ART…. THIS IS ART. Well unless you take just the right or the left side by itself. Then it is just photography. Each is one photo next to itself flipped horizonally. The Magic is different people imagine different things with such a presentation. Your tendency to see anthropomorphic shapes in random data we are teaching to computers doing facial recognition. This is of course is a brilliantly bright setting sun breaking through a crack in the clouds over a ridge 40 miles out.
Some sunsets are limited to a very little spot of the sky. To look deeply into them when no human eye could is a spiff of using good equipment. It requires one to pretty much turn off your camera to light
This is an image I didn’t know what to do with thus the obvious choice…. The clouds were absolutely ROILING like a boiling pot live real time. I don’t do video. I’m not a videographer so I need to explain what I was seeing in this viewfinder.
When I look at a scene it can instantly transformed into a vision in my mind. In this case I saw a mask I was looking to. Some childhood memory of a Halloween costume no doubt. The best images bring back memories long forgotten. I find.
Mirroring scenes is a mental exercise I do pretty much with every sunset somewhere in any extended session. It’s just a check box for me to fill if I have the time. I always look for natural body parts in clouds so a set of eyes are welcome to the parts collection. 😜😜📷
When my name is included in the Title, the image is ART, usually taken from real photos . I disclose when I screw with images to any significant degree. I had fun with this one.
This Image became ART by removing 2 inches of the center hombre’s rope loop to give the illusion of it going behind the moon. The gate that provided me the photons for this capture, is our front gate. (albeit slightly re-arranged for this art work). When I screw with images I really can do anything I want but this is actually pretty true to what happened. Just a bit a rope, a little movement of the horses from their real positions and I end up with this illusion. I do like to occasionally put some art up. As I’ve said before, “all work and no play makes Frank a dull boy”.
The metal work is my original design but I did have it professionally cut with a computer controlled plasma table. We put this gate up 15 years ago at the front entrance to the Dinosaur Ranch. . There is also a T-rex on this gate but I excluded him for this particular illusion. This is ART remember :). With no rules I impose on myself to be photorealistic, I get to move, remove, replace, resize, recolor or pretty much do anything else I want to ART work. There are no limitations in the digital world. lololol (laughing maniacially). 👀😜😜
I do see some RARE colorcast Twilight situations now and again. This is real color I swear. The red light making it to the clouds above totally saturated the snow below with the same color. Like a projector screen reflecting the red to my camera. I am very accurate in my highlight colors and this is as I remember the scene vividly. This is actually the West view/back show with the eventual sunrise 20 minutes later than this capture.
I have one other similarly colorcast dominated image with a more yellow color. It was too a morning early Civil twilight even . I have just finished it’s image which is waiting in the wings to post here in a few days perhaps. The yellow colorcast image was a different twilight entirely. I’ve experienced only a few occasions of this kind of lighting in several decades of watching sunrises/sunsets. . It takes a very specific series of conditions to make this kind of twilight illumination. Catching and reproducing color accurately in my images is what I try to do. If it weren’t this way and it was a normal twilight, I would have removed this color from the image (which I could easily do). But this was the scene as I experienced it. Dramatic as heck to be honest.
Being there with a camera is the hard part in mid-winter. This particular occurrence happened in December 2018. I kept the camera busy that morning lol. 📸📸
Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜
This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
This is ART done from a photograph (I did mention this is ART didn’t I?) Oh the moon was real and the cow was real but she wasn’t exactly pointing her head upward. Simply speaking I drew her head in for the moo pose within the digital darkroom. . I’m sorry, I had to cheat to get this with her “mooing”. Everything was going well except you can never get a cow to look up at the moon when your in the right position for this otherwise silly hard technical image. Getting a long uphill slope to a ridge, a cow and the waxing gibbous moon rising in enough light to get a grassy slope in focus…. lots of things to go right.. .
She was 300 yards uphill easy. 800 mm lens. The moon is out a bit further than her. Of course high f-stop numbers are in play here.
The decidedly blue color cast is my doing of course since this is art. Blue Moo and all that. A little time in the digital darkroom makes almost anything possible. No question I try to be a photorealist at ALMOST all times. I have found that all work and no play makes Frank a dull boy 😜🤘📸
Have a great evening as this posts at 7:30 Wednesday the 19th February. This is a written one week before it posted on social media.
Only the Yucca and the Highest grass is standing above the snow back in this backcountry cul-de-sac of a valley. I was driving the ridges adjacent to this lower area. I’m able to drive mostly two tracks at the time I type this. It has been drifting a bit in the backcountry lately. Makes it hard on me. Tricky…
I have seen this group around in several familiar locations to them and myself. . These 3.5/4.5 year olds all have known me since the beginning by seeing me out on the ranch land taking photos of their childhood and parents. They have slowly started to really accept me as a another grazing animal. I slowly over time carefully approach deer. They are aware of my new vehicle now. How I approach them is the same. The “trick” is that I drive like I’m a grazing animal. Stopping, moving a little and stopping. No hurry. Might take me 1/2 an hour to get up this close. I’ve actually worked inside of deer herd boundaries before.
I wasn’t destined to integrate with the herd here, the terrain was against me getting to them in the first place. Problematic is the travel noise my rig was making. Too much noise busting over/through snow crust. Crunchy noises are not the best way to make deer comfortable I have determined. Make no mistake these are wild deer. These guys were moving slowly across the landscape trailing to bedding in this late day light. They each to an animal have seen me drive around here in my new rig quite a few times now. Hard to get this close in the snow however.
Perspective is indeed was a really cold morning but it was a pretty sunset. Crawling out into the pines seemed like a good idea at the time🤔 We actually have 2 fresh inches of snow on the ground here today (as I type) and expect some more of it. The scar on the tree is from a lightning bolt exploding the layers of wood with water in them. The heat from the bolt flashes the water to steam and boom. This old soldier survived it’s wounds.
This gloomy day with VERY flat light wasn’t that inviting. Anything exposed to the wind because coated by hoar frost. The temps were around zero with some light wind. T-shirt weather without the wind up here. Add some wind, put on the three layers under the Parka. I get out and walk around up on the forested ridges to see what I can see. I use these locations for many of my images. From the POV of field mice.
Every season seemed to be a month late in 2019 . Winter came early, rinse and repeat to mid-February. Last spring, Winter ended late. We had Lilacs blooming on the 4th of July at least a month late. I’ve noticed that the deer rut was late starting by several weeks. It only got to 100 degrees F once this year if memory serves me right. July and August were not nearly as hot as normal. All climate is local I point out. . Global warming didn’t happen here this year. Far from it. It’s just mid-February too so this cold/wet/icy stuff might be around for a while.
Perspective on Snowy Backcountry Ridge (Rare Halfie
The “thin layer” of Yellow Alpenglow colors the floating ice above the rising horizon covering the sun. This sets the stage across the middle of this “halfie”. I maybe take 10 ‘halfies” where the horizon is 1/2 way up the frame a YEAR. This capture won over my better instincts as it has such a big perspective. Leading lines are incoming in all directions. I think all the good things compositionally in this image over come the general rule against “halfies”.
“There seems to be no doubt that the vast quality of mutton can be grown here, pound for pound, as cheap as beef; and, if so, then sheep-raising must be profitable if cattle-raising is.”
Silas Reed, surveyor general of the Wyoming Territory, from his report for 1871.
It took a while for the notion of raising sheep to catch on out on the frontier. Eastern states and Ohio raised most of America’s sheep early on in the migration west. . Small numbers of sheep arrived in Wyoming as early as 1847 according to Levi Edgar Young’s The Founding of Utah, a Mormon pioneer company that left Omaha in July 1847 and arrived in Salt Lake City on September 19 included 358 sheep.
Back to the present. The stone Sheepherders Cairn just to the right of the sun has stood perhaps for 100 years acting as a marker or boundary point . Sometimes they were a place for a supply drop for the backcountry solitary herder hanging out with the sheep. The herder protected the sheep of course from coyotes/lions/other predators. They usually lived out of a covered wagon for months at a time literally alone with their flock.
This MesoCyclone was Veiling the full Moon. Enough to catch the stars visible to my naked eye. Using a 20 second time exposure, some lightning flashed during the interval. Details in the clouds that are seldom to a camera pointing at the full moon. Most you see are fakes or composites. Time exposures over a second tend to overexpose the full moon badly. Even a moon that was unveiled. Limitation of the technology.
Straddling South Dakota, Wyoming and Montana, this rotating storm was around 100 miles across. Containing the energy of an atom bomb expended over it’s life.
The view I had of this storm was perfect enabling me to photographed it. I was up in the higher backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars. No other man made light sources in view from the highest mountain top around kind of backcountry.
Various colors are way saturated which is what time exposures do. I actually really dampened down the purples that were native in the camera’s software in this image. 20mm lens, cropped in a bit. I wouldn’t go over 20 seconds with a 20mm as longer would have blurred the starts. That time varies with the focal length of the lens so look it up on google lol.
This ranks as one of my personal favorite images of the year. There are a few others….🤔 Taken Mid Summer 2019. 2×3 aspect.
Boy is there a lot going on here. This was a dramatic morning to a student of clouds. The Kelvin-Heimholtz type Wave Cloud patterns on the top dark band is not a terribly common cloud phenomena. Differences in air density moving past one another making waves… Add to that the spread across the sky crepuscular rays during twilight. I probably have 4 other images in 30 years of photography. Twilight Crepuscular rays hard to find in my experience.
I was looking madly for a foreground object(s). Ones I could use on a mostly treeless parallel ridge between me and the show. The main sunrise still 10 minutes away. I move pretty quickly from place to place if it’s possible. Mid-winter presents it’s challenges to my access or more importantly egress from some of my ridge top photographic locations. I had to drive about a mile in variously deep snow to get this angle on the tree lined ridge over 2 miles distant from my position. There is a large deep drainage between that ridge and myself as well. Can’t get there from here lolol.
The yellow to orange to red Alpenglow gradients is typical morning midwinter. The longer traveled red rays illuminating the cloud deck from below. The Yellow / Orange part of the image is mostly Alpenglow. Alpenglow is exquisite here in the winter. Every twilight has some if the sun is not occluded by clouds. . There is usually ice in the atmosphere in the borderlands even mid summer sometimes. I’ve seen Alpenglow every month of the year.
This sunburst coming just over the edge of the far ridge is one of the most prodigious I’ve had come out of this camera. Part of it was there was a LOT of fog in the air for this. Primarily these sun star are diffraction artifacts inside the lens of the camera. They are either attractive to you or not I have found. I personally like them.
Are these rays there in the real world? Yes they are a result of light passing through a very small aperture. Light diffracts off the edge of the opening which you are seeing here. The same thing probably happens to your own eye but you’d be blinded if you tried so you turn away lolol. No one can look into a scene like this for very long twice. No human eye could do more than glance past this. Then you’d still be seeing spots. When the diffractions stars are BIG, it’s really bright. Also the F-stop is turned up to give me a small aperture. Cuts off light too … Wide focal fields with high F-stops lets me properly focus the grass at my feet AND the hillside.
This was taken a day before we got a pretty good snow. IT’s a LOT harder to get around up on the high ridges now. We’ve been in the deep freeze for a while with mid-February weather spitting a few inches every other day at us. No huge storms YET this winter, I hope we get snow spread out in smaller dumps rather than huge punctuated events with named winter storms.
It’s not magic using a 12 inch Meade LX 200 Telescope at 3200mm. The result can be very interesting in the details… This bottom 1/3rd of a D moon (first quarter). I took this in infra-red capture… so any color would be artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….It doesn’t happen often enough even up here at 4000 feet in the dark dark westerns skies of the Montana/Wyoming borderlands.
It takes me 6 images at this magnification to stitch together the full moon into one frame. The resultant file is rather large lol. There was very good “seeing” that night. “Seeing” is a term astronomers and amateurs as myself use to describe the atmospheres transparency at any particular time. WHen the moon is straight up, the seeing tends to be better due to the less atmosphere your looking through. I see horribly distorted moons near the horizon where the atmospheric distortions have their way with the transmitted image. Turbulence above me usually blurs the details that this this light let through to my photon capture boxes (cameras).
Pursuit of the moon is a very cyclical thing. If your hunting for details, then you want LONG shadows to accentuate them. Full moons are wonderful of course, generally easy photography but the detail in the craters are elusive. I live very much in tune with the lunar cycle as well as the yearly sun’s migration I photograph both when they present me with opportunity and light worthy of your attention.
Always aware of glare effective my images, I not that this particular night was very very golden from the ice projector screen floating in the atmosphere. This is a side show well to the side of the sun which is off frame hard left. It won’t be long until the sun sets in that V-notch as the sun sets a little further north each day on the Big Horn Mountains. Standing at Ridge one on my ranch, The last “Ridge” seen here 130 miles away. That ridge has several 13,000 foot peaks seen her
Photographic Musings focusing on :
When I don’t get detail in the landscape, you can assume that the lighting was pretty dim or very bright. Slow speeds let in too much light. A rested camera at 1/15 th of a second is pretty tough to keep from blurring plus you HAVE to have either a timer to initiate the shutter and a tripod/sandbag or your going to blur. I say if it’s 55mm and smaller that 1/50th is fine and stable unless your taking photos of moving things. The longer the lens, the more ANY movement will tend to blur. WIth a 800mm lens, if I’m working handheld at less than 1/200th of a second is rare and use a rested camera.
My rules of Thumb for Handheld cameras shutter speed. (manual mode) all times are in fractions of a secondl You MIGHT get away with less and slower speeds blurring things intentionally is a valid photo technic. I’ve done that slow setting for a blur numerous times intentionally with bees and other fliers. Freeze the body but blur the wings composition sort of image…
Sitting still subject: 1/50th or faster..
Walking human 1/200th.
Running anything 1/800th
Flying things/moving vehicles: 1/2000th
Bumble Bee Wings 1/4000th. Looking into bright scenes? Try 1/4000th…
These are just a rule of thumb and you can sure get away a bit on either side of those numbers. Of course the faster your exposure and the less light will enter the camera over the shorter period of time. You will have to adjust for fast shutters by either turning up ISO or turning down the F-stop numbers (bigger aperture). There are only three things to adjust in manual mode after all. You just learned one of them. 😀
This U.S. General Land Office Survey Benchmark says 250 dollars for removal. Placed here in the 1914 survey, this marks a 4 section corner very close to the 45th parallel. . These surveyor guys putting these brass markers using mules to haul their bulky plane table and alidade across the 45th parallel. Plus they were carrying a bunch of these heavy markers plus tenting/shelter for this country.. Tough slog to say the least. The 45 degrees north latitude coincidentally is also the Montana/Wyoming border. It’s also 1/2 way precisely between the North Pole and the Equator.
They are kind of a dangerous thing to suddenly find with your ATV or other vehicle if you by chance happen to be chasing a cow through deep grass. This is a big place and these things are about a foot to 18 inches high off the ground. When I find them, they get flagged. . I haven’t taken out a suspension yet with one but I suspect if I do backcountry enough I eventually will. 3500 miles on an ATV in that backcountry in 2018 is a lot of exposure. I found a few of these by seeing them. I do have a “general” idea of when I’m close to one. They really are a potential hazard to an ATV or truck. Remember this is private ranch land. We can/do by necessity chase cattle almost anywhere.
Location: almost literally up on the Border, Bliss Dinosaur Ranch, Wyoming/Montana (Wyotana)
A hundred year old settled area (only), Rockypoint Wyoming has a rich history of community surviving in the northeastern corner of Wyoming.
This spot is a good 12 mile drive over good gravel roads from my residence. That takes me about 18 minutes from my driveway if I drive below the speed limit. I have found that I’m a rediculously careful driver. The police driving course I took and subsequent on the street work, watching speeders and turn signal stops all day,. I was also an EMT for 17 years. Saw a lot of the result of bad driving. Sometime Days at a time in a small town in Ohio lol. I digress…
So every time I drive to this intersection, I see an image, and locked up the “antilock” brakes. With less than ideal traction, there was a spasmodic response of deceleration. The truck slowed jerking to a stop. I backed up, rolled the window down to verify what I was seeing. It was pretty cold at the time and setting up a tripod is of course the game.
THe Misty Mountains 40 miles out are the Three Missouri Buttes (center) with the Devil’s Tower to the far left horizon. Mostly hidden in the mists, it rises 1200 feet about the nearby Belle Fourche River (the lowest place in Wyoming where it crosses the border).
Location: Rockpoint Wyoming. Crook County about 7 miles south of the Montana border. (still Wyotana).
As Canada Geese migrate, they make nightly stops here on open water which was getting rarer as the season went along. Migration consists of these big birds moving from where there were born, to warmer areas, then back to their birth place.
These geese are amazing birds with up to a 75 inch wingspan weighing between 5 and 15 pounds. Now a 15 pound bird is a LOT of bird. Big Males are nothing to mess with if they are being territorial and habituated to humans in city parks etc. They never stick around up here to give me a hard time so far. They will violently attack any creature that is a perceived threat to their goslings including humans.
The Canada Goose is literally the largest goose in the world. Having said that, there is a subspecies of canada goose that is the smallest goose species in the world as well. The oldest captive goose lived 40 year with 30 years being common in captivity. 10-25 in the wild is typical. They mate for life but if one mate is lost, they will take another.
True Story here on ranch…
I have some experience with geese chasing me. Never fought one. I did however have a confrontation with (captured them by hand) a wild 30 pound bird or 2 before (turkey) that was in our log house under construction at the time with no windows in the building yet. A flock of 1/2 dozen turkeys were inside. Not wanting to clean up the mess, it was my job to get them out…. I went in with safety glasses, a light jacket and gloves. I have determined that turkeys while flying through missing windows do well. Not so much flying out the same windows blanks in a log wall. (to the light). I had to catch each one of the birds Stuck on running around the room from me rather than trying to leave via the window. Dinosaurs all. Just no tail and teeth.
(ART… Did I mention this is ART?? ). a mirror/mirror reflection.
All work and no play makes frank a dull boy. So Every once in a while I will do create one of these works. One needs to have just the right image. I actually look for scenes that lend themselves to this. But I often don’t take the time to do the work being busy with photorealism instead.
Dramatic sunset through the eyes of a all seeing creature? Perhaps a Butterfly with two yellow spots on it’s orange wings. The original photo was a good image to say the least. I figured two image for the price of one would be an appropriate response. Some may see a malevolent eyes here. Rorschach would be jealous of this one. A nearly 3 dimensional Ink blot in full color courtesy of mother nature is a lot of fun to create.
I always like to enlarge / zoom in to the image to look at the “totem pole’ that runs up the center of the image. There are always a host of creatures that develop as a result of the mirroring. Human brains associate bi-lateral symmetry with creatures of all kings. We see two glowing dots in the dark, our mind fills in the blanks. Seeing patterns in random data is called Pareidolia. 100 years ago such tendencies might get you put in an asylum as a psychotic. Now we are training computers to do facial recognition all over the globe.
Taken just after a gentle spring rainstorm. The air was fresh and drenched with moisture. 99 percent relative humidity has everything wetted as you see here. A drop of water with it’s little moon following dropping from the flower’. A strong scent of wet sage was lofting across our homesteads lawns, the tips of my tennis shoes wet from the grass. Green Green Green, the “Bokeh” (good google word) here was ideal for a gentle background to the Giant ornamental onion from the orient. This one is just starting to bloom and had pulled back a little with the rain falling. The Allium flower isn’t a terribly long lasting bloomer but boy are they great in clumps of 8 or 9 bulbs in a spot you want conspicuous for a few weeks a year.
Allium giganticum means Giant Garlic interestingly. Probably from the similarity in shape of the bulbs and not the taste I’m thinking. Otherwise the classic Crocodile Dundee reference would be “needs Allium”. … (if you get that I’m worried about you😜😜) Even Bumble bees were temporarily grounded due to the rain. I went out just as it let up. Rain and Cameras = Hazardous duty pay + overtime. I’m pretty careful with water. Taking photos next to or over water with a good camera is like taking photos next to a flame with plastic clothes on.
I could take this photo with the background in focus or not in focus. High f-stop numbers will put that in focus. Low f-stop numbers give you a thin field of focus and you only get the flower sharp. It is a good tool in your Manual mode tool kit to actually decide what and how much of your image you want in focus.
These 2 Mule Deer Bucks caught in a late twilight Silhouette were up watching the sun go down with me. They were ridge lined and I was able to maneuver way below them about 100 yards out and Click….
I know this these two pretty well as they are brothers born a year apart I’ve watched grow up. There is a 2.5 year old on the right, a 3.5 year old on the left and a 4.5 year old in the center. It’s all about the antlers lol. These boys They are pretty used to me being around but they are still quite wild. They don’t come down to greet me you might say but I can get pretty close if the conditions are right….. As long as I stay in my vehicle anyway.
Next year the bigger of the two will probably be a serious challenge for the other itinerate bucks that wander through. There is a whole little deer melodrama playing out pretty much all year but you really have to watch and pay attention to see it happening. These guys start small and work their way up the ladder to eventually run a small herd of gals.
It was very low light. To freeze them in space and time, you need at least 1/200th second for a walking deer. You either give up Fstop (depth of focus) or ISO (camera sensitivity) I gave up f-stop as the detail in the sky behind wasn’t critcal. Getting a longer depth of focus is what Fstop does along with either letting in more light or taking it away with higher F-stop numbers.
Getting to a favorite overlook for catching a Twilight Moment in the Backcountry in the Wyoming/Montana Borderlands is an exercise in driving remote two track roads in the dark dark lol. I might take 10 or 20 minutes to get into position for a shot like this pre-sunrise usually in late Nautical Twilight where stars are visible early on.
Eastern Skies almost always have better twilight shows than western skies as there is usually more ice in the atmosphere by my observations. Others may disagree.🤣This is in mid Civil Twilight which starts 28 (ish) minutes before actual sunrise. Nautical Twilight just ended and Astronomic Twilight (when the stars just disappear) has been over for a 1/2 hour. IT takes about an hour for the sun to rise. The horizon is actually falling away from covering the sun for the night. Remember it’s not the sun that’s moving. I remind you that it is the earth that is rotating. The horizon is literally falling when you look to the east about 4-6 inches during the time it takes a rifle bullet to reach 1000 yards out.
This Backcountry show starts in pitch black as deep as the North Atlantic Ocean (according to NOAA). Little dribs of color pushing through the dark. . As time progresses, the “volume” of the color wheel is turned up. Such Sky Shows are a pleasure to watch from beginning to end and I have done many many hundreds in totality. I’m pretty sure time isn’t taken off your lifeline for time spent watching sunrises and sunsets.
This is a 1 second time exposure as it is. No wind, dead calm or the pine needles would be a blur.
I live up on the high ridges of the Borderlands. About 300 feet lower from my place, this goes one. We’re all in trouble for floods to reach my door. Our homestead sits at 3700 feet. This flooded spot on the Montana border is 3419 feet above mean sea level. The Lowest spot in Wyoming is 3099 feet above mean sea level on the Belle Fourche River. My communication tower is 4013 feet or about 300 feet above my house. . A lot of water runs past this point in the right season.
This from last year showing the result of a quick warm up in March. The snow pack last year was greater at the same time than this year I observe. Drainage funneling down to choke points of course is a recipe for high water. Upstream here covers an area 50 miles long and 40 miles wide in some places. It’s several thousand square miles in the drainage of the “Little Powder River”. That’s a lot of ground with a couple of feet of snow melted down to 6 inches of well packed firn (granular snow) .
The local term is, “the river is coming down”. Now as a geologist, I think of the river coming down as referring to the water level declining. But this colloquial use means the water level is going up. All that water up stream is “Coming down”. I had never heard before I moved up here. Anyone else use this as a term for rising flood waters?
In this spring time shot, these Pronghorn Does are still in winter coat and are starting to shed in clumps. The doe in the foreground right is way pregnant. Of great interest to me are the differences in the color of their coat depending on the angle of the golden light from the sun. In shadow, there is a marked tan color. Their coat turns to reddish under the color cast.
These are Pronghorn. They are not “Antelopes” no matter if the “Deer and Antelope Play” song rolls through your head lolol. It is not a “Speed Goat” either and is not related to a goat. It’s not related to an Antelope, the natural location for the closest of which is in Africa. It’s Latin Name “Antilocapra americana” literally means “american goat”. It is not either a goat or an Antelope as I said. It is the sole surviving member of the Antilocapridae family in North America and has literally been in North America for at least a million years. More of a relative of the Giraffe than any other animal…
The best way to tell a male from a female is to look for a black cheek patch a male has absent here. These are females sans that patch. They are active both night and day, have excellent eye sight and can see you up to 4 miles away. Your not sneaking up on these guys/gals very easily. (I’ve done it). . It takes about 20 foot strides when running which helps it keeps it’s title as the “Fastest land animal in North America”. They are strictly a western United States creature of the Rocky Mountains and the grasslands.
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in Civil Twilight, this is a very deep focus close/far perspective. . I was watching this wonderful alpenglow/wispy cloud gradient already on a remote high ridge. A fully involved sky is a treasure but this morning was a treasure chest with all the rare colorcast it led to later in the sky show.
Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Up here in the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Much easier on the roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. Everything else is lower in this area. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress). How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This left 1/3rd of a waning Crescent/last quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….
The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.
I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.
Looking Northwest overlooking a 50 mile wide valley during the golden hour. The snow was not quite a foot deep. The ridge line road has better summer sunsets to the north west. The low angled sun cutting across the bath. The Day only has minutes left. Setting up for the sunset will take a minute. Interested I am in the lines and the shades of this Golden Hour. Long shadows stretch nearly to infinity at this late hour of the day. My ford has 13 inches under the lowest part of the drive train. A foot of snow is not even close to a problem. Now if it was drifting…… That’s a whole another problem.
A few days before, plowing this road helped this morning. Easy driving is a good thing. Winter this year has not been harsh YET. (Bad Luck saying such things). This really improves my time on target and make the ride much smoother. Bumpy snow and ice is always less than desirable. Now surfaces like this can be icy but not so here. Shoe Chains are a viable option in this country. There are some places on this ridge where I can see the Bear Lodge Mountains 100 miles to the east AND the Big Horn Mountains 140 miles to the west. That is a 240 mile horizon to horizon. I think that is under Websters under the definition of BIG Sky. Wyoming Shares the big sky with Montana, just not the slogan lol. I live in Wyotana so there is no difference for me. lol.
Traveling the high ridges one tends to get tunnel vision. You look where your going not necessarily where you’ve been. Occasionally, I will stop and just take a photo of where I just traveled from. It’s a long way back that way…
Snow diamonds falling in the crisp mountain air here is startling to see live and fairly hard to capture adequately digitally. Seeing them on the ground is about the only way to see them. The intensity of the sun detracts from the intensity of the reflections off those hexagonal ice plates. Those fall like parachutes often out of almost clear skies when the moisture is wrung out of the air mass by the cooling. The plates I’ve seen falling like feathers before with blue skies around. They lay flat and act like mirrors on the otherwise crusted snow pack.
I’m pretty sure if I got a flat tire up here that AAA would show up like Bill Murray in “Ground Hog Day” with a jack. Maybe not…. 70 miles to the nearest 4 way stop light…. Fortunately I have really good tires now and really don’t expect to pop a tire any more. Having said that driving long distances in areas where there aren’t many people traveling by is potentially wrought with hazard.
If you don’t have the ability to get yourself out of trouble, best not go there. At any one time I could pull over and set up camp right here, I wouldn’t like it but I’d survive lolol. A minus 10 rated bag at minus 10 is still not enough in my experience lol. I also carry a radio (2) and spare batteries lolol. It does get back to the base from about anywhere I drive up here.
Just NEVER leave your vehicle if you get stuck in the middle of nowhere in winter. Start yanking insulation out of your seats to keep warm with if you have to. Always have survival gear suitable to your environment.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
The Corriente” Breed was brought into the America’s as early as 1493. These are a breed of Criollo cattle all descended from that old lineage. They are all to an animal tough, fast, self sufficient, and will paw at the snow and find grass in the winter. These are relatively small cattle compared to the modern beef cow. They almost went extinct with the introduction of bigger breeds. American Ropers and Doggers Know all about them. You know who you are 👀
Big Bulls are 1000 pounds, big cows weigh in at 800 pounds. Yearlings are around 400 pounds in both sexes. Qualities: Corriente” are Great Sports Cattle, These guys are supposedly easy to tame. They are lean beef and good eating. Small Herds are easy to keep. Hardy as heck, they actually require less food and water than other beef brands. Good cows to have a small herd of. They don’t take much diesel fuel to keep alive. 🤔🤔☑️
Musings on Narratives:
I write like Trump talks. Chain of consciousness plus I type very fast. Believe it or not, there is a technical reason to have long narratives on your post if your a budding professional photographer as myself. Google will take note of you more/better and place you higher on search results. There are all sorts of technical things I do in my narratives to attract google. The saying is: If your not on the first or second page of google, your not going to be found. 300 words plus it is minimum per image I post.
I am currently posting 5 images a day each taking over an hour to do. That’s around 1700 words I write each day. I’m not sure who’s going to compile it into book but I hope it’s not me lolol. I’m sure a few books have already narrated in my postings and I have them all in a pile I can access.. Easy to assemble by sorting pages. The pages are out there already lolol.
I LOVE shares by the way ❤️ They are the nicest compliment you can give an artist on FaceBook short of buying his/her art lol.
Sheep Herders Cairns from a day that Sheep Roamed this country more than a few years back. I find these piles of flat sandstone on hill tops here in the borderlands of Wyoming / Montana. Literally found in the middle of nowhere typically miles from the closest inhabited ranch. Somebody spent a lot of time gathering flat sandstone from far and wide. You see sheep wander the hills and herders would stay with them to protect them. They had some spare time.. The stone cairns were markers. They marked places to meet, places to drop supplies or a sign post marking borders..
The ridge tops are the highways of the backcountry. While forested ridges certainly exist, long grassy ridges generally cleared of pine by past fires provided easy walking for the Indigenous Americans. There is a documented “Clovis” tool site within a 20 minute radium of my place. I’ve never found Clovis artifacts on my place as of yet though I do find man made stone tools. I wouldn’t call them common up here on the high ridges. Only hunting camps were summer inhabited in this country. It is too high and too dry to sustain population very long. We do find “TeePee” rings now and again. Both springs by my homestead have teepee rings about them. Summer quarters this spot was.
I’m not sure If I could have found a flatter light than this. Occasionally I’ll look at a heavily veiled sun with no colors in the scene and instantly start with high F-stop close / far perspective anyway. This one was worth the effort. It was windy and cold up there. The bunch of grass in the mid-distance testifies to this.
Close / Far perspectives lend themselves to clear skies. The details up close are of course my subject with the sunset only being an extra “hero” of the image. The totality of these landscapes in this country is staggering in their vastness and variety. Every hill crest has an entirely new world just over the top. All the hill sides are different in the angle and orientation of the vegetation living or laying. I keep a map in my head of the snags (fallen trees) that sparsely litter the hills. Treed pastures are prime hunting grounds for me photographically. The joy of being a landscape artists is I don’t have to pay models or deal with crying moving toddlers. No diaper changes mid shoot up here.
The “Golden Hour” (said with reverence) is that time of the day and hour after sunrise or and hour before sunset. The distance through the atmosphere that the light travels get greater the higher the horizon rises. Of course the sun doesn’t set, the horizon actually rises to cover the sun. Remember that things are as they are, not as you have been told or casually think about them.
I always try to keep narratives in the perspective that I’m trying to capture. Understanding how things work is key to working those things with cameras or any other way for that fact.. Knowledge is power and gives you the ability to anticipate outcomes of what ever process your involved with. Having done this a few times, makes the next one usually turns out a little better using the knowledge you have acquired in the past. Paying dues of course is the key to acquiring that knowledge.
Simple perspectives are my stock and trade. I have tried to make an art out of using the things that nature provides for me to photograph. There are so many little area of zen popping up everywhere I glance. The problem of course is there are so many and so little time so I just concentrate on the obvious stuff. Trying not to stand on my head or bend in a direction my design specifications don’t conform to. Fortunately this process involves a lot of walking on uneven ground carrying some camera weight up top. It keeps me in shape but more important it keeps me connected to the earth. Walking about is how I hunt dinosaurs in this country. Watching the earth is what I do.
Being very earth centric, I’ve spent my whole life considering geologic processes. Most are unaware of them and “blissfully” so. As a student of paleoenvironmental analysis, I see below this landscape and imagine the world that laid the sediment that eventually became those boulders. Clues in the rocks tell me books of information by their presence/characteristics. Geologists see past the beautiful sunset (enjoy those too). We imagine what processes leading to that rocks formation. I have a 3 D map in my head of the orientation of the rock layers under my feet. A useful thing to keep handy at times ….
It is somewhat complex to figure out what processes worked the sands these rocks are made of. That Hell Creek/Lance formation sand was deposited 66 +million years ago according to MANY scientists…. That’s 48.3 billion sunsets/sunrises. Actually numbers like that easily flow into my understanding of things when I imagine the inside structure of the earth, processes that occur now occurred then as well. You might say the perspective I have goes a bit under the surface of what I “look at”. Time is a 4th dimension to me. I don’t just look for fossils here, I look at the rocks to see if they are likely to have fossil in them first…..
Speaking of time, enjoy the snowy sunset and the Close/ Far Perspective.