Perspective Snag Sunset is a wonderful image caught on a high ridge.
When I see high contrast scenes I hunker down and try to bring it in. High F-stop diffractions and silhouettes dominate the scene on a remote ridge line. The backcountry is full of an infinite number of little zen like scenes at any one time. I find that all I have to do is be there and mother nature will provide. Smoke in the atmosphere is a wonderful thing for photography.
I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol. Working parallel ridges with riding or walking a shadow line is the way to set up compositions that I’m using here. Look for opportunities to walk and follow shadow lines.
Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. If your buying gear soon…. Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after.
If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way. Don’t look into the sun with a DSLR camera.
At first I had an imaginary shark hunting the water in the distant. The waves covering all but the dorsal fin. No wait… perhaps it’s a sail boat at a good breeze in high seas. The crest of the wave hiding the hull of the sailing ship. The illusion of waves swelling in the open ocean is unmistakable. I’m often taken by flights of fancy. The freedom to search for what could be is sometimes more compelling that for what is. On that segue…
I watched this moon descend into the cloud bank on the right 15 minutes earlier. Wrote it off for the session. I figured it would be obscured. From that point on, it was just until I looked back to the horizon. Looking the other way… Preoccupied I was working the sunrise on the dawn side of the sky. I was aware (back of my mind) when the moon was setting. Having done this a few times I finally did glance around at the other horizon JUST in case. I was surprised when I looked up to see this vision. The clouds had moved to the right leaving a window to the really low moon.
Now this was taken with a huge long lens. These totally screws with your perspective. Zooming up on the relatively small mountains, makes the moon looks big. That ridge is 40 miles distant. The place I set up for this backshow of the sunrise that morning was high enough to give me views both ways. Around 4000 feet which is high ridge country in this corner of Wyoming.
It had just hailed about an inch of marble sized ice stones from the sky. Heavy rain accompanied the hail shafts. This is a remote meadow near the Montana / Wyoming border. A series of large storms moved through the area. It’s the heaviest rain I’ve personally been in all year. I’m sure it dumped 2 inches of water plus the hail. ALL the local stream were running which is a rare event. I don’t think this particular drenching under this Mesocyclone was particularly unusual but for the drenching. I’ve seen 4 inches and hour before and this one only gave us a couple of inches in the 1/2 hour it lasted.
So all this hail ice is laying covering the surface of the ground up the hill. The sun hits it, evaporation and sublimation (google the latter) occurs and a cloud of cold saturated air off the ice flows down hill like so much water. It ran in rivers from every hill to every adjacent low area in this valley. This is the fog lake resultant in a wide low pasture being fed by dozens of smaller fog rivulets. The low angle lighting adding to the frames unusual nature. Oh yeah, there’s a rainbow up there too lol.
As I follow the full moon traveling along the ridge lines, I saw this situation develop. As I travel parallel ridge lines, I descend as the moon ascends which keeps the moon “rolling” along the crest. Ridges here travel for miles and have deep gullies adjacent. My options are many to watch the lunar progress. So I’m moving along and stop. Suddenly the moon stops moving too. Seemingly confused by the wire obstacle in it’s path. Hard to get that much cheese from here to there over that so to speak… That fence line would have been a cheese slicer for sure.
So to avoid being cut into cracker snacks, I figure it will take some computational power at least similar to the computers in Apollo spacecraft to make this maneuver. While I’ve seen the moon do many things. I’ve never seen it hike a fence. I see the same look on his face as I see on a Mule Deer. You know, that look just before they jump a fence. Sort of a mix of determination and blank stare if you break it down….. 👀
So this time delay sure could have thrown off all those critical tidal charts. That let alone the full moon effecting human behavior for longer. Full Moon and all that. To that point I’m sure this indecision slowed him down on his rounds. Must have made it up later though….But an apparent feat of athleticism as I continued my trip. I turned around, moved a few feet and JUST when I looked away and moved, it had jumped. Must have since when I looked back, it was on the other side of the fence…
I see this Antique Deering Seeder almost every day as it is located on a ridge with a view. Better I have all weather access to this spot. The Sunset that night was accented by the continuing fires west of us. We’ve only had one fire on ranch this year so far. That’s pretty good (knock on wood and where is that salt). This is the beginning of many smokey sunsets (since that is what is currently the rage around here). The air quality is considered “unhealthy” to endure by the powers that be. I am fortunately in an air conditioned truck except when I drive around with cameras sticking out my window. That might be hazardous duty of some sort. ☹️
The seeder has has this amazing view point for decades. Perhaps dating back to very early in the 20’s or so. I suspect it’s horse drawn nature was necessary early on. Gasoline would have been difficult and expensive to obtain. Horses thrive on the available fuel. There is a significant suspicion that much of the grass in our larger fields are resultant from the activities of this fellow. Clearing the sage brush must have been exciting lolol. Fires I’m sure played a significant role there along with a plow later. Then enters the realm of this Cadillac of Grass Planters of it’s day. Changing our environment for the “better”. Boy are there lots of varieties of grass up here now. 😜
I love using natural materials to filter out the glare from a setting sun such that the background colors appear. Between lens reflections and flares, the glare makes for a harsh photographic environment. Resultant in umber colored images unlike this blue sky to yellow transition. When I utilize something like this tree trunk to block, completely hide the sun, a different world emerges from the light overload. Almost nothing can look at the sun unfiltered. Modern Large sensor cameras do pretty well (fairly high end mirrorless NOT DSLR cameras) at not melting a spot in the sensor pointing into the nuclear furnace.
Chasing Gradients of color hue or saturation is a worthy use of my limited hands on camera time I feel. The yellow / golden light surviving the trip through the lower atmosphere making it to my photon capture device is dutifully recorded digitally. What ever software algorithm the camera settings impart to record the scene as a series of Ones and Zeros (I0III000I00)Billions of numbers long. It is my job to bring the digital file out of the camera and bring it into the digital darkroom.
It is my choice to finish them as I remember them. Everybody that actually is a photorealist must process the photo in some way or another. Cameras are terrible at getting it right. First of all I intentionally expose ONLY the highlights correctly. That way you can actually see detail in them. They are not all blown out as if you try to get dark detail. Blown out is lost information and bad photography.
Then you use the tools in a program like Photoshop™ or Lightroom™ to bring the dark areas back to reality. This process expands the dynamic range of the image. I brought the green out of the tree from pitch black. It’s a little thing but it’s exactly what Ansel Adams did with his contrasts and differential exposures. He did his in the chemical dark room and this would have taken him months to do this in black and white. Let alone the color thing. Technology has advanced a LOT in this field over the last century.
A few days a month I get a chance to get SOME light from the sun at the same time the full moon is rising. This is a little late in the timeline where there is still enough light to catch the outline of the ridge. The Full Sturgeon Moon slowly emerging from hiding behind this lone tree. IT turns out the moon is shy until it has no choice and has to be exposed. I mean it turns all sorts of shades of pink, orange and red so it MUST be shy. He might have been ducking behind that tree to relieve himself before he starts the night shift. I mean the man in the moon is obviously a gentleman trying to be proper after all.
Getting Details on Close objects and far objects in the same single photo…. A matter of high #f-stop setting which give you deep focus. It also steals light preventing it from getting in the camera. So a long shutter open time is a good thing. Not too long as it will over expose the moon, not too long as this hand held shot would be blurred. I find 1/30th freehand minimum for blur. A monopod will go 1/15th. Tripod you have to keep moving, not handy, a few seconds exposure on a moving moon. That’s not good. Basically, your walking over uneven ground, moving in opposition to the moons movements. It rises, I walk closer to the hill. It goes to the right, I move to the left. Set your ISO to get a visible image on your screen. Rule of photography 127 is “Get the photo” Damn the ISO…
I love to work that group of trees for the perspectives from that high ridge. Certainly I’m glad I’m not over there now. Seeing areas you frequent struck by lightning from a distance is a good thing. Better than from up close and personal lolol. This is taken from right at one mile away from the hill that his being struck. This is a very wide angle image showing more of the storms perspective.
These clouds were roiling with the majority of the precipitation behind behind this leading edge. I was surprised by the hail the other day because I don’t have cell signal to give me current radar information. I saw a rain shaft coming and didn’t realize it was full of 2 inch hail lolol.
We are indeed very remote up here. I’m actually going to research radar in vehicles or somewhat to get internet to my vehicle. I do have a communications tower so it’s a matter of how, not if. Might be able to do it for certain spots on the open prairie but not the whole thing. I have internet at my communication tower but that is kind of a silly place to be in a lightning storm.
This was much closer to sunset than others from this timeline. Mostly the clouds above are the only sunlight left. The landscape is illuminated by the lightning bolt plus the ambient lighting from the partially occluded twilight ongoing over my shoulder.
Up on the highest ridges here in the borderlands, besides the view, I see a myriad of habitats. Large patches of Yucca (Spanish Dagger, Our Lord’s candle, Joshua tree, and Adam’s needle.) exist here with a large wild rose bush (rose hips) on the eastern slope (less hot) of this ridge. The tall yucca flower stalks provide a majority of the food for the Ungulates up here (Mule Deer, WhiteTail Deer and Pronghorn) Elk eat them too where Elk habitat exists. There is a small herd somewhere near here. We also have itinerate bulls come through now and then.
This eventing was one of smaller storms moving through mostly miss rather than hit. We stayed dry that evening (notice a theme lately with the dry thing?). We got .6 of an inch a few days ago as I type this. It would be nice to have several inches. They yucca will do fine through the drought. It’s tough as nails.
For many centuries, yucca plants of various species have served American Indians for a variety of uses. Not restricted as fiber for rope, sandals and cloth. The roots have been used as a soaping agent. Whe food was short early Californian settlers along with Native Americans used the green pods for food. Native Americans boiled and baked the fruits, eating the blossoms, chewed the raw leaves. Apparently they had a technique of fermenting the fruits to produce a beverage for rituals.. Ummm . I actually think the flowers are fine in a salad. Never eaten roasted seeds before.
As the solstice is tomorrow, I thought I’d show you what a Bighorn Mountain sideshow looks like with a far northern sunset. The sun is WAY off to the right of the frame. The landscape ladder here climbing off to the 130 mile distant 13000 foot tall peaks leaves me speechless more times than not. Now this is a very long lens which crushes perspective. The second furthest ridge is 40 miles away from the ridge I’m standing on. My elevation is about the same as the saddle on that second to last ridge. The red layered badlands are only 10 miles distant.
Those red banded layer hills are all Tullock Formation. The rocks exposed on the surface all the way back to the Bighorns have been carried there. A complex process by rivers of the past. These moving eroded by the elements, sediments off the peaks. All running down slope from those world class hills. At one time there was a smooth ramp all the way to the peaks to my feet. It was a smooth slope that huge alluvial fans were deposited off the Bighorns. The middle of those alluvial fan stack are dissected at right angles by the Big Horn, the Powder and the Little Powder Rivers.
The rocks I stand on are older Cretaceous Terrestrial Sandstones with their share of Dinosaurian fossils. (Hell Creek/ Lance Formations) These older sandstones are dipping toward the Bighorn’s Powder River Basin being downwarped with the formation of that regional structure. About a mile off my ranch’s west boundary, the alluvial fans overlapped the Cretaceous River Sands. The dinosaur fossil bearing rocks diving deep off toward the mountains.
I am a real fan of pursuing close/far perspective images in the backcountry. I am standing up in Wyoming looking over the border up into Montana as the sun rises to the east/north east. The trees in the distance are in Montana. I’m one of the few photographers that can post most of the images I work on the borderlands in either states forums. I actually try to police myself if something is just Wyoming I’ll try to keep it only on Wyoming or national forums. Visa versa for Montana. The Islands of old grown trees on the ridge lines are testimony to their tenacity against fire/wind and lightning. The snag on the right lost it’s battle with lightning it seems.
So perspectives and warm mornings go together like peas and carrots. (classic reference intended). I’m not sure why this is but I’m drawn to the “close” details with a falling horizon exposing the sun.. All caused by the icy atmosphere in any of the fall winter, summer OR spring. We have alpenglow most of the year. There only has to be atmospheric ice suspended between the sun and the camera. Hundreds of miles of ice and air only let through that crimson/orange/gold light at this point. Earlier in twilight a lower angle only let through red wavelengths in twilight with crimson being the dominate colorcast that morning.
I take images with cameras that can look places your eyes can’t. You MIGHT be able to glance at this for a fraction of a second before you instinctively turned away. I watch this on a video screen and I know exactly what I just took a photo of without having to look at it. What I see on my screen is what I get here. (Actually I take very dark images only exposing highlight correctly. (If you must know). 📷
When ever I point a really long lens directly into the sun, I’m going to get either Burnt Umber or Crimson colors. The latter was gifted to me here. You have to realize that no one knows what this would look like because you would be blinded to stare into such a scene. Using a 28 inch long lens to crush the perspective of about a mile distance from the tree pair. Shutting the camera down to light leads to all sorts of interesting effects. (mostly diffractions).
Obviously those two trees (Ents) were up to no good. Catching the sun like that trying to keep it all to themselves. Fortunately the sun had the state of mind to sneak out the back and disappear behind the ridge. The two didn’t have a clue how it got away but no matter how many times they try this, it never seems to slow down the sun very much. IT still rises more or less on time every day. Imagine if a whole forest did this at one time… think it might slow it down?
I work in a wondrous world of parallel ridges that when very mobile, allows me to find events like this to point my camera toward. By being able to move up and down topography quickly extends my ability to find such scenes. It is a truism that topography is my master. 10 feet lower, and the sun would be below the horizon, 20 feet higher and it wouldn’t be in the trees but above. Location, Location, Location…
Winter “Golden Hours” can be markedly colorcast. This is the scene as I experienced it. 99 percent of the 1.2 people per square mile living in this country were not aware of this as living up this high topographically is an exception. I only know one residence on this ridge. Everyone else was under a blanket of fog down in the valley.
Here the gold light was reflective / pervasive off the white snow. The mist / fog was thick on the valley floor hundreds of feet below. This is a Wyotana backroad over looking both Wyoming (right) and Montana (left of the sun). A few miles south of the border watching the sun rise in an atmosphere saturated with ice suspended in the air. A good place in the world to see the east horizon 100 miles out. That horizon is actually in South Dakota but the ice mist here obscures it efficiently. This time of year the sun is actually setting just north of straight east. The dividing line between Wyoming and Montana is seriously blurred in my world with most of my photos having ground and sky in both states. Morning / Evening light is mostly east and west so I’m always looking down the borderline so to speak.
Yup everything was covered by Hoar Frost and Rime Snow that morning. This is very late in the stage play that was performed without much audience buy myself. By extension of my captures your there though. I see all these
Location: High Ridge (Ridge 5) along the Montana/Wyoming border.
My job is to be aware of the sunset the a sunrise each day. I check the light all the time deciding whether to take out from my homestead with a ” box o cameras”.
Sometimes clouds trap all the light, the actors of the stage show have no spot to perform in. Sometimes I get to watch dramatic plays happening overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second. I might take 800 photos of a particular sunrise as this. 3 or 4 images of those images from the twilight will be finished. More images later from after sunrise of this morning with different frames. They were equally as dramatic.
Skies as above are rare but the high ridges I work have their share. My studied perspective/understanding of this place is totally incapable of comprehensively navigating the complexities of the workings of this, my local “universe”. (for lack of a better word). There is no way to gather the information needed in our own limited memory of our short travels/experiences here on earth. . Ironic, the complexity of our thoughts the local “universe” can not conceive, but the perspective it has is beyond our comprehension.
All of us has ultimately a figurative and literal connection to the land lol. We will all end up there with all that came before. Some in our society are multiple generations removed from it. Meat comes from the grocery store for them. Not me. I grew up on a farm on the Prairie. Lived on a remote ranch in Northeastern Wyoming/Southeastern Montana for the last 2 decades.
I’m a geologist after all…. I would like to think my connection to nature here it is deeper than most. There is much more connectivity between living things and the environment than we give credit for occurs I feel. Even disconnected to nature by nurture human/me, can feel things happening an orderly manner here in the highlands. It’s probably my own psyche settling into the cycles, the yearly natural events of this place in space and time.
A tripod can come in handy in this lower light civil twilight sky. Long exposures are hard to do without them….
The joy of my work is that I get to see scenes like this. There of course is some discipline involved being up on those high ridges I frequent chasing light. Mostly it involves just kicking my legs over the side of the bed and getting up. I rise up pretty early in the summer with very short nights coming my way. Working the light often involves short nights. I might go third shift this summer and stay up from sundown to sun up, sleep during the day. It’s possible this is a better schedule for me as I’ve done it the old way for years lol.
The Close / Far Perspective in Low light is a function of how low the light is (chuckle). On the one or two mornings a month when the sun is rising coterminously with the moon setting, I hope to get a window to the moon. When I saw this cloud band cut across the Lunar Disk I figured that was the end of the show. Fortunately that was an incorrect conclusion.
I photographed this moon until it sank into the notch on the ranch on the right. Having prepositioned myself to position it setting in that notch. I find I am easier to move that either the ridge or the moon so you have to be accomodating to the Physics of the moment… 😜. This was a 250mm lens. I can bring to bear 1200 mm on that horizon for an up close and personal look. Posted in another place of course. Knowing where the moon is going to set is a simple matter of exploring a search of “Moon Compass” in Google. At least one of those sites will tell you where and when it will set. Then all you have to do is decide where to be when it sets. Being able to set and read a sighting compass to correct for Magnetic Declination changes will help in this endeavor. I use my personal 40 year old Brunton™ Geologists compass for such things. 🤔👀📷
Imagine what a pioneer traveling to those peaks with an ox cart thought when he saw this vista. 🤔👀
Colorcast orange Banded BigHorn Mountains is an odd color to cover a landscape with. It was really that color lol.
I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. Some nights, the weather window is closed to the mountains. Closed to the sun that window was that night. It hid far to the right off frame. The 130 miles distant 13,000 foot high mountain range was shrouded in this Orange colorcas. It was like a stage light with an orange gel in front over the landscape.
Only lasting a few minutes. The sun moved down through progressively thicker and thicker layers of clouds.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The range is playing peek a boo with the weather controlling the show. I have many good captures from this month of the ranch which will slowly work their way into my work flow here.
The black ridge at the bottom is 40 miles out from this 800 mm telephoto capture on a very high resolution camera. If you hold a postage stamp at arms length and place it against the horizon, this image would fit into a square that side.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.
This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.
I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances
Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save the moon yet again. GOOD thing I’m standing up wind..👀
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Weekday Windmill Junkies Unite : 🤘
Manual Mode Phobia: (You know who you are) ….📸
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight. The sunset is far right off frame looking from the Montana/Wyoming border to the southwest toward the range.
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight. When the alpenglow colorcasts the snow on the Mountains, I get interested 👀📸.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. Orange here is a mixture. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
These guys were busy grazing on the grass of this ridge when out of the blue, this big ball of fire came down between them. Separated by an apparently dangerous fireball, the rear buck realizes the problem. I’m sure he’s working out the solution to his separation anxiety. Deer take time to process unique situations so I caught him here deep in thought. 😜📷
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here. I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work.
In reality this kind of image is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event. I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where with the snows/mud of late. The Backcountry is challenging to get back into at the moment.
To capture this image, I luckily figured out that these guys traveled this particular ridge at the same time every day (roughly). I had to be in a position far enough away to get both the sun and the deer in focus under f-64 with this particular telephoto. I also had to be on a parallel ridge that let me climb up backwards up the slope to keep up with the sun setting. The sun of course always cooperates with me. 😜📸
I usually get a few attempts at ridge lining a deer or a group of deer right at sunset. The problem is always how to keep up with the moving sun. The topography controls the success or failure of such adventures.
Disclaimer: To say this was a very bright scene would be an understatement. The human eye couldn’t have looked at this for more than a fraction of a second. Certainly don’t try this with your DSLR camera. I use mirrorless full frame cameras that won’t blind you as your watching video with no straight to your eye light path. Some mirrorless cameras could get a spot melted on their chips if they aren’t rated for this so know your gear. I use sony alpha 7 of various models with no problem. Just never even point a mirrorless camera into the sun without maximum f-stop for the lens selected as a starter. Don’t fry your eyes or your gear pointing a camera into the sun please.
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
The chill of the upcoming winter was in the air. I captured an old soldier of a wildlife tree. Heavily used by Wood Peckers and Flickers to hunt in for grubs. It oversees/overllows all on it’s high backcountry ridge redoubt. A safe nest for a dozen creatures. Within is a rest from the relentless high ground wind. A rest here for this Great Horned Owl while the rising moon lights up the scene. While dark to our eyes, the extraordinary night vision of the hunting raptor (and my Sony Alpha 7RIV) pierce the darkness. 😜 📸
Did I mention the above is art. The moon just by itself is a 16 image composite. I own the owl silhouette and the snag/twilight photo. Took me a bit to do this well. 🤔👀 (Landscape up to 3×2 feet)
Now the Science:
The owls perception of the night world and need to detect the smallest movement a trait of the species. This would be a real world nocturnal and uncommon encounter. I’m ignoring the limitations of physics and gear to get an image like this require it’s construction in the digital dark room. This scene has happened millions of times however. They would be REALLY hard to catch in the real world. It’d take a heck of a lens to do this at maybe 500 yards out. Having said that, if this ever unveiled in front me in the real world, I could certainly capture the image. That is, if I were given about 5 minutes to get into position/set up lolol.
While active during the day at times, they habituate the darkness and are totally apex predators in this environment. Just to stress the point, none of this would be happening without the moon. (Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s mass around the earth keeps the earths rotation stable. Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary for stabilizing the Tilt of our planet like a huge slow motion gyroscope. Scientists say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky. Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
(Crimson Alpenglow Close far Perspective #2 in this Yucca series)
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads/distracts the viewer. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the too bright scene on your retina. A quick thought of eye damage, you blink. Over a minute later, your vision probably would come back.
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate. Click!
Perspective on Snowy Backcountry Ridge (Rare Halfie
The “thin layer” of Yellow Alpenglow colors the floating ice above the rising horizon covering the sun. This sets the stage across the middle of this “halfie”. I maybe take 10 ‘halfies” where the horizon is 1/2 way up the frame a YEAR. This capture won over my better instincts as it has such a big perspective. Leading lines are incoming in all directions. I think all the good things compositionally in this image over come the general rule against “halfies”.
“There seems to be no doubt that the vast quality of mutton can be grown here, pound for pound, as cheap as beef; and, if so, then sheep-raising must be profitable if cattle-raising is.”
Silas Reed, surveyor general of the Wyoming Territory, from his report for 1871.
It took a while for the notion of raising sheep to catch on out on the frontier. Eastern states and Ohio raised most of America’s sheep early on in the migration west. . Small numbers of sheep arrived in Wyoming as early as 1847 according to Levi Edgar Young’s The Founding of Utah, a Mormon pioneer company that left Omaha in July 1847 and arrived in Salt Lake City on September 19 included 358 sheep.
Back to the present. The stone Sheepherders Cairn just to the right of the sun has stood perhaps for 100 years acting as a marker or boundary point . Sometimes they were a place for a supply drop for the backcountry solitary herder hanging out with the sheep. The herder protected the sheep of course from coyotes/lions/other predators. They usually lived out of a covered wagon for months at a time literally alone with their flock.
Boy is there a lot going on here. This was a dramatic morning to a student of clouds. The Kelvin-Heimholtz type Wave Cloud patterns on the top dark band is not a terribly common cloud phenomena. Differences in air density moving past one another making waves… Add to that the spread across the sky crepuscular rays during twilight. I probably have 4 other images in 30 years of photography. Twilight Crepuscular rays hard to find in my experience.
I was looking madly for a foreground object(s). Ones I could use on a mostly treeless parallel ridge between me and the show. The main sunrise still 10 minutes away. I move pretty quickly from place to place if it’s possible. Mid-winter presents it’s challenges to my access or more importantly egress from some of my ridge top photographic locations. I had to drive about a mile in variously deep snow to get this angle on the tree lined ridge over 2 miles distant from my position. There is a large deep drainage between that ridge and myself as well. Can’t get there from here lolol.
The yellow to orange to red Alpenglow gradients is typical morning midwinter. The longer traveled red rays illuminating the cloud deck from below. The Yellow / Orange part of the image is mostly Alpenglow. Alpenglow is exquisite here in the winter. Every twilight has some if the sun is not occluded by clouds. . There is usually ice in the atmosphere in the borderlands even mid summer sometimes. I’ve seen Alpenglow every month of the year.
This sunburst coming just over the edge of the far ridge is one of the most prodigious I’ve had come out of this camera. Part of it was there was a LOT of fog in the air for this. Primarily these sun star are diffraction artifacts inside the lens of the camera. They are either attractive to you or not I have found. I personally like them.
Are these rays there in the real world? Yes they are a result of light passing through a very small aperture. Light diffracts off the edge of the opening which you are seeing here. The same thing probably happens to your own eye but you’d be blinded if you tried so you turn away lolol. No one can look into a scene like this for very long twice. No human eye could do more than glance past this. Then you’d still be seeing spots. When the diffractions stars are BIG, it’s really bright. Also the F-stop is turned up to give me a small aperture. Cuts off light too … Wide focal fields with high F-stops lets me properly focus the grass at my feet AND the hillside.
This was taken a day before we got a pretty good snow. IT’s a LOT harder to get around up on the high ridges now. We’ve been in the deep freeze for a while with mid-February weather spitting a few inches every other day at us. No huge storms YET this winter, I hope we get snow spread out in smaller dumps rather than huge punctuated events with named winter storms.