just take a photo of where I just traveled from. It’s a long way back that way…
Snow diamonds falling in the crisp mountain air here is startling to see live and fairly hard to capture adequately digitally. Seeing them on the ground is about the only way to see them. The intensity of the sun detracts from the intensity of the reflections off those hexagonal ice plates. Those fall like parachutes often out of almost clear skies when the moisture is wrung out of the air mass by the cooling. The plates I’ve seen falling like feathers before with blue skies around. They lay flat and act like mirrors on the otherwise crusted snow pack.
I’m pretty sure if I got a flat tire up here that AAA would show up like Bill Murray in “Ground Hog Day” with a jack. Maybe not…. 70 miles to the nearest 4 way stop light…. Fortunately I have really good tires now and really don’t expect to pop a tire any more. Having said that driving long distances in areas where there aren’t many people traveling by is potentially wrought with hazard.
If you don’t have the ability to get yourself out of trouble, best not go there. At any one time I could pull over and set up camp right here, I wouldn’t like it but I’d survive lolol. A minus 10 rated bag at minus 10 is still not enough in my experience lol. I also carry a radio (2) and spare batteries lolol. It does get back to the base from about anywhere I drive up here.
Just NEVER leave your vehicle if you get stuck in the middle of nowhere in winter. Start yanking insulation out of your seats to keep warm with if you have to. Always have survival gear suitable to your environment.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Everything was covered by ice. During this winter cold morning with little or no cloud cover, the glare was excessive. The Shadows are Long with a slight down hill angle to the hill. This makes the shadows a bit shorter. However this is a VERY high contrast environment of white and black is way outside the normal photographic envelope.. Human eyes just can’t look into a scene as this without blinding ourselves. The Mirrorless Cameras I use that feed to a video screen. It actually lets me see this image BEFORE I click the camera. I can adjust the settings live real time on the screen. Love those Snow Diamonds…
There would be a star around the sun if it weren’t filtered by the branches. I way prefer cellulose filters to glass ones in front of my lens. Turning up your f-stop which is necessary in this high light environmnet has an added benefit. in this case by reducing the amount of light coming into your camera. It also gives you a very thick depth of focus.
In this high light environment, your also going to have adjust shutter speed really fast. Set your ISO really low (camera sensitivity) or both to compensate for the high light. Basically you have to shut down your camera to light. Many cameras will take a neutral density filter to accomplish this. . Your always balancing 3 different settings in Manual Mode on your camera. I use NO/zip/zero automatic settings anywhere. Not in my cameras or lenses. No auto focus, no stabilization etc. Manual photography strictly on a very modern platform. I get a pretty good battery life that way😄. Manual Mode is best.
A wonderful veiled sun rising with the branches of a ridge lined pine providing the close part of the Close / Far perspective here.
Topographically, I’m working just over the lip of this ridge but a bit back. (hundred yards). Opportunities like this after photographing that sun coming up over a ridge 20 miles out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the horizon drops away from the suns face. A sunrise is a busy period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to be and WHEN to move to the next shot.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles. Byworking that shadow line I am able to do shots like this with a long telephoto. Click and move as I get a photo. Keeping busy to use the little timeline I had left in this capture.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera. You’ve GOT to turn your camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. With a telephoto like this I’ll be running f-64. You adjust either with a neutral density filter in front of your lens, or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment.
The winter wears on up in the highlands of the Wyotana borderlands. This year has been a low snow year so far. It has also been winter since Oct 1st. Most of the snow is now either granular or ice at this point. We’ve had sort of a January Thaw around mid month. That period of warm weather took a foot of snow turning it into 3 inches of dense hard bumpy ice. It’s durn uncomfortable to drive in the backcountry at the moment. During the day I have mud problems out there as well. Vehicles leave marks in mud so I tend not to go out.
Bright scenes and over exposure….:
High Contrast snow/shadow divergent light is an interesting perspective to work. It’s really hard to get the bark detail in the silhouette with most cameras. I find these Sony Alphas are low light monsters with a very high dynamic range. The ability to bring out shadow detail is a big deal in my world. I always expose the highlights correctly as my third rule of photography. If you overexpose the highlights, you loose detail and get a washout. No details exist in washouts. However there is usually a boat load of photo hidden within the shadows of virtually every photo we take. Almost every photo I take you would consider underexposed and dark in the camera. It’s hard for me to preview them raw sometimes as a result. I have to work on them a little bit to see what I actually got. There are advantages to having a quality editing program.
Up here in the backcountry I use what ever is handy to reduce the glare from that big Light Bulb in the sky.
Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.
The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass in front of the lens has been an issue in the past for me. Just saying….
Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.
Really wide lenses give a feel to an image that is hard to describe. All encompassing I’m thinking on several levels really. I’m always looking for visual tunnels particularly on clear Alpenglow only winter skies. Close / Far perspectives magically appear as I walk from place to place. This old growth stand of trees survived the summer/fall long fire back in the 1930’s around here that cleared so much timber out. It burned from summer till the first snows I understand. Islands of trees surrounded by a sea of grass is the rule up in the borderlands north of Gillette. We still find snags left over from that fire not decayed into dust yet from a 90 year old fire.
We were wet all summer but currently (as I type this (in Mid-January). IT’s been dry since about mid November. There wasn’t much snow in December and January has been dry. It has not been particularly cold yet either. Kind of a mild winter in my opinion. We need a bit (key word bit) more snow. Say about 4 inches a week lololol.
There are thousands of little areas of “zen” around. It’s a matter of seeing them. Capturing them is a little harder lol. I might go find this very spot again under different conditions with a sunset. Many of the great masters would paint the same scene over and over again under different conditions. I’ll never be a great master but I’m willing to travel in their paths.
I admire the strength and tenacity of a lone tree on a ridge. They are alone in their survival subject to the wild Wyotana weather. 80 mph winds here just about every year. Cold cold cold windchills. Drying winds with only 14 inches of precipitation a year.
The hardships for this tree have been ongoing for at least 100 years for this isolated survivor. Pine trees grow where their pine cone opened and released the fertile seed after a local grass fire triggered it. The heat causes the cones to release their seeds. I haven’t done a ring count but 100 years seems right for it’s size. Such can be deceiving though. Really big Pines here are hundreds of years old. By comparison, this is not a huge pine, about 30 feet high but very wide for it’s height. This shot was from across a canyon from a parallel ridge to the east. (behind me)
The Contrast of course is what this photo is all about. The lighting was diffuse so the sky wasn’t terribly interesting that day . Flat light can make for big contrasts between darker shades and mid-tones. The golden fields of grass ready to bale this last fall provide the backdrop for this old warrior of the ridges.
Many of the trees in this local area were burned in the late 1930’s by “fires that burned until the first snows fell. This tree is certainly remote on this hill with the closest other tree being several hundred feet distant. I believe this field has been cleared of sage early on. They did a lot of that clearing by hand. Horse and pulled single row plow back in 1906 when what was to become this ranch, was first settled.
I’m walking along this ridge line way back up into the borderland backcountry of Wyotana. I see this scene developing. That is NOT water dripping off that injured pine tree. That is pine sap and it is dripping in SUPER slow motion at these temperatures lol . The Pine Sap extrudes on any external injury by the pine. This will keep out insects from penetrating the wound. This of course is part of the process insect/pinesap to Amber made famous in the Movie Jurassic Park. Tree resin traps insects, it gets hardened by heat and pressure over time and you get an insect in Amber. Fossilization requires specialized conditions. Amber formation must occur in a wet low oxygen environment. Something like an estuarine, swampy or even a marine environments. (chew on that last one for a while). 😜🤔👀
Stripped of bark, this injury caused by a Porcupine will likely not heal. Particularly if it is deep enough an injury. Porcupines strip bark off Pine trees. Porcupine is from the french translation of “Thorny Pig”. They eat roots, stems leaves of many plants but definitely consume and even kill trees by girdling a trees bark. I have seen numerous trees killed by porcupines. The mountain men used to not bother them. Being slow moving, easy to catch animals, as such were easy pickings. So the mountain men saved them for Hard times and emergencies. Porcupines are greasy when cooked I understand. I’ve never wanted to skin one lolol. 2:1 Aspect
I am up on one of the highest points around for this capture. It was quite windy at that moment. That shakes your camera… hardly helpful lolol. Ridgetops are terrible spots for exposure to the relentless wind.
Overlooking the Little Powder River Valley 40 miles to the Red Hills all the way to my lens. The hill is known on ranch as “RattleSnake Ridge” or just “Rattlesnake”. . Someone blew up a rattlesnake den up here in the 1970’s is the story for the name of where I’m standing. The ridge between the camera view to the far Range is part of the “Prairie Dog Hills”. This is a view almost directly west along the MT/WY border. Both State in the frame.
The Distant Red Hills earn their name. Because of the far ridges tendency to literally be red in the morning. The pink Belt of Venus often drops down from the sky to the hills themselves. That color band drops opposite the rising sun covering the peaks. The red color reflects off of the already red rocks making up the ridge line. (“Clinker Geology” is a good google phrase).
Here the sun had just set behind the distant ridge 5 minutes prior to me turning my lens to this scene. The other side of the ridge is quite red and still illuminated. I am sure of it lol. What I see on that ridge in the morning, is what someone on the other side sees in the evening. Highlights. Here I’m in it’s shadow. Position and topography are my masters.
This is a capture initiated by the -2 degree evening, the icy air and the lighting. The later of which was JUST settling down over the ridge with less than a minute left in the day.
Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 1 mile out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunset for me is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles into the light. Here I saw this long line of smaller pines covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. The trees are my cellulose filter in front of my lens. Regardless, I had to turn my camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment. Be careful pointing your camera into the sun.
Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise. THe sky starts to light up, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early December. We had lighter snow then than now. There is 6 inches flat everywhere on the ridgetops at the moment. You have to be very careful going off the ridge tops. The snow that use to cover them has been blown of to the sides. There hasn’t been much drifting yet this winter and I have a new truck now with excellent capabilities so it should be a productive winter up on the ride tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
When I try to read the morning as to whether or not to go out, I get about 70 percent good choices. This was a good morning. Once I decide to go out 30 minutes or so before sunrise, I have to decide where to go. I usually try to follow the light so I chose to take a road trip. There are few places up high that are accessible in the winter (sometimes more accessible than others).
Hoar frost covered this ridge that morning. Covering the left side of all the pines. Covered were any objects that disrupted air flow. The down wind side of the trees had little to no Hoar frost. Taken 5 minutes Pre-sunrise, this Alpenglow Back Show was a sight to behold for me. I don’t see many “Belt of Venus” this intense. Ice as a projector screen becomes efficient with so much of it in the atmosphere. The colorcast in the snow testifies to the reflected lights intensity. I don’t post much colorcast snow if it didn’t actually exist at the time. I mostly produce images in a “Blue Snow Free Zone”.
If you haven’t already, look up the term “Belt of Venus” as it is a fixture up here in the Winter. In season, almost every visible sun/horizon crossing up here has some pink alpenglow in the backshow. I’ve even seen it during the summer as well but for some reason, there seems to be less ice in the air during the summer.🤔😜 When there is ice, it usually falls as hail lolol.
Trees growing out of large boulders are always a photographic target . Particularly with a LOT trees growing out of boulders. On the crest of this backcountry ridge, this is a sand tube area where sand was compressed into an elongated sphere early on when it was first buried but still soft and wet. This is ALL Hell Creek Sandstone which routinely flows around internally a bit like soft putty. Sort of like squeezing a tooth paste tube. . This leaves these relatively harder boulders for me to enjoy as they resist weathering better than the material around them.
Deposited in the Cretaceous era about 66 million years old as an age. That lichen can be 100 years or more old. Only rocks that are undisturbed have big lichen patches. Cattle pressure/wear from rubbing will destroy it. This boulder is way out there remote. Not a lot of people have been to this spot. I see wonderful sunsets from here.
Big areas of this boulder strewn surface covered with Sunburst Liichen (Xanthoria sp.) exists here. Called pincushion lichen by some. Bear in mind that there are hundreds of different species of Lichen that inhabit Wyoming and differentiating them exactly is sort of a science all by itself. Lichenologists have to have work of some kind. Academia is the obvious job path. I suspect that there is a use for court testimony however the job prospects of a Lichenologist is about the same as a masters in biostratigraphy such as myself. Though interestingly, biostratigraphers do a lot of work with oil companies .. My general comment about Lichen nomenclature is that you need a bachelors of science in Biology (which I have) to look at the photos. The text about the lichen is a foreign language.😀😀.
When I see high contrast scenes I hunker down and try to bring it in. High fstop defractions and long shadows dominate the scene on a remote ridge line. The backcountry is full of an infinite number of little zen like scenes at any one time. I find that all I have to do is be there and mother nature will provide.
I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol. Working parallel ridges with riding or walking a shadow line is the way to set up compositions that I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective.
If your buying gear soon….
Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way. Don’t look into the sun with a DSLR camera.
I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This one of about a dozen favorite lone trees of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame. These are all requirements for me to get this kind of capture. Topography and astronomy has to coincide with Botany. That’s a lot of coincidence lol.
Twilight skies are notoriously color boosted by many artists. I would suggest to you that if anything, the real show was actually much more vivid in person. I stopped a bit light on saturation finalizing this as I’d like it to be photorealistic to what I experienced. It was beautiful. It’s easy to be enamoured with silhouettes of lone trees against an active twilight sky show. I keep them real though and will tell you if I seriously mess with color. It’s seldom I mess with the highlights of an image. My tendency is to bring hidden detail out of the shadow in the digital darkroom. . I did none of that with this image for the silhouette effect. It is pretty much as raw out of the camera.
This capture has the triangle formed by the clouds and the hill slope. Geometry formed in an image is always a bonus “hero”. Every photo needs a few heros. Hero’s defined here as something that draws the eye, brings forth a memory, or is just a nice series of colors or gradients. Something attractive.
This Close Far perspective is a favorite way to deal with first light of morning. Fortunately this ridge had a 1/4 inch of Hoar Frost covering all the vegetation. I call these “Pine Noodles” as it just seems to fit.
The earliest light as the sun is just rising has a decidedly pink color cast. Usually this is most obvious on the sky opposite the sunrise. The “Belt of Venus” which is a very pink Alpenglow phenomena reflecting said pink light back. Pine Needles coated in ice make a very good projection/reflection screen. This pink color cast is not that common on local vegetation and is usually only perceptible on the atmospheric ice.
Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. The formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2 inches long.
While I admire the tenacity of this lone tree. Living with out the benefit of the group shelter from the incessant Wyoming/Montana winds. Here on the high ridges all things are buffeted by hurricane winds yearly. The slopes leading up to them will enhance and focus the wind at times worsening the situation. Having an unparalleled view is a benefit, of this old sentinels exposed existence.
If this tree is certainly 100 years old (probably 200+), it has seen a mininum of 36500 sunrises and 36500 sunsets. I’ve only photographed well over 1000 from start to finish during my photographic travels. I’ve seen virtually (almost) every shade on the pantone color swatch book in the natural sky. And many of those missing color representatives created by others using excessive “filters” to enhance their highlights posted on the internet.. Some of the colors I’ve seen created by others are certainly un-natural. ART. The use of that color slider control on the phone are definitely missing in nature lolololol. I try REALLY HARD to be a photorealist. Blue Snow is a classic example. I’ve seen blue snow twice in my life. Both circumstances were in EARLY Civil Twilight. I see it daily posted in the forums. Generally I live in a blue snow free zone.
The color gradients I see in this image are the Alpenglow equivalent of a rainbow. It’s sort of the wrong order of colors as a classic rainbow but there are refractions here going on. I have to get up to the ridges at least 1/2 an hour early. Getting into position this time of year is always in question and often in doubt. I’m on foot for this particular location for this shot. .
Let me start of by saying I LOVE trees growing out of rocks/boulders. This area on our ranch has a few trees demonstrating this phenomena. Where they grow the roots break up the much larger rocks under them into smaller rocks. I’m slowly starting to make a map of these in my head to refer to when the lighting is right. Heavily veiled skies as above are really good for doing perspectives and frames with foreground objects as this. Trees have their own attractions of course being the natural frames that they create are often better than the sunset/rise behind them lolol.
This is a view of the “Red Hills” (Their real Name). 40 miles distant on the horizon looking almost straight west.. Being a very wide angle lens capture, those hills on the horizon appear smaller here than they would look live. Your eye is naturally equivalent to a 55 mm lens. This image is at least 90 degrees wide at 24mm .
The scene in the sky was actually quite bright which made it hard for even the best camera technology to get the detail in the shadows. I run into technological brick walls all the time working outside or on the edge of the envelope of the light I see up here. Mostly my solution for it is to expose the highlights correctly and worry about the shadows in the digital dark room.
Windmill Junkies Unite: but don’t let your mothers know you look at stuff like this 🤘🤘.
This 100 year old AERMOTOR Windmill has been providing water to cattle in this remote part of our ranch. It’s several miles to the nearest power line from here. About a decade ago we ran a water pipeline about two miles from one of our wells to this site. We used the existing tanks of course. The windmill was working last time we used it. It needs a new drive rod connecting the motor to the pump head. Undoubtedly, the leathers replaced in the pump, a little grease….. It would run no question in my mind.
6 months out of season when I post this Jan 8th but remember today is Windmill Wednesday. I’m going to have windmills every post all day today. There will only be one or two in some forums and other places on the internet will have all 6… . This is entry number 1 for the morning at 6 AM (ish). I’m going to start doing SOME thematic days as they CAN occur (meaning I have 6 images of the same type like Windmills).
I do miss the big storms that roll by in the summer. I don’t miss so much the ones that roll over us lolol. Rain is rain though. I’d rather not have it as 5 inch softball sized hail though. I just got a new truck lololol. We actually had to have every roof on the ranch replaced in 2008. We do get some rough storms.
Oh Christmas Tree (with all due respect to Mario Lanza I changed the title to my image to Oh instead of O….)
Even the Wildlings way out in the backcountry have decorated trees to enjoy this Christmas day. A trillion of these moments in space and time happen all the time. It is a matter of realizing the possibilities and having the technology (in your hand) to capture the image.
Each and every one of these trees was casting a hugely contrasting shadow. I just had to pick the place where I could see the whole shadow. Again topography controls / limits my photography. That gravity thing is also a problem.
This well blown snow accumulates around the Yucca Plants. While where I’m standing is only about 6 inches, there are places in the hollows where it’s knee deep. Getting here was half the fun of this photograph 📸🎄 I’m locked out of most of the backcountry now. I have to plow a road if I want to get up on the big ridge. A couple of miles of plowing but I like to wait for a big storm to come through and blow around. Let it drift abit before I take the time and diesel fuel to clear a path.
Hope Christmas morning was blessed with family and gift giving to all of you. It’s right around noon as this posts and it’s gonna be time for a nap sometime soon lol.
Twisted pine trees, once they loose their bark to weathering and decay, show their grain. This snag might be 50 years laying in this spot after it stood here for several hundred years. This hillside that it is on protects it from as much cattle pressure (rubbing/scratching) as it would get on a valley floor.
The spiral is the tree being twisted by the winds pushing unequally on the sunny side versus the less dense shady side of the tree. The winds will gradually turn the tree into a corkscrew. Inexorable force over a long time is the reason for the spiral growth. Nature does many things we don’t think about unless we look below the trees skin (bark) to it’s structure. This is one of the best examples of this over such a long distance on the trunk that I have found. I know of quite a few of these trees. Usually they are broken up pretty badly. This one is “well preserved”.
I’ve tried this a few time. It’s pretty difficult to get the close far perspective to work. I still needed a sense of the 40 foot long snag. I did have to wait until the sun went behind that little cloud to take the edge off the lighting. This was still pretty early an hour from sunset from the sun’s I usually work with perspectives. This cloud comes along and makes it all possible 📷👁. Cloud Filters work as well as any glass filter in front of your lens.
Winter leaves a few nice scenes to offer me out in the backcountry. I have so many choices where to point my cameras. There are certain basic photographics principles one wants to follow. I am always trying to adhere to those rules. There is a strong rule of thirds here both horizonally and vertically. The old masters discovered visual tunnels of which I’m always on the lookout for. Framed here by the totally frosted pine “noodled” tree. The Visual tunnel to the mountains 40 miles distant is just above center. Every thing I saw through the eyepiece of my camera said “Click”. So I clicked lol.
Those are the “Red Hills” off in the distance. We actually have more snowthan in this image as I type this. Even the grass is coated with ice in this capture. Any surface that was exposed to the wind had freezing fog stick to it’s surface. Coating everything.
This beautiful hillside that I’m standing on is very close to precisely 1/2 way between the equator and the North Pole. A long walk either way lolol. Its exactly 5,000,000 (Five Million) meters from this hillside to either point. Some well connected person in history decided 1 meter would be 1/10,000,000 of the distance from the north Pole to the Equator. You can covert 10 million meters into Ten Thousand Kilometers though. 45 degrees north latitude precisely. This also corresponds to the line that IS the Montana / Wyoming border.
Trees growing out of boulders are always a photographic target . Particularly with a LOT trees growing out of boulders. On the crest of this backcountry ridge, is a hard cap rock that has resisted erosion thusly protecting the rocks below. This is ALL Hell Creek Sandstone. This leaves these relatively harder boulders for me to enjoy. They are 66 million years old and that lichen can be 100 years or more old. Only rocks that are undisturbed have big lichen patches. Cattle pressure/wear from rubbing will destroy it.
There are big areas of this boulder strewn surface covered with Sunburst Liichen (Xanthoria sp.), sometimes called pincushion lichen. Bear in mind that there are hundreds of different species of Lichen that inhabit Wyoming and differentiating them exactly is sort of a science all by itself. Lichenologists have to have work of some kind. Achidemia is the obvious job path. I suspect that there is a use for court testimony however the job prospects of a Lichenologist is about the same as a masters in biostratigraphy such as myself. Though interestingly, biostratigraphers do a lot of work with oil companies .. My general comment about Lichen nomenclature is that you need a bachelors of science in Biology (which I have) to look at the photos. The text about the lichen is a foreign language.😀😀.
Enjoying a sunset while walking around with several cameras in the remote backcountry is similar to a shooting gallery with a .22 but without the report. Lots of good stuff to shoot at. Just a click versus bang. BTW, I do carry a firearm in the backcountry. add a few more pounds. You never know exactly what your going to run into. A 10mm 1911 pistol with a 5 inch barrel is good for 300 yards… (work on that one for a while). This was taken this fall and it was pretty chilly.
I am literally standing on the Montana/Wyoming border taking this shot. This is a favorite overlook of mine. A view to the north of the Mud Hills which is the first range north of my ranch across the Ranch Creek Drainage. We call this place the “treed” pasture as it’s about 2 square miles of mixed pine trees and grassy hills and gullies.
A land of many uses:
Cattle grazing during the summer pasture is a major use here obviously. Cattle can’t be pastured around pine trees in the winter as they will eat the needles. Those needles contain turpentine which will cause the pregnant cows to spontaneously abort. Several hundred cow/calf pair hang out around here for a month or two during Late May through Early July. We move cattle out of here in early July to facilitate the Wyoming Tactical Rifle Championship courses 3 and 4 use.
This ground has been home to a nationally ranked Team Tactical Rifle Championship for 18 years. Almost 4 miles of groomed rifle courses in 16 shooting stations exposing 150 fixed reactive steel Targets out to 1200 yards. This location is the last (or first) station on course 3 lolol. Snipers nest with literally thousands of precision rifle shots at those reactive steel targets down range.
There are a few dozen locations (I’ve found so far) within this “Pasture” that has Hell Creek/Lance Formation that contain dinosaurian (and others) fossils. I found my first dinosaur tooth in this pasture 18 years ago. I knew they were here, I just didn’t know where. You do have to look though occasionally I stumble on dinosaur bones laying in the grass like any other stone in the middle of the prairie. I have found several fossil locations that way. You can’t find them if you can’t see them lolol.
We even have had a nationally released 4×4 video in 2008 filmed here. Peterson’s 4 Wheel Drive and Off Road Magazine filmed part of their “Ultimate Adventure” video series here that year. It’s out there if you want to watch several high end jeeps flip over trying to climb out of some of the soft sandstone lined gullies.
Layers of landscape are always fun to find. The sun is so bright here that it overwhelms the light from the silhouetted areas.
Satire: The veiled sky three miles out into the backcountry here at “Re Pete’s” (the windmill’s) territory. He roams open country and does his best to photobomb my landscapes. Sometimes the only way I can get away is to go back in the timber. Windmills can’t follow you back in the Timber with those sail in the way. I no control over their actions 😜😜
Windmill Weekend (Windmill Junkies Unite). 🤛🤘 But don’t let your mother know you look at stuff like this.
I don’t take as many windmill photos in the winter now that snow is covering many of my paths. We had several inches of blowy snow yesterday up on the ridges.
Good news is, my new ride (F150) is in Nebraska traveling on a semi, due next week at our local dealer. I ordered it Oct 3 and it was a 2020 so it is certainly one of the first off the assembly line. Give the dealer a week to prep it by putting on the dealer installed accessories So about a week from when this posts…just before xmas, some of my shots will be from several feet higher perspective. Stay tuned lolol. My first new truck in 15 years. I’m looking forward to a better ride quality as well as clearance/snow capabilities I haven’t had with my Jeep Grand Cherokee.
In a few more years, I’ll be showing you branch details with the sunset. Cameras will exceed our eyes abilities within the decade would be my prediction.
OK, it’s a halfie with the horizon 1/2 way up the frame…. I don’t produce a lot of halfies but this one is worth of your time I feel. A Close/Far perspective from the viewpoint of a mouse on the forest floor. Under the shelter of the old growth pines, these seeds wait for a grass fire to open up and “seed” themselves. The forest litter was varied and haphazardly dispersed around the bottom of the old growth. All under control of wind/water and gravity. Deer beds were nearby where the pine needles gathered in quantity. Evidence of cattle is present and causes one to be careful where you lay down to take such a capture.
There are thousands of little areas of “zen” around. It’s a matter of seeing them. Capturing them is a little harder but this kind of perspective is actually kind of rare from me. I usually wait until it’s snowy to do images as this. I might go find this very spot again under white conditions with a sunset. Many of the great masters would paint the same scene over and over again under different conditions. I’ll never be a great master but I’m willing to travel in their paths.