The little Rocky Mountain Blue Bird was sitting on his favorite perch doing Blue Bird Things.. Bird Mountain Blue Bird Closeup is the title but to find the file, Take the spaces out between the words and BirdMountainBlueBird is the file name Rodger.
Obviously this little guy has been here before. Left his calling cards behind.
A big Buck perfectly centered in front of a huge veiled sun provides an amazing visual image… Perfect for your wall.
Along that line of thinking… how about a silhouette theme for your wall? … Here an ALMOST silhouette (highlights on the hair) against the sun is a dramatic acquisition from one evening.
I actually had to maneuver over a mile to capture this moment.. I saw the deer on the other side of the ridge and realized the opportunity. Again topography, time of day and situational awareness prevailed. Circling around him without raising the worry level of the jumpy ungulate was paramount. Fortunately for me (an you) he didn’t really get concerned of my behavior which resembled hunting to me.. Hunting is sort of what I do when I pursue such images… Many similar skills are involved in the searching for such captures.
Driving the backcountry I see many images but not all of them are straight forward just point and click lol. Without the Smoke Pall totally filtering all but the brightest longest wavelength colors. The sun was ALMOST naked eye viewing here which made the grass highlight possible. Halo’s in the grass around the sun are hard to catch when they are not BLOWN out by overexposure.
Normally the glaring intensity of the setting sun will over power the cameras sensor leaving hard colored edges around the sun, unlike this smooth gradient/transition. I really like smooth gradients in my images, if you see steps in my color ramps, either it was really like that or I screwed up something lol.
The color is true to the sky I was looking at through the camera. Most of the sky was smoke grey. This is a very small area of the sky through this telephoto lens. This image covers an area the size of a postage stamp at arms length. This was hundreds of yards away.
The thickness of the smoke of late has been troublesome. Animals and Humans alike suffer from the choking irritant. As I type this, the residents of Jordan Montana can return to their home. One of many fires ongoing in the area was ready to run over the town. The 50 mph winds and low humidities made for fire storm grassland conditions. One of the few redeeming results of a hot forest or grass fire is the color in the sky down wind. I’ve seen some smoke/light phenomena this week I’ve never experienced before.
Occasionally, when the ‘seeing’ is good, I pull out my big gun optics pointing them toward the Jovian Moon system. There are many more moons around Jupiter than are on this image. These four however are the easy ones. The little 12 inch diameter optic I used for glass here is not up to the task unless I do much longer tracking time exposures. A 12 inch light gathering ability makes it faster than catching the same image with a smaller aperture. I have also found that higher resolutions cameras give you higher resolution images lol. This is an effective 4800mm focal length.
The year was 1609 and a fellow by the name of Galileo Galilei pointed a primitive Duch made gadget up at the massive Planet. Looking through the pieces of glass mounted like a skeletonized tube. Galileo was important in the early development of the telescope as he taught himself to grind glass to build his own instruments. He notices that 4 “stars” were circling Jupiter. Humm. That single observation set in motion the Brilliant mathematical mind that man possessed. He was obsessed with the new telescope working tirelessly to improve the state of the art. In 1609, he was observing an 20X view that the human eye could achieve. That is similar to a 24 power rifle scope. I can’t imaging observing this with less than a 1200 mm focal length and a 6 or so inch aperture. Let alone a rifle scope. Better than naked eye though in use before the improvements by Galilei lol.
The Blue Sky of up high fame is positionally just right to be in relatively unfiltered light. All the clouds below are SATURATED with the reddish / brown color I call “Burnt Umber”. A filtered window to the sun off frame to the left let in enough light to reflect off “Sneaky Pete” the Windmill who appropriately was showing off his shiny surfaces. A matter of pride in a windmill. His older brother “Re Pete” lives about 3 miles further into the backcountry. Not as shiny, the 80 year old wind engine is. It was DEAD CALM or I would have captured that sail a spinning.
This night’s air quality wasn’t as bad as some lately. The cloud deck was a good projector screen for the smoke filtered light that night. This is of course a close / far perspective with the sky being the far part. Both in focus. Easy with a cell phone, tough with a manual camera. I was moving along the trail by this veritable legend in his own mind wind engine. I have no control over his actions but I saw the glint(s) off the side, stopped, backed up and composed the shot. Click. He was so becalmed, I think it was sort of a windmill nap. So I finally snuck up on “Sneaky Pete”… It has taken years….. Proof there are periods of no wind up here ……
The weather was calm with a just a slight acid tinge of forest fire smoke in the air. Conditions have improved ever so slightly with the passage of a front. The ridge 10 miles away (furthest) being partially obscured by it’s light filtering/scattering properties. The terrible smoke on the west coast is being blown east to west concentrating it over the major west coast cities. This weather system is sparing us the worst effects of the conflagration on the coast. Soon upper level air will bring smoke from Washington and Oregon that will blanket most of Montana. I will probably get some of that in this next week with more yellow suns and crimson clouds to come in the near future. (This posts about 10 days out from the photos capture. ).
The layers of ridges in this country make for substantial “landscape ladders” for Close / far perspectives. The first ridge is a mile away from me. The next ridge is 5 miles. The cloud bank 20 and the sun…93,000,000. By Definition this is a close/far perspective. The cattle in the foreground hidden until you read this lolol.
This is a typical backcountry Wyotana morning these days. Orange lighting, deep smoke filled valleys. As I type this the air quality is dang good but there is smoke HIGH in the atmosphere over us. The sun this morning was described to my by a friend as “it looks broken”. Here the sun looks to be sliding down hill on the cloud to me. The layers of this landscape creating this visual ladder that I’m always looking for in my work.
Smoke “filters” from forest fires to reduce the light coming from our furnace make for interesting photographic opportunities. This added a sun rising a minute before the actual sunrise time. You will find sunrise time is not a fixed time. Depending on the atmospheric conditions prevalent at any particular terminator crossing, you might get a sunrise where the sun is actually below the horizon appear as if in a mirage. Perhaps a minute or two earlier than the scheduled time. I personally have never seen it rise later. Topography and the distance to your horizon may make a slight difference is rise / set times.
This phenomena is termed “Atmospheric Lensing”. This is a physics of light discussion generally at grade school level. Most have not heard of this. Here the sun is not actually up. Bent around the globe light can be. This by the refractions caused by the differing densities of the atmosphere covering the planet in the thin blanket. As the horizon drops, the sun eventually catches up to it’s actual position well above the horizon. Not here though. This image bent considerably by natural forces. The sun’s outline heavily distorted. I’ve seen a variety of different manifestations of this distortion. This was a pretty cool one. Looks like a chubby Teen Age Ninja Turtle in orange to me lol.
OK, This is a confusing image to me. As a fairly astute observer of things, I’d like to think I can explain what I see. Or at least I’ve come close enough for government work a time or two lol. This one is an enigma to me and has left me scratching my head to nail it the causation for this down.
I’ll present my thoughts. You can decide what you think or add a second alternative.
Looks like: Rain is falling in shafts being blown by wind to the right. These rain shafts are being illuminated by Crepuscular Rays from an downward angle from the right to the left. This made a classic screen door or rectilinear pattern here. I was quite amazed at this rare sky. So many things have to come together to make this happen. Oddball for sure.
Crepuscular Rays are a mix of shadow and light. The irregular cloud shapes make irregular shadows. Those clouds block the light in places reaching the already formed rain shafts. The light appears divergent from the sun’s position. They form only when the sun is positioned behind an irregularly shaped cloud or mountain which lets the rays of the sun pass through a cloud in bands. They don’t always happen at sunset. This was mid-afternoon and off schedule for the phenomena which tend to happen at sunrise or sunset.
Done without a neutral density filter in front of the camera. Almost a silly unlikely capture. It is a rare image from my equipment that has very few issues with the silhouette against the sun. The smoke in the atmosphere obviously has some attenuating aspect on the amount of light passing through. Normally the camera is on the edge of the envelope doing this. All the normally insurmountable technical issues were overcome to get this one.
Photographic Musings:
The big lemon colored sun is an easy capture in and of itself. Getting something terrestrial in front of it without large red rims around objects (diffraction artifacts). Washing them out is typical. I have pointed a camera at the naked sun with trees in front a few times (thousands) before and have never gotten this quality out of the composition. Sharpest edges ever in this type of composition lol. Again, only a smoke attenuated sun will do when you need a celestial object for a “sitting”. Of course I lost 1/2 of the light by letting it set 1/2 way lolol. High fstop (the softness) for deep focus, fast shutter in the 1/6000th range, LOW ISO in the 100 range and a lot of atmospheric filtering.
I’m always trying to work sunset at less than f22 if possible. I suspect this is f60 ish. A tiny pin hole in the aperture. It’s a 1200 mm lens with a very high resolution camera (170 meg raw+ .jpg) which allows me to come up this close without much of a crop. There is NO substitute for high resolution and high dynamic range in a camera.
I’m always riding parallel ridges working the shadow line. I see some amazing silhouettes daily. The peculiar red light affiliated with forest fire smoke is characteristic. The low ground effect slowly giving way from yellow tinted clouds to white tinges on the clouds straight up. This is sort of a gradient with a broken projector screen only reflecting parts and pieces of the smooth transitions of color. If you see the “All Seeing Eye of Provenance” that the sun creates here, consider yourself in good company. You Masons out there should pick that right up on this lol. All it needs is a triangle around it.
The smokey sunsets of late have been a boom for me with orange color. If you’ve seen the orange skies making national news a week back, There have been some afternoons around here where it was indeed VERY orange. The crowd in the big west coast cities just aren’t used to it so it’s news there. Being under smoke, one experiences very subdued lighting. A LOT of ranchers are discovering the weakness in solar voltaic water pumps with this sky. Also the renewable crowd in California are figuring that out as well. If a smoke Pall covers the sky, solar panels won’t run much. I’ve had a 4000 watt solar array feeding my electric “cloud” and sending back to grid for 20 years. I bought my first solar 30 years ago. Some of that is still running but not as well under smokey skies.
IT was extraordinarily still. 20 minutes after sunrise. A perfect mirror in the stock pond. Cattle herds have been watering here for over 100 years for a timeline. Yet longer ago, the Sands of the Cretaceous Hell Creek/Lance formations providing the water that fills the small glass smooth earthen berm’d tank. This water body looks much larger than it appears here. The perspective of the very wide lens messing with us. More of a puddle than a pond. None the less, a provider of a perfect double image for me to capture during this rare (long term) smoke pall moderated sunrise. This is probably the only good effect from too hot a burning forests x 100 … massively cool photographic environments….
Reality Check:
Even though the sun appears higher in the sky, it is quite dark under the thick plume from western fires. The forest releasing all sorts of combustion gasses and soot. This isn’t as bad as all the man made structures burning. All those plastic fumes are mixed in with the forest by products as well. This is an unparalleled event as I see and understand the enormity of these combined fires. The hugely damaging “Bobcat fire” alone plus 27 other blazes in California alone are adding to the flavor (literally you can taste this stuff) of the air.
I’ve seen a lot of smoke before from fires but I haven’t smelled the fires as much as this year. Nor have any previous year I’ve experienced in my 30 years living in Wyoming been this thick with mixed haze. As a geologist I will tell you that this isn’t 1 / 100,000 of how an exploding Yellowstone would effect the sky.. That would be pitch black raining ash. That was climate change if you don’t think it has changed before lolol.
Boy has this been a long stretch of Smoke Pall Sunrise events. I keep telling myself it’s a once in a lifetime situation. This tends to make me pay attention to the smoke conditions and sunrise times. I don’t always get to see the sun crack the horizon. This is the first light from the actual sun to reach my camera that morning. I knew about where it was going to rise (the notch on the ridge just left/below where it is now). I was there on time but not a photon made it through the smoke gauntlet to my capture boxes. NADA, nothing. There wasn’t a cloud in the sky above or anywhere on the satellite map. The low smoke on the ground completely occluding the window to our furnace for a good 20 minutes.
The ambient light on the landscape came from the sky above. It was illuminated through clearer air up high and more like a white ceiling than a blue sky in this pall. Chasing color in this lighting is perhaps a waste of time but I am digging the dozens of different colors of green and red displayed here. The fall is well upon the grasses. Brown season started early summer this year. Trees have not lost their leaves yet in this country which missed the earliest freeze by 1000 feet in elevation. (we are higher here so when the cold settles in the valleys freezing everything, not so much here ).
Corriente’ Cattle have been on the ranch since 2012. We have Black Angus too but these guys are much more photogenic. Something about the horns that gives them a western look.
Fully covered skies where I catch any animal that I can silhouette are automatically better by their inclusion. I would indicate that everybody was looking at this sunset that evening. I’m sure that even the glutton on the right took a few seconds between chews to enjoy this vision. It was hard not to notice this sky show. It stands out in all that I have seen as pretty impressive….
This can only happen during a totally overcast evening with thin / spotty enough clouds to allow the light to get under the canopy. A cool night, this particular evening was very moist with alpenglow rife to provide this colorcast to the show.
Bear in mind that this is a long range telephoto shot so the area of the sky wasn’t as big as this perspective would have you believe lol. Telephotos crush perspective and you never know how big an area of sky you are seeing. This frame covers an area of sky about the size of a postage stamp at arms length at the horizon. It’s a mind bender I think. This was a good night for images as this held on for 10 minutes anyway. That gave me plenty of time to get around… Click …
During the Fall Equinox (on Sept 22nd during 2020) Smoke Pall over the skies from the fires to the west.
Around the Equinox, the east / west trending fences have a tendency to fall into order with the universe. For all intents and purposes, this fence line is directly on the Montana / Wyoming border . Montana on the left and Wyoming on the right. Looking East at Sunrise. Ive done many fence perspectives straight on with the fencline. Getting above it so far was an act of crushing perspective with a long lens from a far away hill. Looking over this west slope of a local divide between upper drainage courses.
Many of my photo’s have parts of both states in them. Either a Wyoming ground with Montana Sky or visa-versa. Here the sun looks over all that ground. It is having a great deal of trouble getting it’s light to the ground. The Pall of Smoke this particular day (this has set in for a few months I’m thinking ) was different than each day before it. The strange “filtered light” feeling reminds me of watching a total solar eclipse.
You might note the “Hump Gate” mid-fence. It’s a Cattle gate I designed to put on the ground without having to dig a hole under it. Cattle don’t cross it but ATV’s zip right over it. Idle minds are problematic in my world lol.
I came over the top of a hill giving this Mule Deer Doe a start. Ever had the arms and neck go prickly before? A little adrenaline, a little furtive movement…high alert. She settled down in a few minutes and resumed grazing in the small group near her. This time of year everything is getting aware of the seasons change. Usually long before human are. The nights are getting longer now. The fall equinox is but 6 days away from this post. I see the change in their coats starting. They are starting to get a little bushy. Sort of like me not visiting a barber for 6 months. (I actually cut my own hair lol).
The does ears are big and sensitive but a ridge can muffle the sounds coming up the other side if the wind is up. Just appearing 50 yards out, I definitely got inside her comfort zone too quickly. Fortunately I managed to photograph her quartering off to me.
Boy if I was hunting…. meat for the taking for a landowners doe tag. It’s getting close to October when the serious hunting starts in this area. I personally don’t hunt unless we are having a population problem that needs thinning. I’d just assume play “counting coup” with my camera on the deer.
Talk about pot belly lol. This is certainly a doe that is properly positioned in her world. She has learned to take advantage of the resources offered to her. Our ranch is full of edible plants (to them anyway) and is well watered. She is in a pretty good place with most of the top level predation under control.
Caught her looking up. I had to make some noise to break her focus on the ground. The sun was setting and I had places to be. Deer are less than cooperative to my will usually. I hope they do one thing, they do another. It’s a 50/50 chance most of the time. Fortunately these wild critters tolerate me well in my black pickup (Clever Girl). Having seen me many times out on the ranch land. I thought her expression was priceless….
Note: A fairly big black bear was just taken by a local rancher while it was eating a cow in the backcountry. Less than 10 miles from here just over what I call ridge 4…. Kudos to that ranch. We share the same backcountry with that ranch to the east. I really love being deep into a dinosaur pit with my butt up in the air around here. Makes one a little paranoid…. At the homestead, two decades and no bears…. A bear probably wouldn’t like the electric fence we keep around our facility at all. It has discouraged most creatures touching it since it’s inception lol.
I am always watching the moon making sure it keeps on it’s appointed rounds. Here I caught it resting on top of the local cheese cutter “Sneaky Pete” the Windmill. The moon is like a big bird standing on an alligator’s back if you follow my metaphor. All that cheese sliced in one fell swoop… 🙂
Close / Far Perspectives in the world of Smokey Skies is a hit or miss proposition. The moon was up high enough to be above most of the smoke hugging the bottom few thousand feet of this air column. The sunlight however coming in over my right shoulder was markedly red as the sun was a bit lower than the moon to the horizon. The sunrise was before the moonset giving me about 15 minutes to work. Both in the daylight at the same time is a rare monthly window. My job was to catch the moon goofing off on the job. I only got to work 1 out of 3 good mornings for this kind of capture.
Evidence: Here you can clearly see the Lunar Disk sitting, resting on the arm of the wind vein belonging to this local windmill. I’m not sure how he makes up the time he wastes sitting on his tail around here. I catch him reclining on trees all the time but It’s a big planet and getting around it has got to a bear. The moons orbit is 1.5 million miles long. I’m always seeing him sitting down on the job. He’s aware of it as when ever he notices me, he starts moving again. Sorry about the windmill not spinning, I have no control over his actions most of the time …..
Probably the last serious rainbow of the 2020 was this late “Golden Hour” spectral display a few weeks ago as this posts. The Sun over my shoulder was HEAVILY Smoke Pall filtered giving the marked color cast displayed here. The total lack of blue light being obvious in the refracted spectrum. All of that was absorbed by the smoke. Missing the blue/indio components gives a very odd feeling to the scene live real time. I’ve said before it reminds me of the solar eclipse in 2017 that went through the area. This is certainly one of the more extreme rainbows I’ve ever seen. There will be more of this event as it flows through my workstation.
This capture of course is a long telephoto image right into the left leg of a very tall rainbow. Late day rainbows are closer to a perfect 1/2 of a circle. From the air rainbows are circles with your shadow in the center. On the ground though, your limited to half of the circle at most. But as such sunset rainbows are relatively HUGE compared to mid to afternoon rainbows. Mid-day rainbows are wide but not tall. This one was wide AND tall. This was right at the height of the smoke generation from the west coast fires as seen here almost exactly on the border of Wyoming / Montana. This rainbow’s leg itself spans the actual borderline from my perspective lol. Exactly 1/2 way between the North Pole and the Equator it’s marks the spot.
The depth of the layer of smoke that gave me this apocalyptic image was early in the timeline that night. Keep this image in mind when I post an image of that sun setting into that mist. Here the sun is up high enough that the stepped gradient (natural not done in the digital darkroom). . Many stepped gradients from photographers are artifacts from improper digital darkroom technique. This is totally natural.
I don’t believe I have ever seen conditions worse than this. All sorts of backcountry outdoor activities are not occurring. Hard to cut wood when you can’t breath. Hard to do construction too. Some folks go about 70 percent effective under atmosphere such as this. Looks like fog, it’s choking, wood smelling smoke. 2020 is sure a mulligan year. Need to throw the ball out into the fairway and re-take the shot.
Photographic Musings.
Of course, you couldn’t look into this to see it without a quality mirrorless camera. Just glancing at such a scene can do damage. I only look at scenes like this through my gear. Said camera moderates the intensity.
Disclaimer: I saw this scene on a live video screen within the view finder. I can adjust my settings real time accordingly. There is no direct light path to your eye in a mirrorless camera. DSLR cameras can blind you doing this kind of work so don’t. 🙂 Some cheaper small sensor cameras can’t take this either and doing it wrong is likely to burn your cameras sensor chip. With the full frame Sony A7 Series) I’ve taken thousands of directly into the sun images. No damage to your gear if you do it correctly. Getting your exposures too dark before you point at the sun is a good idea. Use highest f-stop and low ISO for this certainly. 1/3000th or so.
This Fawn Mule Deer is looking for those spots. Must have lost them somewhere around there. It’s been walking around with it’s head down for 10 minutes. Must be looking for something…..
Being 4-5 months old now grazing with it’s twin and Mother up High on a ridge line I call Rattlesnake Ridge. You’ve been seeing images of these guys all summer. I run into them randomly out on the ranch land during my journeys.
Love the lighting for this shot. (note the blur before and blur after. (f11 with a long telephoto due to the lower smoke filtered light levels). This clearly shows what “depth of field” is. Focus in the center, blur on either side of the focal zone. You have to think in 3-D for this work most of the time. The forest fire smoke is color casting the red here.
This fawn has not been named since it’s ears are perfect without notches. I’ll loose track of it by spring. Hopefully she will hang with her sister who has a very identifiable notch in her ear. Guilt by association at that point. I’ll wait until next spring to name this one. They change so much as they grow. Their mother is also easy to ID with her ears. Mule deer have HUGE ears. Much more so than Whitetail.
Re: Rattlesnake Ridge: Yes it is a sinuous ridge looking from above. My reason for the name is: apparently the ranches owner back in the 70’s, dynamited a rattle snake den here. Or so the story goes. Dynamite was a LOT easier to get back then. Years ago I heard a skuttlebutt rumor of an old box of dynamite sitting around on some fictional surrounding ranch. I’ve dealt with a lot of explosives over the last 10 years in my day job. I’d certainly rather not have to deal with 50 year old sticks of H.E. Probably a puddle of liquid nitro on the bottom of the box lol. I’m sure it’s a rumor… I’ll hear about it if true… (in the distant boom lolol). We really don’t have a lot of rattlers though which has been a good thing I believe.
I pleased this came out of a hand held one shot camera. Taken before the last full moon, soon forest fires west of us will cover our skies with a Pall of smoke. This prevented me from working the full moon a few days. There were smoke issues weeks ago which explains the following.
Through as little smoke as possible by taking this when it was almost straight overhead. My neck doesn’t bend that way very well these days lol. Still imparted is a brownish tint to the image. This by the soot particles floating above. Quite obvious in the eyepiece of my camera. The trick is to get the right exposure to show it. I do this by comparing the image in front of me to the image on the screen. I usually have enough time to consider such time consuming activities with celestial objects. They are not flitting off like backcountry wild critters. Anything over a minute to compose or consider an image is a luxury in this game. This is why I think of myself a landscape photographer. Geologically Slow movements are a good thing to me. The moon is a relative fast mover for me lolol.
Photographic Musings:
Taken with the same lens I use for some of my terrestrial close ups. Lots of animal images through this glass. It’s pretty good equipment for looking across the prairie. Not as good for Astronomic Glass Lenses used in Telescopes. (this is just a regular camera lens). Telescopic glass typically is coated differently. There is no aperture to add diffraction effects to your bright lights. Ever see rays from bright point sources of light like the sun? Those are edge diffraction effects particularly for close/ far perspective with the moon. For you techies out there, astronomic glass usually doesn’t do as well dealing with Chromatic Aberration (Sony G-Series 200-600 with a 2x in the optic path. ). I have MUCH bigger/faster optics that don’t do as well across the board for this kind of capture.
Getting the opportunity to image skies like we have been experiencing of late is once in a lifetime (I hope). I’ve lived in Wyoming for 30 years (10 in Jackson Hole and 20 here in eastern Wyotana. ). I’ve seen wildfire skies from smoke palls before. Never even close to the severity put on display for so many. If you have been living under a rock (not a bad idea these days) of late and haven’t experienced these… don’t. You won’t like it.
There is a very odd feeling associated with living under the plume from major fires up wind for weeks at a time. Having experienced the 2017 total solar eclipse, I have a basis by which to compare. The feeling of the sun dimming is perceptable under both phenomena. As a friend said, “it is like the sun is broken”. Nothing is getting the energy it prefers so even the few plants that are actively growing aren’t storing the sugars they need for the winter. All of the west is under this pall variously through out the last month. Weeks at a time.
The closer you get to the west coast, the worse it gets. There is so much smoke, you can see it from space easily as it whiffs around the globe with the prevailing winds. In a few weeks it will come back around at us from the west again. This will effectively block sunlight and lower the amount of solar radiation we will receive. There are complex relationships involved with local temperatures. I believe the Pall will lower regional temperatures than they would have been without the smoke (duh). Anytime you reflect energy away from the surface, you loose temperature as the sun is the furnace here. Might just be a very cool winter as a result of all this soot in the air. The west coast just put a bit of particulates and CO2 into the air. Forest Management is a good investment.
This is an amazing image to me. It is VERY hard/rare/unlikely/difficult and otherwise tough to get detail on the back of anything standing by the sun. I’m easily able to read AEOMOTOR (with the A covered by the sail). I’ve run my cameras for a bit. Having pointed at the sun a few times. I don’t believe I’ve EVER had this result…. This is a very odd color.. almost salmon. Never seen it before either. Seeing the surface detail on this side of the windmill… priceless.
First of all, this is a smoke Pall (of course) blocking about 80 percent of the suns light. IT’s very even smoke though and effectively a filter for the sunlight. The face of the Windmills Sail are in shadow. The ability of the best consumer technology is limited by your camera’s sensor chip being able to resolve the differences between really bright and really dark. This is known as Dynamic Range. THe human eye has 21 f-stops of dynamic range. The Sony Alpha 7R4 I used for this has 15 f-stops of dynamic range. That is really high for a camera in the current crop. Being able to see detail of a black cat in a coal bin in a bright white room is what dynamic range is about.
This is “Re Pete” the backcountry windmill. Big brother of “Sneaky Pete” the windmill that hangs out by my residence. I have to travel a bit and go through some gates to get to this guy. He is positioned on a wonderful little area. We call his home the “Treed Pasture”. Named that for the thousands of Jack Pines living there. This guy is functional. I’d have to change the pump leathers to get it running again though. It worked last time we used it in around 2008. Probably eeds some lube I suspect. He’s 40 feet up there and that sail is 8 feet across. A man can stand on that high platform and not come to the top of the sail. These are big machinations.
When I see these big Monsters on the horizon, heading up to the ridge tops is my destination. I have fairly long views from there. From my house, I might see about 1/2 of this from behind the ridge I stand hon. This prairie Mesocyclone was slowly rotating about 30 miles to our north and east. A Mesocyclone is a Mature BIG thunderstorm. They are HUGE.
I’m in Wyoming for this looking into Montana. This storm was worrying folks along the South Dakota / Wyoming / Montana triple state line. If effected all three states as it moved to the south east during it’s lifetime. I see about 15 of these big storms a summer. I will work all of them with a box-o-cameras given the opportunities lol. They are wonderful ever changing photographic subject that move very slowly. (unless your under them lol).
I’ve always considered Mammatus clouds as evidence that the storm is being deprived. Without daylight heating, the storms cease growing. Thusly it is slowly collapsing. Not clearly defined is the exact causation of mammatus clouds. “When Moist air drops into dry air below.”… Essentially they are upside down clouds similar to a cloud top billowing. Similar to the growing tower of a thunderstorm before the “Anvil” forms from the top of the storm traveling faster than the bottom. The bottom has friction with the ground where as the top not so much.
Languishing in my “to do folder” unnoticed from last spring was this little chubby gal fawn. She obviously has a lot of attitude. She was all business with her twin just off frame moments before. Now shes prancing about sticking her tongue out. You will notice the rounded belly of a baby that obviously has spent some time on the spigot. Moms lunch counter the two share. They mix that with tasty morsels from the buffet around them. I’m sure there are many good looking plants that tasted terrible though. Learning quickly is a trait of the species but this one is a mere baby when this was taken.
The deer live on what they forage . They are tougher than cattle with regards to eating certain plants. For instance, deer can eat pine needles and not abort their fetus.The turpentine in the pine needles can and will cause cattle to spontaneously abort.. So certain pastures with pine trees are not good winter pasture for cattle. Deer have a very tolerant system to deal with such things.
This fawn I have followed over the summer. This is miss “Perfect Ears” I’ve spoken of in other posts. She is always lagging behind the other two. More curious of things I believe. She is more than cooperative and tolerant of “Clever Girl” driving around, stopping and sitting with a big eye sticking out the drivers window…. I hope we have a mild wet winter… I miss the spring already….
Have a great night all from my workstation here on ranch 🙂
Seeming oblivious to my presence, this is Jane Doe again munching some tasty morsel off the bone dry ridge top. Her twin fawns I’ve watched growing up this summer are just off frame on either side. She has been a good mother. I actually have unfinished photos of her from last year discovered in my “to do” folder this AM.
This particular evening the three were on Rattle Snake Ridge. The first tall ridge north of our homestead. I was heading up to this high point above them. I stopped a few minutes along the way to enjoy the view of this family gathering. This ridge is a 200 foot high erosional remnant standing above the grassy flats below. The good thing is there is a very firm path that isn’t that the type of ground to turn into mud. Don’t get off the path though lol. There are areas of “Gumbo” bentonitic clay soil around. Driving over such when wet
The mom here is starting a seasonal molt giving her a mottled appearance. This is not mange. This was taken in warm weather so no need for a thick coat just yet. All deer go through this each late summer. IT’s the deer equivalent of a T-shirt. The new hair will grow in quickly and thick. The coming winter is just the wheel spinning around again from my perspective.
Close Far Perspectives are something I haven’t worked recently. The smoke plumes from western fires clogging up my horizons to anything but the sun. I get only a few terminator crossings a month any to photograph the rising lunar disk coterminous with the sun still being up (even a little like this). The dark blue you see here is seconds away from turning black in the camera. The is the edge of the envelope for what this technology can do. The silhouette would soon be fading into the black sky in minutes.
Wonderful smokey color that night though we weren’t particularly under Pall at that moment. Particulates in the higher air is likely to blame for this hue. Almost salmon but with just a tinge of red. Hard to find such things in archives of my travels.
Heads Up!… The Moon while on schedule for once a month, but October 2020 will have two. The first on October 1st, and the second on October 31st. That rarity is what coined the phrase “once in a blue moon” back in 1821, according to the Farmer’s Almanac. The “standardized” explanation of the blue moon wasn’t defined “officially” August 1937 or so the story goes… I will work both moons in October assuming the weather window to their light opens for me to capture in my photon capture boxes. Rule number 112 of photography is: no window, no images… That one is fixed in the rules of the universe I’m afraid lolol.
Starting with the first ridge about 10 miles down range. That would be the furthest west of the ridges in the Prairie Dog Hills. Between the first ridge and the last ridge here is 25 miles. The moon is a little further away at 1.3 light seconds for light to travel from there to here. That exact number depends on whether the moon is closer or further away in it’s elliptical orbit around the earth. The terms apogee and perigee come to mind to describe the furthest away and closest the moon is to the earth. A difference of about 25,000 miles (significant if your walking).
This particular morning was one of the few I got to work on that months moon’s timeline. I like to have both the moon AND the sun up behind me to get landscapes like this. There are only about 3-4 terminator crossings a month that I can work this kind of scene. Rarely do I see everything cooperating as this to get a wonderful color pallet on a morning landscape. They are usually TOO red for my taste. This is just about right to the lighting several minutes after sunrise. At most I get 15 – 20 minutes of the actual full moon above the horizon coterminously with the sun. A photographer has to work fast. It’s a bad time for batteries to go down lolol.