Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise. THe sky starts to light up, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early December. We had lighter snow then than now. There is 6 inches flat everywhere on the ridgetops at the moment. You have to be very careful going off the ridge tops. The snow that use to cover them has been blown of to the sides. There hasn’t been much drifting yet this winter and I have a new truck now with excellent capabilities so it should be a productive winter up on the ride tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
I’m estimating this young developing Mesocyclone is 50 miles distant/ 50 miles wide. Relatively small for a Rotating mesocyclone. It was growing at the time. The sunset for that day is ongoing exactly behind the rain shaft so the bottom of the storm is pretty much backlit as well as your going to see through one. There are just plain intense downpours under these storms sometimes. Depending on how fast they are moving makes you lucky or flooded locally lol. These only rain on a few percent of the ground area up here. Spotty! The ground under them becomes totally soaked if the storm doesn’t move.
We had a summer Mesocyclone years back that sat over us and dumped 4.5 inches of rain in 45 minutes. Water was sheet washing down the hill behind my home and skirting around the house. Almost nothing got in but that slope was angle deep in sheet wash. I have since re-landscapes using mounds to redirect any potential sheet wash off the long hill to our back. It’s only been a problem once in 20 years.
That was a rough storm. Tragically a local cowboy from a nearby ranch was killed in that storm. A truck full of locals went out to see what the 100 year water dump did, drove to one of their herds to check them, road was fine. Drove back the road had washed out. That cowboy was a passenger in that truck. County Emergency Management called me to close the road off from my side of the washout. The runoff went through a major country road that literal gully washer did. It was a major culvert to replace and a big job. We couldn’t get to the highway from that road for a while.
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads the view. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the bright scene on your retina. A quick though of eye damage, you blink and a minute later your vision is back. .
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate.
This Northern (not the Wyoming Pocket) ) Pocket Gopher was on the Montana / Wyoming border. The Northern is considered a Sub-species of the Wyoming Gopher though… Underground mostly, this one was active as I randomly wandered by his ground in the backcountry. I spied the movement. Any hawk worth it’s name would enjoy this though I suspect he blends in pretty well on that sane of the same exact color lolol. I suspect the rock was warm too from the sun that bright early morning. It may well have been warming itself.
His burrow was next to this chunk of Hell Creek Sandstone. I saw him several times getting up on this rock to take a look around. I’m thinking it was pretty bright for him. It took a bit to get into position for this one. He didn’t like me at first but after about 15 minutes he was back at it again. This was not an easy one to compose lolol. He was king of the hill as far as he was concerned. Understanding your position in the world is an important perspective to gain lololol. 😜📸
Of course this is posted a bit out of season. I’m pretty sure this guy is sleeping here in mid-winter as I post this. He’s in a burrow under the backcountry snow at the moment. Filled his burrow with seeds and other stores. You have to admire an advance planner that stores food for the lean future. IT’s a good survival strategy.
The wonderful scene is another one of my game trail camera amazing captures as the Dragonflies Hunt Mosquitos overhead. This fawn down in the wetlands was in the high grass on the muddy lake edge.. The automatic camera captured it dead center of the frame. Game Trail Cameras us Infra-red motion detection to trigger the shutter and like any automatic camera, will snap what is in front of them. Depending on the lighting, Game Trail Cameras can even take a good photo now and then. This is an amazing shot from one of the cantankerous things.
As I’ve said a few times before, each and every one has problems but this one is a pretty good capture. It took virtually no work to fix the built in image issues of the Game Trail camera. I get captures like this because 1: I run a lot of cameras with 29 currently in the network. 2: I place them in unusual places with viewpoints that are not just on a post at animal neck level. I often put cameras very low looking up or in places like this where it’s obvious by the trails that game frequents the area. Setting a camera up too high would resultsin the capture getting the tip of it’s ears. Properly setting it low in the spring just about promised me it would catch a fawn.
One of the few things you have control of with Game Trail Cameras is where you put them. I could write a chapter on placing game trail cameras.
MONDAY MOONDAY : All moons all day….moon image number 5 (of 6) for the day 6pm edition..
Backcountry Moon Cradle:
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “snag” cradle it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the log / snag. Also If I move up 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. The ground I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
MOON MONDAY 3PM offer… Moon photos all day today. This is number 4.
These two jokers were hanging out where I was driving just as the moon Full December moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, the blue like under it is the shadow of the eastern horizon on the western atmospheric ice screen. There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon. As the western horizon moves upwards, the blue will disappear along with the full moon setting in due time.
Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Full Horse Moon…. instead of Quarter Horse Moon…. 😜😄
I would like to thank the quarter horse and the moon for sitting for me. A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The horse was WAYYYY easier to get to “sign”. This was a cool morning by the way. It was around 10 degrees at the time, 10 inches of snow all over the ranch land. This neighbors horse was with his all black cohort free ranging out in the backcountry. I happened by about the same time the horizon was rising to cover the moon from below. What a coincidence 🤗
This setting moon that morning was very visible with the sun rising over my shoulder left frame. The lighting was wonderful, the sky robins egg blue with wisps of clouds. The horse was only about 150 yards out for the soft focus in the close/far perspective that this image is. I’d preferred 200-300 yards but beggar opportunist photographers can’t be choosy sometimes 😜👁 Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the horse would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the horse. I couldn’t walk any further back and still line this up. Topography is my master.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).
I know, it’s out of season in Wyoming, not so much down south at the moment though. Be careful down there. As the cold air moves over us, the arctic blast does BIG storms in LA, MS, AL, GA….. Be careful out there and prayers for those effected by the storms.
In this complex summer image, I set the camera up at the mirror to reflect the sky slit 90 degrees left frame….Flash….. Can you find the Deering Seeder? This was a HUGE mesocyclone that hadn’t even reached us yet. We were just under it’s leading edge here. That shelf cloud is an indication that it’s about to get sporty. The 80 mph winds this brought with it did some damage. The big hail missed us though. That big white roof is our big barn which is roughly the size of a regulation foot ball field under that roof. It’s an old roping area under there.
This storm donated quite a few lightning photos. I usually work storms like this up on the ridges definitely in a car. The car doesn’t make you immune to the strikes but it helps. Your not going to get killed by ground current if your not touching metal is the plan. Not that the bolt couldn’t hit the camera. I’ve been pretty close to some strikes before and it will wake you up. Looking forward to working it with the new vehicle with no moon roof. I ordered it WITHOUT a sunroof (a several thousand dollar options that will probably leak). More metal overhead is a good thing I’m thinking lolol.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this and see a moon orbiting a gas giant planet such as Jupiter. That is because I live in a science fiction world of fantasy at times. I also have a somewhat overactive imagination but that is for another story lol.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
A big super-telephoto fast Canon lens to do this work is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
I present a Golden Hour Veiled Sunset set against a snowy corral / pasture pipe fence line. Smooth curves are everywhere and no matter how hard I tried, I couldn’t line up the sun with the gate precisely. Well I could but I wouldn’t have gotten all these curves / waves lololol. My OCD is amiss 😜. I’m always looking for unusual angles. The smooth curves of the snow banks combined with the fence’s waves here fall under oddball for sure.
Corrals built this way will last a while. That is 3 inch drilling well stem pipe interlocked and screwed / welded in place as the frame. The fence is all made of solid steel sucker rod from old oil wells. It’s an inch across and pretty tough as it is all thick solid iron. Not much gets through this kind of fence arrangement. I’m pretty sure it will last 1000 years in this low water / precipitation environment unless someone tears it down with heavy equipment and a torch .
About 1/2 of this illusion is the actual topography / landscape here but the rest is all about a really wide lens. Wide lenses distort on the edges and by using a “tilt/shift” lens, you can manipulate the distortion by enhancing it or removing it. Much more on the left than the right of the frame. THe lens actually moves either side to side on the camera body. This moves the “Sweet spot” of a good lens right or left on the camera sensor. It also moves edge of lens distortion. Google “Tilt Shift Lens”
I often find myself out in the middle of nowhere in the grass during sunset. Humm I wonder what’s around for filter material? 🤔🤔 Also discovered is the tendency toward you actually being where you are. A limiting factor certainly lolol. Photography is both planned AND accidental when it occurs. Rule one of getting a photograph:
RULE 1: Have a camera with you as much as possible. I don’t even like to go outside without one when I’m going to do ranch chores in the mud in the rain.☑️
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Clear Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. Here I was using the headlights of my Jeep (very bright) to illuminate this side of the thistle plant. The Thistle globe of seeds was my sun filter to reduce / minimize the difference in lighting between the front with the bright unbridled sunlight behind.
Anybody notice the Photobomber in this image? You have to look past the obvious to see the little spoiler lolol. Interestingly enough I didn’t see it until I got the image up on the big screen to finish the image. So I suggest zooming in on this capture lolol. 👀📸
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish.
Yet another capture driving along remote backcountry roads up here in the borderlands. I saw these two Raptors talking 30 feet apart on a fence. At this lower f-stop setting, the focal field was about 20 feet deep and these birds a 20 feet apart lol. The left one is closer to me than the right (rear) one. They took off just after I came to a stop and started machine gunning the 1200mm lens.
I’m not a hawk expert and the distinction between Red Tailed Hawks and Ferruginous Hawks seems blurred to me. I suspect somebody knows the answer that will be reading this. Feel free to correct my ID as I’m only about 80 percent sure. The different sizes are an obfuscation.
Random encounters result in opportunistic captures for my photon traps. (cameras). I see them….driving along a gravel road, stopping. Then getting out standing between the door and the car with a 2 foot long lens is a chore best accomplished with some haste. Doing so and not have the birds fly off is a whole different encounter. The chances that both birds would hold their ground on a vehicle incoming at 45 mph is small. 45 is the speed limit on most gravel backroads around here. Then have enough time during all that get a camera up and set properly in manual mode. . Elapsed time less than 20 seconds I would imagine.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
These Hawks look to be both the same sex… Might be wrong..
As I travel across our ranch, the song these guys sing fill the air during the warmer months. I do miss them during the cold months. There is too much snow for them to cope with now. Most of the grass covered by the white blanket. We just had a 4 wheel drive 3/4 ton truck with a horse trailer attached get stuck in the snow.
This seems to be a popular post with all the decorations sitting on the top. When every you have many acres of birds with one tall post, it is going to be used as a perch. This one is well used or so it appears lol.
These guys are hit or miss approaching them. All of my Meadowlark Captures are random encounters as I drive around my ranch. I’m not putting out feeders as my cats would make short work of that plus I feed birds generally out in our barnyard when I feed my chickens. About 5 gallons of feed a day goes to my barnyard flock and about 1/2 a gallon to who ever else comes by lolol. There are a lot of freeloaders eating off that trough. I can’t blame them.
The Meadowlarks are mostly insect eaters and tend to head south with the weather. Seeing these guys is a sure sign of spring posted here a day after the solstice.
Winter leaves a few nice scenes to offer me out in the backcountry. I have so many choices where to point my cameras. There are certain basic photographics principles one wants to follow. I am always trying to adhere to those rules. There is a strong rule of thirds here both horizonally and vertically. The old masters discovered visual tunnels of which I’m always on the lookout for. Framed here by the totally frosted pine “noodled” tree. The Visual tunnel to the mountains 40 miles distant is just above center. Every thing I saw through the eyepiece of my camera said “Click”. So I clicked lol.
Those are the “Red Hills” off in the distance. We actually have more snowthan in this image as I type this. Even the grass is coated with ice in this capture. Any surface that was exposed to the wind had freezing fog stick to it’s surface. Coating everything.
This beautiful hillside that I’m standing on is very close to precisely 1/2 way between the equator and the North Pole. A long walk either way lolol. Its exactly 5,000,000 (Five Million) meters from this hillside to either point. Some well connected person in history decided 1 meter would be 1/10,000,000 of the distance from the north Pole to the Equator. You can covert 10 million meters into Ten Thousand Kilometers though. 45 degrees north latitude precisely. This also corresponds to the line that IS the Montana / Wyoming border.
A tad out of season is this Bee Pollen Mining on Hollyhock
I’m still finishing random photos from pretty much the last 3 years so don’t bee surprised to see a few more trickle in this winter lol. Its nice to keep the season in perspective. Looking back 6 months ago is healthy if you have the images. This wing detail is pretty good and the overall focus dang good considering how close I am. The limitations of the technology are such that deep focus in these macro images is not easy to achieve. There is a fine balance between getting closer and getting focus. It depends on what your wanting to do technically.
Bumblers are sort of rare these days. We’ve been in winter conditions pretty much since Oct 1. That was the last time I’ve seen a flying bumbler this year. I’ll do my best to give you macro fans a slow but steady flow of the little guys 🤠
The detail deep in the flower is amazing.. The first hard freeze took care of all that opportunity 😖 Now there is about a foot of snow on the ground.
I like the winter, but……starting in October is a LOT early. I’m used to mid-november kick offs and hard freezes. I’ve took a road trip through Yellowstone in mid October one year. Not this year lolol. Wyoming weather is such you can have snow in any month of the year. This posts Dec 8th….
So I see the wonderful veiled sky. I’m several miles in, well past an easy walk into the backcountry. (I drove my Jeep because this gear is heavy! ) This is “Re Pete” the 1930’s Aermotor Windmill. He is “Sneaky Petes” (the windmill) older/bigger Brother here on the ranch. Usually they are the photobombers working their way into my landscapes and sunsets. Here the ducks photobombed the famous photobomber him self. I have no control over any of this narrative OR the windmills for that fact. It takes on a life of it’s own😜😂
An interesting path that leads to this particular moment of space and time here forever frozen . That ridge line parallels a higher line to the east. This is VERY hilly country with big gullies separating flatter divides. Two track trails cross deep animal trails from a century of cattle walking. You don’t want to hit one of those at 20 with your jeep lol. As I say, my jeep is a short timer here now.
Incoming is a new Ford F-150 that should improve my ride quality (which is beating me up as I put 3500 miles last year on my ATV alone driving two track (bumpy) backcountry roads. I feel like I’ve worked in a mine all my life driving heavy equipment. I actually wore out a set of front brakes in 2 years on my Polaris Ranger. There are a LOT of slow downhill descents (anybody can fall downhill) on that Polaris. This business is not for sissies here in the backcountry.
I’ve only dumped ONE camera and long lens out of a moving vehicle to date. It cost 1000 dollars to fix that camera back. I feel that was cheap. Particularly compared to buying a replacement camera. The lens undamaged. I was traveling about 15 mph at the time. Then watched the unit tumble end to end. It was very close to this spot lolol.
My target was the smiley face in the sunrise As I pointed the long telescopic lens at the fence brace to line it up I noticed the Meadowlark. I started snapping and caught this. I think the Meadowlark was as surprised as I was. Both of us saw the anthropomorphic image unfolding. Only we saw it and he didn’t have a camera.
Meadowlarks are very active this early. The sun had been up for about 1/2 and hour. I had been photographing the sunrise. I was headed back as the sun was climbing into a dark thick cloudbank. Looking back, I saw this lol. Backing up a little, I got in position. Click on machine gun setting which works will that time of morning with all that bright light. (This was a VERY bright scene. ). This accounts for the dark tones as the difference in dynamic range makes silhouettes out of things the human eye resolved. The best cameras can’t resolve this much difference in illumination between objects.
Meadowlarks are abundant up here in the Wyotana borderlands/high plains . Beautiful Song and obvious Yellow breast lending itself to be the state bird for several states out here in the west. Abundant in their preferred habitat, they thrive here on our ranch as far as I ca see in this environment. They gorged on Grasshoppers all summer. They are welcome here anytime . A Dozen per acre would be my estimate in the deeper backcountry. There is a lot of grassland up here and these guys thrive in this environment. They have a beautiful song and are a little difficult of a subject. This Image is a 2×3 aspect to 36 inches.
I’m not sure of the seed plant here. Grows in big bunches. Not a lot of them on ranch so they are probably a noxious weed I don’t know lolol. Anyone got an idea??
Our ranch is about 1/3 pine treed pastures and about 2/3rd’s grasslands. Autumn down on the flats off the old growth treed ridges is a different perspective entirely. Thats a good mix of winter and summer pasture. You don’t want your cows in pine trees as the pine needles they eat cause spontaneous abortions from the turpentine they contain. Deer do just fine with them but not cattle.
Autumn happened on a tuesday this year in full disclosure. This is actually winter in this shot between snows/melts and was taken about a week ago as I type this. (2 weeks from when it posts. ). Up here in the remote ridges/high backcountry of Wyoming/Montana borderlands, we have a pretty long ramp up to full winter. That ramp is pretty steep this year so far lol.
The sun was just dropping below that cloud deck highlighting everything in a gold light with about 15 minutes to go to sunset at this point. I love perspectives and wide lenses
When the sun starts rising, I’m working very long lenses looking at little postage stamp at arms length sized areas of the sky. The tree was hundreds of yards out from my position as getting it in focus was a priority. Distance from the foreground object is your friend.
If camera settings need to be known, looking into a really bright scene like this, LOWEST ISO number, Higher fstop number and really fast shutter speeds. Most camera users need a neutral density filter in front of the lens but I don’t need them with this Sony Alpha 7. I really don’t like them on my cameras as I often get ghost images in really bright off lens center axis photos. Never use em. Neutral Density filters reduce the over all light coming into your camera.
Set your priorities and start working in Manual Mode folks. You can’t take images like this without it.
Getting this up close and personal to a bedded Pronghorn is not a common event mostly because it took me an hour to work up to this gal who was still bedded as I drove away. I probably have 1/2 a dozen images “about” this close to a living Pronghorn but this is probably the 2nd closest I have with the closest being just an eye shot of this gal.
Approaching a Pronghorn
Some of them obviously think of my Jeep as just another grazing animal and tolerate me in pretty close as long as I drive like a grazing animal walks. (long story). Cars are without a doubt good portable blinds…no question. But the only shooting from them is with a camera lolol.
There is the discussion of getting animals used to vehicles because this isn’t a problem here so far…. It’s getting them used to the human form that is a bad thing. Hunters don’t hunt up here from vehicles if they are doing it legally. (well maybe some handicapped hunters shoot from vehicles). Hunters mostly get out on foot and because of the human form in the past shooting things at them, chasing them etc, pose an easily recognizable danger to the wildlings. If I get out of my vehicles, the result is these critters are “OUTTA THERE”. They don’t like the human form.
Poaching of course is always an issue but that isn’t a really good idea on a place where the proprietor is out with cameras all the time Also this is a VERY big place so just because I have a photo of a big buck photo, I’ve got about 100 square miles to search for it. Fences are no barriers to Pronghorn and Deer. They go where they want to. If you want to poach, go elsewhere lolol.
Slow but sure wins over impatience pursuing Pronghorn Portraits all year long 📸
Here is a single Mountain Blue Bird on a Yucca Frond (stick lol). . These guys are mostly elusive to me but this one put on a show for me within pretty close telephoto range. It was nice of him and I do appreciate the photo session. It’s the only one of it’s kind I’ve ever experienced. . 🙏
These 6 inch long one ounce birds don’t make much noise in my experience but a little in the morning. Hard to describe. They are fairly small Thrushes with a round head outline and straight thin bills. Sky blue is how I describe the color but are a bit darker on the wings and tail but with a light patch under the tail and it’s stomach. These guys hoover while foraging for insects. I’ve seen it many times. This guy was jumping around this Yucca Flower frond as seen and zipping about and then back to this place.
He was putting on a considerably good show for me in my portable blind (my jeep) while I had just crested a hilltop in the backcountry. He was flitting around this Yucca like it was a toddler on a sugar high. I just by happenstance had an 800mm camera set up with me that I grabbed off the seat for the fairly close encounter. Several other Males were in the area pretty much just watching the aerobatic display I think as I was … amazed at it’s abilities. They hoover to catch bugs so they have mastered their environment for sure.
We are actually a little low at 4000 feet in elevation for them as they are found to 11000 feet up in the hills. The do like our grasslands though. Lots of bugs out there for them to eat…. Good habitat for most insect eaters.
Hope your being safe this Sunday. Get out and enjoy the weather if you can…..
This Pronghorn Doe Sliding under a fence during it’s spring shedding make her back look much worse than it is. She was dumping hair by the clump along her back from rubbing on wire crossing fence lines last spring. She’s fine from this maybe a few scratches and maybe a few get infected now and then but I don’t see it very much. There are only three wires here with the 4th broken so this is a favorite place for wildlife to crawl into the hay pasture from the pasture where the water source is. (Game Trail Camera at the “funnel”). The fence has been broken here for years left for the game to get through. They are used to it…. I Even have a blurry picture of one of my Corriente’ Long Horns jumping this fence. I even have an antelope doing the same thing jumping over which is pretty rare lolol. I’ll get around to that image as I run across it and get it posted .
I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This is a favorite lone tree of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame.
Twilight skies are notoriously color boosted. I would suggest to you that if anything, the real show was actually much more vivid in person but I stopped a bit light on saturation on this one as I’d like it to be believable lolol. It was beautiful.
To freeze a Dragonfly in Time and Space, you need to be patient and persistent. You also need to understand that dreaded M for Manual on the top of your camera. A cell phone isn’t going to do this, a DSLR on anything but manual has no chance either. Sooooo, here’s the trick… (catching a fly in between 2 chops sticks is easier) 😂
Photographers notes: This is an 800mm telephoto in direct bright sun (requirement) with your f stop on that long telephoto being f22 ish for a longer depth of focus field. He had to fly into a little zone about an inch thick at 15 feet away (minimum focal distance for my 800). That lens acts like a macro at 15 feet. IT is on a Sony Alpha 7RII giving me 70meg raw files or 40 meg .jpgs depending on what I tell it to do.
So I’m following a moving dragon fly and trying to catch him in an inch wide zone, and almost fill the frame at the same time. (this is a full sized image not a crop except for the sides of the formerly landscape aspect). I’ve never used autofocus, I don’t think it would work on this anyway. I set up a zone and let the dragon fly…fly into it. Machine gun clicks at 10 frames per second.
I digress, the faster shutter speed (which sucks up light) has to be fast fast fast at least 1/2000th of a second or more to freeze wings.. I was about 1/1500th here… Just a TAD too slow and a compromise to get more light… . Faster shutter = less light and your already loosing light from the f22 adjustment). You give up light for focal depth and fast shutter…. You have to compensate somehow….. (only three things you really can adjust on a camera , ISO, fstop/aperture size and shutter speed)
So that leaves ISO (camera sensitivity) to balance your image and gain that light back…. Less is better when it comes to ISO since too much will make your image grainy. Note how fine the grain is on this image. IT’s the last priority though because it lets you get the shot which is an important thing lolol..
Crawling back into a natural Shelter in the backcountry at sunset would make one think about the little critters inside (and anything else that might hang on out them), but it was cold enough I’m thinking the creepy crawlies were pretty slow motion when I was in there. Nice and snug out of the wind though lolol. It’s turning winter fast here in the Wyotana borderlands.
Windmills make wonderful Sun Filters. This smokey sun was aiming to hide behind the old Windmill but little did he know I was watching with a camera looking into the that bright glare. The windmill moderates the light literally filtering some making it easier on my gear.
This is “Re Pete” about 3 miles out in the backcountry from my homestead. It takes me about 20 minutes to drive out there on two track roads negotiating gates etc.
He’s always photobombing my landscapes. I have no control over his actions🤣 (Years long narrative if you haven’t been following).
“Getting Ready to Bail for the Winter” is a contrast of size and the nature we shape to our needs.
This LITTLE sparrow (I’m terrible with bird ID’s…. a Fox sparrow?? but he’s probably too small) is tiny compared to the Huge Blue Biodegradable binding wrapped hay bale which is roughly a ton in weight and 6 foot diameter 6 foot long cylinder (bale).
This tiny decendent of the avian dinosaurs was the T-rex (in his mind of this “mountain” for a while.😀I was trying like heck to catch him flying away. Got one blurry at 1/1000th…..fast wings! Shoulda kicked up the ISO and gone 1/4000th…Loose some f-stop too 🙁 From 50 yards out.
The “Bokeh” (google it) is wonderful in this image, looks like wood grain. 😎.
40 Miles distant from the Camera’s lens, I’m at the same elevation at that snowy far ridge “Red Hills” in this Layers of Landscape image. Big views from up here 👁 Spotlightling was rife that sunset (about a week ago). Your looking across the Montana/Wyoming border as I’m standing in Montana. It’s snowy where I am too. We got 4 inches of heavy wet snow but the ground in the valley’s got rain. Rinse and repeat all winter lolol. I have never seen it this green up here in OCTOBER up here in the 20 years I’ve lived here!!!!!!!
Geologic Note: The big Valley is the Little Powder River Drainage. It’s about 6 feet wide at the moment. It removed all that sediment between here and there though…. 🤔 From where I stand, the originally flat layers of sediments are Diving underground 50 feet every mile generally in that direction more underground. They dive into the LARGE Powder River Basin at the foot of the Big Horn Mountains 130 miles distant. The Basin is literally a downwarping of the earths crust forming a wave where the wave crest was eroded away to form the Big Horn Mountains, which wore away and filled up the wave trough (the bathtub next to the mountains where all the coal swamps formed) So the Dinosaur bone bearing Sand Beds that blanket my ranch disappear about two miles west of my house diving underground and younger rocks are on the surface. The BigHorns happened After the Dinosaurs 😎
The “Red Hills” are called such because they have a LOT of usually/mostly Red “Clinker” rocks which are coal fired “underclay” that turned to a natural ceramic by the underground fires. It is literally a coarse uneven ceramic in hardness and “Clinks” when it drops. Native Americans made a LOT of tools from it. Lewis and Clark thought it was of volcanic origin. Large outcrops of it exist all over the area and it’s mined as gravel for roads after crushing. Lots of rattle snakes live in “Clinker” dens. The Clinker shrinks as part of the process leaving voids which are homes for many creatures on the surface but often make for local perched water tables that occasionally are big enough for light local use.