Dramatic occluded sunsets are typically dark. I present this dark because it was lolol. . It’s the color I was after in the highlights. It was dark enough that the dynamic range (DR) of the camera was apparent. The lack of DR there of is my point I’m thinking. My eye could discern much more detail in this lighting environment. There is a point. When the full sized sun popping through a thin slit on the horizon. Is effective already down. More of a candle light than the furnace it would be with the cloudy obfuscation. Most images would have a completely black / silhouette landscape in this light. Cameras dynamic range is lacking compared to the human eye. There are some that are better than most others lol. Give the technology a few years
There is a LOT of detail in the landscape buried in the “black” . Most of the ground here is 400 feet or so below the hill I chose to climb that evening. Driving up these hills can be challenging, but then the sun goes down and your still up the hill…..😜 One of the few disadvantages of “Clever Girl” versus my old Jeep Grand or even my Polaris Crew Ranger is being able to see over that big hood. IT does have a camera up there though…… 📷 It is also a full foot wider than my Jeep Grand Cherokee so fitting between trees I used to fit through becomes a considered thought process lolol.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana Title: Good Evening All
Taken from “Sunrise Ridge”. That is a magical place that gives me view to the east as varied as you can imagine. While the area I work hard photographically has is long list of beautiful things, I lack waterfalls, huge mountains and National Monuments/Parks in the front yard. A flowing river has always been a dream. But here I am stuck on a dry ranch.
Dryland ranching sounds romantic because it’s ranching of course…. Dryland when it’s actually really dry… not so much. The Dryland part is a quirk of fate. I ALMOST bought a ranch way across the state at Clark Wyoming right on the Clarks Fork of the Yellowstone river there. I would have ended up doing similar “hobbies” there as well. No matter where you are, there you are I have found in my travels. No dinosaurs in Clark but that area of the country is somewhat complex geologically. Interesting stuff laying around everywhere. Yellowstone right over your shoulder. Good seat if it blows too…. I digress..
Silhouettes of trees with just a bit of green showing in the shadow nether world. The ability of the camera to look into the sun AND see detail against the brilliant sun is blocked by technological limitations. I could set the camera so that it COULD see the detail in the silhouetted areas (dark areas) OR detail in the sun but getting both is beyond most technology requiring only one shot. Stacking multiple images with different settings can give you the best of all the worlds. That is a process that I don’t like for it’s complexity certainly but more importantly
Often I climb a ridge only to be clouded out of a sunset. To be honest, I was worried about this particular night’s cloud cover shutting me down. Just a thin band at altitude but below it snuck out a full blown solar spotlight. I call these sun slits where at the last second, the clouds part enough for our furnace to shine though.
The cluster of buildings is the Homestead of the Bliss Dinosaur Ranch. I don’t publish too many photos of the place but it’s a good scale to the breadth of this wide angle image. The largest white roof at the rear of the compound is about the size of a regulation foot ball field for scale.
The difference between an enormously bright sun and a now shadowed landscape is tremendous. The dynamic range necessary to see the extremes exceed the human eyes ability. Looking into the sun would cause you to avert your gaze. But you could probably see the landscape around it if you don’t stare directly at the sun. Cameras see the world entirely differently and not as well as the human eye. They can see into the bright better than our eyes can. They can see into the dark better than our eyes can. WHere they eyes win is being able to see both at the same time. Cameras don’t have the dynamic range the human eye has. Technology is catching up with us though. It won’t be long until the cameras are better. At least the ones I can afford to by now can’t do it.
You really have to see this full screen to appreciate it. It is dark but that is because the dynamic range required to look into the sun. The Camera relents. It’s inability to replicate what my eye sees is obvious to me. Technology will eventually catch up. The human eye has 5 or more F-stops of Dynamic range than the best camera. IF you blow this image up, you can see lots of detail in the dark. If you looked at the sun at the scene, it would have blinded you the glare was so intense. Cameras seeing details in the dark while looking at other very bright things is why silhouettes are created. The camera is unable to do what the eye does. I point out that the camera is better at looking into the sun than the eye is though 👀😜📸
This timeline was limited to about 15 minutes as this is just a thin slit for the sun to shine through. The cloud deck was otherwise opaque to the sun. It was actually quite beautiful as a stand alone sky show. Always trying to work a scene, I had no way to incorporate the foreground into this scene. I was up too high on the ridges and at a point JUST above the next ridge in front of the camera. No time to move. The cloud deck never lit up from under significantly on this show. That was a trick mother nature held out for a short 8 hours later for dawn the next day. That timeline will make it’s way into my work flow shortly. Stay tuned….
This silhouette “halfie” (almost) caught my attention for the extreme stepped gradient around the sun. I call these bow waves and don’t see them live real time very often. They are in reality natural diffraction artifacts from the thin slit in the clouds that the sun light is passing through. Ripples…. When light (or electromagnetic waves) passes through a thin slit shaped window, lightwaves ripple like water. The Physics of this moment should not be discounted. The slit was very thin, precisely what one needs for this natures “experiment”. The mind of the guy that figured this stuff out (Huygen) was right up there with the best. “Huygen diffraction” would be a good google search for you for continuing education on this. Constructive/Distructive interference of waves is the discussion which is lengthly. I’d never get it past my grammer checker (Nazi SS training in that program trying to explain all that) lololol.
So the bow wave here is literally Ripples around the Island of Light that the Sun’s Disk represents in this metaphor. Capturing ripples of light that are natural is hard and fairly rare. Note: I could do this in the digital darkroom very easily but this one is the real thing. Not a digital color shadow radius artifact. The whole discussion lies about the cloud “slit” which is the initiator of the diffraction process that provides this variable gradient around the sun. If you have a gradient like this with a complete sun, it’s the result of an artifact within the digital dark room treatment the artist (at that point) is using on his previously raw photo. (unedited photo=raw photo out of the camera). This capture is entirely unedited or I would have had landscape detail down in that black negative space.
I used to do stupid things like go up in the back yard to watch a rain/thunder storm come in at midnight. This was indeed less intelligent than my IQ would indicate my choices might be. Apparently somewhat risk adverse at the time, I was actually driving my Polaris Ranger Crew UTV which while it has a metal roll cage, had a plastic roof. This bolt woke me right up and could have put me right to sleep lol.
Doing a LOT of lightning shots every summer, I ordered “Clever Girl” (my Ford F-150 Raptor) from the factory WITHOUT a sunroof for a reason. IT’s always good to have metal between you and the storm.
Isolated from ground currents probably in the vehicle on rubber…Better than being on foot…. Having said that… I would not like to be under or even closer to that bolt. It felt like an artillery shell being launched. That along with the benefit of being blinded at the same time. Flash bang less than 1 second…
The old “Steel Yard” on the ranch is actually Over that hill. It consists about 1/4 acre of various antique farm implement parts and pieces with a lot of metallic objects. It is roughly 1/4 mile past that ridge line. I suspect the bolt hit a sharp edge there as moist drainage is also over there. I suspect that is where the ground currents went as I noted the sudden lack of Jack Rabbits down there after that too.
That was a very hard core strike from the incoming storm. It was time to go inside which I did post hast having learned my lesson. I’m much more careful now days but working on your porch is about the same thing as the Polaris with the fiberglass window into the metal roof overhead. Inside a vehicle or inside a house with a proper grounding ring around it. Never touch metal in your vehicles during a storm….
This is a 25 second time exposure in pitch black around midnight. Long time exposures at night have unintended consequences. Red and blue colors make pink with both colors being enhanced. The silly long exposure at least with my Sony Alphas give me these hues. I can’t see the real scene of a long exposure on the screen of the Sony to argue with it. This is just a close estimate by the camera of the scene. I just saw a flash… What colors are put out by lightning? All colors…..there was some ambient light from our ranch pole lights too messing the colors up….
Why time exposure? You get multiple bolts with a 25 second or so exposure, ISO 125, f4 to start with… Work from there moving your f stop up a click each shot to adjust to the ambient light conditions as necessary. Review the images for results and pick your poison for the duration of the storm.
Snowy days on the high ridges of the WY/MT border lands are rarer in the spring than mid winter. We do get some interesting snow squalls and falls during the spring. Winter storms in the spring impact right during calving season here in cattle country. This can be less than convenient to the rancher with new born calves falling out into snow covered frozen ground.
Your all mostly aware I have this photobombing windmill that gets into my landscapes now and then. Just ignore him. He’s handy for scale here though I must admit. The snow was obscuring most of the horizon coming down in shafts of different opacities. Overall it was an amazing sky but it was not very long lived with the sun setting within the minute. Without the direct flashlight beam, the sky shows intensity fell drastically over time with the set. It was very dark when I took this shot with just the yellow rays of the sun making it through the atmospheric gauntlet.
As I type this, a spring storm dumped about 5 inches on us last night. We needed the moisture badly as it has been a dry winter and particularly a dry spring. Receiving only 14 inches of water a year in this high almost desert land, we appreciate most precipitation event and await them eagerly. I seldom complain about rain or snow…
Location: Bliss Dinosaur Ranch, both sides of the Wyoming/Montana borderlands (Wyotana)
This is a 2 feet x 3 feet image at full size. Now I know this is out of season .I’m reposting some images refinished to current specs from this last summer. I think it’s an interesting break from the late winter weather we’ve been having.
It was raining on me at the time about 10 minutes after sunset. This was our version of twilight that late summer 2019 evening. I was in my Jeep Grand Cherokee on a large flat ridge top right in the middle of lightning flashes all around me. One of the better places to be during a lightning storm is in a car. That is as long as your not touching metal. It also helps if you don’t have long camera lenses sticking outside your open window….. oh wait lolol..
There are two ways of doing this. If it is very dark, set your camera on a stabile tripod in a dry area. Take 25 second time exposures at ISO 200 and f11 to start with… You will have to tweek some to see what comes out. Or use an external “lightning trigger” to snap the camera as the bolt touches off. Set your camera near or at ISO 200 F11 and 1/4 second. Your setting s may vary but now too far out. The trick here to get a full frame (not a crop) image was to watch the storm and figure out where the bolts were consistently hitting. Then you just point the camera into that area and wait lolol.
The Prairie Crocus (Anemone patens) is not uncommon in the backcountry. I think this is a correct ID with this flower but I’m a terrible Flower Identifier. This one was closed up for the end of the day. Sol setting through a slit in the sky.
I find one can only photograph what is in front of him. I would take photos of plunging high water falls or some exotic Asian scene if it were in front of me. Being fairly tied down here on ranch is a problem since I’m the repair man here. When in the middle of nowhere, you have to find beauty in what is at hand using the resources available. The one photographic attraction I do have. A LOT of high ground with a host of living things that cover that landscape. Simple is better…
On this particular trip out into the backcountry I was hoping for a magnificent crown sky to fully involve the sky show in front of me but no. Alas all I got was a thin slit in the clouds. Just mere minutes before the sun would slide below my line of sight to the horizon. My day working cameras into the light was about done. What to do, what to do???.
My mind screams “Close / Far” perspective!!!. What is available miles from the nearest building surrounded by prairie grass. This last summer was wet with most things that could bloom, blooming. This was late in the “spring” around early May. Our last frost is mid may and it was cool that night. The LED light bar on the front of my Polaris ATV provided the illumination for the Crocus.
I bit out of season… I need summer, right at sunset….
Chasing lIghtning is not for the faint at heart. Being in a vehicle “reduces” your exposure. It’s also possible for the vehicle to be struck. This can destroy the vehicles wiring or it’s computer. You also don’t want to be touching metal when that goes down lolol. I’ve been very close to bolts before. They are also VERY loud I point out lolol.
I was driving up in Montana where my son and I watched a bolt hit the dirt 30 feet off the road on the drivers side. It hit in front of us so we had a clear view of it. I can still see the scene perfectly in my mind just as if I actually took the photo. The truck was all closed up so the sound was muffled. I’ve heard some pretty loud bolts but with a window open… a close bolt is going to leave some “ringing” in my ears lolol.
I usually work scenes like this with 2 cameras sitting in the vehicles passenger window on window clamp tripods. Using Lightning Triggers allow you to set your camera to click with the bolt flash. My Sony Mirrorless respond within a few milli-seconds to the initial start of the flash. I usually use about 1/4 second exposure which you adjust to the brightest part of the image. (expose the highlights properly). If you set the ISO too high, you will have the bolts too bright which tends to grow them larger than they are. This is about as perfect an exposure as you can get for as dark as it was for this scene.
I was warming the souls of my trail boots along with my own soul for this capture… Watching dramatic scenes as this unfold in front of me is a deeply engaging moment by moment adventure for me. I work at a high operational tempo when there are minutes left in the light. Lots to do and not much time to do it.
A “sun slit” about 5 minutes to sunset, the flat light from the suspended ice in the air provides the atmosphere for this capture. Close/Far perspectives with these old fallen sentinels of the high ridges are well worth pursuing . They provide the artist with textures and lines leading off toward a distant focal point. Drawing the minds eye deeper into the image, the fallen tree lays waiting for the night. It was a soft bed in the snow.
This is dry high ridge country here in the borderlands of Wyoming / Montana . The location several miles into the backcountry of this 4000 foot in elevation ridge. In this area, occurred a fire that burned all summer during the 1930’s. That fire didn’t go out until the snows fell in the fall. This obviously changed the landscape from a heavily forested pine grove into a more open landscape. Prior to human habitation, wildfires were always burning unchecked across North America. Then it got worse because native Americans did a LOT of burning to open up the deep woodlands. A grassland/forest mix is good for the wildlife. And they knew it. Pretty much right up until maybe 100 years ago.🤔
Wildfire is natures way of controlling the build up of forest floor litter. The old trees do fine in the smaller grass fires under them. Many pine cones open releasing their seeds due to the fires. Fires are responsible for trimming back woods creating grasslands. Trees like this if hit by lightning will burn for days. If there is a LOT of fuel, it get’s pretty spicy in the grasslands.
There are “Islands” of Old Growth Trees, one right over my left shoulder that I was walking in . It is getting very difficult to get up on this ridge these days. I have to plow usually. Drifting is ALWAYS an issue up on the ridges. I actually have built the road up to this ridge top but there is no build road along the ridge.. Just two track trails……. I’m pretty careful. That’s all about knowing where not to go driving backcountry ridges in mid winter….. 🌲🤔📷
Perspectives such as this, require a very close/far focus. That is not an easy task in fairly dark environments such as this. This very small sun slit along with a virtually veiled sunrise took place. Just before the horizon dropped exposing the sun. It’s civil Twilight still, the sun has not risen yet.. (Astronomic, Nautical and Civil are the three twilights) I consider this a tough photographic environment certainly.
I do like working perspectives in low light. It’s working several problems at once in the cameras Manual mode. Such activities are an exercise in balance of the three major camera settings you have ANY control of. (white balance excluded).
Twilight is by far the best time of the day. Not many are up seeing what is going on most mornings. I’ve seen some aurora, I’ve seen so many sky shows . Just about every possible situation short of some ultra rare phenomena. I will testify that twilight is the most varied color, capable of the full rainbow of possibilities. Only the bright greens of aurora have I not seen from twilight. Oxygen excited by the sun at 60 -120 miles high is that green. None in basic twilight that I have ever seen. The variety of scenes, the play of low angle light, leads one to take the work if you can get it lolol.
This was not a cooperative sky as that sun slit closed up thusly closing down the sky show that morning. Sometimes I drive for backcountry miles only to get a few minutes of good light. Such are the dues you pay if you play the game of photon collecting.
So I see the wonderful veiled sky. I’m several miles in, well past an easy walk into the backcountry. (I drove my Jeep because this gear is heavy! ) This is “Re Pete” the 1930’s Aermotor Windmill. He is “Sneaky Petes” (the windmill) older/bigger Brother here on the ranch. Usually they are the photobombers working their way into my landscapes and sunsets. Here the ducks photobombed the famous photobomber him self. I have no control over any of this narrative OR the windmills for that fact. It takes on a life of it’s own😜😂
An interesting path that leads to this particular moment of space and time here forever frozen . That ridge line parallels a higher line to the east. This is VERY hilly country with big gullies separating flatter divides. Two track trails cross deep animal trails from a century of cattle walking. You don’t want to hit one of those at 20 with your jeep lol. As I say, my jeep is a short timer here now.
Incoming is a new Ford F-150 that should improve my ride quality (which is beating me up as I put 3500 miles last year on my ATV alone driving two track (bumpy) backcountry roads. I feel like I’ve worked in a mine all my life driving heavy equipment. I actually wore out a set of front brakes in 2 years on my Polaris Ranger. There are a LOT of slow downhill descents (anybody can fall downhill) on that Polaris. This business is not for sissies here in the backcountry.
I’ve only dumped ONE camera and long lens out of a moving vehicle to date. It cost 1000 dollars to fix that camera back. I feel that was cheap. Particularly compared to buying a replacement camera. The lens undamaged. I was traveling about 15 mph at the time. Then watched the unit tumble end to end. It was very close to this spot lolol.
Perspective on Old Farm Gear ‘s timeline started as a sunset session. Going up this hill leads to this 1930’s IH Deering Seed Drill (seeder). That Antique has been sitting here for a LONG time and has seem more weather, sunsets, sunrises than any of us left alive today. An old soldier survivor of wind, rain, hail, and worst of all, cattle rubbing against it. It has BIG views in all directions. (Change up seasonally eh? No snow in this one lolol. )
Up here on this high ridge (called rattlesnake ridge), you can see a 180 mile horizon to horizon. Going up on top of this ridge is a favorite summer lightning observation high point. Of course to photo lightning, you want to be in a metal vehicle high on a ridge right?? 🙃 This is also the “Closest” high point to my driveway. It’s about a mile from my door to this spot. The two track to here isn’t easily snowed over by drifts so I use this hill some in the winter to see what’s going on.
The rest of the year, this hilltop mostly connected to “Ridge One” here on the ranch is easier to get up on than some surrounding hills. Winter has a dramatic effect on where I can and am willing to travel. I haven’t had to walk back yet. The year however, is young and there are a lot of snows between now and when it will get warmer. lolol. We will have our share of 1 foot dumps this winter I’m sure. As the classical reference says: “Winter is Coming”.
The Lightning and the Seed Drill timeline started looking much further left than the camera points for this image. The head lights of my Jeep Grand Cherokee are what is highlighing the 1930’s IH Deering Seed Drill (seeder). That Antique has been sitting here for a LONG time and has seem more weather, sunsets, sunrises than any of us left alive today. An old soldier survivor of wind, rain, hail, and worst of all, cattle rubbing against it. It has BIG views in all directions. (Change up seasonally eh? )
Up here on this high ridge (called rattlesnake ridge), you can see a 180 mile horizon to horizon. Going up on top of a ridge in a metal object (jeep) next to another metal object (seeded) seems logical if you want to take a photo of lightning. I also think that sticking metal lenses out windows might be a good idea 🤔⛈.
Of course a high ridge is a wonderful place to watch a lighting storm as long as you don’t mind being on the target list. Sitting in a car covered by metal and not touching metal is a good thing in a lighting storm. I run my cameras on a lightning trigger and don’t have to touch them unless I move them. The one thing I’m actually afraid of is the really really really loud crash when a bolt hits your car or just nearby. I’ve been VERY close to bolts before. It’s not my favorite part of that photographic game. I like automatic cameras in this case lolol. 📸
I find that the Sony alpha 7 cameras I use tend to record lightning with a slight purple tint. This is very common in lighting captures in my experience. This is a 10 second time exposure . . Other settings were ISO 200, f20 and it was quite dark under that cloud with only a faint sunslit. I used f20 so as not to overexpose the headlights on the seeder.
The stratified cloud layer was rippled and in a perfect position to be lit from underneath by the sun as it dropped below the layer. It was heavily occluded before it got into the open air under the clouds. Big Sky yes but there is Herringbone sunset sky of both Wyoming AND Montana sky in this wide angle capture. (Most of my images have both states in them in one way or another).
The Herringbone pattern is not that common in my experience. Everything has to line up just right to get this kid of patterning/highlighting of just the low parts of the cloud layer. As soon as the heat from the sun hit this layer, the extra heat pretty much evaporated the clouds. Soon the sky went mostly clear for the actual sunset roughly 15 minutes later.
This location is only about a mile off the gravel road which this time of year is iffy. What you can’t see in this is the 5 or 6 inches of snow we have on the ground now. It’s been dang close to zero for several nights now. This is very early winter weather in my experience living up here in the borderlands. We get the best of both states AND the worst at times. Sometimes that is weather and other times it’s weather. 🤔😀
I’ve been busting still small drifts but I won’t go much off the paths now as it is really really slick and if you get into a hole, your not going to get out. They become gravity wells and even my jeep with full time 4 wheel drive has issues getting out of those in the winter. Don’t drop a tire off the level for anything. Hopefully I will only have this Jeep another month or two as I do have a higher smoother riding replacement coming with a 2020 build date likely lol.
Windmill Herringbone Sky My Landscapes are always being “photobombed” by “Sneaky Pete” the windmill. I have no control over his actions. 🤣 Windmill Weekend: 🤘 Windmill Junkies Unite!! Musings:
Nice sky that night. It disappeared (moved on quickly) before the sun got into the sunslit at the bottom of the cloud deck. It was still an interesting sunset. I love this kind of perspective using a VERY wide 12mm lens. This is a HUGE section of the sky with a wide 12 mm Zeiss lens just screaming perspective. I call the wedge of light at the horizon a “Sunslit” and as soon as the sun dropped below the cloud deck, most of it evaporated (literally lolol). The rest of that evening had just a bit of this going on. I found a few more applications for this sky (Compositions) up the hill on Ridge 1 where I get to interact with all the old growth trees up there.
Sneaky Pete is not an old windmill. He is about 20 years old. He pumps air for a small barnyard pond that we like to keep open for our ducks in the winter. The bubbles break open the surface under all but the coldest winters. It give the ducks a place to escape to. Their little pond has frozen over a few times and they walk up the hill and spend that time with the chickens because there is a small pool in their cage with running water there. The ducks number over 30, the pool is about 4 feet long by 32 feet wide and shaped like a kidney lolol. Sneaky Pete does a lot for the ducks….😄
5:50 AM as this posts. Enjoy the day and be safe in all you do.
These Evil Halloween Eyes from a rising sun I took a week ago as this posts. I’m always on the lookout for the Great Pumpkin Rising.🎃 I caught him here just sticking his nose over the hill top. Particularly at this time of year when all the supernatural creatures are out and about roaming the backcountry just waiting for an unsuspecting photographer to wander by… As if all the photobombing windmills were not enough for me to deal with……😜
The Sun was down below the horizon, this is a night sky, the spot lights from the sun’s down angle illuminating and lighting up the atmospheric ice suspended in the air…. It gave me this effect and several others interesting images as the clouds changed over the timeline. This is a ridge 40 miles out so a pretty small part of the sky which was pretty dark. These sky shows each have their own personality, sometimes several bi-polar sunset/sunrises hit me in a row lol. . I try and like to think I can read a sky like the actor Bill Paxton’s character in the movie “Twister” except I try to predict good or bad sunrise/sunset ahead of time to figure out what to do instead of where to chase the tornado as in that B movie lolol. More likely one of my many Delusions… yup 😄
Share freely with the season. It’s a natural photo not a digital concoction I swear. This stuff really happens… I just set my gear and click …..📸