A full frame capture of a Plump White Tail Doe (tending for a young just off screen). Note NO black on the tail? Not a mule Deer plus the ears are not right either. Taken in one of our corrals, there is a watering hole that is open 24/7/365. Many deer winter over due to the presence of flowing water. They would be forced down river to find fast flowing water otherwise. I bet we water 50 critters not counting birds most days over 4 tanks. Each in different location watering an area of about 3 square miles. I’ve built a little water jet that always keeps the tank open (so far through 1 winter). It saves a LOT of money pumping water.
The critters don’t mind at all. I’m waiting for one of my game trail cameras catching someone drinking out of the water jet lol. I’m still trying to figure out how these guys get in and out of the corral. They get into this enclosure earlier than I like to get up. I couldn’t catch them with conventional gear anyway lol. Too dark that time of morning. I use game trail cameras for that kind of thing usually.
I have all sorts of wildlife encounters around the stock water tanks. More time needs to be spend around those tanks. So many hours in the day….
I don’t see a lot of really strong “Belt of Venus” Pink even in the winter but it’s out there if ice is in the air. At As the long traveled reddish light hits the projector screen the ice collectively makes, that ice glows the color of the light. Just before sunrise, the blue darker clouds barely above the mountains on those clouds is the shadow of the horizon on them. That shadow “zone” will turn pink as the shadow drops with the sun rising on the opposite horizon. The clouds above shadowed by the cloud deck topping the sun slit also on the opposite horizon. So just a bar of sunlight making it to cinema screen.
This is that moment in space and time when the red light of the ice filtered morning sun, touches the far mountains. As far as backshows go, this is a good example of that variety of Alpenglow. (Belt of Venus). The planet Venus is Often in the pink some mornings. The pink belt surrounds the sky behind a sunset or sunrise if there is a LOT of ice in the air. The best Alpenglow displays are early winter based on my experience. Atmospheric ice requires temps obviously below freezing and at 4000 feet in elevation, that isn’t that hard to do. I’ve seen good Alpenglow like mid-summer before. It’s off season appearance is a fairly common event but it usually isn’t this intense. Interesting year.
About 10 percent of the time I drive by this remote road sign there is someone on it. This time the Kestrel, known as a “Falcon” is eating the head off a mouse. I was driving about 30 when I noted the as yet unknown bird on the post. Middle of nowhere, I had turned sideways driver window toward this guy and had but a few seconds to get the camera settings adjusted as appropriate. I keep all my cameras on Manual Mode. In fact I’ve never used them in any other mode so I do take a bit longer. If I’m driving I’m preset the camera but it still takes a few seconds….
The lighting was horrible to get this with the bright sun down behind the road sigh/post. This side of the very small raptor was in deep shadow. I dig details out of shadows as a matter of course in my photography but this one was a tough one. This is the best of 6 images he was patient enough to let me get prior to his departure. He didn’t even leave me a snack from his tasty morsel. IF I were on the other side of this bird with the light there, holy smokes would that have been a bucket list item. These are really beautiful little birds. The ability to hoover above a target is legendary. I rescued one on the highway once. I believe it lived if it survived any internal bleeds from the trauma that stunned it. I felt better anyway 🤔😀
Normally when you look at a rainbow off in the distance, it is actually way out there. Well if you get a 1200 mm lens and point it into the base of the rainbow, you might see something like this. That far ridge is at least 3 miles away with the closest trees at a mile. Telephoto images are notorious for having distance perspective crushed. You might think I’m standing at a normal 55mm just a few hundred feet from those closest trees. As I say… they are a mile out. Crushed is good for getting the proper look for this kind of perspective.
Rainbows are infinitely movable as you change your position to the sun. You can move a rainbow to align it over what you wish if there is enough rain shaft plus you are mobile. All rainbows are on the other side of the sky from the sun since they are a refracted light phenomena. If looking at the sun, you see a “rainbow” like phenomena like 22 degree halos and a host of others are on the sun side of the sky. The other side of the sky is strictly rainbows.
Photographic Musings: Manual Settings… Only three settings.
Distance is your friend. OK, another F-stop discussion…. High F-stop numbers take away a LOT of light from your light capture boxes. (camera). The higher the number, the smaller the hole in the lens for light to travel through. At the same time you make that hole smaller by turning up the F-stop number, you are thickening the “depth of field” focus depth. F-stop becomes a double edged sword. You can open up the aperture (turn down the f-stop number) and get a lot more light versus a pin hole at maximum F-stop setting. But you loose depth of field/focus depth) So Bigger hole in the lens= shallow depth of field but a lot of light. A smaller hole in the aperture means less light but it gives you the ability to focus on things close AND far at the same time. SO, you have to compensate for HIGH f stop numbers by adjusting the other two settings. Turning up camera sensitivity (ISO) boosts what little light that comes through a small hole in the lens. IT’s a double edge sword too though. More Camera Sensitivity (higher ISO) will give you a grainy image and introduce color noise. Speckles and big grain are not desirable so moderation is necessary. Lastly you have shutter speed. Slower than 100th of a second you risk blurring moving objects. Any movement from anything would blur under longer exposures. Rule of thumb is 1/100th for minimum handheld telephoto to 400mm (rested).
Location: Biss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
It is fairly unusual for a Pronghorn of any sex to walk toward the camera directly. This one is a doe. I can count on one hand the number of images I have even similar to this posture. Mostly visiting photographers see their butts heading out. Oddly, she was literally walking directly toward me for some distance. Must be near sighted… Or that Black pickup looked like an angus lol.
I would indicate though that if there isn’t triplets in there, I’d say she is going to have quads. Technically this might be the biggest “Fastest” land animal in North America. She might have been a little not fast enough last fall. I will tell you with certainty that she is not as quick as she was last year before that Buck got involved. I’m really not sure if she is aware of the fact that that “coat makes her butt look big”. I’m not going to tell her. A professional has to maintain appropriate relationships with photographic subjects after all.😇📷
I see so many Pronghorn each year I can’t keep track of individual does but this one seems familiar with me anyway. She looks pretty scraggly but that is only because she is shedding in clumps of fur. She’s perfectly healthy. Most Pronghorn in cattle country have big chunks of hair off their back as going under barbed wire fences at 30 mph has it’s draw “backs”. I’ve seen those scars get infected before but it’s not that common such that it kills them from it. It’s only known in the Presidential “Book of Secrets” why they prefer to go under fencing rather than over like every other ungulate in North America. 😜👀
A Dandilion Sun filter. I use “Cellulose” filters where ever possible to moderate the glare from that ball of fire up there. Sometimes what ever is handy… in this case :). I find you are where you are with only the gear you are carrying at the time. Noted is a spring bloom of the invasive plant in the backcountry. I find isolated patches here and there anyway. Fortunately, just about every part of the plant is edible and another food source.
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Veiled Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. I only had a 400mm lens for a “macro”. Closest focus for this lens is about 4 feet away. I’ve certainly taken this shot before and will again. It’s a right of passage for the “Close / Far” perspective students to get this one.
Figuring it out is not rocket science but you do need to be in manual mode. I’ve heard from some that manual mode is scary and difficult. Wouldn’t know as I’ve never operated any of my current crop of cameras on any other mode. I don’t have a clue how to work them on automatic….
I would way prefer a 90mm (ish) macro lens though. The long macros work well for close ups of dragonflies on the wing … Most telephotos will take macroshots, the question is how far away do you need to be…. 😜📸
When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This Lone Tree on a Ridge is about 1/4 mile out in this capture. The sun is a little further behind. High Ridges are their own reward even with out the photography. This is wonderful country.
Photographic Musings: The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities.
I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and extra glass in front of the lens has been an issue in the past for me. Just saying….
Taken about 12 days ago from this post, narrative written 8 days ago.. Such is my work flow these days. Present future and past reflections a this remote wetlands echo back to us in time and space. A Cottonwood Tree covered dam built many decades ago. A spring fed pond is home to many a gorgeous vista. It will have many more. Each sunset/sunrise is a new pallet of color for me to explore.
I have so many choices of where to pursue the limited time I have to chase the light. Because the wind was dead calm at the homestead. The flags were slag. I thought that a trip a few miles into the backcountry to get to this place would worth the investment of time and gas. .
“Backcountry” …. I’ve defined the term before and for all the time. OK, Here’s how it goes…
This little “Heaven on Earth” is 2 miles of bumpy two track dirt/grass road from the nearest county road. That county road is crushed red scoria (“Clinker”) gravel. Generally local gravel travel over well maintained roads is a dusty pleasure. I point out that these roads are fodder for “Clever Girl”. She eats them up. 🤔👀
So… upon gaining the county gravel, it is 14 miles of curvey / hilly 1.5 lane road to the closest asphalt paved two lane highway. . It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. 2 people per square mile density in this area while there are several hundred cows in the same area. Cattle Country with Dinosaur Bones. …. There certainly are more remote areas of North America but not a lot of difference from those to the lifestyle of living in the “backcountry”.
This spot is about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the image as do most of my photos.
The science of this is a little complex but here it goes. The light source is the late day setting sun but bouncing off my back Ford Raptors hood…you know…glare..😎 That bounce is important though in getting the photo as it effects the light…
The reason you guys buy polarized sun glasses is due to that reflection. When sunlight hits the hood, the light bounces off with a majority of it being horizontally polarized. Mostly all those reflected light waves are in the same plane, not a bunch of randomly oriented waves. The sunglasses you buy are plastic lenses with all vertical lines which only allow in light that is vertically polarized. This blocks all the glare horizontally oriented.
SO that is called “Crossed Polarizers”. A double filter as it were. Take two pairs of polarized sunglasses and cross them at 90 degrees and try to look through them…. They go totally black.
NOW put something between the source of the polarized light (either the hood or the first pair of sunglasses). I used here a delicate transparent feather that will pass light…. It bends/ refracts light a little bit out of that horizontal plane so some of it makes it through the second filter this side of the feather. So you see the colors as a direct result of a single polarizing filter on my lens (hand held and rotated), the camera on a tripod and pre focused. F22, ISO 300 and 1/100th to get your camera close .. It was very bright but the filter cut out 80 percent of the light but you can change that by rotating the back filter…. . 90mm macro.
The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.
There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..
Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.
Well a “White Throated Swift” if I read my audubon ID correctly. They are silly fast birds. Getting one launching from it’s home…. lol. My reaction time isn’t as fast as in my youth. As a geologists I’m less interested in the bird instead of the WONDERFUL geology behind it. I’m always thinking about Cretaceous river systems operating up here in the rock record. Geologists read rocks like a book. The local rocks make for a great story ! ..
Transition to geology:
Indeed this Swift is a cliff dweller exiting that dark subsoil homestead built out of the Cretaceous Hell Creek/Lance formation Cretaceous River bottom sediment exposed here. Those various “rocks” are all different kinds of mudstone “pebbles”. These were rolled down a very large paleo-river. Each rock torn up from the clay river bottom up stream then rounded along the way. There is a nice mix of clast sizes represented in the wall. The current velocity in that paleo-river obviously carried these pebbles to cobble sizes down river only to dump them here at this spot. That river lost it’s ability to carry this material leaving it behind for me to observe 66 million years later. No fossils in this debris which represents the source’s likely-hood of having bones in the clay. (way long discussion ommitted).
Somewhat more recently, rain water has very carefully washed the sand away from the pebbles showing this well exposed “cobblestone surface that is resultant from that pre-historic river depositional event. Notice I didn’t say “flood”. Floods wash sediment down stream as well as scouring clay chunks out of the floor of the stream. It’s the cessation of that flood that leaves this kind of debris as these transported mud clasts behind. Slower velocity drops the suspended and saltated load instantly. This pile of river gravel was eventually covered by another river cycle of deposition. The next depositional event overlapping rinse and repeat millions of times. The same river swept back and forth across the Cretaceous piedmont filling the epi-continenal sea at the time. Dinosaurs skinny dipped in these rivers sands/cobbles.
Great Blue Herons are not common birds here on the high plains but they do come to roost and breed each spring. Our ranches wetlands have our share of Heron Breeding Pairs. These two are sitting in a fixed up nest that still remained from the year(s) before. Breeding/Nesting in the high branches of Cottonwoods is a common thing to see up here for Herons. The Cottonwoods line water ways and courses in the borderlands of Wyoming/Montana. Tall and safe from any climbing creatures, they set up a home perched way up there. There were sitting birds in all the nests this eventing this was the only parent returning in light I could catch him in. Later was too dark to catch any action.
Absent all winter having migrated to warmer climes, they returned a month ago to start nesting. . These guys were also a football field away from the vantage I had on an adjacent ridge to get this level look at the tree tops. Add a very long lens and you get “up close and personal” if you will. Early on I can see most of the nesting in this 1/8 long mile extended cottonwood tree line. Habitants last year included a great horned owl and chick in addition to the Heron Rookery… I love this place’s diversity of subject matter. Raptors fly about harassing the Great Blue Herons.
Talk about a long landscape.. This is a VERY long shot… The Pronghorn here (all Males) are traveling but were nice enough to frame themselves at this remote ranch gate. The first ridge out in the “Prairie Dog Hills” is 10 miles distant from my camera. The “Red Hills” off in the distance are 40 miles away from the lens.
It’s obvious that Spring has Sprung. The grass is turning green. It is rocket fuel for the animals that have been eating brown grass all winter. Green season is one of birth and new growth up in a harsh country of long winters and frozen climate. These males survived the long winter this year.
Under this lighting condition, I was lucky to get as much detail as I did. The effect of extreme distance is with a REALLY long telephoto, is that even objects a mile away are in a different focal plain that the distant mountains. I had to resort to a low F-stop number to open up the aperture in the lens to let way more light in. The dark conditions just before the sunrise were such that deep focus was not an option while still capturing moving animals with no blur. I had to cave into the light and use the evil low f-stop number for a long shot. I really don’t like to do that. Rule #2 of Photography is to : “Get the Photo”.
Black and White… Handheld rested truck window, 1200 mm Zeiss/Sony optic/ Sony Alpha 7R4 camera body. This is a single image not a mosaic of the moon as I occasionally do with much higher magnification optics. 18 x 18inches. no sharpening applied thus no resultant artifacts seen so often in other forum posts. As it came off the chip with very minor shadows/highlights contrasting.
NONE of the earth’s current selection of climates would be happening without the moon. Remember the earth has NO climate, it has ALL climates. Anybody that talks about the “earth’s climate” is full of hooey to begin the discussion. (say’s the old paleontologist). ⚒⚒⚒
(Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s moving mass around the earth keeps the earths rotation stable. Maintaining the earths 3D relationship to the sun means stability. Stability means life can develop. Too much variability is a problem…
Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary to stabilize the Tilt of our planet like a stable slow motion gyroscope. (Tilt relative to the “Ecliptic” (another good look up). Most scientists will agree with me to say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. IT does wander over time BTW but a long time…🤔👀
Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky all year.
Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
Location: A little over Bliss Dinosaur Ranch, Wyoming/Montana (Wyotana) plus pretty much every where else 😜
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this cellulose frame moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. This is not going to happen in any camera in manual mode. To work this kind of image, it would be necessary to learn to use that camera on Manual Mode finally. I am happy to keep talking about HOW I take my photos for you guys to follow along.
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (like this one). What I was hunting for here was the Edge Reflections from the grass around the suns periphery. The hightlight are awesome to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool in the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good Pandemic feel good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn on no question over a DSLR camera. I buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
With a pink “Belt of Venus” twilight sky behind, the Male Great Blue Heron brings the sticks to it’s mate. The female builds the next and this is a brand new nest for 2020. There are at least 6 other nests in this treeline for these 5x5x5 birds. (5 foot tall, 5 foot wingspan, and 5 pounds). They are basically dinosaurs without teeth and tail in this paleontologists opinion. Tough light to freeze a flying flapping bird…
Spring time, the trees are just leafing out thusly I can still see these birds in their “bush”. Getting to see nesting activities this late in the game is difficult and changes with the lighting direction. While I’m waiting around for “flybys” and “launches” plus lighting… I’m busy searching this tree line for the Raptor and Owl Nests as well. Earlier last season I got a few long range captures of a Great Horned owl and a “chick” just down the tree line. This is a very biologically productive spot.
I am able to see clearly all 7 nests in this “rookery” at this early date. The female builds the nest with the male providing the “sticks” and other materials used in the construction. They start way early in the spring taking a month to hatch their eggs. It’s just about when the leaves start budding out on the Cottonwoods when I start seeing fledgelings. The leaves will obfuscate most of the nests from my long lenses (150 yards across a lake and 50 feet up this Cottonwood)
These large wading birds eat about anything they can catch/spear or otherwise grab. They hunt along the shorelines of the many lakes long the old “Texas Trail”. That trail runs from Miles City pretty much right by this spot as it continues down to Newcastle Wyoming. Most of the old cattle routes eventually head towards Oklahoma and northern Texas. I suspect millions of Montana Cattle Raised Cattle passed by this spot historically. They drank from this spring fed pond and enjoyed the large grassy pastures surrounding. It’s a nice spot to camp out for a few nights you might say 🤠 I suspect the herons were around here then as well….👀. Northern Wyoming/Southern Montana is certainly known as/located in their breeding areas.
Upcoming in the next few months…. (from late last summer 2019)
Can you smell the wet sage and the ozone yet? Hear the distant rumbles of the thunder? As this storm sitting over the whole northeast corner of the Wyoming and the southeast corner of Montana. This storm certainly spans the MT/WY border and probably is over in South Dakota as well. You can just see the edge of it to right frame. These big 40,000 foot high storms can be 100 miles across. Big spinning tops of a thunderstorm is a good way of thinking about MesoCyclones. They are the way we get most of our summer rain. Having moved over us the unfettered sun really popped in the refractions going on within the raindrops in the far distance. I’d estimate that rainbow is 1/2 mile out.
I see a lot of rainbows as I actually go to work after rain showers move through. It makes for a “Trip up on Ridge 1”. YGoing up the hill to see what is going on to the east. I see afternoon rainbows 10 to 1 over morning rainbows historically. Rainbows will move as you move. If I could have gained say 1000 feet in elevation magically I would have seen a full circle rainbow. A drone footage of a rainbow would show a big circle/halo of color. You see this with the 22 degree halos around the sun/moon. But rainbow alway present behind you when your facing he sun/moon. They are always down stream so to speak.
You might also notice if you look carefully….that the order of color ROYGBIV is reversed to VIBGYOR on the double component of this twin rainbow.
This White Tail Deer doe was literally moving out. Running with a small group racing across the road in front of my truck. Caught here just as she came over the road hump to run into the compression of the ditch. The physics of this moment caused my eyes to widen. I’d be plowing into the far bank of the ditch…. Not this little gal…
Seeing the situation develop ahead of time, I managed to pull a 45 degree turn in the road while stopping. This gave my lens a clear field of view to the group. Having only a few seconds, I’m known to have cameras pre-set up for the lighting of the moment. This was very early in the morning just a few minutes after the sun cleared the high ridge over my right shoulder.
Whitetail turn this wonderful light tan color in the spring. The shedding of their winter fur is mostly over and a silky look is the rule for healthy animals. I really don’t see a lot of Whitetail up here. I seldom can get close to them as they are WAY spookier than Mule Deer. I’ve heard that when Whitetail move into an area, the Mule Deer move out. I see the Whitetail leave each winter migrating to lower climates in the drainage. The Mule Deer overwinter in this high ridge grass prairie having the whole ranch to themselves for 7 months of the year.
This is 10 minutes before sunrise this early spring morning when i ran across this fellow. He was actually heading my way as I was setting up to shoot the sunrise soon to occur over my shoulder. I’m in my vehicle and pretty much in a “blind” as far as the local critters are concerned. They usually don’t mind if the vehicle moves either as long as it isn’t a fast movement or more than 20 or 30 yards moving slowly. Approach is very important lolol. Pronghorn are way more tolerant before Civil Twilight that after.
This country is big. I drove about 2 miles out into the backcountry to have this guy cooperate while I composed the capture. It’s always good when animals sit for me… The Orange Alpenglow was just a foretelling of the sunrise minutes away. This capture was dead center of civil twilight that morning. The Orange is the surviving Light that has traveled hundreds of miles through atmosphere. Th ere is was reflected from atmospheric ice acting like a projector screen.
There is no snow here at the moment as this posts. . ….for late April. We have had BIG snows in early May…… It has been a very long winter as it started October 1 this year. It’s been not terribly severe but it’s been cold enough long enough for me lol. Life up in the high Wyotana borderlands can be harsh at times lolol. Never a lack of things to take photos of though 📸
I was on a mission communicated clearly/assigned to me by my dogs. It was of their need for an “urgent trip” to “Go Outside” This little 220 pound Corso Mastiff had the look of a 5 year old on stage that “has to go”. He was sure he was going to “make a mess” and definitely went through the his “get my attention” routine. So while they are genuflecting to my greatness in operating the door, I was trying to get my coat on and gather a camera. The latter activity is a standard procedure along with strapping a good side arm.
So I get outside with the 2 dogs that claimed they “had to go”. Well they sort of said that. At any rate, the Male heads out and spies one of our ranch cats outside. All pretense of “I gotta go dad” when right out of the discussion. The cat was post holing across the yard occassionally shaking a paw with ice where it isn’t supposed to be. Suddenly the sat spies the dog that was already at speed moving in his general direction. The Female could have cared less and actually had “to go” oblivious to the chase just beginning.
Now if you consider this big fellow like a bear, you know to run downhill and turn at the last second. That strategy worked pretty well until it made the decision to climb up the tree to get out of reach. I caught the scene at the final standoff. I think the cat came out of it pretty well considering 😜📸
It seems to me that his is a pretty good actor. Had to go huh???.
The Three Sisters were one of the landmarks well known to those on the pioneer migrations. They could be “seen for a hundred miles” from afar. While navigating the open prairie over two track trails rutted from the wagon in front of you. Out of the morning mist, something you have just read about appears in front of you. Three Sisters were back lit up by alpenglow and the rising sun far off screen left. Also Known as the Missouri Buttes. They were an important landmark to the old wagon trains and settlers out in this country. It took a while to get from Saint Louis to this spot.
This taken a few weeks from now back in 2019 and just finished. Just at sunrise far to my left.
The Curved trail of red crushed “clinker” rock leads to an abandoned homestead in the middle of a BIG grassy area stretching 30 miles to the Sisters. The old homestead at at this location burned down many years ago. Like so many other places it was absorbed into a larger ranch. Our ranch has at least 4 old homesteads within a few miles of us. All abandoned from when this remote country didn’t have electricity or phone. Those conveniences didn’t come in to the many areas around here until the ranchers put up the poles and ran the wires back in the 50’s and 60’s.
You all have a great day and be safe in your abode…
Location: The Pass to Rockypoint on Trail Creek Road. Campbell County Wyoming.
Now you see why I maintain a network 29 game trail cameras. It’s a lot of work lolol. Well worth it. Every once in a while, I get an up close and personal face that I could never get at distance. Long lenses are one thing, getting close to a wild Coyote in the backcountry is not going to happen very much. I occasionally run upon a Coyote that is curious about my rig with my yellow flashing light running. (2 times).
The captures I get from these automatic cameras never fail to amaze me in their candid nature. Natural faces doing natural behavior. I’m thinking this male heard the 360 degree camera rotate into position to capture him. He turned in curiousity to see what the noise was. Flashing in an image balloon over his head popped up a “breakfast” as a vision…. I’m sure he was disappointed, continuing on with his Coyote business.
The quality of Game Trail Camera captures varies widely. This one is only an 18 inch square aspect. I usually don’t take them larger… Running these game trail cameras all year long, I don’t check them as much in the winter. Getting to them is the issue . They keep on recording/clicking though if I set them up correctly. You have to avoid putting them where wind moving things will set them off repeatedly wearing down the battery. The only thing you really can control with Game Trail Cameras is where you put them. Location:
I call this kind of sunset with divergent crepuscular rays a “Crown Sky”. The rays reminding me of a royal crown but it is also suggestive of a massive cathedral with a starburst at the focal point. I really don’t see too many of these. Considering the nature the particular environmental conditions necessary to create this.
OK here’s how it work. The light from the sun is passing under the lowest cloud bank just on top of the white disk. That light is stopped by the shape of the puffy bottom of the cloud surface. This creates shadows on the clouds/ice toward the camera. The “Rays’ you are seeing are the opposite of the shadow lineson the foreground of the effect. The lit up parts of the rays are illuminated by the light passing under that lower cloud bank. So that clouds bumpy surface profile is reflecting off the cloud deck. As a final “nice tough” here of course also has to be some falling ice crystals (hexagonal plates falling oriented like parachutes) to light up to really make it pop like this. So several things have to be happening at just the right time for this phenomena to occur.
I’ve seen these rays pointing upward like this capture as well as in a down facing divergent crown. I watch a lot of sunset/sunrises and I’d say these occur at a 1 in 500 rate or so. I have a handful of Crown Sky Captures over my travels.
My job is to be aware of the sunset the a sunrise each day. I check the light all the time deciding whether to take out from my homestead with a ” box o cameras”.
Sometimes clouds trap all the light, the actors of the stage show have no spot to perform in. Sometimes I get to watch dramatic plays happening overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second. I might take 800 photos of a particular sunrise as this. 3 or 4 images of those images from the twilight will be finished. More images later from after sunrise of this morning with different frames. They were equally as dramatic.
Skies as above are rare but the high ridges I work have their share. My studied perspective/understanding of this place is totally incapable of comprehensively navigating the complexities of the workings of this, my local “universe”. (for lack of a better word). There is no way to gather the information needed in our own limited memory of our short travels/experiences here on earth. . Ironic, the complexity of our thoughts the local “universe” can not conceive, but the perspective it has is beyond our comprehension.
All of us has ultimately a figurative and literal connection to the land lol. We will all end up there with all that came before. Some in our society are multiple generations removed from it. Meat comes from the grocery store for them. Not me. I grew up on a farm on the Prairie. Lived on a remote ranch in Northeastern Wyoming/Southeastern Montana for the last 2 decades.
I’m a geologist after all…. I would like to think my connection to nature here it is deeper than most. There is much more connectivity between living things and the environment than we give credit for occurs I feel. Even disconnected to nature by nurture human/me, can feel things happening an orderly manner here in the highlands. It’s probably my own psyche settling into the cycles, the yearly natural events of this place in space and time.
A tripod can come in handy in this lower light civil twilight sky. Long exposures are hard to do without them….
The joy of my work is that I get to see scenes like this. There of course is some discipline involved being up on those high ridges I frequent chasing light. Mostly it involves just kicking my legs over the side of the bed and getting up. I rise up pretty early in the summer with very short nights coming my way. Working the light often involves short nights. I might go third shift this summer and stay up from sundown to sun up, sleep during the day. It’s possible this is a better schedule for me as I’ve done it the old way for years lol.
The Close / Far Perspective in Low light is a function of how low the light is (chuckle). On the one or two mornings a month when the sun is rising coterminously with the moon setting, I hope to get a window to the moon. When I saw this cloud band cut across the Lunar Disk I figured that was the end of the show. Fortunately that was an incorrect conclusion.
I photographed this moon until it sank into the notch on the ranch on the right. Having prepositioned myself to position it setting in that notch. I find I am easier to move that either the ridge or the moon so you have to be accomodating to the Physics of the moment… 😜. This was a 250mm lens. I can bring to bear 1200 mm on that horizon for an up close and personal look. Posted in another place of course. Knowing where the moon is going to set is a simple matter of exploring a search of “Moon Compass” in Google. At least one of those sites will tell you where and when it will set. Then all you have to do is decide where to be when it sets. Being able to set and read a sighting compass to correct for Magnetic Declination changes will help in this endeavor. I use my personal 40 year old Brunton™ Geologists compass for such things. 🤔👀📷
This Timeline was the first of 2 essentially Full MoonSets over sunlit ground. I also worked a single full moon rise while the horizon was lit by the sun in the opposite sky. Here just the peaks are lit up. . Having clear windows for 3 of these in a month is a very rare occurrence. I consider myself lucky to get one peek a month. 📷📷
Following the moon down… The as the horizon climbs, the moon will slide down and right into the notch between those two hills. I have already published that image of just a little of the top of the moon remaining above that notch centered. I followed it all the way down until it was gone. Knowing where to be and when is a somewhat important part of my planning for an evening like this. I wanted the moon setting in that notch.
I had to find a high place with a view that lined up with the setting moons expected compass direction on the horizon. The Compass corrected of course for polar wandering.. The current resultant Magnetic declination is 8 degrees 44 minutes East current at my location. 👀🤔🤘 You can google the actual magnetic declination for your location. Many good compasses have an adjustment. Those that don’t, you have to add this mentally. Other wise your going to be 8.5 degrees off your nav’s.
What a beautiful supermoon.
Because the orbit of the moon around the earth is not perpendicular with the ground, the moon appears to be sliding to the right and down ward. It is indeed moving, revolving around the earth. We are rotating but it’s orbit is inclined. Don’t forget it’s the western horizon that is mostly doing the rising here lol. Two relative motions on going at the same time. Sort of hard to get a handle on it.
The Far Ridge is the “Red Hills” which has the Montana / Wyoming border sliding through right just off to the right of those peaks.
Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. This Evening the skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon rise this clear is “keep busy” lolol.
A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The hillside was WAYYYY easier to get to “sign”. This was a cool evening by the way. It was around 15 degrees at the time, 3 inches of snow all over the ranch land.
Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the hillside would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the normal hillside. Topography is my master.
It was very dark for this and is sort of a time exposure for a full moon. I’m digging seeing the highlights in the grass on either side… First time I’ve see it.
In the spring of 2019 mid-April, I took a “Wyoming backroads” trip up the Powder River Valley crossing the Montana / Wyoming border. This area is about 70 miles west of my ranch. It takes about 2 hours to travel to the start of this excursion.
The light this night was second to none. I drove this 2.5 hour drive in 4 hours. The last hour and a half was pitch black night on unknown country roads. I do carry two compasses at all times. I didn’t have a GPS which I have to admit would have been nice that evening. Navigating the crossing roads is not easy up here as they might start out going east but eventually wind straight north. So dead reckoning might just get you the first part. I’ve actually only been disoriented one time in 30 years up here. That was on an overcast night in the middle of a very large featureless grassy pasture. I had a compass which got me to a fence line with narrowed down my choices to two lolol.
The country along the Powder River reminds me of the Yellow stone plateau but without the geysers, tourists or buffalo. There are a lot of cattle ranches and CLASSIC photos to be taken along that drive. If you need directions and suggestions I request you PM me and I’ll get you on the right track.
Some twilights are full of primary colors so pure they rival a new Pantone swatch chart (about 300 bucks new). I very carefully reproduce what happened that morning here. The snow had a decidedly cyan tint which I can see clearly in my minds eye from the moment of the shutter release. I don’t see it too often, it’s always under intensely involved Twilight Skies. I see so many posted images of electric blue snow. I’m confused because I have never seen electric blue snow in real life.
I’ve lived in Wyoming working with color images professionally or other artists beginning 1991. Experienced a few well taken winter images up here I have. It is my observations that Blue Colorcast in Snow is quite rare. Images that have it, are (usually) either 1: improperly set up white balance (most likely), or 2: intentional twisting up the volume on a broad stroke color enhance control. Now I’m all for art in a photograph but with full disclosure of the deed. I’m not going to present an art work as a photograph. It’s a matter of Professional Courtesy to other photographers.
I have found that a good portion of the viewer ship like color enhanced photos. Everybody has their own likes and that what art is all about. Unfortunately for that segment I’m a photorealist and try VERY hard to accurately reproduce what I saw at the time. I’m sorry, if you like blue snow, you’ll have to look at another artist. I live within in a blue snow free zone.
Warbler and Turtles Sunning . (I have a big backyard)
First of all this is a game trail camera capture from last summer.. I have several 360 degree cameras that sense all around them for heat movement. I set this up on a landing under a tree to take pictures about 90 degrees to this. The heat of the Golden Warbler’s body triggered the camera and caught in freeze frame the turtle race ongoing on the log behind the grass curtain. The Male Warbler with Chestnut colored patches on his chest is not a particularly common bird up here. I caught this one several times with this camera though. I run a network of 29 game trail cameras spring through the early winter months. I have quite a few to gather after the winter isolation. Most will be out of batteries for various reasons. I do get interesting images from them. 🤔👀📸
That is a bunch of Western Painted Turtles sunning. This year I’m walking through there with a machete before I plant that camera. The grass is obfuscating to the turtles but I will get them next time lolol.
I saw the first Pronghorn on ranch for the spring this evening on the way to this pond. I took images of an early arrival Great Blue Heron this evening that will take a week to publish on line. A week is my minimum turn around generally these days. The time of same day “take the image” and “post the images’ has long since passed lololol.