As I surprised her as I came up out of a valley. To the table top of this broad ridge I was traveling. This deer wasn’t familiar with my Ford F-150 Raptor . It is suprisingly stealthy for carrying a 470 HP power plant on board. The low and throaty moping sound is now familiar to close deer groups. I pass many everyday that hang out near my homestead. I would be hard pressed to make those deer familiar with me to even look up from grazing upon my proper approach. This girl became definitely intimidated by my presence (through no action of my own I point out lolol). She bolted like I threw something at her, clearing the fence efficiently.
Deer can jump 8 feet high but I find 6 feet more realistic . I have an 8 foot electric fence surrounding my Homesteads Compound surrounding about 10 acres. All of the ranches human, dog, duck, chicken and cats live inside that area. The rest of the critters get the remaining 3490 acres to wander. Before I put up our deer “resistant” fence, many thousands of dollars of attempted landscape projects were devoured with passion. The only deer that have penetrated our defenses in the last several years have been shown the gate they came in on. They are quickly detected by the dogs which don’t leave the compound lol. Now the young deer don’t know the green grass paradise right over the wire. Thusly there isn’t as much pressure to penetrate the barrier now.
I strongly suggest electric fence to keep deer out of your homestead . Particularly when surrounded by herds of deer that water on your stock tanks lolol.
Close far perspectives are always a favorite to bring to completion. Windmill Wednesday: Windmill Junkies Unite 🤘🤘
For me to publish this, I take an average of 1.5 hours per image. I then have to study that timeline to pick this photo. Then there is the small amount of digital darkroom time maybe 10 minutes.. then I have to write / type the accompanying narrative… I start at 250 words for an image. I could write 250 words about a clump of dirt these days after the last 6 months writing over 1500 narratives to accompany my portfolio images. Each post I publish on line, is an e-version of one page out of that eventual book. For now it’s all free reading lol.
So just ignore “Sneaky Pete” the Windmill. Any recognition by the public makes him insufferable. He’s been photobombing my landscapes for years up here in the high ridge lines of the Montana / Wyoming. The narrative is years long and “Sneaky” gets his share of recognition. Some fans instantly know him versus other less gregarious windmills. He is a notorious photobomber in the local tales of lore.
SOO, “Sneaky” here is the Close part. The 130 mile distant peaks of the 13,000 foot high BigHorn Mountains loom on the horizon the far…. The Windmill is 1/4 mile out, the first ridge 10 miles. The valley under the treed second ridge / mountain slope is the “Little Powder River Valley. Finally stand at 40 miles distant are the Red Hills, made of sediments from the BigHorns far distant. (Google Alluvial Fanglomerate).
These 3 younger bucks got caught working out for the Bliss Dinosaur Ranch Fall Pronghorn Rut. Taking turns with male aggression. It’s a single elimination tournament with winner taking all in the long run.
These Bucks actually get along pretty well in the “Boys Club” they hang in most of the year. But this is as close to a full blown organized training session I’ve seen this year. Getting ready for the Bliss Dinosaur Ranch, annual Pronghorn all male review for a party of just the Does. Hot and heavy in the fall, it’s a yearly thing up here… So turns the wheel of life. 🤘📸
So on an overcast tuesday HIGH up on a backcountry Ridge was a small dojo formed for the purpose of working out and getting “tuned” for the battles to come. These guys were not not yet playing for keeps. The bigger bucks usually take it easy on the smaller males training/ramping up to the rut. It can really be violent when big Pronghorn Bucks cross swords. It’s all fun and game until someone puts out an eye!.
. Probably 4 year olds. This of course is a game trail camera capture from late in the fall (Fall was on a Tuesday this year). From this location in the past, dozens of various wonderful candid captures of both deer and Pronghorn occurred. All the Pronghorn are off ranch at the moment.
They all migrated over a month ago from about 30 miles south from the Thunderbasin National Grassland. Pronghorn herds numbering in the hundreds with thousands in the larger Grassland area where they overwinter. I once had a Old Pronghorn Buck I named “Grunt” that stayed over winter several years but he’s not here for the last 2 years. . He either migrated with the others or in in much higher and greener pastures by his passing. I miss him as I could get very close to him as he was tolerant of me as a pronghorn can be tolerant. Grunt was a nice buck too. 😔
These birds are masters of their domain. This is 50 feet up at the top branches of a Cottonwood Tree. This Pair has set up shop with the left bird returning from a hunting trip. For a shoreline wading bird, these guys handle the high tree life roost without a miss. The nest is just off frame right. I am lucky to have the topography such that I can get to their height across a lake from their nesting site. I am about 150 yards out for this capture.
Blue Herons eat a pile of fish…. but its diet also includes frogs and other amphibians, reptiles, insects, and even small mammals if they are in striking distance. While it’s pointy dagger like beak has developed for catching prey, an unusual tongue also helps. No teeth in that mouth though their avian dinosaurian ancestors certainly had teeth lining that mouth cavity. The hunting behavior was handed down generation after generation though and these guys are exemplar walking metaphors to dinosaurs. Some did survive the extinction at the end of the Cretaceous after all… The avian dinosaurs 🤔
Herons whole anatomy is all about fishing along wetland edges though. They even have specially adapted neck vertebra/muscles that enable them strike like a rattler at prey but they don’t usually catch and release lolol. I note that catch and release is a human invention not seen in nature unless you consider cat’s playing games with their prey……
This silhouette “halfie” (almost) caught my attention for the extreme stepped gradient around the sun. I call these bow waves and don’t see them live real time very often. They are in reality natural diffraction artifacts from the thin slit in the clouds that the sun light is passing through. Ripples…. When light (or electromagnetic waves) passes through a thin slit shaped window, lightwaves ripple like water. The Physics of this moment should not be discounted. The slit was very thin, precisely what one needs for this natures “experiment”. The mind of the guy that figured this stuff out (Huygen) was right up there with the best. “Huygen diffraction” would be a good google search for you for continuing education on this. Constructive/Distructive interference of waves is the discussion which is lengthly. I’d never get it past my grammer checker (Nazi SS training in that program trying to explain all that) lololol.
So the bow wave here is literally Ripples around the Island of Light that the Sun’s Disk represents in this metaphor. Capturing ripples of light that are natural is hard and fairly rare. Note: I could do this in the digital darkroom very easily but this one is the real thing. Not a digital color shadow radius artifact. The whole discussion lies about the cloud “slit” which is the initiator of the diffraction process that provides this variable gradient around the sun. If you have a gradient like this with a complete sun, it’s the result of an artifact within the digital dark room treatment the artist (at that point) is using on his previously raw photo. (unedited photo=raw photo out of the camera). This capture is entirely unedited or I would have had landscape detail down in that black negative space.
Literally playing “King of the Hill”, this American Eagle had quite a view. This hillock is one of the higher Buttes about (erosional remnant sometimes called “Monadnock” which is a good google word for the morning). Several hundred feet above the surrounding terrain is a good spot to look for game without all that effort of flying etc.. I’m going to have to take a climb up there as this is a hill I haven’t been up yet. It’s a little scramble to climb sandstone buttes and not without some challenge. I might put a game trail camera up there just for kicks… See what flies by…
I saw the “silhouette” of the bird from a LONG way out. Way out in the hilly backcountry, it took me about 10 minutes to get THIS close. All the while this sharp eyed bird was watching me bounce around the backcountry well away from the closest “smooth” two track trail….
The whole game was trying to get into position to take the sun RIGHT behind the bird setting on the peak. The sun was actually above the bird just off frame. IF I could have maneuvered for another few minutes, he would have been in the crosshairs between sun and my lens. No such luck as he flew away seconds after this capture. I’m not sure why he flew but I wasn’t being subtle trying to get into the right position. I always stop in intervals while approaching wildlife. Get the shot, move a little closer, get the next shot, rinse and repeat.
The spring Alpenglow was rife with orange gradients. The suspended ice in the air is responsible for the orange color. If you haven’t experienced a deep orange late evening sky before, you need to spend some time up here in the winter… I was miles out into the backcountry minutes before sunset. It was a long clear sky sunset drive back…….
Spring time thunderstorms moving through the area are much appreciated in giving us a little more moisture for the apparently soon to be dry summer so typical of Wyotana. Our annual precipitation amounts are BARELY above desert at 14 inches per year. Not this day though 😀
This happened May 13th late in the afternoon as a series of smaller storms moved through the area. This thunder storm went on into South Dakota and grew as it went but wasn’t particularly violent. It was however strong enough to dump enough hail to cover the ground off in the distance under the “rainbow”. I didn’t think there is supposed to be a bucket o hail at the end of the rainbow but something with a bit more glitter. “Clever Girl” got slushed on but fortunately the hail was a bit further east. This capture looking almost straight east along the Montana / Wyoming border. I’ve been known to move my position to avoid hail a time or two. It’s usually not a huge area that get’s hailed on but reading the storm isn’t necessarily straight forward as I’m not “Bill Paxton” in the 1996 movie Tornado.
The Rainbow is right at 5 miles away from my viewpoint. The first tree on the right is at least 1/2 mile out. Telephotos CRUSH perspective jumping over lots of ground before you get to the “foreground” of the frame lol.
Brown Season twilight landscapes are always dark, some are more colorful than others. When the veil of clouds is heavy, the shade and hues become muted with the encroaching dusk. Unfettered light causes an entirely different result… here, browns are in full display. I spend a lot of time working twilight skies/landscapes and find them challenging to reproduce accurately. It would be very easy to turn up the sky colors but I’m trying really hard to be a photorealist. This is as close as I can get this to how I experienced the scene. I find that an infinite spectrum of variable twilight exists and are mostly “capturable” with the right gear.
A majority of photographers wouldn’t finish this image I’m thinking. Having said that, I’m all about subtle tones and hues that escape view by most. The cool air of the twilight, the movement of game in the distance, the quickening of the light fleeing the scene is always breathtaking to me. Huge long landscapes (40 miles) make for an appropriate venue for this end of a day capture.. All creatures great and small getting ready for the night are all in their own world. Anticipating the washing away of the brown by spring rains to expose the green that is forthcoming. Seasons change, days come and go, but the animals seen to survive the hardships with an ever optimistic outlook toward the next day and the next meal.
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here.
I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work. In reality this is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event.
I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where yet as it’s early in the year and their antlers help me ID them sometimes…. The Backcountry is challenging to get back into at the moment. MUD!! I see them both on game trail cameras near the water holes we keep open. The closest running water which is some distance from this high ground.
The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.
There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..
Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.
The Rain Shafts over the Barn on the Historic Parks Ranch in Northern Campbell County is classic. I used a telephoto shot about a mile out for the perspective across 40 miles of landscape with a 20 miles wide river valley between ridges here. The ridge in the shadows is only about 3 miles out . Weather over the far ridge. The ridge in the pink light is 40 miles out.
This is about 4 miles from our ranch. That direction is the closest drive I have to make to get to an asphalt road. The next closest paved highway is about 12 miles from here. These guys are my closest neighbor at around 4 miles from my homestead.. It’s 70 miles to the closest traffic 3 way light from here. The trip to those hills in the distance would take you an hour. I’ve had meeting I’ve driven to Casper to many time. (4 hours or so drive). Distances are big out here to go anywhere but where you are lol.
The Historic Parks Ranch is now part of a larger cattle association. It is managed under the Trail Creek Grazing Association. Old original buildings out here. In this remote backcountry were certainly built out of locally milled wood. The rough milled wood from cut from the local old grown pines. The original of homestead there is HUGE and finished around 1920 I understand. The 1950’s marked the last updates to the main house. Still utilized for hunters with year round caretakers living on site. That barn is classic.
Location: A few miles from The Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
This 1/2 miles of Campbell County road is the last of Wyoming going north as directly over the crest of the first hill, is the Montana border. The Valley in the Distance is the Ranch Creek Drainage which is the first watershed going into Montana. My closest neighbors live up there. We literally live in the last house north in Wyoming. End of the electric, end of the phone and the last internet source lol. There might be a few closer to the border but not many. We have land in both states, pay taxes in both, my son went to school in Montana but we live in Wyoming. By at least 3/4 of a mile. Most of my images have both states in them (Wyotana) .
In many ways we get the best of both worlds. There isn’t much difference in the landscape north or south from this vantage point. I am actually standing at our back yard fence for this telephoto capture. The hill on the left is several miles down the road with the far hills being about 10 miles distant. The Alpenglow sky from the sun that just set 15 minutes before to the left side of the frame is still barely lighting things up. The low light causes photographers to use tripods and long exposures to saturate their captures. I’m no exception here. A window clamp on my Raptors drivers side did the trick nicely. These are very very handy things to buy on amazon. Don’t buy a cheap one as you get what you pay for.
Yup, it was a little windy for this capture. The problem with time exposures (low light generally with a punctuated flash during the click) is that wind shakes everything. I was sitting in my vehicle with an open window with metallic objects sticking out. All while next to a tall metal object on a hill top. Perfect place to take lightning photos I’m thinking… What could possibly go wrong? 😀😜👀📸
SO: Windmill Wednesday… Windmill Junkies Unite: 🤘 “Sneaky Pete” the windmill risking all to jump into my Lightning image. Hazardous work environment for the young guy.
Blurring a windmill is easy even in a soft breeze. You just have to leave the shutter open long enough to allow the blades to move during the exposure. This is complimentary to lightning as the longer the shutter is open, the more likely it is that you’ll catch a bolt. I also use lightning triggers but they only initiate the click. It’s me that sets the camera up. Lightning I tend to close the camera down to light and do 5 second exposures with ISO and Fstop set dependant on ambient light. This storm was fairly dark so I used ISO 200, 5 seconds and f22. Your setting will vary. Wind will keep your shutter MUCH shorter than 5 seconds. More like .25 seconds. This is where those lightning trigger gadgets come in very handy. Set to ISO 100, 1/25th, F18 and start there with a trigger. Hope this helps… Lightning is tough trying to anticipate it. You might get 1 in 10 flashes If your very quick…
The mountain range on the left Horizon is the 90 mile distant Bear Lodge Mountains laying on the border of South Dakota and Wyoming. The 4 peaks on the right are the three Missouri Buttes with squarish Devil’s Tower between the Bear Lodge and the Buttes. Essentially your looking at the northern 1/2 of Crook County Wyoming in this image as I’m standing in Campbell County Wyoming by about 1 mile.
This view from the Pass at Rockypoint Wyoming to the Southeast across northern Crook County Wyoming. I’m actually standing in Campbell County with the camera. The sky was fully involved in a wonderful twilight sky snow. Well you know those distant hills as Devils Tower (left) and the three Missouri Buttes (right). 4 ancient volcanos throats exposed by erosion remain elevated over the surrounding debris plains.
The volcanos fed by these conduits didn’t erupt all at the same time precisely but were in the same general geologic time frame of a few million years. They are certainly all related and in the same volcanic “field”. Eruptions supplied by these pipes which occurred far above on ground that is no longer up there.
Erosion removed a LOT of material that used to be above the Tower and the buttes. Deeply buried these rocks were originally. The harder rock making up the Eventually the pressure in the original volcanic system dropped to the point where it was not pushing magma up the pipes. Insulated by the surrounding rock, the magma froze slowly in place. Because of that insulation and the slow cooling, the rock (Phonolitic Porphyry) was able to “crystallize” and freeze into columns.
Known for it’s columns, the Devil’s Tower has it’s status as our nations first national monument. The Missouri buttes only have SOME columns. Not as many or as well formed. So they are not considered monument worth lolol. The Bear Lodge Mountains are known as the Wyoming Black Hills and are indeed related to the geologic dome that is the Black Hill Geomorphic Expression in SD and WY. My ranch is on the farthest west edge of that uplift.
Location: Near the Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)
The Great Blue Heron is also know as Ardea herodias by hobbiests and professionals alike. Here it is hanging out 50 feet up above a lake in a big CottonWood Tree. You know, the tiny branches at the tippy top. It was variously gusty / windy that morning at 5 AM.
These are BIG birds weighing in at 4.5 – 5.5 pounds, stand 5 foot tall with a 5 foot wingspan….. They are truly AMAZING circus actors. As far as I can tell they are total masters of their environment!📸 This bird was sitting about 150 yards from my lenses while I was on an adjacent slope I can actually get at nest level on (50 feet above the lake). I gain distance from the birds though by gaining elevation up to them. Leaves will shortly be getting in my way of seeing into their cloistered world.. Soon the curtain will be drawn except for the coming and going of the birds from the rookery here on the ranch.
The rookery/colony is only a 6 nest group along a remote backcountry lake. The only visitors to this place are me and who ever hays the ground around the lake that year. 99 percent of the time no one bothers this area. I have a game trail camera under their nests but I won’t get there for some time as disturbing the nests is not a good plan. I won’t get out of my truck if I’m within 300 yards of these guys.
With all the cold weather lately, this image came to mind that spring isn’t that far away. Spring 2019… Bedded Deer Bucks chewing what ever goodies they regurgitated. … yumm… The grass that time of year is a wonderful brown/green color, the deer have all new coats. Their rapidly growing antlers are covered with the capillary blood vessel rich “Velvet” covering the bone under supplying it with nutrients.
Sometime later in the year they antlers will stop growing. The velvet starts to itch and they will rub those antlers tearing the velvet to ribbons. They will rub on any bush or tree unlucky enough to be in their path. Deer rubs on trees are good signs of deer activity and you can usually tell how recent they were.
Reminder: Photographic Musings (memorize this)
Terms you need to know: (F-stop) is your aperture size. The size of the “pupil” inside your lens. Big pupils (low fstop numbers) lets in a lot of light but your depth of focus is thin and shallow. (the eye is in focus but your ears are not). With a high F-stop number, you get a very deep field of focus/depth of field. The whole face and the trees behind the face are all in focus. This is because a high f-stop number makes a very small pin hole for a “pupil” in your lens.
F-stop is one of three settings you adjust in Manual mode. It is a double edged sword, deeper focus field comes from having a small aperture “pupil” which means less light. Light is what your balancing here. The other two settings (ISO and Shutter Speed) compensate for what your doing with f -stop in this case.
I have to drive about 10 miles to get to this location viewing the Devils Tower/Missouri Butte Volcanic Neck Complex. This is a rare sunset early golden hour photon hunt. I’m not usually headed this direction in the afternoon with a tendency to go deep backcountry. This hunt was a road trip mostly watching the storm move through. My bucket list is to get a rainbow against this scene….
Devils Tower was the nations first National Monument is on the left. The “Three Sisters” (right) as they were known to the wagon train pioneers, are related to the Devil’s Tower. Related in space and time and are all remnants of ancient volcanic necks. Exposed by eroding the material away from above/around them.
Formerly deeply buried, these volcanic necks have been exposed on sand grain at a time. The “Little Missouri River” washed away thousands of feet of sediment down to the Gulf of Mexico a little at a time. Rivers very slowly but surely move miles of thicknesses of sediment to expose structures of very deep origin. The 3 Missouri Buttes the real name) is about 30 miles drive from my cameras vantage. The tower is closer to 45 miles out. View from the Northwest (the side the tourists NEVER see).
The lighting this evening was spectacular. I find you are where you are when the “Golden Hour” hits with it’s long shadows and rich earthy tones. This is big country here in the borderlands of Wyoming and Montana (looking southeasterly into Wyoming). Thousands of square miles of less than 2 people per mile population density.
Landscape Ladder was taken a week ago as this posts. The grassy remote ridgetop I was on, gives way to the Little Powder River Valley across the first ridge at 10 miles distance.
The next ridge is the Red Hills 40 miles out, is backed by the 13000 foot high peaks. Those of the core of the BigHorn Mountain Uplift.
The Powder RIver Basin between the Mountains any my ranch pretty much ends at my ranch. I’m living right on the edge between the Wyoming Black Hills and the Powder River basin. Just west of my ranch, dinosaur fossil bearing rock that is older than the Big Horn Uplift. They dive under the sediments worn off the BigHorn Mountains.
Our Ranch is as high topograpically above the Little Powder River Valley Floor as the dark 40 mile distant ridge. It allows me to see the BigHorn peaks at this 130 mile distance. Weather windows to the BigHorns have been more plentiful this year unlike previous ones.
The sun is currently setting well north of these peaks from my vantage point at the moment. IT was still up at this capture… I won’t see it set over the big V notch until next fall again. The sun will continue to set a little more north each day till the summer solstice. Then it starts to rise and set a little further south each day until the Winter Solstice. I try to be very in tune to such things as my daily photographic activities take into account moon rise, sunsets with the time of year. Angles of sunrise and sunset are critical to where I go to photograph these days. Weather has the greatest impact of course.
Talk about a long landscape.. This is a VERY long shot… The Pronghorn here (all Males) are traveling but were nice enough to frame themselves at this remote ranch gate. The first ridge out in the “Prairie Dog Hills” is 10 miles distant from my camera. The “Red Hills” off in the distance are 40 miles away from the lens.
It’s obvious that Spring has Sprung. The grass is turning green. It is rocket fuel for the animals that have been eating brown grass all winter. Green season is one of birth and new growth up in a harsh country of long winters and frozen climate. These males survived the long winter this year.
Under this lighting condition, I was lucky to get as much detail as I did. The effect of extreme distance is with a REALLY long telephoto, is that even objects a mile away are in a different focal plain that the distant mountains. I had to resort to a low F-stop number to open up the aperture in the lens to let way more light in. The dark conditions just before the sunrise were such that deep focus was not an option while still capturing moving animals with no blur. I had to cave into the light and use the evil low f-stop number for a long shot. I really don’t like to do that. Rule #2 of Photography is to : “Get the Photo”.
Thank god, been waiting for this a while…. (since OCT 1, 2019). The water falling is washing away the brown to leave the green underneath. This must be why all the flood water is brown downstream right? 😜📷
With the green season above, there are three seasons up here. White season or simply “the snowy time”. Brown Season hereby defined as ground with no snow. And green season, when there is no snow and just a little brown. Last year was a VERY rare long green season when AUGUST had green grass. Almost unheard of up here in the borderlands. This was certainly the most wet year in my 20 year memory on this ground. I consider winters here easy.
I spent a decade living / working in Jackson Hole Wyoming dealing with 6 feet of snow flat every year in the back yard. We do get some good snows with WINDS here on the border. Jackson Hole is not overly windy. We have WAY more drifting than Jackson did. I used to snow blow a foot of powder snow a couple of times a month. Snow seldom drifted like it does here.. Jackson Wins the snow amounts hands down over here in the borderlands. We win here with the amount of wind. Jackson is Colder of course. I’ve lived 30 years in Wyoming this year. I first came here as a student of geology 40 years ago in 1980.
This kind of capture is why I run a network of high quality game trail cameras (29 currently) to catch some of the inhabitants of my ranch in a more candid way. I watched this MeadowLark time and time again land on this post with animals crossing the funnel this gate creates. This one is the best by far. Pure infra-red Game Trail Camera capture in a very early twilight environment.
Each game trail camera (GTC) image is problematic from a professional photo finishing standpoint. Let’s just say these images from the GTC take a while in the digital darkroom to get them to my current standards lol. The problem with Game cameras on automatic is I have no real control over the lighting adjustment. Low med and high lolol.
Apparently it just got this below that low light threshold and was still in black and white. The only parameters you can control with most game trail cameras is 3 levels of exposure and IR sensitivity for detection of animal movement. Placement of the camera…. I find this is by far the most important thing. Composition of the shot and having a funnel or attraction to have the animals go to where the camera is actually pointing is the baby. Set up those wildlife funnels.
Have a great evening this Tuesday night and be safe out there. It’s an interesting world you guys live in.
The sun had JUST set and I had traveled about 5 miles south of my homestead to catch this. If I hadn’t adjusted my position, The whole show would have been hidden by the storm. In a reversal of roles, I became a storm “evader” instead of a storm “chaser”. 😜
We have had a good series of spring storms move through over the last week and I have been working them. I spent about 3 hours out in the backcountry yesterday. Most of that time was spent waiting for a particular storm event to occur. Once I have made it up to the ridge tops, I hate to loose my position so high up and head back to the house. As long as I don’t get poured on the two track roads are usually in good enough shape to head back and forth.. I have found out after many decades of 4×4 wheeling off road, that anybody can fall DOWN a hill. Most are not as talented progressing up a hill… Going up a wet/muddy hill is usually a recipe for redesigning landscape in the backcountry. I don’t see much point in that for the long term. Tearing up trails is generally not one of my favorite activities.. 👀🌲🌲🤘
At any rate, this was obviously worth traveling for in my mind. Skies totally lit as this are always worthy of my time in my humble opinion. Hopefully it was worth your’s.
Sunset of an Old Wheel which will slowly turn to rust.
Slower than wood which will quickly turn into dust.
But not as fast as the all of the rest of us.
Surely turns the wheel of life I trust.
(Frank Bliss 2019).
Snowy landscapes with patchy cloudy sky…MADE for perspectives. Instantly a 12-24mm comes out and I’m considering low angle deep focus shots into a bright sun. The bright sun allows you to turn up your f-stop to a high number which gives you deep focus and cuts down some of the bright light from the sun. It also gives you that nice star around the sun. Those are diffraction artifacts in the photo, attractive as they are. If you had used a lower f-stop and a faster shutter speed to balance, you would have a smaller/less noticable star diffraction. You’d also have the foreground out of focus.
So the photo lesson: if you remember nothing else. f-stop high numbers = Long/deep layer of things that are in focus. All at the cost of a lot of light. I had plenty to spare of with this sun looking at me. High f = less light going into the camera but long focus.
This is an antique Plow. Abandoned in the backcountry probably as far back as the 1920’s. A horse team pulled plow, never saw more than a few horsepower. The work, the sweat, the toil behind this plow was incredible. Used turning over centuries old sod. All to make room for hybrid grass . Those same grasses are thriving in the same fields they were planted in . Those were the “hay” days of turning sage brush into hay fields .
Arcs within arcs, an antique Deering Seeder under the Umbrella of a backcountry double arc of spectral refractions. There are only 2 arcs in this image. I have a very similar shot from last fall 2019 that has a much deeper vibrant rainbow. . I’m always on the look out for smooth curves and geometric shapes in an image and this one has 2 nested within 👀📸
IT was obviously raining at the time which is hazardous duty for me. I don’t go out in the backcountry too much in the rain. It is less than desirable to squish around in the fresh mud wrecking the trails and causing ruts. The difference here is I was already deep in the backcountry when this storm came up on me. In transit back to base I was until this idea popped into my head lolol. I have a map of such things and assemble composition opportunities in my head. So when X happens I go to Y location and so forth.
Getting to a particular location like this requires a recognition of the opportunity of course. I was about a mile away from this spot when that rainbow lit up. The light bulb went off and yonder I went (after I got just the rainbow in the camera lol). Rule 2 of photography: “Get the photo somehow” Rule 1 of photography is “Always have a camera with you”. I prefer about 5 as a minimum though I could get by with 2 in most cases…. With the right 5 camera/lens combinations I have access to every possible focal length from 10mm to 1200 mm. Just grab the right camera. The camera backs are all the same brand (work the same)……. 😜😜
Some of the last snow from the winter of 2020 in mid-April. We are snow free as I post this two weeks later on March 8th, 2020.
I was driving the high ridge (Ridge1) heading back to my homestead. I had been driving parallel ridges watching this wonderful veiled sunset. As I crested the hill, I saw this scene…. stopped…. Click…. got it… then moving on to the next spot…
Two ways these form:. 1: light passing through suspended atmospheric plate-shaped hexagonal ice crystals in high and cold cirrus or cirrostratus clouds. 2: Alternately, refraction from light passing through freezing moist air at medium levels in clouds. Those “mock suns’ are may form at anytime of year but obviously the cold months are best. The colors usually go from red closest to the sun outward with the standard rainbow sequence. This was pretty bright.
A tad of Photographic musing:
Priority (working on Manual) Your lenses will differ…. . Use High F-stop as your priority. That’s a deep focal field your seeing. (high f stop numbers mean a deep field of focus for you to use but at the cost of a lot less light going into the camera). Your only able to gather light through the now pin hole in the lens’s aperture). But all this lets you get the detail in the grass in the front AND have the sky in focus. Google f-stop and learn what it means. Focusing up close AND far with a removable lens camera takes higher F-stop.
That HUGE butte (called “W” butte) is a southeastern Montana Landmark. Seen here from across the Montana/Wyoming border. The fore ground is in Wyoming. That mile wide Butte (in Montana) is at least 15 miles BEHIND that 400 foot tall old growth treed ridge. That ridge is 15 miles from where I’m standing for this capture. You can see the communications towers that are up there. They are 1 foot wide over the 150000 feet to those towers. I love how 1200 mm telephotos CRUSH perspective. Taken golden hour as the sun was setting shortly over my shoulder. Long Shadows and Long lenses… be still my heart…❤️
So about 30 miles distant from my camera stands the epicenter of what was at one time one of the largest ranches in the Country. That ranch named the “W” Butte Ranch, was said you couldn’t see the end of the ranch from the top of that butte. I suspect that is not true. My ground was never part of that ranch to my knowledge. I’ve only seen/have deeds back to 1906 though. I’m not sure before that, pretty sure gov’t had it.
That butte is capped by the Fox Hill Sandstone. That formation was derived from the Beach Sand the Dinosaurs were sunning themselves on. I expect to find those little umbrellas in frosty mixed drinks as fossils there. I see a host of sun chairs and umbrellas on that beach. Ocean sediments are on the surface east of there. Terrestrial sediments to the west of that butte. All Cretaceous in age. All three environments (sea, beach, and land) occured coterminously. Those are just lateral environments as we have today. They did migrate with time and have a complex relationship underground based on the gradual movement of the land based (terrestrial sediments) laterally. The google word for this is “Faces Geology”. It’s a complex concept. Have fun with that.
The intersection of Parks Rd and Trail Creek about 4 miles south of the Montana / Wyoming border is in the distance. I’m about a mile from that crossroads for this shot. The Pronghorn as a matter of principle decided to cross in front of me. They do this to show off. I was pursuing the rainbow the road was leading to. Of course rainbows are tough to catch up to since they move as you move lolol. BUT I find that there are rainbows images and then there are rainbow IMAGES.
Gravel Wyotana backcountry roads are always exciting in what you will come across. I had stopped to to capture the rainbow lining up with the road of course. I saw this Pronghorn, anticipated her path and waited patiently as she took her sweet time wandering across. There is a HUGE network of gravel backcountry roads in this country. The closest asphalt road to that intersection is about 9 miles to the right (looking south east here). The setting sun was REALLY low on the horizon for this capture as I initially working the sunset of course. I randomly run into animal encounters regularly in this country. More pronghorn per square mile than people here.
There is no hurrying mother nature or for that fact, mother Pronghorn (pregnant this time of year of course). Besides the fat belly, you can tell Pronghorn sex by looking for a black cheek patch which this gal doesn’t have. The males have a big black splotch under their ears / behind their eyes.
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this cellulose frame moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. This is not going to happen in any camera in manual mode. To work this kind of image, it would be necessary to learn to use that camera on Manual Mode finally. I am happy to keep talking about HOW I take my photos for you guys to follow along.
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (like this one). What I was hunting for here was the Edge Reflections from the grass around the suns periphery. The hightlight are awesome to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool in the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good Pandemic feel good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn on no question over a DSLR camera. I buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Upcoming in the next few months…. (from late last summer 2019)
Can you smell the wet sage and the ozone yet? Hear the distant rumbles of the thunder? As this storm sitting over the whole northeast corner of the Wyoming and the southeast corner of Montana. This storm certainly spans the MT/WY border and probably is over in South Dakota as well. You can just see the edge of it to right frame. These big 40,000 foot high storms can be 100 miles across. Big spinning tops of a thunderstorm is a good way of thinking about MesoCyclones. They are the way we get most of our summer rain. Having moved over us the unfettered sun really popped in the refractions going on within the raindrops in the far distance. I’d estimate that rainbow is 1/2 mile out.
I see a lot of rainbows as I actually go to work after rain showers move through. It makes for a “Trip up on Ridge 1”. YGoing up the hill to see what is going on to the east. I see afternoon rainbows 10 to 1 over morning rainbows historically. Rainbows will move as you move. If I could have gained say 1000 feet in elevation magically I would have seen a full circle rainbow. A drone footage of a rainbow would show a big circle/halo of color. You see this with the 22 degree halos around the sun/moon. But rainbow alway present behind you when your facing he sun/moon. They are always down stream so to speak.
You might also notice if you look carefully….that the order of color ROYGBIV is reversed to VIBGYOR on the double component of this twin rainbow.
Rockypoint was located 52 miles north of Moorcroft and 57 miles northeast of Gillette. I’m not sure at this point where “Rockypoint “is” but I know where it was. About 4 miles south of this Wyotana structure that serves as a Community gathering point.
I’ve seen over 100 people crammed into that building eating some of the best pot luck dinners that rural Wyotana communities can put on. Everyone brings their best dishes for all to enjoy. I’ve been to dozens of dinners there. Locally, there is no better place to catch up on local news and gossip. Not that anybody here gossips much. We are naturally remote with a population density of less than 2 per square mile. Folks from 20 miles in all directions show up for Christmas, Thanksgiving and any other purpose those in charge decide to celebrate with a community meal. I’m thinking for the next year, it might be a little slow up there…. 😔
This was built by local families on donated land to serve just this purpose. The local ladies club that “runs” this building have fed folks remotely for numerous activities to raise the funds necessary to keep this all up. Feeding booths for rodeos, funeral dinners, and celebrations of all kinds have been served by this group. Everybody does something but hats off the the roughly dozen ranch wives that have for decades, served the community. Nothing from the gov’t here, all local.
Location: Rockypoint Wyoming, (Wyotana) about 2 miles south of the Wyoming / Montana border.