When I drive out into the backcountry up to the high ridgelines, I never know what I’m going to find. The Rime snow coated all the grasses and fences that morning. I really didn’t notice it until the sun came up enough to highlight all the ice. The roughly 1/8th inch coating made for a late winter sunrise scene worthy of my time getting up the ridge lol.
The sun wasn’t very warming that morning. There was a good breeze from the left that cut through my cold weather armor. Wyotana here with both states in the image. I’m standing in Wyoming looking to the north east with the sun rising on the spring equinox (straight east). Here in Early April, we still have a month of winter weather possible. Last year was cold till the end of May. We had lilacs blooming on the 4th of July for you gardeners to compare with your seasons.
I miss chasing bees with cameras and finding Preying Mantis sitting for me swaying back and forth like a breeze. It has been a LONG winter. The seasons will change but the seclusion in this remote part of the earth is comforting in these troubled times. I hope this finds you all safe and secure in your homes. We have a 1 person per square mile population density in this country. Ranches are 5 to 10 miles away from most places but it’s still 70 miles from the nearest stop light here.
Blue is a rare color scheme from my cameras. I don’t work blue skies very often mid day . Most nights around the solstice (as here) are brightly colored. IT was an odd night. But the wind was dead calm. I thought that a trip a few miles into the backcountry to get to this place would worth the trip.
Backcountry…. I use the term all the time. OK, Here’s how it goes…
This pond is 2 miles of bumpy two track road from the county road passing through a seriously hard wire gate to pass through. Tight bastard it is… The nearest county road is gravel, it is 14 miles then to the closest paved road. It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way flashing red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. This spot is right at about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the Image as do most of my photos.
The Dam was built by cowboys probably 100 years ago. Located directly on the Miles City to Newcastle Cattle Drive Route, many a herd over nighted at this spot historically. Wetlands are rare this high up the ridge. The crack in the earth that that lets the aquifer leak into this puddle is hundreds of feet deep into the Fox Hill Formation (The Beach sand of the Dinosaurs). I’m still looking for a fossil beach umbrella…..😜
Always Photobombing, “Sneaky Pete” the windmill graces my landscapes. I have no control over his actions but he seems to get into my landscapes a lot doesn’t he? 😜📷
This from early last spring. Green Grass is about a month away from the highlands at the time this posts. If you currently have growing grass, appreciate it under your feet lolol. By Mid May we are past the point of frost (mostly). I’ve seen snow in every month of the year living in Wyoming for the last 30 years. There is no promise after May 15th it won’t frost again. We had Lilacs blooming on the 4th of July last year. Most of you have lilacs in March and April latest I suspect.
Fully involved back show skies in front (sunset over my left shoulder) where JUST the top of the windmill is lit up, is all about timing. The shadow that is covering me is of the ridge 40 miles to my rear. The sunset was veiled by this deep weather system . Parts of the longest traveled red rays made their way between the lower bluish layer. All the way through to under light the much higher red/orange layer of clouds above. Backshows are well worth taking photos of if you can remember to turn around and look at them. About every 3 or 4 minutes I turn around and glance behind me while watching sunsets.
Simple is usually better. I seldom do blue sunsets but here is a recent result. Something got into me here. It’s probably just me. A perfect calm water mirror present is unusual needing camera attention in my world. I would have liked to off set the sun. The composition destined to center the bright eye. The “Butterfly” on it’s side became apparent to me in the camera. I collect all sorts of frames on this timeline . This one survived the selection process to finish the image. It’s pretty rare up here to have glass flat water considering the 12 mph average wind speed enjoyed locally.
Any particular image that I post here is written for my eventual hard copy books. Amazingly, not every morning/evening sky in Wyotana is a fully involved brilliant Crimson/Yellow . Most are subdued and more like this. The Melt Water Pond here hosted the markedly subdued evening. The sun just popping out from under that dark cloud. When I invest rare spare time into travels to locations like this, I leave often when there is an obscured sun. I find being able to “read” the sky to as the future movement of large cloud bands / banks to be a useful skill. The sun slit here happened JUST in time to provide me with ample photons to acquire this image. A minute or two later, the horizon rose to cover that bright disk. The twilight show afterwards was a fairly subdued stage show as well.
It was a little windy for a reflective shot perhaps but this gibbous moon setting into a early morning setting moon backshow caught my attention. It made it through the “To Finish” Sieve I mentally put my images through.
I know the grassy bottom of this small melt water pond and it stays very firm even driving across it when it is full. The pond is ephemeral which means it dries up seasonally and has a good firm soil profile developed. I had JUST pulled up to the rippled mirror surface of this lake in my truck. The wind driven ripples were moving smoothly across the glass surface. The scene was subdued and very blue. Blue images are not my most common production but I liked this one. I’ve been accused of being Blue Blind before lolol.
Finding a pond high enough on a ridge that you can see the horizon around here is the tough part. For all intents and purposes this pond is about as high up as they get around here. IT’s also essentially directly on the Montana/Wyoming border lol. PLUS it has a thin bank to the horizon which is even more specific and desirable of a reflecting surface. . This place has a lot of topography so the particular combination of requirements is pretty rare up here. Even better, it’s only about 500 feet off the local county road which is rare for a photographic “attraction” up here. I normally have to drive miles of two track trails to get to an interesting subject lolol. No complaints on my end.
With the weather getting a little milder here late-winter, Crunching out through crusted snow becomes slippery at time. . Crusted snow is a hard surface on top of softer snow underneath. Occasionally ICE under it. I typically fall through somewherelol. This is dry high ridge country here in the borderlands of Wyoming / Montana Abandoned many decades ago, this plow wheel (with the rest of the plow off right frame) was a very high technology gadget when it was forged. State of the art. They have changed a bit since with hydraulics and size, but the basic tool remains for the same task. Somethings are hard to improve on. A fine 1911 Pistol comes to mind instantly…. maybe it’s just me…
The contrasts present were staggering, the light blinding to the human eye. Those in and of themselves are unable to behold such a scene unaided by technology. The Icy surface intensifies the glare reflecting golden light into your vision. You instantly avert your eyes to avoid damaging them. Sunglasses would have been inadequate. You can not and should not peer directly at the sun with sunglasses or non-mirrorless cameras.
New Mirrorless removable lens cameras have a significant ability to turn down the volume on the incoming light. None pass directly to your eyes. I see the scene on a video screen before I commit to take the image. I’m watching on TV effectively… Click… You’ll want to have a full frame mirrorless before attempting this. Disclaimer. Do not do this with a DLSR camera as there is a direct light path to your eye through the camera. This could EASILY blind you instantly. I only use Sony Alpha 7 R series mirrorless cameras which has no direct light path internally to your eye.
Landscape Ala Borderlands . (Green September 2019)
Here I stand in Wyoming and am imaging across the Montana/Wyoming Border. Looking over the Ranch Creek Drainage up to 50 miles distant to the far ridge in Montana. The intervening valley shows the erosive power of little “Ranch Creek”. Ranch creek is about 10 feet wide when its flowing. This drainage removed all that sediment covering from where I stand to the the horizon OFF where I’m currently standing exposing the dinosaur fossils in the older rocks. This is the country I call “Wyotana”.
All that low ground USED to have sandy sediments/rocks totally filling the hole between me and the horizon. The erosive power of the Little Powder River carrying one sand grain at a time to the next river eventually to the Gulf of Mexico. Those sediments now reside in the Mississippi River Delta or somewhere along a river bank on the way. All things eventually end up in the sea washed their by water.
Some parts of the ground under us are harder/more resistant to erosion than others. When you see a hill, usually that hill exists because everything else around it was removed. It is a remnant.. There are exceptions like volcanos and glacial deposits. Those deposits show where a hill is made not left as here. But these hills are all erosional remnants. The softer rock turns into gullies and washes. The harder/less erodible rocks make up the high places on a general concept level.
The geology of this country is integral in my photography. Yours too. The geology controls what we have access to. T%%he topography is created by the characteristics of the ground you stand on. Geology……….
On a glass Melt Water Pond, high on a ridge that straddles the Montana/Wyoming border, this water from a nearby grassy field. Formerly snow earlier that morning, this melt accumulated very quickly. Nearly 60 degree days lately. Over several hundred acres covered by a foot of snow will fill a good sized pond lol.
So the wind was becalmed and the correspondingly glassy surface of the melt water provided an amazing mirror. It would have faithfully reflected what was beyond for the cameras. So I decided to drive my new truck into the pond and mess up the surface. (I know the bottom). One shot is all you get at this…
Driving through water:
I’ve never had a wheel slip in mud with this truck. As all 35 inch tires are in various 4×4 driving modes. Ford F-150 Raptors are complex and amazing to this old school 4×4 driver . If there is a cooler factory Baja capable truck made anywhere, I’d love to drive it. It’s perfect for what I require to get me into places where most vehicles won’t AND keep me fairly comfortable. My old Jeep Grand Cherokee would get me anywhere. It would just throw you around inside lol.
I like the view this ground has of the horizon. It has a very thin lake shore making it’s horizon band across the image. I’m very aware this is a “Halfie” which is like photographers rule #237. Never have your horizon across the Center. At least it’s level and I never worried much about rules. It’s best not to know about them sometimes as you can’t break them if you don’t know about them…. Right? 😜👀
This is a 2 feet x 3 feet image at full size. Now I know this is out of season .I’m reposting some images refinished to current specs from this last summer. I think it’s an interesting break from the late winter weather we’ve been having.
It was raining on me at the time about 10 minutes after sunset. This was our version of twilight that late summer 2019 evening. I was in my Jeep Grand Cherokee on a large flat ridge top right in the middle of lightning flashes all around me. One of the better places to be during a lightning storm is in a car. That is as long as your not touching metal. It also helps if you don’t have long camera lenses sticking outside your open window….. oh wait lolol..
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your setting s may vary but now too far out. The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait lolol.
As I travel the misty backcountry mornings, I see opportunity in common objects. If I had uncommon things (huge mountains, monuments etc), I’d certainly photograph them. Regular Ranch objects are what I’ve got so I will work the common things looking for little areas of zen hidden among the other visual noise. My job is to catch isolated moments in time and space. There were an infinite number of places to observe this twilight,
It is a truism that any fence that precludes passage is a good fence. While it won’t keep deer from penetrating, it does a good job of keep adult cattle out though. It has served it’s purpose for at least 50 years and probably much more. There is no oral history regarding this or that fence line that I have gathered over the decades I’ve lived here.
There is 30 miles of fencing up on this small ranch alone. Imaging how much work that was over the decades to 1: install and 2: maintain BLOWS my mind. 99 percent of the fence posts were hand dug. If you haven’t dug a 5 inch post hole 2 or 3 feet deep, you haven’t really experienced life. Trust me on this. I’ve had numerous first time newcomers that are not ranch wise get fairly well educated by handing them a t-post pounder/driver and a t-post to put in. There are 10,000+ t posts in 30 miles of fencing. I’d estimate there are hundreds of corner braces anyway. A hundred year old ranch has generations of little (and big) jobs invested in them. Black holes for work they are.
I know the grassy bottom of this small melt water pond and it stays very firm even driving across it when it is full. The pond is ephemeral which means it dries up seasonally and has a good firm soil profile developed. I had JUST pulled into the glass surface of this lake in my truck. the ripples were just moving smoothly across the glass surface. The sun was setting in classic “Golden Hour” colors when the unfettered light reaches my camera. The already bright scene amplified by the extra light from the reflection. If your chasing light this bright, you better shut your camera down to light… (High Fstop, fast speed and Low ISO). Don’t point a DSLR camera at this scene, only a mirrorless camera. That is if you’d like to keep your vision… Don’t blind yourself.
Finding a pond high enough on a ridge that you can see the horizon around here is the tough part. For all intents and purposes this pond is about as high up as they get around here. Plus it has a thin bank to the horizon which is even more specific. This place has a lot of topography so the particular combination of requirements is pretty rare up here. Even better, it’s only about 500 feet off the local county road which is rare for a photographic “attraction” up here. I normally have to drive miles of two track trails to get to an interesting subject lolol. No complaints on my end.
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in the morning after sunrise last summer. A very deep focus close/far perspective of a long hill to a pass/crest in the distance. I was watching these wonderful clouds over the “hump” on the drive up. Stopped, set up, CLICK. A complex sky is a treasure but that morning was a treasure chest with all the rare contrasts the whole timeline. .
In the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Travel is much easier on the gravel roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress).
How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
RIght at the moment we are dealing with ice and mud alternately. Spring storms are incoming typically. Most of our precipitation comes in the spring.
2:1 Aspect Diptych 2-20inch square images. Eagle head in the clouds if you look up top right. FIsh in the cloud lower left lolol.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
What are the chances of finding a heart in the barbed wire miles from anywhere?
Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. Catching a virtually veiled twilight took considerations for the conditions. . The horizon dropping, exposing the sun with time. It’s civil Twilight still.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.
I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded). Twilight is by far the best time of the day for photography. Not many are up seeing what is going on most mornings.
I’ve seen few aurora but I’ve seen so many twilight sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green at 557 nanometer wavelength. There is little of that hue in any twilight that I have ever seen😜
Twilight gives me a huge variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol. This was not a cooperative sky as that sun slit closed up thusly closing down the sky show that morning. Sometimes I drive for backcountry miles only to get a few minutes of good light. Such are the dues you pay if you play the game of photon collecting.
I was hoping the sun would set on the fenceline but my directions and timing were off a few degrees/seconds…. The sun will always appear to move from left to right as well as downward as it sets. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis .
Science Factoid: That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. Wobbles during a long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁 )
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in with an advanced degree in Paleo stuff… . I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to Looking into the Furnace : This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Photographic Musing: Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the lens cap on (it’s that bright lolol)
You only have 3 main things to set on your camera by working it on manual mode. They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations.
Priority 1 taken care of. Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with. Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire.
On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on.
So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸 Disclaimer: Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁 Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
During these winter days with obscured/veiled suns and sunslits, I consider Perspectives with Wide Angle Lenses as my activity for the day. Interesting lighting speaks for itself but up close and personal is better.
Deeply weathered fence brace wood just grabs attention promoting my “deep focus” love of this particular lens. This brace there far in excess of the 2 decades I’ve been driving by it lol. .These corner braces carry a huge amount of tension with the barbed wire humming in the wind they are so tight. I’ve heard that many times up here…fences humming in the wind. Keep that wire tight !!!. Lot’s o tension on the bottom of that left post. Building braces well utilized, on all fences, is a science here.. Warm Season brings more fencing practice every year.
We have about 30 miles of 3-4 strand fence on my relatively small ranch alone. Some of the Big Ranches have people that only fix fences on the payroll. It takes a pretty tough hombre’ to string barbed wire without tangling yourself up in it lolol. It is work that will keep you in shape. The snow up here varies by the day this early in the winter. Somedays it all mostly melts and others it’s covering everything. Two track roads will be un-passible shortly due to mud. I choose not to damage the ranches roads with my 5700 pound vehicle.
Favorite ridge line look out spots will be snow drifted in. Photographic necessity requires me to plow some of my two tracks to allow me to get up on “ridge one”. I am at the top of the first of 5 ridge east of my homestead. From the top of which there is a 180 mile across horizon to horizon view. The high ridges are snow lined lightly on the windswept top of which, I can usually drive quite a ways to if it’s not muddy.
This is indeed what a flat tire looked like 100 years ago. This old solder is tied along a fenceline high in the backcountry I suspect it’s 1930 vintage or before. The cattle every year rub on this wheel. Over the years this old wagon has had thousands of cattle rub and scratch on it. Wood rots very slowly here with 50 to 100 year old items like this still just looking like barn wood. Steel however will last a very long time.
I’m not sure what happened in the history of this device but I suspect the wagon it was supporting was overloaded and a rock appeared to start the dimple in the wheel. Once started the collapse cascaded and stopped the wagon in it’s tracks. This particular wheel was about 5 miles away from the nearest general store of the era so this might have not been a terrible thing. I suspect the 5 mile walk must have occurred in nice weather without wind, rain or snow to hinder the now on foot traveler to get help. There was no AAA tire service to come fix the rig either. No cell Phone, no landline phone, no radio. Word of mouth carried by hoof was the high technology of the day in this remote backcountry.
The red light from the JUST rising sun over my right shoulder is bouncing back off the projector screen the hoar frost on the trees provides. This is a common color I see when the “Belt of Venus” pink light comes down on the high ridge tops.
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was a few minutes before sunset. Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. The yellow is Alpenglow. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck. Orange as this is a mixture of the two effects.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here from my eyes unaided perspective.
Boy this is a classic Pastel Western Mountain Scene. The Big Horn Mountain Chain rises from the between basins on either side of the huge tectonic uplift. A 130 mile long landscape with the first ridge past the trees being 40 miles away from the camera. Take in mid-twilight about 15 minutes after sunset. It was quite dark considering how well this came out.
Perspective’s with a little foreground bokeh (google this) is unavoidable working low light twilight conditions. This pastel scene was difficult to get as I didn’t have a tripod with me at that time. I was just resting them camera on a vehicle body.
The only ways to gain light in your camera working in low light is, to either 1: turn down your f-stop numbers (open the aperture up which as a side effect, reduces your depth of field), 2: longer exposure (I was rested only, no tripod so 1/10th of a second is about as long as you can do rested. That is holding the back of the camera while resting the lens on something. OR 3: Turn up camera sensitivity which will give you lower quality grainy images to gain light by a Higher ISO number. Lower ISO’s will give you a fine grained image but it takes more ambient light than this to use.
I had to give in somewhere, f-stop it was. Turn it down to f11 on this 400 mm telephoto lens capture.
Protective of the Sun by Frank Bliss (This is an ART/PHOTO Hybrid)
Do you see things in Clouds? 👀📸 What do you imagine here?
Now that I mentioned this is art, I would point out that only 1/4 of it actually is art, the rest of it is a 100 percent real image. All work and no play make photorealistic Frank a Dull Boy. I like to follow up on the potential for this kind of work on a particular image if I get the time/chance. I usually have to make the time in the middle of an otherwise photorealism filled day. In the world of the digital darkroom, I get to play a bit. This is a slightly modified Wyotana borderland sunset from last week. One week is my turn around time now from taking an image to possibly posting it.
To create this, I took the original image which just didn’t have the left side eye. The nose is a real lens flare which I carefully lined up in the camera to the 12 o’clock position. The flare was in the original capture. So I mirrored the right eye and the clouds onto his left cheep from the original side. Then up high I mirrored the outline of the head right to left. So the left eye/cheek, part of the clouds up high. Nothing else was messed with other than color a bit. But this is art and all rules go out the window. As I was taking this, the possibilities were obvious to me in the composition stage of this capture. Long before the click.
The stripe of orange Alpenglow under the Crimson Cloud Deck is what the sun light is passing through. A fully involved twilight sky is the result of that red/orange light making it through to the cloud deck This image was taken ON the border line of Montana / Wyoming.
The Butte actually sits directly on the border which coincidentally is precisely 1/2 way between the Equator and the North Pole. Some bright guy in the past decided that a kilometer would be based on the distance from the Equator to the North Pole. That distance is10,000 kilometers between the geographic characteristics on the globe. There is actually a difference in distance to the south versus the north pole from the equator. That is something you’ll need to google for yourself 👀🤔😀
I must climb several hundred feet of topography to get this eastern view. It’s a several mile drive over two track roads. This spring time image from from May of 2019. I’m about tired of spotty snow and mud patches in the backcountry and am waiting patiently for mid may to open this magical world back to me. I do miss unlimited access to the ranch’s high ground. The views are spectacular up there. I consider the east west view from certain high points around here to be 180 miles from horizon to horizon. The Big Sky of Montana merges seamlessly with the Wonderful Wyoming Skies right over my place.
Layers of landscape are always fun to find. The sun is so bright here that it overwhelms any light from the silhouetted areas.
Satire: The veiled sky three miles out into the backcountry here at “Re Pete’s” (the windmill’s) territory. He roams open country and does his best to photobomb my landscapes. Sometimes the only way I can get away is to go back in the timber. Windmills can’t follow you back in the Timber with those sail in the way. I no control over their actions 😜😜
Windmill Weekend (Windmill Junkies Unite). 🤛🤘 But don’t let your mother know you look at stuff like this.
Apologies: I don’t take as many windmill photos in the winter now that snow is covering many of my paths. Mud keeps me off the trails so as to not destroy them. We had several inches of blowy snow yesterday up on the ridges. Froze then melted off in the afternoon resulting in more mud and soupy soil frozen below, wet above . My rig (Ford Raptor), can easily do mud but I haven’t gotten it into the gumbo yet. I would only do so by accident of course as Gumbo (Bentonitic mud from clays derived from geologically processed volcanic ash. ) will stick a bulldozer let alone a baja truck no matter how well built.
In a few more years, I’ll be showing you images with branch shadow details with the full sunset behind . Cameras will then exceed our eyes abilities within the decade would be my prediction. Dynamic Range of camera versus eyes is a good google search.
Veiled Sun begun, the waters of life in it’s various forms all in this capture. Vapor, Liquid and Solid all co-exist under the moderating winter up here on the high ridges. Phase change occurring live real time in this “Action” photo lolol.
Currently we are loosing snow pack and the ponds are filling. Not all melts as much snow directly sublimates (google this) in this dry climate. Melting of course accounts for much snow pack depletion in the spring.
Here it undergoes a temporary pause on a long trek to the sea. Melt water ponded up in our front yard along it’s normal course through our homestead’s compound. The snow pack preventing normal contours from flowing water to the water ways on the ranch. Remaining still is about a foot of snow covering the ground. This after a long period of 50 degree days in Late February / Early March 2020. We are low on snow this year locally. I’d like to see a few more feet till early May but at 4 inches at a time from 30 degree windless storms. I’m sure I’ll get that wish…. 😜😜👀
Living up on a high ridge mean we often have snow when at lower elevations there is no coverage currently. Drop 500 feet off our plateau to the adjacent lower drainage is instructive to the paucity of accumulated frozen precipitation this year. This situation is what I call mud / ice season, sort of a sub category of white season. Green Season is 2 months away yet. Last freeze is mid-may. The mud effectively keeps me out of the backcountry 😔📷
I traveled 180 miles to get to this windmill before sunrise and of course have a whole timeline of this trip but this was the best capture of the drive. I was doing a presentation to a committee for a donation to the our 501C3 fundraiser for wounded warriors we hold every July.
The butte behind was such a good background I was torn how to compose this and settles on this. I had to stay on the road as this was well fenced off plus it isn’t my ground so I tend to stay off working only from the road. There is plenty to do from the road I point out.
Old Wooden Windmill towers are good for MAYBE 50 years. Some may last a bit longer. This is over in southern Campbell Country. . . There is big backcountry down there south of Gillette. . Very few 7-11’s about but commerce / ranching happens here. It is genuine backcountry Wyoming.
Middle of the day with the sun behind me is a rare image for me lol. Mid summer and me getting away from the ranch is a rare thing. I often go on short road trips on Wyoming/Montana backroads and not see another vehicle. Breaking down is not an option up here without LOTS of survival supplies this time of year. Blankets, sleeping bags, food and basics are all on board. I do have a very good radio that communicates via repeater from 30 miles away if necessary. Not to worry.
The perspective on this wide angle shot was amazing to me and I see this view regularly. Wyoming is on the left and Montana is on the right looking west right down the 45th parallel. (1/2 way precisely between the Equator and the North Pole coincidentally) This became a well dissected landscape. Rocks fractured due to freezing ice/ dry cycles is a huge process.. Boulders break into smaller and smaller iterations with enough time. Each sand grain thus formed actuates from the motion of wind and water. One sand grain at a time, the hillocks wear down, wash to the Gulf of Mexico
I stand on Cretaceous age sands but the Olive green tainted hills distant are younger age. Their rocks formed from sediments washed over 130 miles away from the BigHorn Mountains. This outwash from that massive tectonic uplift so far away transported here in the form of a “Fangclomerate” deposit. Those beds deposited eons after debris from the Big Horns filled up the tectonic “bathtub” . Located at their eastern mountain front (called the Powder River Basin).
The current rivers/hydrologic regime wore many thousands of feet of that debris off the older sediments I stand on. That just to expose them to the sky. All the dirt/rocks/sediment that USED to be above me, is currently all in transport to or in the Gulf of Mexico’s Mississippi River Delta. Just like the Prairie Dog Hills are made of sediments in Transport From the BigHorns (their source), to the gulf of Mexico (sink). Ultimately all of this ground will wash into the Gulf. That is assuming all precesses we observe today, continue into the future (a primary assumption in Geology/science)
From the Summer of 2018 which had a variety of smoke effects that I observed. This Red, White and Blue themed July Sky was appropriate for Wayback Wednesday as well as Windmill Wednesday…. Oh wait:
Windmill Wednesday: Windmill Junkies Unite : 🤘🤘🤘😜📷 Don’t let your mother know you look at “stuff” like this 👀👀
I’m trying hard to mix up what I’m posting daily OR going thematic like Moon Monday. As I am finishing my portfolio, working on images, I sometimes do a search of my files for a particular Subject) say “windmill”. I get several 1000 images across my entire computer but on my “to finish” drives, I have narrowed that field a bit. Only several hundred to go there lolol. Of course I have to deal with all the currently taken images daily too lol. I ultimately posses pretty a “set job” security just finishing images I already have taken. Literally there are years of work just finishing images.
Getting a digital camera capture/file ready to print means it has to be “Clean” with no sensor dirt allowed so to speak. Ideally I don’t have any “artifacts or false gradients/colors/hues and or any other thing that detracts from photorealism of the scene. This image is so close to the right colors of Old Glory. . It killed me that the orange wasn’t crimson but hey, I try to leave colors as I saw them. Close enough for “government work lolol.
Done in the camera (not a crop), I call this what I consider a “formally” framed image.👀 I took a great deal of precious time to precisely alight that gate with the edge of the frame. Hard to do with the angle I had to acquire to line up the banded cloud veiled moon. Camera lens distortion and other laws of physics applied. It was pretty dark too I point out as the sun hasn’t risen just yet that morning. Taken later in the fall after the first snow. All melted in this particular capture. It’s all covered by the white stuff at the time I post this in early March 2020.
There are only a few days a month when the full moon is still up while there is enough light to capture a landscape. A significant portion of those morning have obscured (as best) views of the setting moon. If I get one night a month where I get the full moon floating over illuminated landscapes, I consider myself lucky. What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands