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Two Bucks for the Light

Two Bucks for the Light
Two Buck for the Light

Two Bucks for the Light

With all the cold weather lately, this image came to mind that spring isn’t that far away. Spring 2019… Bedded Deer Bucks chewing what ever goodies they regurgitated. … yumm… The grass that time of year is a wonderful brown/green color, the deer have all new coats. Their rapidly growing antlers are covered with the capillary blood vessel rich “Velvet” covering the bone under supplying it with nutrients.

Sometime later in the year they antlers will stop growing. The velvet starts to itch and they will rub those antlers tearing the velvet to ribbons. They will rub on any bush or tree unlucky enough to be in their path. Deer rubs on trees are good signs of deer activity and you can usually tell how recent they were.

Reminder: Photographic Musings (memorize this)

Terms you need to know: (F-stop) is your aperture size. The size of the “pupil” inside your lens. Big pupils (low fstop numbers) lets in a lot of light but your depth of focus is thin and shallow. (the eye is in focus but your ears are not). With a high F-stop number, you get a very deep field of focus/depth of field. The whole face and the trees behind the face are all in focus. This is because a high f-stop number makes a very small pin hole for a “pupil” in your lens.

F-stop is one of three settings you adjust in Manual mode. It is a double edged sword, deeper focus field comes from having a small aperture “pupil” which means less light. Light is what your balancing here. The other two settings (ISO and Shutter Speed) compensate for what your doing with f -stop in this case.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Two Bucks for the Light

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Flower Moon Rolling in the Grass

Flower Moon Rolling in the Grass
Flower Moon Rolling in the Grass

Flower Moon Rolling in the Grass

This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….

I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.

Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Flower Moon Rolling in the Grass

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Lone Tree Moon Silhouette

Lone Tree Moon Silhouette
Lone Tree Moon Silhouette

Lone Tree Moon Silhouette

(May 2020, third/last supermoon of the year) I was fortunate to have worked them all. This month I only had one opportunity to work it against the landscape. I have 4 quality images from this month’s full moon which is about par for the course. Without a doubt this image is the best one I have obtained from this combination.

This one is somewhat similar to others I’ve taken and I’ve shot this tree many times as it’s only a mile from my driveway. However the burgundy (muted pink light) alpenglow, details in the dark and the dynamic range of this one makes my heart pitty pat… 📸📸

I’ve taken a few photos of this tree in front of various astronomic occurrences. It is indeed a lone tree on that position about 1000 yards away from where I took this image.

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon. This makes using Tripods very difficult as you have a moving target. Maybe a monopod. This however was handheld. Distance is your friend here from that Lone tree.

Practicing this kind of photography has found me on my butt more times than any other tripping over sage. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.Bear with me as capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a serious challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this. This composition is a tough one to capture in this low light/long focal field combination. 📸

2×3 aspect to 3 feet. Rested 1200 mm lens on “Clever Girl’s” drivers window.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Lone Tree Moon Silhouette

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Cellulose Filters the Sunset

Cellulose Filters the Sunset
Cellulose Filters the Sunset

Cellulose Filters the Sunset

I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this cellulose frame moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. This is not going to happen in any camera in manual mode. To work this kind of image, it would be necessary to learn to use that camera on Manual Mode finally. I am happy to keep talking about HOW I take my photos for you guys to follow along.

I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (like this one). What I was hunting for here was the Edge Reflections from the grass around the suns periphery. The hightlight are awesome to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool in the envelope. .😜

Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good Pandemic feel good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn on no question over a DSLR camera. I buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Cellulose Filters the Sunset

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Full Moon Lone Tree

Full Moon Lone Tree
Full Moon Lone Tree

Full Moon Lone Tree

When I see a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular lone tree up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. (April Egg/Fish/Pink Moon 2020)

The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a little further behind the ridge.

Photographic Musings: Clear as a bell this evening. I worked the sunset but this moon rose about 80 minutes after that. It was dark and a true night sky. About half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. This I captured only because I was moving along at an operational tempo most seal teams would envy lolol. Light is VERY fleeting.

I work the Moon’s “Shadow” line on parallel “opposite” ridge by driving along it and “seeing” what develops as I move. This is where the cool stuff suddenly pops up to photograph as in “I know it when I see it”. There are times I see lighting that is virtually impossible to capture with the technology. This moon is relatively easy by comparison lol. Of course, a full moon behind trees is a very common occurrence. It happens every time a full moon is up, at many angles millions of places around a woods. It’s being in the right place at the right time with the right gear to catch the image. That is the hard part.📷

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Full Moon Lone Tree

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Thats Not A Moon

Thats Not A Moon
Thats Not A Moon

Thats Not A Moon

Actually this is indeed a 98.5 Percent Full April “Pink” Moon but the images title is a classic reference to a Movie Line. If you know from where, you could be my friend lol.

This is a very long 1200 mm telephoto shot with the sun being mostly up behind me with a brief over lap. Having the two celestial bodies at the horizon with daylight and a full moon is a one or two times a month opportunity IF the weather cooperates. Of course I have the moon lowering in the sky from about an hour before this. This particular one the last shot of the timeline consisting of several hundred images.

I am standing on my ground which is the same elevation as the saddle between the two far peak. That range of mountains is called the “Red Hills” and is 40 (forty) miles distant from my camera. The Intervening Little Powder River Valley 500 feet lower than the far ridge removed all that ground between here and there. A sand grain at a time the 20 foot wide “Little Powder” River carried all that sediment down to the Gulf of Mexico, through several tributaries. Some of it is still in the river banks along the way. All things eventually work to the sea.

This, looking westward barely diagonally across the Wyoming to Montana border. The moon setting at 279 degrees. I prepositioned myself just so it would set between the peaks. Fore knowledge of how things work makes your photo session “predictable”. It helps you choose to use the map in your head. Google: ‘Moon Compass’, and work the choices.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Thats Not A Moon

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Melt Water Evening Moon

Melt Water Evening Moon
Melt Water Evening Moon

Melt Water Evening Moon

A magical “Belt of Venus” evening up in the eastern Sky. . The sunset was 10 minutes past behind my shoulder as the blue stripe on the far horizon shows. That blue is the shadow of the western/opposite horizon blocking the long red light from the sun just over the lip. The pink projected onto the Ice suspended in the atmosphere are the reflections from the long wavelengths make it to my camera lens.

This ground is relatively easy to get to in the summer and fall as it’s on a local county road lol. This was taken spring 2019 as the snow pack started to melt into ponds as which provided the mirror for this capture. .

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the technical basics a few times. I would entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others. Just a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Melt Water Evening Moon

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Rising Full Moon Ridge

Rising Full Moon Ridge
Rising Full Moon Ridge

Rising Full Moon Ridge

Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. This Evening the skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon rise this clear is “keep busy” lolol.

A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The hillside was WAYYYY easier to get to “sign”. This was a cool evening by the way. It was around 15 degrees at the time, 3 inches of snow all over the ranch land.

Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the hillside would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the normal hillside. Topography is my master.

It was very dark for this and is sort of a time exposure for a full moon. I’m digging seeing the highlights in the grass on either side… First time I’ve see it.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Rising Full Moon Ridge

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Moon Balancing on Tree Stump

Moon Balancing on Tree Stump
Moon Balancing on Tree Stump

Moon Balancing on Tree Stump

Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷

I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀

Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.

The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.

You just have to be there to look at the right time and place about 200 yards away…… 😜😜

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Balancing on Tree Stump

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Tree Textures ala Snag

Tree Textures ala Snag
Tree Textures ala Snag

Tree Textures ala Snag

Looking From Under a Snag, I see the world from an entirely different perspective. The Detail exposed as the bark falls away from hundred year old pine trees is remarkable. This “Driftwood” of the Prairie has been treated to very little water in this almost-desert arid environment.

The perspective here was obvious to me which almost always pushes me toward snags to work wide lenses….Grab that 12 – 24mm or sometimes like this I have a 10mm wide angle full frame lens. I use it when ever I get a chance. It is very wide. The detail of course is the target of my glass.

Perspectives and clear skies seems to go together… Cloudy complex skies detract from the detail up close. I feel that detail is the point of the photo but your opinion may differ lol.

Musing on Fallen Logs on the Prairie:

RegardingFallen logs: “Snags” each has it’s own character and personality I find out. Some are masculine and rugged like this one. Others are more curvy and feminine with a grace that is hard to describe. Orientations change from tree to tree, opportunity emerges as I drive by on the ridge tops. I see the possibilities as I go though sometimes I get on a mission for a particular tree.

The little shelter under this tree has provided an expedient rain shelter. Any shelter in a storm as they say. I find deer beds all around this area as the big tree also provides a windbreak . Such a shelter is a rare thing up in the grasslands. Soon this tree fall will be rife with woodpecker holes before it decays to dust as all things do with time… 🤔

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Tree Textures ala Snag

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Sunset 40 Mile Ridge

Sunset 40 Mile Ridge
Sunset 40 Mile Ridge

Sunset 40 Mile Ridge . The Sun becomes stuck in a rut occasionally as well. 😜

The solar disk was occluded by thick clouds before this. I thought I wasted my trip out. This last minute break/slit occurred . Then it slipped under the cloud deck which allowed this very small portion of the far horizon.

Looking into the setting sun from 40 miles distant. That Ridge is in the “Red Hills”. (Their name.) The horizon rising to cover the globe of fire so delicately veiled by the shroud of clouds close to the ground this evening. The nuclear processes emitting photos traveling 93 million miles over about 8 minutes of travel time. Light travels at 186,000 miles per second so I am actually looking back in time and Space by 8 minutes.

Awkwardly, I remind you that the sun is not line of sight here but actually below the horizon. The image of the sun is bent around the earth. RIght around the curvature a bit. Distorted from below the line of sight into my view. Its a phenomena that is always happening as the atmosphere acts like a lens and bends the image. When ever light travels through medium(s) of different refractive index(s), it get’s bent. The various different temperature layers of the atmosphere work in a similar way to a glass lens of the same curvature. does with the light. It’s not until a few minutes later that line of sight catches up with reality as the sun rises above the atmosphere.

The Deep Yellows and Reds of this Image are the only colors to reach my photon capture devices (cameras). The atmospheric moisture and dust is the gauntlet to all shorter wavelengths. I carry a variety of these photon traps with me most times I venture out into the backcountry. This one was a Sony Alpha 7RIV, 600mm G Series Sony/Zeiss Telephoto with a 2X focal extender by Sony. 📷

Metadata : ISO100, f64, 1200mm, 1/500th. 3’x2′ aspect.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Sunset 40 Mile Ridge

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Dragon Cloud Rising

Dragon Cloud Rising
Dragon Cloud Rising

Dragon Cloud Rising

Part of the joy of my job is I get to see odd things occur now and then (OK, every day). I sometimes consider the other places I’ve lived during my travels. Then I compare them to the 20 years I’ve spent on this wondrous place. Not even close .

Magical things often appear in the clouds in front of me. I am just a stenographer taking notes about the big stage productions in front of me. Click click of the keys of the steno machine or the camera. No difference in effect. The details are in the dark here for this fantasy image. Imagine the mood of that moment in time and space. You could hear thunder rumbling 24 miles out.

I can not record all that I see with my cameras. They possess superhuman sight much better than mine but their ability to see dynamic range is limited. It is for instance VERY hard and essentially impossible to take a stars photos behind the full unveiled moon. You could see it with your eye easily. Not so much cameras. My best camera (a Sony Alpha 7R4) has 15 fstops of dynamic range. My only good eye (I’m close to blind in one eye from an injury) has at least 21 f-stops of dynamic range. Far greater ability to see a black cat in a coal bin in a dark room and see the detail in it’s hair. Like seeing the tree silhouettes here under the very dark blue clouds. This was a tough shot to get :).

Location: Bliss Dinosaur Ranch,Wyoming/Montana borderlands.

Title : Dragon Cloud Rising

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Tres Hombres Sunset

Tres Hombres Sunset
Tres Hombres Sunset

Tres Hombres Sunset

Married since they were seeds from the same pine cone (likely). These three have survived a hundred years of exposure to Wyotana weather and sun.

Musings: I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol.

Working in and among the trees lining remote ridge is the way to set up compositions like I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. There is SO much going on in any edge of a forest with a view of the horizon. I assume I’m looking through the “eye” of small creature, a mouse, a cat but what to level?….

The far horizon which indeed is fully involved with a setting sun. Perhaps the three’s travels through the endless sun rise and set cycles moving as in HG Well’s many movies of the “Time Machine”. What a life they have see but if they could tell the stories. I actually like the really wide angle in this. It is a big bad thing in photography to have a distant horizon not level with the image’s floor.

Technically:

Getting detail out of the shadows in the foreground while looking at really bright backgrounds is a major goal of mine. Got this one 👀📸

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Tres Hombres Sunset

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Veiled Sunset Tree Frame

Veiled Sunset Tree Frame
Veiled Sunset Tree Frame

Veiled Sunset Tree Frame

When I get a heavily blue and gold veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The sun is a little further behind.

Photographic Musings: The clouds were very thick and obscuring with the sun mostly filtered out behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture.

This veiled sun was ‘easy”. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras would be tough. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. Lone Tree Sky Show

Title: Veiled Sunset Tree Frame

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Porcupine Damage Sappy Sunset

Porcupine Damage Sappy Sunset
Porcupine Damage Sappy Sunset

Porcupine Damage Sappy Sunset

I’m walking along this ridge line way back up into the borderland backcountry of Wyotana. I see this scene developing. That is NOT water dripping off that injured pine tree. That is pine sap and it is dripping in SUPER slow motion at these temperatures lol . The Pine Sap extrudes on any external injury by the pine. This will keep out insects from penetrating the wound.

This of course is part of the process insect/pinesap to Amber made famous in the Movie Jurassic Park. Tree resin traps insects, it gets hardened by heat and pressure over time and you get an insect in Amber. Fossilization requires specialized conditions. Amber formation must occur in a wet low oxygen environment. Something like an estuarine, swampy or even a marine environments. (chew on that last one for a while). 😜🤔👀

Stripped of bark, this injury caused by a Porcupine will likely not heal. Particularly if it is deep enough an injury. Porcupines strip bark off Pine trees. Porcupine is from the french translation of “Thorny Pig”. They eat roots, stems leaves of many plants but definitely consume and even kill trees by girdling a trees bark. I have seen numerous trees killed by porcupines. The mountain men used to not bother them. Being slow moving, easy to catch animals, as such were easy pickings. So the mountain men saved them for Hard times and emergencies. Porcupines are greasy when cooked I understand. I’ve never wanted to skin one lolol.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Porcupine Damage Sappy Sunset

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Perspective Wired Ranch Sunrise

Perspective Wired Ranch Sunrise
Perspective Wired Ranch Sunrise

Perspective Wired Ranch Sunrise

As I travel the misty backcountry mornings, I see opportunity in common objects. If I had uncommon things (huge mountains, monuments etc), I’d certainly photograph them. Regular Ranch objects are what I’ve got so I will work the common things looking for little areas of zen hidden among the other visual noise. My job is to catch isolated moments in time and space. There were an infinite number of places to observe this twilight,

It is a truism that any fence that precludes passage is a good fence. While it won’t keep deer from penetrating, it does a good job of keep adult cattle out though. It has served it’s purpose for at least 50 years and probably much more. There is no oral history regarding this or that fence line that I have gathered over the decades I’ve lived here.

There is 30 miles of fencing up on this small ranch alone. Imaging how much work that was over the decades to 1: install and 2: maintain BLOWS my mind. 99 percent of the fence posts were hand dug. If you haven’t dug a 5 inch post hole 2 or 3 feet deep, you haven’t really experienced life. Trust me on this. I’ve had numerous first time newcomers that are not ranch wise get fairly well educated by handing them a t-post pounder/driver and a t-post to put in. There are 10,000+ t posts in 30 miles of fencing. I’d estimate there are hundreds of corner braces anyway. A hundred year old ranch has generations of little (and big) jobs invested in them. Black holes for work they are.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Perspective Wired Ranch Sunrise

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Frosty Perspective Snaggy Sun

Frosty Perspective Snaggy Sun
Frosty Perspective Snaggy Sun

Frosty Perspective Snaggy Sun

In a Star War world with Double Suns:

A harsh desert/arid world orbiting twin suns in the Galaxy’s Outer Rim, “Tatooine” is a lawless place ruled by “Hutt” gang lords. Many settlers scratch out a living on moisture harvesting farms. Mean while spaceport cities such as Mos Espa and Mos Eisley became as bases for smugglers, criminals, and other rogues from the surrounding galaxy. Law is what the “Hutts” say it is. This is the polar region of “Tatooine” where there are rare trees.

Back to my normal programming…

It was cold, near zero when this was taken mid-winter 2020.. This posts in late winter. The Environment in the borderlands can be harsh and beautiful simultaneously. Fall was on a Tuesday last year it has been confirmed. ❄️

The sunrise here was a clear sky with white/blue ice show which almost always pushes me toward snags to work wide lenses….Grab that 12 – 24mm or sometimes like this I have a 10mm wide angle full frame lens. I use it when ever I get a chance. It is very wide over 90 degrees so. . Perspectives and clear skies seems to go together… Cloudy complex skies detract from the detail up close. I feel that detail is the point of the photo myself but your opinion may differ lol. RegardingFallen logs:

“Snags”

Each has it’s own character and personality. Some are masculine and rugged like this one. Others are more curvy and feminine with a grace that is hard to describe. I know it when I see it though

Orientations to the sunset/ sunrise change from tree to tree, opportunity emerges as I drive by on the ridge tops. I see the possibilities as I go though sometimes I get on a mission for a particular tree. The air is full of ice, turning the sunset low sky yellow. I find deer beds all around this area as the big tree also provides a windbreak . Such a shelter is a rare thing. Particularly on these wind blown slopes. Soon this fairly recent tree fall will be rife with woodpecker holes. Thusly then to graduate to full fledged “wildlife tree”.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Frosty Perspective Snaggy Sun

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Communicating with the Moon

Communicating with the Moon
Communicating with the Moon

Communicating with the Moon

Moon Lollipop? Mood Docking Station? So many titles, so little space and time. I find that celestial objects follow a routine in their movements. Our companion in space has habits that humans have noticed over time. There has always been a connection between humans and the moon. I think women even more so than men. Your results may vary 🤔

Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.

The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.

Here I have firm photographic evidence here that the moon is trying to communicate with us. As a ham radio guy, I’m always monitoring something or another but has no one has picked up Moon Magic just yet? “73” K7WIZ

Location: Bliss DInosaur ranch, Wyoming/Montana borderlands (Wyotana)

Title: Communicating with the Moon

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Pass Up to the Clouds

Pass Up to the Clouds
Pass Up to the Clouds

Pass Up to the Clouds

The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.

Taken early in the morning after sunrise last summer. A very deep focus close/far perspective of a long hill to a pass/crest in the distance. I was watching these wonderful clouds over the “hump” on the drive up. Stopped, set up, CLICK. A complex sky is a treasure but that morning was a treasure chest with all the rare contrasts the whole timeline. .

In the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Travel is much easier on the gravel roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress).

How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.

RIght at the moment we are dealing with ice and mud alternately. Spring storms are incoming typically. Most of our precipitation comes in the spring.

2:1 Aspect Diptych 2-20inch square images. Eagle head in the clouds if you look up top right. FIsh in the cloud lower left lolol.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Pass Up to the Clouds

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Looking into the Furnace

Looking into the Furnace
Looking into the Furnace

Looking into the Furnace

I was hoping the sun would set on the fenceline but my directions and timing were off a few degrees/seconds…. The sun will always appear to move from left to right as well as downward as it sets. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis .

Science Factoid: That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. Wobbles during a long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁 )

The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in with an advanced degree in Paleo stuff… . I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.

SO back to Looking into the Furnace : This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.

Photographic Musing: Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the lens cap on (it’s that bright lolol)

You only have 3 main things to set on your camera by working it on manual mode. They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations.

Priority 1 taken care of. Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with. Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire.

On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on.

So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸 Disclaimer: Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Looking into the Furnace

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Veiled Moon Lone Tree

Veiled Moon Lone Tree
Veiled Moon Lone Tree

Veiled Moon Lone Tree

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.

Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.

Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Veiled Moon Lone Tree

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Perspective March 19th Equinox

Perspective March 19th Equinox
Perspective March 19th Equinox

Perspective March 19th Equinox (Today is the Equinox or old Pagan “Ostara” in the Wheel of the Year)

I try to be in tune with the cycles of the Sun and the Earth. It is part of the job up here to connect on an intellectual level with the physics, “the Calculus” and the rest of the science of the scene. I am VERY earth centric and live with the sunsets and sunrises by necessity of chasing the light.

Opportunity tends to flitter away as it is prone to. I try my best to be aware of the sun’s progression north and south. Awareness of what’s coming can guide you to those hidden areas of celestial magic that present themselves.

On the horizons during it’s annual migration back and forth, the equinox aligns the rising and setting sun with an east west orientation. Here a straight east – west barbed wire fence creates a visual tunnel to take your eye to the focal point of the image. The sun or it’s reflection in the ice. . The old cedar post has seen many generations of cowboys and fence mending folks on ATV or pickup truck.

Close far perspective:

That nail on the post just made this photo for me lolol. 👀👀 totally am into close detail in the shadows. I get so excited about such simple things anymore. It’s the result of living in this remote place I keep saying. Humans are generalists when they look at a scene. I tend to look at separate components of an image for their own merit and attempt to combine multiple components when ever possible in my work. Multiple “heros” are always my pursuit for a better composition. Anyone notice the mustard weed highlighted on the bottom 📸

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title : Perspective March 19th Equinox

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Sunrise Through Frosty Fence

Sunrise Through Frosty Fence
Sunrise Through Frosty Fence

Sunrise Through Frosty Fence

The sub-zero morning I took this up on a high ridge, the Hoar frost covered ANYTHING that was exposed to the wind. Freezing fog grew monster ice feathers off every surface that disrupted smooth air flow. I have many images yet to finish from that morning.

Here on the Montana/Wyoming border, the snow can be as deep as the backcountry is big with just a few plowed paths to provide access to the high ground. The wind here moves a lot of snow from ridges to the surrounding slopes so if your on the ridge, DON’T get off the ridge. You loose the traction of “position” off the top. Stuck is not good up here.

Given the opportunity, I will set up for a Close/Far perspective capture when ever a fence “of interest” is around. This was a very early morning session that started in early twilight and worked for several hours. It’s not every day I see this kind of hoar frost. It does happen but not necessarily every year up here.

The highest ridges locally are 4000 feet in elevation. With valley fog being pushed over higher elevations. Thus creating a fantastic environment for hoar frost growth to prodigious proportions. Woven Wire Fence: When you absolutely don’t want smaller livestock going from pasture to pasture. It makes a wonderful nucleation spot for ice crystals to grow from. Working backcountry has it’s little areas of zen. Millions of them actually. We just have to slow down and see them. Capture their photons. The ironically, hurry on to the next little spot of zen lololol. Such is the life of “working” a scene with cameras…. 📸🤔

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Sunrise Through Frosty Fence

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Perspective Bracing and Wired

Perspective Bracing and Wired
Perspective Bracing and Wired

Perspective Bracing and Wired

During these winter days with obscured/veiled suns and sunslits, I consider Perspectives with Wide Angle Lenses as my activity for the day. Interesting lighting speaks for itself but up close and personal is better.

Deeply weathered fence brace wood just grabs attention promoting my “deep focus” love of this particular lens. This brace there far in excess of the 2 decades I’ve been driving by it lol. .These corner braces carry a huge amount of tension with the barbed wire humming in the wind they are so tight. I’ve heard that many times up here…fences humming in the wind. Keep that wire tight !!!. Lot’s o tension on the bottom of that left post. Building braces well utilized, on all fences, is a science here.. Warm Season brings more fencing practice every year.

We have about 30 miles of 3-4 strand fence on my relatively small ranch alone. Some of the Big Ranches have people that only fix fences on the payroll. It takes a pretty tough hombre’ to string barbed wire without tangling yourself up in it lolol. It is work that will keep you in shape. The snow up here varies by the day this early in the winter. Somedays it all mostly melts and others it’s covering everything. Two track roads will be un-passible shortly due to mud. I choose not to damage the ranches roads with my 5700 pound vehicle.

Favorite ridge line look out spots will be snow drifted in. Photographic necessity requires me to plow some of my two tracks to allow me to get up on “ridge one”. I am at the top of the first of 5 ridge east of my homestead. From the top of which there is a 180 mile across horizon to horizon view. The high ridges are snow lined lightly on the windswept top of which, I can usually drive quite a ways to if it’s not muddy.

Location: Bliss DInosaur Ranch, Wyoming/Montana

Title: Perspective Bracing and Wired

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Buck and the Sunset

Buck and the Sunset
Buck and the Sunset

Buck and the Sunset

To capture this image, I luckily figured out that these guys traveled this particular ridge at the same time every day (roughly). I had to be in a position far enough away to get both the sun and the deer in focus under f-64 with this particular telephoto. I also had to be on a parallel ridge that let me climb up backwards up the slope to keep up with the sun setting. The sun of course always cooperates with me. 😜📸

I usually get a few attempts at ridge lining a deer or a group of deer right at sunset. The problem is always how to keep up with the moving sun. The topography controls the success or failure of such adventures.

Disclaimer: To say this was a very bright scene would be an understatement. The human eye couldn’t have looked at this for more than a fraction of a second. Certainly don’t try this with your DSLR camera. I use mirrorless full frame cameras that won’t blind you as your watching video with no straight to your eye light path. Some mirrorless cameras could get a spot melted on their chips if they aren’t rated for this so know your gear. I use sony alpha 7 of various models with no problem. Just never even point a mirrorless camera into the sun without maximum f-stop for the lens selected as a starter. Don’t fry your eyes or your gear pointing a camera into the sun please.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana). 

Title: Buck and the Sunset

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Crumpled Steel Wheel Perspective

Crumpled Steel Wheel Perspective
Crumpled Steel Wheel Perspective

Crumpled Steel Wheel Perspective

This is indeed what a flat tire looked like 100 years ago. This old solder is tied along a fenceline high in the backcountry I suspect it’s 1930 vintage or before. The cattle every year rub on this wheel. Over the years this old wagon has had thousands of cattle rub and scratch on it. Wood rots very slowly here with 50 to 100 year old items like this still just looking like barn wood. Steel however will last a very long time.

I’m not sure what happened in the history of this device but I suspect the wagon it was supporting was overloaded and a rock appeared to start the dimple in the wheel. Once started the collapse cascaded and stopped the wagon in it’s tracks. This particular wheel was about 5 miles away from the nearest general store of the era so this might have not been a terrible thing. I suspect the 5 mile walk must have occurred in nice weather without wind, rain or snow to hinder the now on foot traveler to get help. There was no AAA tire service to come fix the rig either. No cell Phone, no landline phone, no radio. Word of mouth carried by hoof was the high technology of the day in this remote backcountry.

The red light from the JUST rising sun over my right shoulder is bouncing back off the projector screen the hoar frost on the trees provides. This is a common color I see when the “Belt of Venus” pink light comes down on the high ridge tops.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana).

Title: .Crumpled Steel Wheel Perspective

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Perspective Spring Snow Cover

Perspective Spring Snow Cover
Perspective Spring Snow Cover

Perspective Spring Snow Cover

Under veiled sun about 30 minutes to sunset, the golden lightt from the suspended ice in the air provides the atmosphere for this capture. Close/Far perspectives of these wonderful pine bark textures with sunsets up on the high ridges are well worth pursuing. They provide me with textures and lines leading off toward a distant focal point. Drawing the minds eye deeper into the image, the hundres of year old tree lays waiting for the night.

This is dry high ridge country here in the borderlands of Wyoming / Montana . The location several miles into the backcountry of this 4000 foot in elevation ridge. In this area, occurred a fire that burned all summer during the 1930’s. That fire didn’t go out until the snows fell in the fall. This obviously changed the landscape from a heavily forested pine grove into a more open landscape.

Prior to human habitation, wildfires were always burning unchecked across North America. Then it got worse because native Americans did a LOT of burning to open up the deep woodlands. A grassland/forest mix is good for the wildlife. And they knew it. Pretty much right up until maybe 100 years ago.

🤔 Wildfire is natures way of controlling the build up of forrest floor litter. The old trees do fine in the smaller grass fires under them. Many pine cones open releasing their seeds due to the fires. Fires are responsible for trimming back woods creating grasslands. Trees like this if hit by lightning will burn for days. If there is a LOT of fuel, it get’s pretty spicy in the grasslands.

There are “Islands” of Old Growth Trees, one right over my right shoulder that I was walking in . It is getting very difficult to get up on this ridge these days. I have to plow usually. Drifting is ALWAYS an issue up on the ridges. Mud season is close and mixed with snow days.Mud will keep me off the ridges though. I actually have built the road through the snow up to this ridge top. There is however, no cleared road along the ridge.. Just two track trails……. I’m pretty careful. That’s all about knowing where not to go driving backcountry ridges in mid winter….. 🌲🤔📷

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Perspective Spring Snow Cover

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Perspective and the Moon

Perspective and the Moon
Perspective and the Moon

Perspective and the Moon

I pay a lot of attention to Close / Far perspectives when I am out with a box of cameras. So many choices, how about a telephoto at 800 mm at 150 yards out from the branch. Such lighting only possible by parking an off road LED light bar close to the branch in question and start walking down hill until you can get both objects in focus. There are equations to figure out your focal distances but it depends entirely on your f-stop setting and particular lens. The higher the fstop, the less light into your camera BUT you get a deeper depth of focus. (i.e. both objects at infinity).

Mostly, completely missed are a million of these moments in time depending on the angle and time you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. Steep slopes help align a low moving terrestrial object with a terrestrial object (hint). I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. Time in important, knowing when to leave a scene is as important as anticipating a scene.

The rest of getting the photo is reliant of your positioning yourself before that time/space moment. My biggest limiting factor besides gravity is topography. If the moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the branch . Also If I move up 20 feet I’m suspended in mid air levitating above a small chasm. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there. 😔

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Perspective and the Moon

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Sunset at the Water Engine

Sunset at the Water Engine
Sunset at the Water Engine

Sunset at the Water Engine

Layers of landscape are always fun to find. The sun is so bright here that it overwhelms any light from the silhouetted areas.

Satire: The veiled sky three miles out into the backcountry here at “Re Pete’s” (the windmill’s) territory. He roams open country and does his best to photobomb my landscapes. Sometimes the only way I can get away is to go back in the timber. Windmills can’t follow you back in the Timber with those sail in the way. I no control over their actions 😜😜

Windmill Weekend (Windmill Junkies Unite). 🤛🤘 But don’t let your mother know you look at stuff like this.

Apologies: I don’t take as many windmill photos in the winter now that snow is covering many of my paths. Mud keeps me off the trails so as to not destroy them. We had several inches of blowy snow yesterday up on the ridges. Froze then melted off in the afternoon resulting in more mud and soupy soil frozen below, wet above . My rig (Ford Raptor), can easily do mud but I haven’t gotten it into the gumbo yet. I would only do so by accident of course as Gumbo (Bentonitic mud from clays derived from geologically processed volcanic ash. ) will stick a bulldozer let alone a baja truck no matter how well built.

In a few more years, I’ll be showing you images with branch shadow details with the full sunset behind . Cameras will then exceed our eyes abilities within the decade would be my prediction. Dynamic Range of camera versus eyes is a good google search.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Sunset at the Water Engine

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Backcountry Wildlife Tree

Backcountry Wildlife Tree
Backcountry Wildlife Tree

Backcountry Wildlife Tree (Home Sweet Home)

IT’s obvious by the wear and tear on the wood under this hole that it has been landed on thousands of times. The relentless job of feeding young, the coming and going of small but strong claws grasping for purchase there. Someone took the time to hollow out this hole and I’m betting on Common Flickers being involved. That species is by far the most active Pecking bird that I see here in the borderlands.

Close/Far Perspectives are my stock and trade with cameras. I really enjoy working wide angle close focus lenses. Using natural lines drawing your eye to the vanishing point it a long used technique in both painting AND photography. I can think of no finer subject than a majestic tree that gave it’s life to become a home. I’m sure this abode will be here 20 years further on down the road as the tree itself is sound yet. Unprotected wood can survive perhaps 100 years in this dry climate. We have ranch / farm implements that old with wood parts remaining but that was hardwood. This tree is pine.

This tree has several other shelters contained within it’s natural architecture. Several other similar entrances grace it’s remaining substantial bulk as a 15 foot tall standing stump. It’s top laying off to the side bleaching in the summer sun, it’s branches slowly being rubbed off by cattle pushing against to scratch an itch. Wildlife trees are special places providing food and home to a host of backcountry creatures.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Backcountry Wildlife Tree