The minute I saw this scene I knew I could capture the moody nature of the stage show unfolding in front of me. I love low light color when it comes out from it’s hiding place. There are so many areas of zen up here to anticipate and pursue. Even in flat light….
The sky leading up to this was mostly overcast. It is a bad bet/ use of time to go out with cameras. Each time I go to take pictures these days, I put myself further behind finishing the rest of my portfolio. If your new to my work, I’m only about 3700 portfolio images yet to finalize to current standards. I’m one page at a time, 4 a day building and posting “Pages” for several eventual books. Each Image I produce/post has at least a 250 word narrative. 1300 + finished pages contained within that web based “book” currently on line . 👀 I try to keep busy. lolol.
It’s easy to work with skies that are textured and complex but flat grey presents a serious challenge. To bring the colors that were vibrant in the flat light into a mechanical/electronic contrivance is a complex task lol. Several computer algorithms process images inside the camera even though I only use manual settings. I haven’t used anything auto on my cameras for years. I really don’t even know how to use those features except in theory. No auto focus, no auto light balance, no enhancements. Conversions of file formats occur automatically with the digital process from camera to computer.
This mood setting Blue image posted only 24 hours after my last blue image……. Starting a trend perhaps…… I was just musing that a moody blue scene was rare in my portfolio. . I’ve even been accused of being blue blind by more than one individual. Having said that, I try really hard to be photorealistic in what I do. I do consider myself a landscape photographer. This doesn’t mean I’m not biased in my pursuit of crimson skies with silhouetted land. I am biased in my choices. . I way disproportionally post fully engaged complex skies. Obviously simple was better here.
This is almost exactly on the Montana / Wyoming border with it pretty much running through that largest tree. That is 45˚ North Latitude as close as the civilian GPS I use, can locate. Well endowed our ranch is geographically. That major meridian runs through us for about 2 miles linear of the Montana/Wyoming border in our ranches boundaries. I have over the decades gotten a pretty good idea where it is at any one time and by landscape features. That invisible line is literally 1/2 way between the Equator and the North Pole (the Montana/Wyoming border too).🤔 We are also about 120 miles from the geographic center of the North American continent. You couldn’t get much further from an Ocean than this spot….literally lol. No local “Red Lobster”. We have to drive 150 miles to the closest one. 😔
To me the ultimate perspectives are the foggy ones. Shadows within frame set up by the sun presented themselves to me. Foggy sunrises are not a common thing up here in the high country. There is a lot of topography here. Differences in elevation a mile apart can be 3-400 feet in this backcountry. Big Long ridge tops tower over the surrounding drainage. In order to see the sun in this area, one has to be on a ridge top. Fog is not as common on ridges. When It is, I try to be there.
I’m trying to remember how many of this kind of photo I have…. errr,…. none but this one I think. Foggy shadows are rare in my world of backcountry ridges here in the highlands. I see fog in the valleys rarely, 5 or 6 times a year. More likely, the cloud deck moves down with no mercy over us with 100 yards visibility at a bright LED Bulb. Totally obscuring all but grey flat light.
I’ve been OVER a cloud deck like this only few times up here. I got lucky anticipating the clearing above the Inversion layer, I went outside and saw a few stars break through a small window. On that, I took a trip to the highest point I can drive to around and instantly was in the clear. This is one such time. There were just wisps of moisture pushing over the ridge top this unusual morning. It was fully overcast flat light down in the valleys lolol. 👀📸
Blue is a rare color scheme from my cameras. I don’t work blue skies very often mid day . Most nights around the solstice (as here) are brightly colored. IT was an odd night. But the wind was dead calm. I thought that a trip a few miles into the backcountry to get to this place would worth the trip.
Backcountry…. I use the term all the time. OK, Here’s how it goes…
This pond is 2 miles of bumpy two track road from the county road passing through a seriously hard wire gate to pass through. Tight bastard it is… The nearest county road is gravel, it is 14 miles then to the closest paved road. It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way flashing red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. This spot is right at about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the Image as do most of my photos.
The Dam was built by cowboys probably 100 years ago. Located directly on the Miles City to Newcastle Cattle Drive Route, many a herd over nighted at this spot historically. Wetlands are rare this high up the ridge. The crack in the earth that that lets the aquifer leak into this puddle is hundreds of feet deep into the Fox Hill Formation (The Beach sand of the Dinosaurs). I’m still looking for a fossil beach umbrella…..😜
This low pointy feeder band was forming in front of me and flowing toward the larger storm system right.
This marvelous sunset is the result of a complex weather system moving through. Complex skies with multiple layers / levels are usually worth stalking at sunset / sunrise. There is just off frame right and above, a single huge rotating Mesocyclone storm. The air is rife with ozone. A mimic of a slight chorine smell as with any compound that will react with your sense of smell. The wet sage was ALMOST over powering the lightning induced tri-oxide. You might say the atmosphere was “Sporty” that evening.
Having passed right over us last summer at sunset (2019). This Mesocyclone storm cloud must have been 150 miles across. It provided me with a long feeder band into it’s wall cloud right at sunset. The yellow color low is atmospheric dust ice and moisture stopping all the colors with shorter wavelengths BUT red and yellow. The clouds high are white as that light didn’t travel through the atmospheric gauntlet at that angle. Still blue sky there.
These storms are HUGE, dominating the landscape. They are the source of most of the “bad weather ” we experience during green and brown season. Think of them as big spinning tops with the energy of an atom bomb inside. That energy is released over time but it’s still a LOT of kenetic and potential energy up there. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long. The cloud canopy straight up is still white
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
Some of the pre-sunrise drives out into the backcountry are silly amazing sometimes. It takes me a minute to get set up for this kind of location. I usually have photographed the sight a different day . This fully involved twilight sky was colorful icing on the cake from that morning’s long timeline.
The term “Twilight” means 3 different things: Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Nautical Twilight starts when the sun is 12 degrees below the horizon technically. Both the Horizon AND brighter stars/planets are visible in this twilight. It is the “middle” of the three twilights. At the beginning of Nautical twilight, it’s about one hour to sunrise.
Rule of thumb which varies with your position on the globe, is 28 minutes each twilight. In Astronomical Twilight, If you live in the city, you have probably never noticed astronomic twilight. The are NO shimmers of daylight at the beginning of Astronomic Twilight a full hour and a half before sunrise. .
Away from the lights of population centers, we see Astronomic Twilight regularly where there is just a slight greying of the black totally dark sky mid night. It gets as dark here on our ranch in remote northeastern Wyoming as the North Atlantic Ocean according to NASA.
Simple is usually better. I seldom do blue sunsets but here is a recent result. Something got into me here. It’s probably just me. A perfect calm water mirror present is unusual needing camera attention in my world. I would have liked to off set the sun. The composition destined to center the bright eye. The “Butterfly” on it’s side became apparent to me in the camera. I collect all sorts of frames on this timeline . This one survived the selection process to finish the image. It’s pretty rare up here to have glass flat water considering the 12 mph average wind speed enjoyed locally.
Any particular image that I post here is written for my eventual hard copy books. Amazingly, not every morning/evening sky in Wyotana is a fully involved brilliant Crimson/Yellow . Most are subdued and more like this. The Melt Water Pond here hosted the markedly subdued evening. The sun just popping out from under that dark cloud. When I invest rare spare time into travels to locations like this, I leave often when there is an obscured sun. I find being able to “read” the sky to as the future movement of large cloud bands / banks to be a useful skill. The sun slit here happened JUST in time to provide me with ample photons to acquire this image. A minute or two later, the horizon rose to cover that bright disk. The twilight show afterwards was a fairly subdued stage show as well.
It was a little windy for a reflective shot perhaps but this gibbous moon setting into a early morning setting moon backshow caught my attention. It made it through the “To Finish” Sieve I mentally put my images through.
I know the grassy bottom of this small melt water pond and it stays very firm even driving across it when it is full. The pond is ephemeral which means it dries up seasonally and has a good firm soil profile developed. I had JUST pulled up to the rippled mirror surface of this lake in my truck. The wind driven ripples were moving smoothly across the glass surface. The scene was subdued and very blue. Blue images are not my most common production but I liked this one. I’ve been accused of being Blue Blind before lolol.
Finding a pond high enough on a ridge that you can see the horizon around here is the tough part. For all intents and purposes this pond is about as high up as they get around here. IT’s also essentially directly on the Montana/Wyoming border lol. PLUS it has a thin bank to the horizon which is even more specific and desirable of a reflecting surface. . This place has a lot of topography so the particular combination of requirements is pretty rare up here. Even better, it’s only about 500 feet off the local county road which is rare for a photographic “attraction” up here. I normally have to drive miles of two track trails to get to an interesting subject lolol. No complaints on my end.
Part of the joy of my job is I get to see odd things occur now and then (OK, every day). I sometimes consider the other places I’ve lived during my travels. Then I compare them to the 20 years I’ve spent on this wondrous place. Not even close .
Magical things often appear in the clouds in front of me. I am just a stenographer taking notes about the big stage productions in front of me. Click click of the keys of the steno machine or the camera. No difference in effect. The details are in the dark here for this fantasy image. Imagine the mood of that moment in time and space. You could hear thunder rumbling 24 miles out.
I can not record all that I see with my cameras. They possess superhuman sight much better than mine but their ability to see dynamic range is limited. It is for instance VERY hard and essentially impossible to take a stars photos behind the full unveiled moon. You could see it with your eye easily. Not so much cameras. My best camera (a Sony Alpha 7R4) has 15 fstops of dynamic range. My only good eye (I’m close to blind in one eye from an injury) has at least 21 f-stops of dynamic range. Far greater ability to see a black cat in a coal bin in a dark room and see the detail in it’s hair. Like seeing the tree silhouettes here under the very dark blue clouds. This was a tough shot to get :).
Layers of Landscape to the first big ridge stretch for 40 miles in the distance. The Alpenglow illuminated BigHorn Mountains are saturated in an orange color cast projecting off of the deeper snow cover of the slopes. There are still spotty snow in the low and sheltered northern slopes and the deeper slopes of the 130 mile distant peaks. 1200 mm telephoto.
This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed with a long lens is about 1/100th. With a telephoto your going to have to compensate for the lack of light somehow as they are not a fast lens. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in.
The first rule of photography is get the shot. The second rule is get it right !. Longer time exposures give your camera a chance to gather light the easy way. You always want as LOW and ISO as you can get away with. Low light images like this look wonderful if done on a tripod. Not so much hand held. I use a clamp on my car window with my favorite tripod head on it that mates to my cameras. Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Married since they were seeds from the same pine cone (likely). These three have survived a hundred years of exposure to Wyotana weather and sun.
Musings: I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol.
Working in and among the trees lining remote ridge is the way to set up compositions like I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. There is SO much going on in any edge of a forest with a view of the horizon. I assume I’m looking through the “eye” of small creature, a mouse, a cat but what to level?….
The far horizon which indeed is fully involved with a setting sun. Perhaps the three’s travels through the endless sun rise and set cycles moving as in HG Well’s many movies of the “Time Machine”. What a life they have see but if they could tell the stories. I actually like the really wide angle in this. It is a big bad thing in photography to have a distant horizon not level with the image’s floor.
Getting detail out of the shadows in the foreground while looking at really bright backgrounds is a major goal of mine. Got this one 👀📸
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
Totem Pole in the Sky . (ART, Did I mention this was art. Made by mirroring a real sky onto itself.)
The Spirits in the sky here in Wyotana linger and only show about 1/2 of themselves . So I help… 😜👻👀
From Top to Bottom: (A totem is the sum of it’s parts)
An Owl overlooks the scene on top.
Riding on a Swallow for speed,
standing on the Raven’s spirit for wisdom
The Raven relies on the Bat
to see things that other cannot perceive.
The Bat resides over the Cat
The Cheshire(is) cat as a base. Cats are widely regarded by many cultures past and present as fully capable of magic. Some consider it good magic, others not so much. All agree it’s magic…
All rely on the cat as the base of the totem of sky spirits in this capture. Of course there is the big snake face the whole image makes 😝
I find that I can see/visualize these results as I’m photographing skies. It’s not that I see shapes in clouds or anything. Certainly I do lolol. Habitually so… But I can fold the image back on itself inside of my head. I see these live as I examine the thousands of images that go past my computer desktop each week. I pretty much know as I’m taking the image that I’m “using this one for ART”.
So this image stood out to me It only took a bit over 100 clicks/clones to make this. It’s pretty photorealistic except for a few things. It is VERY close to the way I visualized it out in the field through the lens. It is art did I mention?👅 I did squeeze the image a tad as well. The left 1/2 of the image is a full 3×2 scale photo. Mirrored back on itself.
This is a 2 feet x 3 feet image at full size. Now I know this is out of season .I’m reposting some images refinished to current specs from this last summer. I think it’s an interesting break from the late winter weather we’ve been having.
It was raining on me at the time about 10 minutes after sunset. This was our version of twilight that late summer 2019 evening. I was in my Jeep Grand Cherokee on a large flat ridge top right in the middle of lightning flashes all around me. One of the better places to be during a lightning storm is in a car. That is as long as your not touching metal. It also helps if you don’t have long camera lenses sticking outside your open window….. oh wait lolol..
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your setting s may vary but now too far out. The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait lolol.
Here I stand in Wyoming and am imaging across the Montana/Wyoming Border looking at the “Mud Hills” about 10 miles distant into Montana. The intervening valley shows the erosive power of little “Ranch Creek”. Ranch creek is about 10 feet wide when its flowing. This drainage removed all that sediment covering the horizon OFF where I’m currently standing exposing the dinosaur fossils in the older rocks. This is the country I call “Wyotana”.
Our Ranch, totally covered by the Cretaceous Hell Creek/Lance Formation differs from the distant hills. . I stand on the famous that dinosaur fossil bearing Cretaceous sandstone. . The distant “Mud Hills” are younger rocks with no dinosaur fossils. The sediments composing them were deposited AFTER the dinosaur died. All deposited in the Tertiary after the Big Horn Mountain Uplift to the west.. The Big Horns provided the sediments composing those hills. All the way from the Big Horn Mountains over 140 miles distant to our west. Those alluvial fans totally covered this ranch at one time. All gone now 🤔⚒
During some years past, those alluvial fans have been totally eroded from my place and have left to the Mississippi River Delta. Carried down the drainage one sand grain at a time. Some is still in transport I’m sure. The layovers along a sand grains journey to the sea can be long.
‘ Residual Petrified Wood. We do find occasional chunks of a particular type of petrified wood that is “residual” from rock layers previously above where I stand that have been removed. This wood is not native to the Hell Creek/Lance formation. We find random chunks laying here and there on the surface…. isolated. I have never seen it “in situ” in Cretaceous sands so it came from above literally. This wood is VERY hard like quartz and survives when everything else breaks down into sand grains. That wood falls straight down over geologic time as the rocks below turn to sand and wash away from below them. Thus “Residual” wood, left over from formations no longer above us but we find it here and there. Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana
This is a land of many uses with a long history to tell if you can read the book that is open in front of us.
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in the morning after sunrise last summer. A very deep focus close/far perspective of a long hill to a pass/crest in the distance. I was watching these wonderful clouds over the “hump” on the drive up. Stopped, set up, CLICK. A complex sky is a treasure but that morning was a treasure chest with all the rare contrasts the whole timeline. .
In the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Travel is much easier on the gravel roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress).
How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
RIght at the moment we are dealing with ice and mud alternately. Spring storms are incoming typically. Most of our precipitation comes in the spring.
2:1 Aspect Diptych 2-20inch square images. Eagle head in the clouds if you look up top right. FIsh in the cloud lower left lolol.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
What are the chances of finding a heart in the barbed wire miles from anywhere?
Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. Catching a virtually veiled twilight took considerations for the conditions. . The horizon dropping, exposing the sun with time. It’s civil Twilight still.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.
I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded). Twilight is by far the best time of the day for photography. Not many are up seeing what is going on most mornings.
I’ve seen few aurora but I’ve seen so many twilight sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green at 557 nanometer wavelength. There is little of that hue in any twilight that I have ever seen😜
Twilight gives me a huge variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol. This was not a cooperative sky as that sun slit closed up thusly closing down the sky show that morning. Sometimes I drive for backcountry miles only to get a few minutes of good light. Such are the dues you pay if you play the game of photon collecting.
Pine trees, once they loose their bark to weathering and decay, show their grain. This snag might be 50 years dead stil standing by habit after it stood here for several hundred years living. This hillside that it is on protects it from as much cattle pressure (rubbing/scratching) as it would get on a valley floor. The spiral grain is the tree being twisted by the winds pushing unequally on the sunny side versus the less dense shady side of the tree. The winds will gradually turn the tree into a corkscrew. Inexorable force over a long time is the reason for the spiral growth. I point out that the ground UNDER the tree has worn away on this slope which is testimony to the rate of erosion of Cretaceous age sand off this 45 degree slope. .
Nature does many things we don’t think about unless we look below the trees skin (bark) to it’s structure. I know of quite a few of these trees. Usually they are broken up pretty badly. This one is “well preserved”. I’ve tried this angle a few time. It’s pretty difficult to get the close far perspective to work on this hill slope.. I still needed a sense of the 40 foot long snag. I did have to wait until the sun went behind that little cloud to take the edge off the lighting. This was still pretty early a few minutes after sunrise. Blocked mostly from the sun I usually work with doing perspectives. This cloud comes along and makes it all possible 😜📷
I was hoping the sun would set on the fenceline but my directions and timing were off a few degrees/seconds…. The sun will always appear to move from left to right as well as downward as it sets. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis .
Science Factoid: That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. Wobbles during a long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁 )
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in with an advanced degree in Paleo stuff… . I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to Looking into the Furnace : This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Photographic Musing: Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the lens cap on (it’s that bright lolol)
You only have 3 main things to set on your camera by working it on manual mode. They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations.
Priority 1 taken care of. Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with. Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire.
On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on.
So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸 Disclaimer: Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
Perspective March 19th Equinox (Today is the Equinox or old Pagan “Ostara” in the Wheel of the Year)
I try to be in tune with the cycles of the Sun and the Earth. It is part of the job up here to connect on an intellectual level with the physics, “the Calculus” and the rest of the science of the scene. I am VERY earth centric and live with the sunsets and sunrises by necessity of chasing the light.
Opportunity tends to flitter away as it is prone to. I try my best to be aware of the sun’s progression north and south. Awareness of what’s coming can guide you to those hidden areas of celestial magic that present themselves.
On the horizons during it’s annual migration back and forth, the equinox aligns the rising and setting sun with an east west orientation. Here a straight east – west barbed wire fence creates a visual tunnel to take your eye to the focal point of the image. The sun or it’s reflection in the ice. . The old cedar post has seen many generations of cowboys and fence mending folks on ATV or pickup truck.
Close far perspective:
That nail on the post just made this photo for me lolol. 👀👀 totally am into close detail in the shadows. I get so excited about such simple things anymore. It’s the result of living in this remote place I keep saying. Humans are generalists when they look at a scene. I tend to look at separate components of an image for their own merit and attempt to combine multiple components when ever possible in my work. Multiple “heros” are always my pursuit for a better composition. Anyone notice the mustard weed highlighted on the bottom 📸
Long Red, Orange and Yellow wavelengths survived the gauntlet of the atmospheric filters present. This lake looks HUGE but I assure you it’s a perspective trick of angle and light. It is a small melt water pond on ranch probably 50 feet across but that is irrelevant to the illusion. If it were not windy that night, this would have been a very nice mirror. I know the bottom here and have driven into this pond before to work it from the center. This is an ephemeral pond that will dry up in the summer. The bottom is firm thick grass.
Reflections from lakes are always darker than the skies they are reflecting. Rippled water presents a smaller surface to reflect the available light so windy surfaces are even more dark. The dynamic range of these Sony Alpha 7 series never fail to amaze me and I’ve used them for 2 years now. I put a lot of clicks on camera bodies lol. Hard use up here in the backcountry. Lots of dust /environmental exposure plus wear and tear.
This location is for all intents and purposes, directly on the Montana/Wyoming border looking almost straight west. As this posts the sun is setting closer and closer to straight west each night until the March 19 at 9:50 PM MST. It will set at 270 degrees that day but just a tad earlier lol. I will be working long east west fence lines for the next few weeks with out a doubt. The sun will be at the end of east/west roads as well. There are so many opportunities over the next week folks, pay attention to sunset and sunrise and where those “leading lines” lead to.
During these winter days with obscured/veiled suns and sunslits, I consider Perspectives with Wide Angle Lenses as my activity for the day. Interesting lighting speaks for itself but up close and personal is better.
Deeply weathered fence brace wood just grabs attention promoting my “deep focus” love of this particular lens. This brace there far in excess of the 2 decades I’ve been driving by it lol. .These corner braces carry a huge amount of tension with the barbed wire humming in the wind they are so tight. I’ve heard that many times up here…fences humming in the wind. Keep that wire tight !!!. Lot’s o tension on the bottom of that left post. Building braces well utilized, on all fences, is a science here.. Warm Season brings more fencing practice every year.
We have about 30 miles of 3-4 strand fence on my relatively small ranch alone. Some of the Big Ranches have people that only fix fences on the payroll. It takes a pretty tough hombre’ to string barbed wire without tangling yourself up in it lolol. It is work that will keep you in shape. The snow up here varies by the day this early in the winter. Somedays it all mostly melts and others it’s covering everything. Two track roads will be un-passible shortly due to mud. I choose not to damage the ranches roads with my 5700 pound vehicle.
Favorite ridge line look out spots will be snow drifted in. Photographic necessity requires me to plow some of my two tracks to allow me to get up on “ridge one”. I am at the top of the first of 5 ridge east of my homestead. From the top of which there is a 180 mile across horizon to horizon view. The high ridges are snow lined lightly on the windswept top of which, I can usually drive quite a ways to if it’s not muddy.
I have enjoyed having this optic glass sphere for the last couple of years. Generally I don’t carry it with me. Occasionally I will give in and throw the thing in my camera box.
Sitting on top of a hard steel Oil Well Drill Bit. The close/far perspective is a tough one for depth of field. Even at maximum / highest f-stop for the lens, the close part of this focus was too close to ALSO focus the background. I think a cell phone would have done this better but what’s the challenge in that lol. Really close / far shots are difficult to get both objects in the Depth of Focus field. At least with most lenses I’ve ever used. I’m sure there is one out there that will focus at 8 inches all the way to infinity. I Certainly haven’t found it yet lolol.
Now that drill bit…. Oil, discovered in the 1960’s, provided a lot of cash flow to the ranch.. . A lot of drilling ensued with a few of the wells producing a significant income to the rancher/owner at the time. As all good things come to an end, the oil companies removed about 1/2 of the oil. The rest remains in situ. That percentage is about all the technology of the time could remove. There will be some point in the future where that oil will get recoverable and drilling will start again. More efficient processes now to squeeze the remaining oil to the well head.
50 years after drilling. There are very few indicators that 3 oil production platforms were up and running for almost a decade. There are vague topographic changes in the landscape where a dozer cleared off the pads used for the drilling. Some small containment berms near each pad. But collected carefully and put in a pile in out ranches bone yard. At least a 1/2 a dozen of these big heavy drill bits lay. I’d say they weigh 100 pounds each or there about.
Protective of the Sun by Frank Bliss (This is an ART/PHOTO Hybrid)
Do you see things in Clouds? 👀📸 What do you imagine here?
Now that I mentioned this is art, I would point out that only 1/4 of it actually is art, the rest of it is a 100 percent real image. All work and no play make photorealistic Frank a Dull Boy. I like to follow up on the potential for this kind of work on a particular image if I get the time/chance. I usually have to make the time in the middle of an otherwise photorealism filled day. In the world of the digital darkroom, I get to play a bit. This is a slightly modified Wyotana borderland sunset from last week. One week is my turn around time now from taking an image to possibly posting it.
To create this, I took the original image which just didn’t have the left side eye. The nose is a real lens flare which I carefully lined up in the camera to the 12 o’clock position. The flare was in the original capture. So I mirrored the right eye and the clouds onto his left cheep from the original side. Then up high I mirrored the outline of the head right to left. So the left eye/cheek, part of the clouds up high. Nothing else was messed with other than color a bit. But this is art and all rules go out the window. As I was taking this, the possibilities were obvious to me in the composition stage of this capture. Long before the click.
The Three Missouri Butte volcanic neck complex to the right horizon, Add the Devil’s Tower and the Bear Lodge Mountains to their left. This early morning shortly after sunrise on the Pass to RockyPoint Wyoming was clear sky. I’m less than 4 miles to Montana over my shoulder.
Alpenglow was lit up by the low angle far traveled light. Those colors surviving surviving the atmospheres gauntlet are yellow and reds. They are the only light to make it through the hundreds of miles of atmosphere. Only then they refract off ice to my camera. Resultant this color scheme. . A yellow sky in the morning is a VERY common thing in the winter. This is a view toward the south west . From a high overlook for sure. Light snow this spring so far as is evident.
This wonderful location which overlooks MOST of northern Crook County in Wyoming with the Bear Lodge Mountains coinciding with the South Dakota border. A REALLY big area covered in this wide image. I must admit that I like panoramic cell phone camera images very much. Handy as heck. However they will not quite be the file size that these Sony Cameras give me up to 60 meg jpg’s. This is close to a 90 degree arc in the corner of the county so this is pretty much about 1/2 of the county under this photo. The Bear Lodge range is around 80 miles distant from this spot. This is still big country out there.
The air was crisp and clean as can be.
Location: Trail Creek Road, The Pass at RockyPoint Wyoming.
This is a diptych left right pair image consisting of 2 – 20 inch squares. I really adore natural pastel colorations when they occur in Alpenglow. This is a north view looking across the Wyoming Montana border (trees are in Wyoming, mountains in Montana). Posted as second image of this mountain chain through these trees that I posted today. Please take the time to look at the other one and compare.
Most of the Great Master Painters of their day composed their art redoing over and over many scenes they discovered in their world. Say painting Big Ben in 20 different lighting conditions. I am BY NO MEANS a master painter. That is up the big guy upstairs who is responsible for most of the color work. My job is as a stenographer taking down punctuated moments in space and time. I don’t make this sky up lol. Thusly I will follow in those painters footsteps (err, brushstrokes). If their experience continues to be the teacher that I have learned it is over the years.
Those master painters of the 16th-19th century were more or less isolated by the transportation of the day. They were where they were so to speak. I consider each photo I take of the same scene but under different light and environmental conditions, a study of the natural perfection in that place. The framing doesn’t change much from study to study but the background morphs with the time of day, the weather and the yearly cycles. I try hard to stay in tune with all this. The complexity of nature is something that I’ve slowly started to realize as I spend more and more time in it.
Veiled Sun begun, the waters of life in it’s various forms all in this capture. Vapor, Liquid and Solid all co-exist under the moderating winter up here on the high ridges. Phase change occurring live real time in this “Action” photo lolol.
Currently we are loosing snow pack and the ponds are filling. Not all melts as much snow directly sublimates (google this) in this dry climate. Melting of course accounts for much snow pack depletion in the spring.
Here it undergoes a temporary pause on a long trek to the sea. Melt water ponded up in our front yard along it’s normal course through our homestead’s compound. The snow pack preventing normal contours from flowing water to the water ways on the ranch. Remaining still is about a foot of snow covering the ground. This after a long period of 50 degree days in Late February / Early March 2020. We are low on snow this year locally. I’d like to see a few more feet till early May but at 4 inches at a time from 30 degree windless storms. I’m sure I’ll get that wish…. 😜😜👀
Living up on a high ridge mean we often have snow when at lower elevations there is no coverage currently. Drop 500 feet off our plateau to the adjacent lower drainage is instructive to the paucity of accumulated frozen precipitation this year. This situation is what I call mud / ice season, sort of a sub category of white season. Green Season is 2 months away yet. Last freeze is mid-may. The mud effectively keeps me out of the backcountry 😔📷