Frosty Frame Backcountry Road is a capture initiated by the -2 degree morning, the icy air and the lighting. The later of which was JUST coming over the ridge but about 6 minutes after sunrise.
This Close Far perspective is a favorite way to deal with first light of morning. Fortunately this ridge had a 1/4 inch of Hoar Frost covering all the vegetation. I call these “Pine Noodles” as it just seems to fit.
The earliest light as the sun is just rising has a decidedly yellow color cast. Usually this is most obvious on the White projector screen that this snow is. Alpenglow in the main show is bright yellow light and depending on the timeline, changes from pink to yellow shortly after sunrise. . This color cast is not that un common on local vegetation and is usually only perceptible on the atmospheric ice.
Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. The formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2 inches long.
This is a capture initiated by the -2 degree evening, the icy air and the lighting. The later of which was JUST settling down over the ridge with less than a minute left in the day.
Topographically, I’m working just over the lip of that higher ridge. Opportunities like this after photographing that sun coming up over a ridge 1 mile out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the sun climbs. A sunset for me is a period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to and WHEN to move to the next shot. Extending your time working the “Golden Hour” is the result. You only have so much time to “Work the Light”.
I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles into the light. Here I saw this long line of smaller pines covered in ice from freezing fog the night before. (the night I’m typing this the same weather is occurring and I’ll be up on the ridges for sure ). There was an 1/8th inch of ice on everything that was exposed to the wind. So a vibrant landscape with an interesting weather event… (a hero as every photo needs a hero). But working that shadow line is the game.
The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera with a white ground reflecting light plus the ice. The trees are my cellulose filter in front of my lens. Regardless, I had to turn my camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. If you don’t want a sun star, go f-11 mid range. You adjust either with a neutral density filter in front of your lens (I hate them), or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment. Be careful pointing your camera into the sun.
Satire: This young punk pine tree was sure that getting his needles “noodled” would upset his adult mentors. The 1/8th inch of ice sure gave him a frosty “do”. I suspect he was about ready to go hang out down in the gully where he could watch things move down drainage at a geologic pace. It’s not a very exciting place to grow up out in the backcountry.😉
Back to my normal programming…
SO it was -2, I was walking a high ridge, the pines were all ‘noodled’ on the north side of the tree. . The sun has been up for maybe 20 minutes so thusly is just cresting the ridge. The crisp air is moving and seeping into my gloves/mittens which are almost always my limiting factor. I’ve worked up here with -30 wind-chills many times. I’ve had various cameras (mostly old used Canon 5D’s) freeze up at those temps. . Rapid temperature changes aren’t good for anything but you don’t want to keep your cameras cold either.
“Winter is Coming” (If you don’t know the classic reference by now, you need to read a few books lolol). I actually enjoyed the audiotapes of “game of thrones” tremendously while building things in my shops.
In reality it’s been here since Oct 1 and the day before was fall. (fall was on a tuesday this year). Oct 1 is when winter started up here which continue till April anyway. Winter does bring certain photographic opportunities however and I enjoy the crisp cold. It’s easy down here at 4000 feet after living at 6200 feet in Jackson Hole for a decade. Warm here but MUCH windier here in the borderlands.