Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise. THe sky starts to light up, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early December. We had lighter snow then than now. There is 6 inches flat everywhere on the ridgetops at the moment. You have to be very careful going off the ridge tops. The snow that use to cover them has been blown of to the sides. There hasn’t been much drifting yet this winter and I have a new truck now with excellent capabilities so it should be a productive winter up on the ride tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
The two hoodlum mule deer were rutting away on a nice warm morning in the late November sun. There is a lot of effort involved in pushing against another high power to weight individual. These two are not monsters but they are serious about what they are doing. There are females gathered nearby with a bigger buck in charge (more or less for that time). Itinerant Bucks come through ranging quite a few miles in their travels.
The male these guys were training for had a nice herd of females numbering 15 or so. I suspect there will be others besides these two clowns trying to take them away. A lot of itinerant bucks walk through and they have a pretty big range which they can cover quickly. Some of those are bigger than these two by far. Ultimately, the bigger necks and musculature wins the fight but antler size WOWS the gals….
I had a buck try to run me down in my backyard one night in November 2012. It’s a long story but both of us walked away relatively unhurt. I definitely came out of it better than the deer did but he survived too lolol. This event was the causation of me getting serious about building a deer resistant fence around our entire compound. I haven’t had a deer eat my flowers for several years. Young trees survive, it’s a miracle cure for deer pressure.
I’m estimating this young developing Mesocyclone is 50 miles distant/ 50 miles wide. Relatively small for a Rotating mesocyclone. It was growing at the time. The sunset for that day is ongoing exactly behind the rain shaft so the bottom of the storm is pretty much backlit as well as your going to see through one. There are just plain intense downpours under these storms sometimes. Depending on how fast they are moving makes you lucky or flooded locally lol. These only rain on a few percent of the ground area up here. Spotty! The ground under them becomes totally soaked if the storm doesn’t move.
We had a summer Mesocyclone years back that sat over us and dumped 4.5 inches of rain in 45 minutes. Water was sheet washing down the hill behind my home and skirting around the house. Almost nothing got in but that slope was angle deep in sheet wash. I have since re-landscapes using mounds to redirect any potential sheet wash off the long hill to our back. It’s only been a problem once in 20 years.
That was a rough storm. Tragically a local cowboy from a nearby ranch was killed in that storm. A truck full of locals went out to see what the 100 year water dump did, drove to one of their herds to check them, road was fine. Drove back the road had washed out. That cowboy was a passenger in that truck. County Emergency Management called me to close the road off from my side of the washout. The runoff went through a major country road that literal gully washer did. It was a major culvert to replace and a big job. We couldn’t get to the highway from that road for a while.
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads the view. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the bright scene on your retina. A quick though of eye damage, you blink and a minute later your vision is back. .
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate.
Wilma and Fred have nothing up on these accommodations. This is a small dry cave up on our ranch. There are quite a few overhang shelters in the extended “area” I’m familiar with. This is BIG country to say the least. I’ve been up here actively exploring for 20 years. I just found this shelter last year. It’s cozy in there but it’s dry. How many of you would crawl backwards into a dark small cave. I figured I’d see what lived in there lolol.
Hell Creek/Lance formation covers our Ranch. It’s the famous dinosaur fossil bearing sandstone. There are no fossils obvious in this spot. The ridge upon which this shelter is located is typical. Aa hard well “indurated” (google word of the day) sandstone caps it like an umbrella. . The material that washed away to expose this cave was softer/less resistant to erosion. The cap rock usually protects everything under from exposure thus begins the removal of softer rocks surrounding. Eventually you have a hill or a flat topped butte. In this cave, you have a rare case where the cap rock couldn’t keep agents of erosion from removing the loosely consolidated sandstone that obviously used to fill this hole.
Of course here as everywhere agent of erosion like Wind/Water/Ice/Hot/Cold/Rain/Freezing/Thawing are the driving factors to remove boulders by making sand out of them. The sand blows or washes away. This ground used to be covered by thousands of feet of younger sediment. This sediment has been removed by the agents of erosion over the eons leaving this cave. view
The metadata attached to the image showed 45 degrees F. . The ice was not thick to begin with. You can see the tracks behind the canid as he trots along the shoreline. He’s right on a razors edge here…. I’m thinking that this is not a good habit for a coyote to have. Hard to argue with the image though lol. He’s just a few pounds from breaking right through to the lake below. It’s not really deep where he is but there are deeper spots around the edge of this lake.
It’s got to be easier walking than on the shore but that ice was NOT that thick. I have several captures of this fellow over several days doing this same thing. Each is unique in it’s perspective as I have several cameras covering this area. Each camera has it’s own characteristics of color and exposure based on light conditions. They are after all…automatic cameras.
I’m currently running 29 game trail cameras. It takes several trips to check them all. I usually do it while I’m actually at a location. I’ll be picking some cameras up for the winter. While others I’ll refresh the batteries and let them run all winter. I’ll check them in the spring, swap out SD cards (modern digital image storage chip). Then freshen the batteries is the final task. A good game trail camera will use 16 – 24 AA batteries a year.
Taken off the road on the way to Gillette Wyoming. I’m Traveling the “back way”. All gravel, no AAA, no cell phone service, but the radio works lol. I pass one or two trucks on this road (30 miles long) each time I take it. Unless the weather is screwy or it’s really early, this road I’m on is a relatively busy place.
I stand on ground at the same elevation as the Intervening ridge. . Right at 4000 feet above mean sea level. Now those peaks off in the distance, that’s the BigHorn Mountains. The tall peaks in that little eroded wrinkle in the earth’s crust are just now 13000 feet high. The billions of year old granite core of the continent exposed in the center of the range. All of the sediments that used to be up much higher than the core. All those eroded and filled up the big bathtub between my camera and those peaks. The Powder River Basin between has 6000 plus feet of JUST Tullock formation. The Tullock, an alluvial fan deposit, stretches from the Mtn’s to the camera.
The Coal Swamps that allowed the Powder River Basin (bath tub at the foot of the Big Horn Mtn uplift). Think of it like a sine wave with mountains on the high side of the wave and the Powder River Basin is the trough. The top of the wave erodes and fills up the trough. Those sediments from the peaks flowed toward me and reached the hill I’m standing on. It’s all Tertiary Tullock Formation. All that big bathtub filled up with sediment laid down AFTER the dinosaurs died. It was a low area adjacent to highlands thus the swamps and all the coal the Powder River Basin produces.
Location: 13 miles south of Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
This Northern (not the Wyoming Pocket) ) Pocket Gopher was on the Montana / Wyoming border. The Northern is considered a Sub-species of the Wyoming Gopher though… Underground mostly, this one was active as I randomly wandered by his ground in the backcountry. I spied the movement. Any hawk worth it’s name would enjoy this though I suspect he blends in pretty well on that sane of the same exact color lolol. I suspect the rock was warm too from the sun that bright early morning. It may well have been warming itself.
His burrow was next to this chunk of Hell Creek Sandstone. I saw him several times getting up on this rock to take a look around. I’m thinking it was pretty bright for him. It took a bit to get into position for this one. He didn’t like me at first but after about 15 minutes he was back at it again. This was not an easy one to compose lolol. He was king of the hill as far as he was concerned. Understanding your position in the world is an important perspective to gain lololol. 😜📸
Of course this is posted a bit out of season. I’m pretty sure this guy is sleeping here in mid-winter as I post this. He’s in a burrow under the backcountry snow at the moment. Filled his burrow with seeds and other stores. You have to admire an advance planner that stores food for the lean future. IT’s a good survival strategy.
Yup, a Tyrannosaurus tooth sitting in the matrix. Wrapping it up for the trip back to the ranch headquarters is the next order of business. There it will be cleaned at my leisure when I get a pile of such things to clean so it’s worth setting up the micro-air-abrasive fossil cleaning cabinet. The black enamel of the tooth is etch by tiny rootlets that covered the surface. The chemical reactions at the rootlets deeply marked the enamel of the tooth.
Fossil Teeth: Selective preservation…
Teeth were “plentiful with many per dinosaur. They often broke off, the new ones erupting from below. Shed teeth were called spitters.They were literally spit out or lost eating. Some teeth passed through the digestive system. Quaintly named (sh**ers) by collectors. I’ve been told by older and more experienced paleontologists the way you tell the difference is their taste…… 😜
Here pictured next to the 6 inch wood awl that I used to dig it out of the Hell Creek/Lance Formation quarry wall. I have a 50 foot long by 4 feet thick in the center, river channel filled with mixed debris. This debris was dropped by the river for a reason. The current velocity dropped enough to leave what it carried here, behind. The bigger/heavier things came out first so we find a lot of big bones. The little things concentrated somewhere else with a lower current velocity.
The wonderful scene is another one of my game trail camera amazing captures as the Dragonflies Hunt Mosquitos overhead. This fawn down in the wetlands was in the high grass on the muddy lake edge.. The automatic camera captured it dead center of the frame. Game Trail Cameras us Infra-red motion detection to trigger the shutter and like any automatic camera, will snap what is in front of them. Depending on the lighting, Game Trail Cameras can even take a good photo now and then. This is an amazing shot from one of the cantankerous things.
As I’ve said a few times before, each and every one has problems but this one is a pretty good capture. It took virtually no work to fix the built in image issues of the Game Trail camera. I get captures like this because 1: I run a lot of cameras with 29 currently in the network. 2: I place them in unusual places with viewpoints that are not just on a post at animal neck level. I often put cameras very low looking up or in places like this where it’s obvious by the trails that game frequents the area. Setting a camera up too high would resultsin the capture getting the tip of it’s ears. Properly setting it low in the spring just about promised me it would catch a fawn.
One of the few things you have control of with Game Trail Cameras is where you put them. I could write a chapter on placing game trail cameras.
MOON MONDAY 3PM offer… Moon photos all day today. This is number 4.
These two jokers were hanging out where I was driving just as the moon Full December moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, the blue like under it is the shadow of the eastern horizon on the western atmospheric ice screen. There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon. As the western horizon moves upwards, the blue will disappear along with the full moon setting in due time.
Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
MOON MONDAY 12pm ‘entry’ for this Last Monday of the decade.
The Pink Belt of Venus Alpenglow phenomena that colors the sky Pink was turning to cranberry on the left of the frame. I LOVE smooth subtle gradients in skies.
I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus but in low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….
High F-stop number give you deep focal fields but they are a double edged sword. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close far perspectives. Getting in focus grass against the moon in low light is sort of a difficult thing to do.
Full Horse Moon…. instead of Quarter Horse Moon…. 😜😄
I would like to thank the quarter horse and the moon for sitting for me. A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The horse was WAYYYY easier to get to “sign”. This was a cool morning by the way. It was around 10 degrees at the time, 10 inches of snow all over the ranch land. This neighbors horse was with his all black cohort free ranging out in the backcountry. I happened by about the same time the horizon was rising to cover the moon from below. What a coincidence 🤗
This setting moon that morning was very visible with the sun rising over my shoulder left frame. The lighting was wonderful, the sky robins egg blue with wisps of clouds. The horse was only about 150 yards out for the soft focus in the close/far perspective that this image is. I’d preferred 200-300 yards but beggar opportunist photographers can’t be choosy sometimes 😜👁 Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the horse would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the horse. I couldn’t walk any further back and still line this up. Topography is my master.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).
I know, it’s out of season in Wyoming, not so much down south at the moment though. Be careful down there. As the cold air moves over us, the arctic blast does BIG storms in LA, MS, AL, GA….. Be careful out there and prayers for those effected by the storms.
In this complex summer image, I set the camera up at the mirror to reflect the sky slit 90 degrees left frame….Flash….. Can you find the Deering Seeder? This was a HUGE mesocyclone that hadn’t even reached us yet. We were just under it’s leading edge here. That shelf cloud is an indication that it’s about to get sporty. The 80 mph winds this brought with it did some damage. The big hail missed us though. That big white roof is our big barn which is roughly the size of a regulation foot ball field under that roof. It’s an old roping area under there.
This storm donated quite a few lightning photos. I usually work storms like this up on the ridges definitely in a car. The car doesn’t make you immune to the strikes but it helps. Your not going to get killed by ground current if your not touching metal is the plan. Not that the bolt couldn’t hit the camera. I’ve been pretty close to some strikes before and it will wake you up. Looking forward to working it with the new vehicle with no moon roof. I ordered it WITHOUT a sunroof (a several thousand dollar options that will probably leak). More metal overhead is a good thing I’m thinking lolol.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this and see a moon orbiting a gas giant planet such as Jupiter. That is because I live in a science fiction world of fantasy at times. I also have a somewhat overactive imagination but that is for another story lol.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
A big super-telephoto fast Canon lens to do this work is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
I present a Golden Hour Veiled Sunset set against a snowy corral / pasture pipe fence line. Smooth curves are everywhere and no matter how hard I tried, I couldn’t line up the sun with the gate precisely. Well I could but I wouldn’t have gotten all these curves / waves lololol. My OCD is amiss 😜. I’m always looking for unusual angles. The smooth curves of the snow banks combined with the fence’s waves here fall under oddball for sure.
Corrals built this way will last a while. That is 3 inch drilling well stem pipe interlocked and screwed / welded in place as the frame. The fence is all made of solid steel sucker rod from old oil wells. It’s an inch across and pretty tough as it is all thick solid iron. Not much gets through this kind of fence arrangement. I’m pretty sure it will last 1000 years in this low water / precipitation environment unless someone tears it down with heavy equipment and a torch .
About 1/2 of this illusion is the actual topography / landscape here but the rest is all about a really wide lens. Wide lenses distort on the edges and by using a “tilt/shift” lens, you can manipulate the distortion by enhancing it or removing it. Much more on the left than the right of the frame. THe lens actually moves either side to side on the camera body. This moves the “Sweet spot” of a good lens right or left on the camera sensor. It also moves edge of lens distortion. Google “Tilt Shift Lens”
I often find myself out in the middle of nowhere in the grass during sunset. Humm I wonder what’s around for filter material? 🤔🤔 Also discovered is the tendency toward you actually being where you are. A limiting factor certainly lolol. Photography is both planned AND accidental when it occurs. Rule one of getting a photograph:
RULE 1: Have a camera with you as much as possible. I don’t even like to go outside without one when I’m going to do ranch chores in the mud in the rain.☑️
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Clear Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. Here I was using the headlights of my Jeep (very bright) to illuminate this side of the thistle plant. The Thistle globe of seeds was my sun filter to reduce / minimize the difference in lighting between the front with the bright unbridled sunlight behind.
Anybody notice the Photobomber in this image? You have to look past the obvious to see the little spoiler lolol. Interestingly enough I didn’t see it until I got the image up on the big screen to finish the image. So I suggest zooming in on this capture lolol. 👀📸
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish.
Yet another capture driving along remote backcountry roads up here in the borderlands. I saw these two Raptors talking 30 feet apart on a fence. At this lower f-stop setting, the focal field was about 20 feet deep and these birds a 20 feet apart lol. The left one is closer to me than the right (rear) one. They took off just after I came to a stop and started machine gunning the 1200mm lens.
I’m not a hawk expert and the distinction between Red Tailed Hawks and Ferruginous Hawks seems blurred to me. I suspect somebody knows the answer that will be reading this. Feel free to correct my ID as I’m only about 80 percent sure. The different sizes are an obfuscation.
Random encounters result in opportunistic captures for my photon traps. (cameras). I see them….driving along a gravel road, stopping. Then getting out standing between the door and the car with a 2 foot long lens is a chore best accomplished with some haste. Doing so and not have the birds fly off is a whole different encounter. The chances that both birds would hold their ground on a vehicle incoming at 45 mph is small. 45 is the speed limit on most gravel backroads around here. Then have enough time during all that get a camera up and set properly in manual mode. . Elapsed time less than 20 seconds I would imagine.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
These Hawks look to be both the same sex… Might be wrong..
As I travel across our ranch, the song these guys sing fill the air during the warmer months. I do miss them during the cold months. There is too much snow for them to cope with now. Most of the grass covered by the white blanket. We just had a 4 wheel drive 3/4 ton truck with a horse trailer attached get stuck in the snow.
This seems to be a popular post with all the decorations sitting on the top. When every you have many acres of birds with one tall post, it is going to be used as a perch. This one is well used or so it appears lol.
These guys are hit or miss approaching them. All of my Meadowlark Captures are random encounters as I drive around my ranch. I’m not putting out feeders as my cats would make short work of that plus I feed birds generally out in our barnyard when I feed my chickens. About 5 gallons of feed a day goes to my barnyard flock and about 1/2 a gallon to who ever else comes by lolol. There are a lot of freeloaders eating off that trough. I can’t blame them.
The Meadowlarks are mostly insect eaters and tend to head south with the weather. Seeing these guys is a sure sign of spring posted here a day after the solstice.
I approached the post he was occupying while in my Jeep. I stopped preeeeetty close to him. If you get lucky. You run upon a Meadowlark close while in your car, stop, don’t move any more. If you move after you stop, it will fly away. Every time but perhaps 2 in thousands of encounters I’ve had with these wonderful birds. So I sat there a while working different lenses. This isn’t a cropped image at all. After watching him for a few minutes, he literally closed his eyes and took about a 3 minute nap. I’d say 20 feet for the distance with a 800mm lens. At that distance, with an 800mm fast lens, I can focus on his eyelashes
I have a few dozen images of it as this was not a blink. Having said that, even blinks are not that common with birds either. Photographing people is way worse. If you have 20 birds on a line, none of them will be blinking. Put 20 people on a line and about 5 of them will be blinking lololol. I believe the blink thing is a law of photography similar in complexity to the physics of lenses… 😜
Meadowlarks frequent this whole area with 5 or 10 birds an acre sometimes. I’ve seen a bird fly every few seconds before driving two tracks. If I go slow, their songs permeate the quiet. Up here it can be so quite that you can hear your heart beat. Not during Meadowlark season lolol. They are all gone now for southern Climates as we are sub-arctic at the moment.
My target was the smiley face in the sunrise As I pointed the long telescopic lens at the fence brace to line it up I noticed the Meadowlark. I started snapping and caught this. I think the Meadowlark was as surprised as I was. Both of us saw the anthropomorphic image unfolding. Only we saw it and he didn’t have a camera.
Meadowlarks are very active this early. The sun had been up for about 1/2 and hour. I had been photographing the sunrise. I was headed back as the sun was climbing into a dark thick cloudbank. Looking back, I saw this lol. Backing up a little, I got in position. Click on machine gun setting which works will that time of morning with all that bright light. (This was a VERY bright scene. ). This accounts for the dark tones as the difference in dynamic range makes silhouettes out of things the human eye resolved. The best cameras can’t resolve this much difference in illumination between objects.
Meadowlarks are abundant up here in the Wyotana borderlands/high plains . Beautiful Song and obvious Yellow breast lending itself to be the state bird for several states out here in the west. Abundant in their preferred habitat, they thrive here on our ranch as far as I ca see in this environment. They gorged on Grasshoppers all summer. They are welcome here anytime . A Dozen per acre would be my estimate in the deeper backcountry. There is a lot of grassland up here and these guys thrive in this environment. They have a beautiful song and are a little difficult of a subject. This Image is a 2×3 aspect to 36 inches.
Colorcast orange Banded BigHorn Mountains is an odd color to cover a landscape with. It was really that color lol.
I saw this developing the other night as I’ve been on a mission to catch the sun behind the BigHorn Mountains. Some nights, the weather window is closed to the mountains but this night it was closed to the sun. The 130 miles distant snow covered range was shrouded in this Orange colorcast that was like a stage light with an orange gel in front over the landscape.
This only lasted a few minutes of course as the sun moved down through progressively thicker and thicker layers of clouds. All just prior to being snuffed out by the range. The horizon of course is rising here, not the sun is setting….
I’ve spent a lot of time this month pursuing the Big Horns photographically. The sun and the range is playing peek a boo with the weather controlling the show. I have many good captures from this week which will slowly work their way into my work flow here. T
The black ridge at the bottom is 40 miles out from this 800 mm telephoto capture on a very high resolution camera. If you hold a postage stamp at arms length and place it against the horizon, this image would fit into a square that side.
2:1 aspect. (very wide. 40 x 20 inches at 300 dpi.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.