This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truely amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
I was driving my new rig for this trip. It truly is a well suited vehicle to do what I’m doing. The 2020 Ford F-150 Raptor is the first new vehicle I’ve purchased since 2005 Jeep Grand Cherokee (Road Warrior) was bought. It is BY FAR the nicest riding, most capable pickup I’ve ever owned. ehicles for 30 years. . I just added a very serious LED light bar for the front which I used in this capture to illuminate these needles from the side. All those layers of colors are the result. I am adding some more light as time goes along here. There are 3 more built in switches for me to add lighting so I’m starting to get very serious about it. 🙂 There are so many uses for a bright light source in the backcountry. Stay tuned 👀😀📷
I was warming the souls of my trail boots along with my own soul for this capture… Watching dramatic scenes as this unfold in front of me is a deeply engaging moment by moment adventure for me. I work at a high operational tempo when there are minutes left in the light. Lots to do and not much time to do it.
A “sun slit” about 5 minutes to sunset, the flat light from the suspended ice in the air provides the atmosphere for this capture. Close/Far perspectives with these old fallen sentinels of the high ridges are well worth pursuing . They provide the artist with textures and lines leading off toward a distant focal point. Drawing the minds eye deeper into the image, the fallen tree lays waiting for the night. It was a soft bed in the snow.
This is dry high ridge country here in the borderlands of Wyoming / Montana . The location several miles into the backcountry of this 4000 foot in elevation ridge. In this area, occurred a fire that burned all summer during the 1930’s. That fire didn’t go out until the snows fell in the fall. This obviously changed the landscape from a heavily forested pine grove into a more open landscape. Prior to human habitation, wildfires were always burning unchecked across North America. Then it got worse because native Americans did a LOT of burning to open up the deep woodlands. A grassland/forest mix is good for the wildlife. And they knew it. Pretty much right up until maybe 100 years ago.🤔
Wildfire is natures way of controlling the build up of forest floor litter. The old trees do fine in the smaller grass fires under them. Many pine cones open releasing their seeds due to the fires. Fires are responsible for trimming back woods creating grasslands. Trees like this if hit by lightning will burn for days. If there is a LOT of fuel, it get’s pretty spicy in the grasslands.
There are “Islands” of Old Growth Trees, one right over my left shoulder that I was walking in . It is getting very difficult to get up on this ridge these days. I have to plow usually. Drifting is ALWAYS an issue up on the ridges. I actually have built the road up to this ridge top but there is no build road along the ridge.. Just two track trails……. I’m pretty careful. That’s all about knowing where not to go driving backcountry ridges in mid winter….. 🌲🤔📷
Miles into the backcountry, it was a chilly -2 degrees F. The ridge with the cloud veil blocking the blinding sun. This Perspective: Snag to the Sunrise is a backcountry very wide angle image taken about ten days ago as this posts. A lot of this snow has melted since the image was taken. A few days of autumn return but with mud…
There was an 1/8th inch of ice covering most of the north side of trees, the sun rising to the south west was just starting to light up the ice that was coating the grass. The Pine Noodles (Needles covered with ice) were a subject all by themselves this morning of worth light. This square aspect image is full resolution to 18 inches by 18 inches.
The is a very nice little ridge line being the uppermost reaches of the drainage. This particular ridge separates Trail Creek (Wyoming) and Ranch Creek (Montana). I usually work ridges in the early winter leading to road work only in the late winter. Snow depth will deny access to the ridges without me plowing snow over two track paths in the backcountry. I start going on road trips late winter when conditions look photogenic. The two tracks are drifted over badly is the rule. Deep snow is problematic from my viewpoint.
I am trading off my Jeep for a taller vehicle (F-150) some of my viewpoints might change lolololol. Hopefully I will be able to get through a big higher snow with this new rig due sometime this century I understand …..😃
Pine Noodle Frosty Sunrise is a perspective at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.
For some reason, I’m drawn to perspectives under icy sunrises. Focus close requirement(1) plus a sun show far (2)is my goal. Putting them in the same focal field is top on my list for planning this capture.
These two “priorities” fortunately compliment each other while in your Manual Mode camera settings. High light gives you the ability to set your widest lens to it’s highest fstop setting f-22 (ish). This cuts back light considerably which you need . It also lets you focus on things 10 inches in front of this particular wide lens AND have the background in focus. I always pay attention when I’m buying lenses to look for ones with the shortest distance to focus close. (macro) but if you want to do this, you need a wide angle say 12-24mm lens with a close focus.
Shutter speed 1/100 – 1/400 depending on your light conditions and ISO (camera sensitivity) is low like ISO 100 or ISO 200. This was a very bright light environment in the distance but just. The sun was just clearing the ridge.
The right gloves for cold work. There are many brands but I use:
The joy of -2 degrees is that the gear doesn’t like it, but my fingers take the brunt of the cold abuse. They don’t operate the equipment as well either if chiled.. I wear glove/mittens by “Red Head” that have the ability to open up your fingers. Fine detailed adjustments on a camera take more tactile feedback than through a glove sometimes. Finding your location on your camera body is the biggest problem. I find it is always better to have warm fingers and have quicker control of the camera bodies settings oddly enough lol. “Red Head Mittens” have been used by this photographer down to a -20 windchill with good results. I was tougher then though……