I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Long Red, Orange and Yellow wavelengths survived the gauntlet of the atmospheric filters present. This lake looks HUGE but I assure you it’s a perspective trick of angle and light. It is a small melt water pond on my driveway probably 15 feet across but that is irrelevant to the illusion. If it were windy that night, this would have been a reflective mess. I know the bottom here 😜.
This low area is part of the drainage inside my compound however . I’ve seen 4 inches of water flowing through this spot before during the spring melt. It is the secondary water course through my property. When the primary water channel is full of ice, this part of my driveway is a run off channel. Plan B as it were. lolol. My buildings foundations are a foot above this. I did the surveying for many of the structures here. I taught surveying to collect seniors in the Horse Creek Area east of Dubois.
Reflections from calm water are always darker than the skies they are reflecting. Rippled water presents a smaller surface to reflect the available light so windy surfaces are even more dark. The dynamic range of these Sony Alpha 7 series never fail to amaze me and I’ve used them for 2 years now. I put a lot of clicks on camera bodies lol. Hard use up here in the backcountry. Lots of dust /environmental exposure plus wear and tear.
This location is directly on my gravel driveway. Sometimes I don’t have to go far to chase the light. . As this posts the sun is setting further to the north or straight west each night after the March 19 Equinox at 9:50 PM MST. It set at 270 degrees that day. The sun is setting/rising north of east/west roads as well. There are so many opportunities over the next week folks, pay attention to sunset and sunrise and where those “leading lines” lead to.
Some of the pre-sunrise drives out into the backcountry are silly amazing sometimes. It takes me a minute to get set up for this kind of location. I usually have photographed the sight a different day . This fully involved twilight sky was colorful icing on the cake from that morning’s long timeline.
The term “Twilight” means 3 different things: Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Nautical Twilight starts when the sun is 12 degrees below the horizon technically. Both the Horizon AND brighter stars/planets are visible in this twilight. It is the “middle” of the three twilights. At the beginning of Nautical twilight, it’s about one hour to sunrise.
Rule of thumb which varies with your position on the globe, is 28 minutes each twilight. In Astronomical Twilight, If you live in the city, you have probably never noticed astronomic twilight. The are NO shimmers of daylight at the beginning of Astronomic Twilight a full hour and a half before sunrise. .
Away from the lights of population centers, we see Astronomic Twilight regularly where there is just a slight greying of the black totally dark sky mid night. It gets as dark here on our ranch in remote northeastern Wyoming as the North Atlantic Ocean according to NASA.
Simple is usually better. I seldom do blue sunsets but here is a recent result. Something got into me here. It’s probably just me. A perfect calm water mirror present is unusual needing camera attention in my world. I would have liked to off set the sun. The composition destined to center the bright eye. The “Butterfly” on it’s side became apparent to me in the camera. I collect all sorts of frames on this timeline . This one survived the selection process to finish the image. It’s pretty rare up here to have glass flat water considering the 12 mph average wind speed enjoyed locally.
Any particular image that I post here is written for my eventual hard copy books. Amazingly, not every morning/evening sky in Wyotana is a fully involved brilliant Crimson/Yellow . Most are subdued and more like this. The Melt Water Pond here hosted the markedly subdued evening. The sun just popping out from under that dark cloud. When I invest rare spare time into travels to locations like this, I leave often when there is an obscured sun. I find being able to “read” the sky to as the future movement of large cloud bands / banks to be a useful skill. The sun slit here happened JUST in time to provide me with ample photons to acquire this image. A minute or two later, the horizon rose to cover that bright disk. The twilight show afterwards was a fairly subdued stage show as well.
A remote backcountry gravel road leading up to the sky in the distance sets the stage for this Sky show that morning. Actually I had worked this sunrise over that hill with a box o’ cameras for the previous 2 hours. It was an AWESOME twilight leading up to this “don’t forget to look back” shot. I was heading back home when this vista appeared in my mirror. 📷
Late Winter up here in the borderlands of Wyotana harbors a problematic lands use discussion. My access to the backcountry pretty much limited. I only allow myself on county roads for general photography this time of year. I don’t want to RUT up the trails. UGGG to people that do it. The spotty snow is interesting but the fact that it is melting makes MUD. Mud will keep me out of the backcountry. There are areas of very slick when wet Bentonite. Bentonite is known as GUMBO and will stick a loader with tire chains never to be recovered in this country. You don’t want to wander onto ground you don’t know about as you might not drive out. I’ve found areas that I was very lucky to get out before so I avoid it now. IT’s VERY soft at the moment …..😔
The red crushed “clinker” roads we have here are best photographed wet as it darkens/reddens them. They do add some character to the image. The clouds this particular AM were all subject to under lighting while the sun was effectively filtered to my camera by the thick cloud band obscuring those fleeing photons. I’d say I’m a mile from the crest of the hill.
It was an Icy Alpenglow Morning right at sunrise up yonder on the ridge tops. The main sunrise show over my right shoulder is usually yellow (ish) but this back show is Lavender/Pink/Orange. This back show is called the “Belt of Venus” which is often on going while your watching the sunrise. You miss this show if you don’t look behind once in a while … Several image from this particular morning timeline made it through the “sieve” I use to determine which photo to work on. Alpenglow is the result ice in the air lighting up with the bright first pink starting about 40 minutes before sunrise… and then gradients to other nearly pure primary colors to this rare Lavender at times up high.
The red/pink will often work down on the tree top tips as the surviving red rays project off the ice on them. The hoar frost covering any exposed surface made for a winter wonderlands for a photographer with time before sunrise. Hoar Frost usually forms on objects disrupting air flow. The air full of moisture under freezing conditions. DIrect condensation of that vapor from supersaturated air is greater then 100%. T
he formation of hoar frost is similar to the formation of regular dew with the difference that the temperature of the object on which the hoar frost forms is well below 32 degree F., whereas this is not the case with dew. Hoar frost crystals often form initially on the tips of plants and or other objects. I’ve seen vehicles, fences, tires, plants and even other icicles with Hoar Frost on them. The largest I’ve seen had frost feathers/needles almost 2.5 inches long.
Layers of Landscape to the first big ridge stretch for 40 miles in the distance. The Alpenglow illuminated BigHorn Mountains are saturated in an orange color cast projecting off of the deeper snow cover of the slopes. There are still spotty snow in the low and sheltered northern slopes and the deeper slopes of the 130 mile distant peaks. 1200 mm telephoto.
This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed with a long lens is about 1/100th. With a telephoto your going to have to compensate for the lack of light somehow as they are not a fast lens. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in.
The first rule of photography is get the shot. The second rule is get it right !. Longer time exposures give your camera a chance to gather light the easy way. You always want as LOW and ISO as you can get away with. Low light images like this look wonderful if done on a tripod. Not so much hand held. I use a clamp on my car window with my favorite tripod head on it that mates to my cameras. Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Married since they were seeds from the same pine cone (likely). These three have survived a hundred years of exposure to Wyotana weather and sun.
Musings: I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol.
Working in and among the trees lining remote ridge is the way to set up compositions like I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. There is SO much going on in any edge of a forest with a view of the horizon. I assume I’m looking through the “eye” of small creature, a mouse, a cat but what to level?….
The far horizon which indeed is fully involved with a setting sun. Perhaps the three’s travels through the endless sun rise and set cycles moving as in HG Well’s many movies of the “Time Machine”. What a life they have see but if they could tell the stories. I actually like the really wide angle in this. It is a big bad thing in photography to have a distant horizon not level with the image’s floor.
Getting detail out of the shadows in the foreground while looking at really bright backgrounds is a major goal of mine. Got this one 👀📸
With full reverence to the classical reference to a Clint Eastwood movie in Jackson Wyoming. You might remember the Orangutan that liked to use hand signals?. Having done traffic stops as a police officer I assure you such things have happened in the real world lol. I think I’ve seen it all at this point lol.
Perspectives using leading lines to draw the eye to the focal point in the distance is a trick as used by the old masters. The trick for us modern photograhers using cameras is to see the frame as those master painters would. It’s hard to improve on their senses of perception from the 3D world to the 2D frame of an image. The more I do this photography thing, the more I believe I’m thinking like a painter.
Of course I don’t get to choose my color pallet. I am only what is provided by the grand designer of such things. I watch what is going on around me. To where my eye is drawn, I often follow physically. Then evaluate/ compose if appropriate. Click.
There are SOOO many little areas of Zen. Spread about the remote backcountry they are randomly.. I just haven’t noticed them all yet. I’ve driven the same paths for decades to get from point A to point B. I strongly suggest getting of the beaten trail, look at where you are versus where you’ve been before. Go to somewhere you haven’t been.
In the 20 years I’ve been intensively driving the 5.5 square miles of my ranch, I still haven’t seen everything. Not even close. My nephew and his brother in law were driving around the ranch and found an old 1920’s truck 1/2 buried by time and blowing sand. I had never seen it before and have yet to make it to that spot.
When I get a heavily blue and gold veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture.
This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras would be tough. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. Lone Tree Sky Show
I see a variety of scenes driving the backcountry. This Mule Deer Buck caught in a mid- twilight Silhouette was up watching the sun go gown with me. He was ridge lined. I was able to maneuver way below him about 200 yards out and Click… Silhouettes of nice bucks are always welcome in my web gallery.
This Mule Deer Buck was definitely aware of me but yet tuned into the sunset. I find linking up deer with the moon (harder) and or the sun to be a challenge of finding the right topography that enables me to “work” the scene. In this case (all hand held camera shots walking across backcountry grassy, yucca, rocky terrain. Then moving as the deer and the sun moves. 800mm telephoto. I worked this deer and his partner for about 20 minutes which is about 400 clicks or so with several cameras ….Forever in my world….
The hard part is getting them to “look up” between bites when I’m about 300 yards away. They are usually on a parallel ridge. Of coruse they are used to me being on the prairie with a noisy ATV. He really was watching that sunset. I’ve seen them do it many times. I was lucky enough to wander into this kind of deer versus sun on a ridge 4 times last year and only once this year so far. Hit or miss on deer habits…..
What are the chances of finding a heart in the barbed wire miles from anywhere?
Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. Catching a virtually veiled twilight took considerations for the conditions. . The horizon dropping, exposing the sun with time. It’s civil Twilight still.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.
I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded). Twilight is by far the best time of the day for photography. Not many are up seeing what is going on most mornings.
I’ve seen few aurora but I’ve seen so many twilight sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green at 557 nanometer wavelength. There is little of that hue in any twilight that I have ever seen😜
Twilight gives me a huge variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol. This was not a cooperative sky as that sun slit closed up thusly closing down the sky show that morning. Sometimes I drive for backcountry miles only to get a few minutes of good light. Such are the dues you pay if you play the game of photon collecting.
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.
Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
This joker was hanging out along the road where I was driving just as the nearly full moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon.
As the western horizon moves upwards, the full moon set in due time. Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image I assure you.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Long Red, Orange and Yellow wavelengths survived the gauntlet of the atmospheric filters present. This lake looks HUGE but I assure you it’s a perspective trick of angle and light. It is a small melt water pond on ranch probably 50 feet across but that is irrelevant to the illusion. If it were not windy that night, this would have been a very nice mirror. I know the bottom here and have driven into this pond before to work it from the center. This is an ephemeral pond that will dry up in the summer. The bottom is firm thick grass.
Reflections from lakes are always darker than the skies they are reflecting. Rippled water presents a smaller surface to reflect the available light so windy surfaces are even more dark. The dynamic range of these Sony Alpha 7 series never fail to amaze me and I’ve used them for 2 years now. I put a lot of clicks on camera bodies lol. Hard use up here in the backcountry. Lots of dust /environmental exposure plus wear and tear.
This location is for all intents and purposes, directly on the Montana/Wyoming border looking almost straight west. As this posts the sun is setting closer and closer to straight west each night until the March 19 at 9:50 PM MST. It will set at 270 degrees that day but just a tad earlier lol. I will be working long east west fence lines for the next few weeks with out a doubt. The sun will be at the end of east/west roads as well. There are so many opportunities over the next week folks, pay attention to sunset and sunrise and where those “leading lines” lead to.
Corral with a View (Moon Setting from my side yard. )
Back in the cold January of 2020, we had a little more snow on the ground that we do now in Mid-March 2020 as this posts. This is a corner of our corral system from just inside the fence of our front yard. Looking west this small part of the corral system. This enclosure was being used to keep some 1200 pound hay bales. Safety from the small herd of Corriente’ Longhorns we keep about. Corriente’ cattle are seriously able to take care of themselves in the winter. Like Bison they paw at the snow to expose the grass under the blanket. Angus and most purebred domestic breeds lack enough instinct to perform this task.
The mountains in the distance, known as the Red Hills reach 40 miles out from the camera. The Little Powder River Basin between myself and the Red Hills. Part of the right side of that ridge is in Montana while I’m standing in and looking at 1/2 a Wyoming ridge.
This Waning Gibbous Moon captured here in the process of setting. Remember it’s not the moon that’s moving. It’s the horizon/you. This was a full moon a few short days ago. I chase the moon from time to time. Here such that it is in the same image as the Pink Blush from the “Belt of Venus”. A variety of Alpenglow . Sunrise over my shoulder with a pink back show. If your going to be “Stuck” in a corral as stock, it might as well have a great view. 😜📸
Boy this is a classic Pastel Western Mountain Scene. The Big Horn Mountain Chain rises from the between basins on either side of the huge tectonic uplift. A 130 mile long landscape with the first ridge past the trees being 40 miles away from the camera. Take in mid-twilight about 15 minutes after sunset. It was quite dark considering how well this came out.
Perspective’s with a little foreground bokeh (google this) is unavoidable working low light twilight conditions. This pastel scene was difficult to get as I didn’t have a tripod with me at that time. I was just resting them camera on a vehicle body.
The only ways to gain light in your camera working in low light is, to either 1: turn down your f-stop numbers (open the aperture up which as a side effect, reduces your depth of field), 2: longer exposure (I was rested only, no tripod so 1/10th of a second is about as long as you can do rested. That is holding the back of the camera while resting the lens on something. OR 3: Turn up camera sensitivity which will give you lower quality grainy images to gain light by a Higher ISO number. Lower ISO’s will give you a fine grained image but it takes more ambient light than this to use.
I had to give in somewhere, f-stop it was. Turn it down to f11 on this 400 mm telephoto lens capture.
The Three Missouri Butte volcanic neck complex to the right horizon, Add the Devil’s Tower and the Bear Lodge Mountains to their left. This early morning shortly after sunrise on the Pass to RockyPoint Wyoming was clear sky. I’m less than 4 miles to Montana over my shoulder.
Alpenglow was lit up by the low angle far traveled light. Those colors surviving surviving the atmospheres gauntlet are yellow and reds. They are the only light to make it through the hundreds of miles of atmosphere. Only then they refract off ice to my camera. Resultant this color scheme. . A yellow sky in the morning is a VERY common thing in the winter. This is a view toward the south west . From a high overlook for sure. Light snow this spring so far as is evident.
This wonderful location which overlooks MOST of northern Crook County in Wyoming with the Bear Lodge Mountains coinciding with the South Dakota border. A REALLY big area covered in this wide image. I must admit that I like panoramic cell phone camera images very much. Handy as heck. However they will not quite be the file size that these Sony Cameras give me up to 60 meg jpg’s. This is close to a 90 degree arc in the corner of the county so this is pretty much about 1/2 of the county under this photo. The Bear Lodge range is around 80 miles distant from this spot. This is still big country out there.
The air was crisp and clean as can be.
Location: Trail Creek Road, The Pass at RockyPoint Wyoming.
The stripe of orange Alpenglow under the Crimson Cloud Deck is what the sun light is passing through. A fully involved twilight sky is the result of that red/orange light making it through to the cloud deck This image was taken ON the border line of Montana / Wyoming.
The Butte actually sits directly on the border which coincidentally is precisely 1/2 way between the Equator and the North Pole. Some bright guy in the past decided that a kilometer would be based on the distance from the Equator to the North Pole. That distance is10,000 kilometers between the geographic characteristics on the globe. There is actually a difference in distance to the south versus the north pole from the equator. That is something you’ll need to google for yourself 👀🤔😀
I must climb several hundred feet of topography to get this eastern view. It’s a several mile drive over two track roads. This spring time image from from May of 2019. I’m about tired of spotty snow and mud patches in the backcountry and am waiting patiently for mid may to open this magical world back to me. I do miss unlimited access to the ranch’s high ground. The views are spectacular up there. I consider the east west view from certain high points around here to be 180 miles from horizon to horizon. The Big Sky of Montana merges seamlessly with the Wonderful Wyoming Skies right over my place.
This is a diptych left right pair image consisting of 2 – 20 inch squares. I really adore natural pastel colorations when they occur in Alpenglow. This is a north view looking across the Wyoming Montana border (trees are in Wyoming, mountains in Montana). Posted as second image of this mountain chain through these trees that I posted today. Please take the time to look at the other one and compare.
Most of the Great Master Painters of their day composed their art redoing over and over many scenes they discovered in their world. Say painting Big Ben in 20 different lighting conditions. I am BY NO MEANS a master painter. That is up the big guy upstairs who is responsible for most of the color work. My job is as a stenographer taking down punctuated moments in space and time. I don’t make this sky up lol. Thusly I will follow in those painters footsteps (err, brushstrokes). If their experience continues to be the teacher that I have learned it is over the years.
Those master painters of the 16th-19th century were more or less isolated by the transportation of the day. They were where they were so to speak. I consider each photo I take of the same scene but under different light and environmental conditions, a study of the natural perfection in that place. The framing doesn’t change much from study to study but the background morphs with the time of day, the weather and the yearly cycles. I try hard to stay in tune with all this. The complexity of nature is something that I’ve slowly started to realize as I spend more and more time in it.
Layers of landscape are always fun to find. The sun is so bright here that it overwhelms any light from the silhouetted areas.
Satire: The veiled sky three miles out into the backcountry here at “Re Pete’s” (the windmill’s) territory. He roams open country and does his best to photobomb my landscapes. Sometimes the only way I can get away is to go back in the timber. Windmills can’t follow you back in the Timber with those sail in the way. I no control over their actions 😜😜
Windmill Weekend (Windmill Junkies Unite). 🤛🤘 But don’t let your mother know you look at stuff like this.
Apologies: I don’t take as many windmill photos in the winter now that snow is covering many of my paths. Mud keeps me off the trails so as to not destroy them. We had several inches of blowy snow yesterday up on the ridges. Froze then melted off in the afternoon resulting in more mud and soupy soil frozen below, wet above . My rig (Ford Raptor), can easily do mud but I haven’t gotten it into the gumbo yet. I would only do so by accident of course as Gumbo (Bentonitic mud from clays derived from geologically processed volcanic ash. ) will stick a bulldozer let alone a baja truck no matter how well built.
In a few more years, I’ll be showing you images with branch shadow details with the full sunset behind . Cameras will then exceed our eyes abilities within the decade would be my prediction. Dynamic Range of camera versus eyes is a good google search.
This from early spring 2019. The grass is growing, the hair is shedding off this Young Pronghorn Buck. They shed in clumps giving them a haggard / mange look. He’s perfectly healthy for a young un…But WHAT is going on with his horns… You have to look very carefully lolol. These guys will be appearing here on ranch within weeks of this Mid-March Post.
Pronghorn Spring Migration:
The Pronghorn are migrating shortly but I’m not seeing them up here just yet as we have snow cover high. Moving through here from the south heading through up to Montana. They are following ancient migration routes that the cowboys used to move cattle in the late 1800’s from Miles City Montana down to Newcastle Wyoming. The local version of the “Texas Trail” runs right through the western side of our ranch. Fences are little obstacle to these animals which play the “limbo game” effortlessly. They usually do go under but I do have a few photos of Pronghorn going over fences.
I figure MOST of those animals that lived on ranch all last summer are mostly 10 -20 miles south. They are working their way to the ThunderBasin National Grasslands where they have moving water (not frozen) and good feed for the winter. There are only a few roads through a pretty big piece of remote real estate between the Powder River Basin and the Wyoming Black Hills. Many Hundreds of square miles for herds to congregate in. Many ranchers maintain water stock tanks during the winter. This helps more on the margins but water is a rare thing up here when it’s been 30 below for a week.
Snaggy Silhouettes are fodder for my photon capture boxes. (cameras). I always like snag silhouettes but when a sky is fully involved showing off to me, it’s enough to get my attention. (I’m spoiled) This is not an easy tree to be at right at sunset as it takes a little travel to get there in the backcountry. All two track trails suitable to 4 wheel drive only most of the time. To find standing snags on ridges isn’t as common as you think. Lots of snags standing in sheltered from the wind areas. This is fully exposed and will be laying down pointing to the south (ish) sooner or later. The prevailing winds from the north west will eventually win the battle with this old soldier.
Such organic forms are rife with smooth curves, contrasts against colors of a veiled Wyoming Sunset. The sun JUST peeking around the trees / snags base. Raw organic. Rainbow gradients are always to a one beautiful. I’ve never seen one I didn’t like. 📸 Always expose the highlights correctly. Worry about the shadows later. 📸 We call fallen trees “Snags” because as you walk, they will Snag your leg and trip you. Pines die here mostly due to lightning strike or wind damage. Igniting from a lightning strike, they may burn for days if not extinguished (usually by the rancher).
I have maintained a 5 ton truck just to fight fires up here for 12 years now. If you get too many snags in your “woods”, your going to have a hot fire. In their defense, they provide homes for wildlife. I call them wildlife trees myself. Woodpecker holes abound in them.
I attend virtually every interesting sunrise/sunset that occurs up here on the high ridges along the Wyoming/Montana border. The Bliss Dinosaur Ranch has about an equal amount of land in each state. Most of my images have parts of the scene either the sky or the ground of each or the other state. (now that’s a sentence lololol_😜
I see a lot of heavily saturated sunsets on forums and I see them too occasionally. I record them accurately. What I’m saying is.: This is the actual scene as it occurred without any highlight/color tomfoolery. I love this image as it is with detail in the colored areas, not solid color. My technique is all about exposing the highlights correctly. I’ll worry about the shadows in the digital darkroom. I left the landscape silhouette without bringing out what detail exists there. I seldom molest highlights.
Recording then presenting them exactly as I experienced them. I about said “Catch them on Film”. ……. I paused and considered the accurate replacement phrase. What exactly am I doing with this Mirrorless Digital Camera. No film here. These things use a digital chip inside to record the image in Red/Green/Blue dots. Technically it’s recording a series of 1’s and 0’s in sequence that when run through first Sony then Apple’s machinations via software. Of course Adobe had a hand. Then Facebook attacked what I uploaded with a compression process. The resultant jpeg/file quality drives me crazy sometimes. The full sized files are amazing. Full screen is a must here for sure as this is an image that needs to spread around your field of vision. 📸👀
Most of you know Bliss Dinosaur Ranch hosts the nationally sanctioned Tactical Rifle Championship up here on ranch every July. (Sanctioned by the “Riflemans Team Challenge” )
The course of fire consists of 8.5 miles of groomed pin flagged back country trails. There are 28 different mowed shooting stations with over 290 reactive steel targets downrange. (2 courses each in both Montana and Wyoming) . If you look carefully, you can see a few reactive steel targets set up. This visual tunnel looking through a the trees to the hill/backstop 800 yards in the distance where a few more 10 inch blue square plates reside.
We have had the “Wyoming Tactical Rifle Championship” as a dedicated even up here for the last 11 years. Sporting events around the globe are being cancelled due to “Pandemic” . There of course is a discussion of what to do among the board of directors of this long running 501 C3 non-profit event.
We raise funds for Wounded Veterans and their family having given away in excess of 100K over the years. Hopefully we will have no cancellations from Corona Virus this summer. Not having this event would be a serious disruption to the whole series to say the least. Having said that: we will evaluate based on conditions as we go here.
I’ve actually had a major shooting event up here every year for 18 years. The first 7 years the event belonged to someone else. They just held it here which we facilitated. After that group “retired” from the game, a small group of folks picked up the reins. We only had 6 shooting teams our first year. Now we have an average of 26 teams over the last few years and now we are affiliated with “Rifleman’s Team Challenge” for accumulating national points toward that National Championship. Professional shooters from around the country usually show up a day early in July (registered and paid for) and we camp/RV for 3 days until everyone has engaged two days of field shooting and a third day of team versus team challenge.
Every year, over 100 people descend on us for 4 days of RV and tenting with the shooters spending 4 hours each hot July day on courses of fire . It is quite a culture shock for our little quiet homestead. 🙂 This event is not open to the public generally but we do take donations for the prize table or cash for direct vets. 60 volunteers put it on, none of us are paid.
This 220 pound “King” Corso Mastiff is one of 4 Mastiff’s of 2 different breeds living in our ranch compound with us currently. (Along with my nephews tiny poodle mix lolol). He was walking away from a a cool bath under that spigot after the last run of the day. (I have that bath on another similar image) The cowgirl gave the short haired dogs a few minutes to dry in the summer air and off to bed. Living with mastiffs has it’s big rewards with just a few detractions.
The Drool Thing:
As a rancher wearing ranch cloths, I don’t mind so much the drool issue.. If you’ve never been around Mastiffs that were bred by the Romans for war (not table manners), you haven’t experienced living with a salivating horse before. Generally they are clean enough for dogs but the strings of drool are impressive. I should have waited until after he drank to show the foot long strings that occur after eating or drinking. I bet there are some patentable characteristics for the sticky, stringy properties of Mastiff Drool.
So I’m sitting in my computer chair working while my wife is feeding the mastiffs. (they eat outside but we hand feed them meat rolls about a pound each. ). She let the dogs right in and the first thing the big one does is come over laying his head on my arm. I almost had to take a shower lololol. The command is now, “Wipey Wipe” after feeding BEFORE the dogs come back in. They don’t like their face wiped but they let us do it lol.
I’m not sure what it is about this capture. It is a low light image. It just stood out to me for some reason. I finished it bringing all the detail out of that cows hide that I could without introducing artifacts to the mix. I always expose highlights properly in the camera. Then I have to deal with the darks/shadow detail in the digital darkroom. This capture destined to become a silhouette image I thought. The detail that was hidden in the shadows yielded to my gentle coaxing. I think I really like the highlights on the cow itself. Certainly I like the whole mix lolol.
The Corriente’ Long Horn are a Spanish breed originally bred for the harsh conditions in the northern Spanish Pyrenees Mountains. They are smaller than our modern hybrids and pure breeds. They are also hardier, easier care for (as they pretty much take care of themselves). Add some basic yearly care (shots etc), some salt blocks and some magnesium lick in the spring when the rocket fuel (green grass) starts growing. Other than that, they paw the snow like Tonka to find grass and can easily handle a normal winter up here without additional feeding. Our herd mooches off the Angus herds feeding of course given the opportunity but they have gone some winters on their own. All did just fine and had wonderful calves in the spring those years. Tough cattle! 😲
Boy I miss summer. I will say that there were some mosquitos out at this shooting. Some crimson to purple to blue gradients pop up each year but not many. I got a good one here though. The alpenglow ice that gives you summer crimson blends in like an acrylic paint into blue higher in the sky forging purple out of the mix. It’s a natural rare gradient that I see a few times a year. Real purple is much rarer in the world than you would think looking at forums. Beware of the electric blue images you see but this is a real color mix showing purple.
The grass was high, the hay bales in the distance attest to an expenditure of diesel fuel to gather each 1 ton bale. The big tree just across the inlet has a landing below it that I have several game trail cameras. They have taken hundreds of creatures from coyotes to Herons walking right in front of that wonderful cotton wood. This lake is literally miles from the nearest gravel county maintained road. I can’t tell you how many little places of zen like this exist in and around my ranch. I’m pretty sure infinity comes to mind for the time I have to spend here in my short human existence. Cowboys 100 years ago built the dam across this spring. It watered generations of cattle walking the Miles City Montana to Newcastle Wyoming Trail on the way to Texas.
From the top of the pass one can see 45 miles to the higher peaks of the Red Hills. The far ridges high points are right at the same elevations around 4100 – 4200 feet as where I stand. The intervening Little Powder River Drainage starting near Gillette Wyoming runs north into the big drainage in Montana. The water droplets here flow first into Trail Creek then immediately off into the “Little Powder River. This flows into the Powder River then the Yellowstone River, then the Missouri all the way to the Mississippi. All the sand grains that used to be between where I stand and those far peaks have been removed by the above described river system. It took a few days.
Belt of Venus Alpenglow Show is that moment in space and time when the red light of the ice filtered morning sun, touches the far mountains. As far as backshows go, this is a good example of that variety of Alpenglow. (Belt of Venus). The pink belt surrounds the sky behind a sunset or sunrise if there is a LOT of ice in the air. The low angle sunlight is red due to the longer wavelengths being able to penetrate the haze better.
The best Alpenglow displays are early winter based on my experience. Atmospheric ice requires temps obviously below freezing and at 4000 feet in elevation, that isn’t that hard to do. I’ve seen good Alpenglow mid-summer. It’s off season appearance is a fairly common event but it usually isn’t this intense. When the sunlight is just touching the hills in the distance, I am in the shade of the ridge 10 miles distant from my perspective. Topography allows some interesting opportunities.
I strongly recommend googling “Belt of Venus” to further your knowledge of this wonderful phenomena. Often the sunward side of the sky show your watching isn’t the highlight (pun intended) of the moment. Make sure you turn around and check the sky. This was easy as I was still in the shade and waiting for the sun to come up over that ridge behind my position. I had a three mile drive on two track roads to get to this location. My jeep has no trouble on these old cow trails. (Except it beats me up).