Crimson Sunsets with a boulder field acting as a sun moderating filter. Otherwise the glare is such it makes it very difficult to catch the detail in the clouds above. I point out that cloud frame is a Pariedoliac’s dream with a dozen faces, figures, creatures and imaginary anthropomorphic shapes. I’ve got horses, dolphins humans faces. I swear I did not put those shapes there or add dots for eyes or any of those cheating activities. This is a totally natural image with a pretty much closed down camera to light. That sun is bright. The human eye could not look into this scene.
Taken at the top local top of the world with a hard boulder covered butte top protecting the sandstone below from erosion. Most buttes are built by cap rock protecting the softer sediments below from being removed. Ridges are formed because everything softer was carried away by water moving one grain of sand at a time. Just lots of time.
Photographic Musings. High F-stop for the deep focus plus loosing some light. (you’ve got an overabundance of light here). Low ISO because you sure as heck don’t need a sensitive camera here. Shutter speed is going to be fast but the boulder filter can lengthen that out a bit. Each of the Manual settings is a double edge sword. If you want deep focus, you need a lot of light. F-stop is your iris size inside the lens. A pin hole gives you very deep focus fields. But a pin hole doesn’t let in much light. Manual is all about balancing light.
Sunspot AR2767 is an early member of new Solar Cycle. We have had 25 complete sunspot High/Low cycles since we started keeping track of such things. The last cycle was quite anemic for numbers of sunspots versus the historic record. I’ve been watching this sunspot move across the suns face for the last few days. It’s the small dot at 8 o’clock. It’s not a dust spot on my camera’s sensor, trust me… 😜
In an attempt to explain how this works in a few sentences: The low sun spot numbers roughly correspond to increased gamma ray penetration of earths atmosphere. Fewer sunspots result in less solar wind away from the sun which keeps those gamma rays at bay during busy sunspot periods. Gamma rays penetrating our atmosphere do all sorts of things. They ionize channels of air as they pass creating lightning paths of discharge. They also create “points of Nucleation” which are condensation centers causing more cloud cover. More cloud cover cools the planet by reflecting heat back to space. (white). Gamma rays also smash through our bodies routinely but fortunately not an excess of them visit. If you ever see a flash of light with your eyes closed, either your like John Travolta in the movie “Phenomena”, or you just had a gamma ray hit your optic nerve.
At any rate this was taken with NO man contrived filters what so ever. Shut the camera down to light by turning down the iso as low as it will go. The F-stop # as high as it will go, and the shutter as fast as it will click. Say 1/4000th to 1/8000th. Have a veiled sky to help you out. Don’t use a standard DSLR with a direct light path to your eye. You’ll blind yourself. I have used Sony Alpha 7 R2 to R4’s for this. Your camera may not take this so consider a few neutral density filters stacked in front of the lens or a proper solar filter. Here I let the clouds do most of the work.
There are lots of characters (years long narratives) around this ranch. Here is a continuing theme… 😀
I’ve seen “Sneaky Pete” the photobombing windmill with cold feet before but I suspect it feels like hot coals. Actually I’ve observed this behavior by him before with Sneaky jumping over the solar disc with the intent to trap him. (I have no control over his action). Sneaky learns pretty slowly. After all he is a windmill.
The sun of course has been around a LOOOOONG time and is a observer of all things. Sometimes the activities of humans and their machinations amuse it. Other times like this, not so much. Of course being wise in all things, he just slipped out the bottom as the horizon rose behind Sneaky. (Back to my normal prograamming).
Blurred Windmill with a Bright sun…….. F36, 1/15th sec, ISO 100 with a 200mm focal length. Two opposing settings. High fstop for the light reduction PLUS the deeper focal field for the close/far perspective. LOOOONG shutter at 1/15th. You have to at least rest a 200-400mm lens on something to hold it still at 1/15 and that is hard. The long shutter allows the blur. A tripod is better. Your ISO is your final setting (camera sensitivity). Just adjust it until you can get the exposure you want. This is a razor edge/ paper cut edge of the envelope kind of capture. I had nothing left in the camera I could do to eliminate more light and still blur the windmill.
Radiance: (Websters) : the quality or state of being radiant 2 : a deep pink : the flux density of radiant energy per unit solid angle and per unit projected area of radiating surface. (1 and 3 nailed this) I’m thinking that I’m digging the Flux Density here but maybe it’s just me. Of course totally square natural frames and visual tunnels always are a nice hero or two to add to the images mix.
All images are combinations of light, angle and the subject(s) of the composition. My job is to bring them together into a coherent mass… jumble if you will. Coherent being the key word. Chaos is the tendency of the world but bringing order to chaos is what I often pursue. Those are the images that somehow bring a semblance of logic to the disorganization that is so prevalent in our universe. They make sense to our minds sense of balance and proportion. Leading they eye naturally as the masters of the 16th century figured out toward the focal point of the image. Here is a sunburst as the center. Ago old technique, modern technology to look into the eye of the furnace that keeps us warm.
This “Golden Hour” capture is classic to the intensity of the sunsets in air full of ice. Alpenglow glow colors the air golden. Only the hour after sunrise and the hour before sunset qualify as the “Golden Hour”.
Taken from “Sunrise Ridge”. That is a magical place that gives me view to the east as varied as you can imagine. While the area I work hard photographically has is long list of beautiful things, I lack waterfalls, huge mountains and National Monuments/Parks in the front yard. A flowing river has always been a dream. But here I am stuck on a dry ranch.
Dryland ranching sounds romantic because it’s ranching of course…. Dryland when it’s actually really dry… not so much. The Dryland part is a quirk of fate. I ALMOST bought a ranch way across the state at Clark Wyoming right on the Clarks Fork of the Yellowstone river there. I would have ended up doing similar “hobbies” there as well. No matter where you are, there you are I have found in my travels. No dinosaurs in Clark but that area of the country is somewhat complex geologically. Interesting stuff laying around everywhere. Yellowstone right over your shoulder. Good seat if it blows too…. I digress..
Silhouettes of trees with just a bit of green showing in the shadow nether world. The ability of the camera to look into the sun AND see detail against the brilliant sun is blocked by technological limitations. I could set the camera so that it COULD see the detail in the silhouetted areas (dark areas) OR detail in the sun but getting both is beyond most technology requiring only one shot. Stacking multiple images with different settings can give you the best of all the worlds. That is a process that I don’t like for it’s complexity certainly but more importantly
Sunday Night I get a little philosophical… Forgive my editorial excesses… Please apply this to the appropriate world sit rep….
Just when it seems that there is no way out. Stuck in the hole. The road ahead looks impassible. I point out that nearly every problem is a matter of viewpoint. Here the situation only looks bad. My example is: Sol is in a deep hole here… Since he is about the heaviest object in the solar system, this could take a winch larger than I have here on ranch. Living on a remote ranch in the middle of nowhere has it’s preparedness aspects. I try to be prepared for most situations but this one was a bit beyond my anticipatory imaginings. Unknowable endings brings anxiety beginnings.
It’s a good thing that most problems are a result of our perspective. They are not made of insurmountable mountains in my experience. In my hideously disguised metaphor it seems the land behind our celestial neighbor dropped away smooth allowing his clean “get away” from my perception of his predicament. I just couldn’t see from my angle…. My thoughts of his delay caused a whole list of celestial consequences that had cosmic ramifications. Talk about anxiety…. Boy are we lucky. (from my perspective) 👀
My point is, get others opinions about problems that seem unavoidable and insurmountable . Others may see a way out of the “problem” that we can’t because of each of our limited perspective(s). … We have to get our minds together or we will be torn apart where we are forced by our “problems”.
Now from strictly back to my normal programming basis, Simple Photographs like this are a favorite. I think from somewhere back in the “70’s” I picked up a liking for lots of negative space with smooth gradients about. Position and timing were everything in this capture. 😜 📷
The rare thick foggy morning in the midst of a precipitation drought was welcome in this high country. The dew point had been reached during the darker hours. The net effect was a net moisture gain which is sorely needed. The strength of the gossamer iridescent spider silk amazes me with it’s natural strength. That is a lot of water for it to hold up. I suppose it’s spread out equally throughout the construction.
The sun was heavily veiled by the pawl of fog still lingering after the sunrise. I caught this early enough in the process to get the best of both worlds. Sun shape and definition through the filtering fog but yet enough moderation of the glare to allow me to image this wonder. The spider was no where to be seen as I’m sure the HUGE glass eye I stuck into his domain was sufficiently worthy of note. Thus his quick exit. I’d have loved to have had a dew covered cat faced spider attached to this lolol.
Nature has it’s way of producing miracles that escape our perception due to our hurry up and get there mentality. I have had to teach myself to slow down and actually see/recognize what the generalist in me ignores. Each of us has this ability to focus in on the details around us. Few take the time. To see what others only look at in passing, paying no mind to it, is a core achievement of a good student of photography.
This 92 percent Illuminated moon was rising in the eastern sky the same time the sun was setting. I used the same camera, same 1200mm lens at full magnification, both handheld front rested on a truck window. Taken a maybe 30 seconds apart. I took the moon image, turned around already spinning dials on the camera to choke out the excess light from the MUCH brighter sun. This is all done without any external filters on the Sony Alpha 7 platform. A Rising Moon and the Setting Sun. The sun is closer to the horizon, note the sculpted edges from atmospheric lensing distortion. The moon’s edges are crisp.
Granted it’s a big long terrestrial lens at 1200 mm. No astronomic telescope here, this is the same lens I use for bird eye brow images. This image is of course a composite of course with the two being on opposite sides of the sky at these particular moments. The sun and the full moon are “seldom” seen in the same side of the sky. 😜
Boy talk about a blank look on the suns face. Currently, the sun has NO, zip, zero sunspots visible on it’s face. We are at the low of a very quiet / low sunspot activity/number during the current solar minimums. Right in the middle of the low we are. A good google search this AM would be “Maudner Minimum”.
You might note that the two disks are essentially the same size. This is part of the reason the sun can cover the moon during an eclipse. The moon just had it’s supermoon status revoked last month. Moving a little away in it’s orbit. It’s still very large but would if in the right place would result in a ring of fire eclipse as just occurred in the southern hemisphere. These types of annular eclipse occurs when the moon is a little further away not quite covering the suns disc. A ring of fire shows all the way around the central moon silhouette.
Location: A bit over: Bliss DInosaur Ranch, Wyoming / Montana borderlands (Wyotana)
The hundred year old trees and the nearly 100 year old windmill share the scene with us here. There was a time when I would take a light level reading spin some dials, maybe look up a setting on a chart using the film speed I chose for the event. It was the wild wild west and very expensive to take a photo. Then you could have to either print them yourself or on film. I got exposed to digital image processing/ printing seriously in 1989. Photoshop version 1 and Quark Express. I had opened a full prepress service bureau serving other graphic artists in Jackson Hole by 1993. It was film first then a laser drum scanner to
Complications: Translated through my lens to your computer by a host of technological innovations. Converting light photons to electrons in the camera. Those electrons recorded as a series of 1’s and 0’s. Those series are carefully manipulated inside the camera to start into something resembling a really huge number. Properly interpreted and modified by a host of algorithms under my control, that number is changes slightly to suit my sense of finish. From there, the computer file (image) is converted by a lossy compression scheme to .jpg. Then Facebook messes with it further resizing it to suit themselves.
Then and only then does the computer file that was generated by the photons from the sun hit your monitor. Your screen converts that big number from the electron stream back to photons for your eyes to receive.
So see! It’s a really simple process to go from my lens to your eyes.. 😜 😜
Getting into position on parallel ridges is certainly a challenge early in the morning. In the evening as this, it’s relatively easy to get there. It’s finding your way back that is the challenge. Role reversal almost across the board. As soon as the sun sets behind that ridge, the whole valley I have to travel into is into dusk and darker environments. Reversing the order of events between a sunset and a sunrise seems to be a universal constant with a few contrarian natural occurrences about.
Sunrise/Sunset. (classical reference intended). For one we rise, the other we set to bed . In a similar vein, it’s hard to get there in the morning and hard to get back at night. “En revanche mon ami”. Unlike humans, the horizon rises at night. However, if you look, in the morning the horizon drops downward in the morning. The Full Moon sets in the morning and rises at night. A lot of events seem to happen right at those two times. It must be a coincidence, or perhaps an ancient biological dependance on the cycle. Just a few more gears driving the wheel of life.
The coming of the light and the departure. It is the appreciation of the process that adds so much to the overall experience I enjoy with this work. I use the term “Terminator Crossing” to describe both sunrise and sunset in one word. If you have never heard of “Terminator” except in connection with “the future is not set” and Arnold, time to google Terminator. You see the Terminator on the moon all the time.
Often I climb a ridge only to be clouded out of a sunset. To be honest, I was worried about this particular night’s cloud cover shutting me down. Just a thin band at altitude but below it snuck out a full blown solar spotlight. I call these sun slits where at the last second, the clouds part enough for our furnace to shine though.
The cluster of buildings is the Homestead of the Bliss Dinosaur Ranch. I don’t publish too many photos of the place but it’s a good scale to the breadth of this wide angle image. The largest white roof at the rear of the compound is about the size of a regulation foot ball field for scale.
The difference between an enormously bright sun and a now shadowed landscape is tremendous. The dynamic range necessary to see the extremes exceed the human eyes ability. Looking into the sun would cause you to avert your gaze. But you could probably see the landscape around it if you don’t stare directly at the sun. Cameras see the world entirely differently and not as well as the human eye. They can see into the bright better than our eyes can. They can see into the dark better than our eyes can. WHere they eyes win is being able to see both at the same time. Cameras don’t have the dynamic range the human eye has. Technology is catching up with us though. It won’t be long until the cameras are better. At least the ones I can afford to by now can’t do it.
Five months ago I saw this scene up on the high ridges overlooking the Little Powder River Valley. The hard part about this kind of image is to get up that ridge without leaving your rig up there until spring. Some drift was likely to stop progress as much as the ice going up the steep two track roads. This tree is 400 feet higher than my homestead about a mile away. The paths there are determined by the drifts.
I thought the contrast of a beautful snowy sunset versus the hot humid dry summer would be therapeutic. At the time it seems like you want summer…just never happy are we 😜🤘
Winter sunset around 4:30PM instead of the 9 (ish) PM sunset now in the summer as this posts. The 5 AM Summer sunrise comes all too soon for this photographer in the mid-summer when this posts. Summer has trouble competing with the amount of ice in the air to generate BIG sunsets like this. I have to admit that in my experience and personal choice, winter sunsets are better than summer🤔 👀 ❤️
Close / Far Perspectives as this where a telephoto is used to CRUSH the distance between the camera and the close object with the far object more or less uneffected by the magnification. . I’m a good 300 yards back from that foreground lone tree. I’ve said it before that with this kind of photography (close/far), high F-stop and distance from your foreground object is necessary.
Right into the sun Captures with layers of landscape are actually one of my favorite images. I’m not sure how many of these I’ve taken. Likely they certainly number in the hundreds. Probably only 50 or so have been finished and published from my archives of photos that need to be finished (extensive). I think it’s a 70’s thing of mine… Could be just me
I prefer to do photography without additional “filters” in front of my lens. Pointing such right into the sun usually gives me ghosts of the sun I can’t fix in the digital darkroom. If your camera doesn’t have the dynamic range the mirrorless Sony Alpha 7 versions I used for this, you will have to use Neutral Density screw on glass filters in front of your lens. Those will act like sunglasses to your camera so it can actually see what’s going on. Please don’t try to do this with a DSLR style camera. They have direct light paths to your eye and blinding has happened. The Sony Alphas are a mirrorless design that is entirely a video in the eyepiece. No direct light path to blind you.
The trick on all of these is to not overexpose the sun but yet have enough detail in the shadows to bring out the horizons. It’s a knife / razors edge of tweeking exposure back and forth. You could also adjust f-stop since it’s not as critical here but is useful for eliminating light at high settings. Pointing a camera at the sun is an exercise in turning down the camera to light a LOT before you point it at the sun (hint). Don’t burn a spot in your cameras digital sensor…. . 👀 📸
I work 5 different cameras for a veiled sunset of a complex sky. This capture taken JUST at the moment when the horizon moved up to support all that weight of our furnace. I’ve never personally picked up a stove that was light but this one sets the standard for mass. It’s mass is 2 x 10 followed by 30 zeros kilograms. It Emits 2.86 x ten followed by 26 zeros of watts in all directions. It is for all intents and purposes our furnace. Without a furnace, our house would be very cold indeed.
All objects from dust to planets in the vicinity of the sun revolve around it. We are tilted about 23.5 degrees to the “Ecliptic” of the solar system (There is your google search word for the day). Controlled by the amount of light we receive, our seasons vary. All controlled by that tilt. It controls the number of hours a day of sun which has a marked effect on warmth received and retained by our environments. Remember that the sun has NO environment. It has ALL environments. So generally anyone talking about “Earths Environment” is full of poo to start their argument. Just saying.
The Summer Solstice here at 45 degrees north latitude exactly 1/2 way between the equator and the north pole. If you want to really get into a google subject, search “equi-umbra” sometime and grasp all the iterations. It’s a good 20 minute absorbing science read lol. Enjoy that. I did. 😜 Summer Solstice marks the day the sun starts to set further south each day. So turns the wheel.
This is the second image from this timeline I am publishing. Each has it’s own merits. I worked this wonderful scene moving around for the different compositions that are hiding from us. Our perspective is “where we are”. The goal of photography is to see past where we are actively moving to the “optimal” perspective possible for the scene at hand. There are an infinite number of options available here only limited by the topography I’m positioned on. There have been so many times I wish for a ladder of just a few feet to change the angle ever so slightly. This is of course why I drive along parallel ridges to work terminator crossings. I can move up and down the opposite ridge as it is my metaphorical ladder.
Terminator: This is the dividing line between night and day as seen from outer space. It’s a good way for me to describe EITHER sunrise or sunset to you if you understand what it is. That visible shadow/light line moves around a globe that is 24000 miles around in circumference one time a day. That is, the shadow of night moves in at 1000 miles per hour over us as the sun rises or sets. Likewise sunrise moves over the earth at 1000 miles per hour likewise. Terminator is an interesting google search… You see it on the moon all the time….
I hadn’t been to this particular location for a while, it’s SORT of off the beaten two track. Anyone notice the photobomber? There are no cattle in this pasture yet so lazy me tends to stay out of pastures I have to open and close gates to enter. I’m getting lazy in my old age… 😜 📸
When I see high contrast scenes I hunker down and try to bring it in. High F-stop diffractions and silhouettes dominate the scene on a remote ridge line. The backcountry is full of an infinite number of little zen like scenes at any one time. I find that all I have to do is be there and mother nature will provide. Smoke in the atmosphere is a wonderful thing for photography.
I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol. Working parallel ridges with riding or walking a shadow line is the way to set up compositions that I’m using here. Look for opportunities to walk and follow shadow lines.
Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. If your buying gear soon…. Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after.
If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way. Don’t look into the sun with a DSLR camera.
At the top of a drainage, standing on the top of a pass, any water that runs off after falling here will go through 5 rivers to reach the Gulf of Mexico. In Wyoming and Montana are located the head waters of many a watershed. The strip roughly 10 miles shared between both states… Wyotana of course does not exists at a place in time and space. It is a mystical place of undetermined dimensionality along the 45th parallel 1/2 way between the North Pole and the Equator. I’ve seen many things that amaze me and quite often remarkably. Having lived here for only 2 decades I have certainly missed a lot and am not as good a rancher as I could have been. Spending anytime up here teaches you respect for the land and for others that endure the hardships here.
This land imaged above is barren of human intervention. Only a few barbed wire fences keep the perimeter on pastures several square miles in size for herds of thousands of cattle. There are by far way more cattle in this land than there are people. Locally we are around 1 person per square mile density… I last heard 125 people were in our voting precinct covering 256 square miles of land. There are a few non-voters under 18 living about but not a lot. We are a community with a lot of elbow room as you can see by our back yards. Closest neighbor is 3 miles+.
Clouds hundreds of miles away accentuate and attenuated this image filtering the light before it reaches my lens.. Various levels of smoke from burning forests, dust and moisutre give western photographers opportunities. I am not ashamed to take advantage of it though my heart goes out to those that the fires impact.
I’ve physically fought my share of grass fires living surrounded by a giant sea of grass. Fires used to burn here from their start to the first snows putting them out. I’ve seen some tremendous sunsets as a benefit to natures actions cleaning up the dead fall that we have allowed to accumulate to dangerous levels.
I’ve said many times before that I don’t use glass filters in front of my lenses. When shooting directly into the sun, the best filters have leftddfff a ghost of the sun in my images. Offset reflective artifacts are not generally welcome to a photographer that tries really hard to be a photorealist. I will occasionally wander using lens reflections/flares in my work, but not here lol. 📷
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Sun all to line up at the same time while at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google which would be about as far north as the sun gets mid June lol.
Get a compass, a map (in my head by now) and figure out “what two or three things” can line up. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE it is going to take place though. 😄
This late in the summer, the sun sets about as far north as it ever does. Here the sunset at Summer Solstice, the inclination of our earths axis has slowly turned in relation to the sun. It is now setting a little more south each day until the Winter Solstice. The lower black silhouetted ridge has trees on it. Those are full sized pine trees at 55 miles distant from my lens. The sun is a bit further out…🤔
I find a vantage point that puts me as high as my horizon when that is possible. Knowing most of the trails up on the high hills these days makes my life easier lolol. That is very true of the morning where I have to wind my way around in the dark to get places I’ve never been to before or for a long time. It’s always easier in the evening when I’ve already come that way. This is VERY big country up here. There is 100 square miles area circled by the “loop of maintained road I live on the far side of.
I personally live about 400 feet lower than the ridge I’m standing on’s perspective looking at the far northeastern setting sun. Heck it’s not even setting up north of the arctic circle at 66.5 degrees north at the moment. We have 8 hour nights currently I live VERY close to 45 degrees north. A difference of 21.5 degrees. There are 69 miles per degree of latitude. Just a mere 1300 miles to where the sun never sets to our north from my homestead on the high prairie. But the further north you go during the summer, the shorter the nights get.
Driving toward the Montana / Wyoming border to work a high spot for a veiled sunset. Rapidly developing, light conditions change by the second. I’m trying to get somewhere to photograph the “sunsets” timeline when I saw this developing. From inside my truck on a remote county road at sunset, a meadowlark was enjoying the sunset. Famous for their vocalizations, they are a challenge to just get a photo of in my experience. Lining one up with a veiled sun is a bucket list item. Now if I can only get an American Eagle to do this….. 🤔 😀 📸
In small bird photography, there is a goal of eyebrow close, feather detail photos. Then there is having celestial objects cooperate AND cloud cover just so to let the shape without all the glare into the frame. Being hard to get close to is the game, getting sol to cooperate is just amazingly cool in my world. But then I like to point cameras into the sun. (Disclaimer: Professional Mirrorless Cameras that can take it. No DSLR’s please….
It is very hard to get finished images without a rim around the silhouette of some other color. It’s a diffraction artifact from a high f-stop setting. . This amazing capture has no trace of a color rim. Sharp as heck. I’m still trying to figure that one out. If I do I’ll share it with you. Color rims around objects against bright light is a problem I’ve been trying to solve for years. I have a clue… perhaps… 👀 🤔
You really have to see this full screen to appreciate it. It is dark but that is because the dynamic range required to look into the sun. The Camera relents. It’s inability to replicate what my eye sees is obvious to me. Technology will eventually catch up. The human eye has 5 or more F-stops of Dynamic range than the best camera. IF you blow this image up, you can see lots of detail in the dark. If you looked at the sun at the scene, it would have blinded you the glare was so intense. Cameras seeing details in the dark while looking at other very bright things is why silhouettes are created. The camera is unable to do what the eye does. I point out that the camera is better at looking into the sun than the eye is though 👀😜📸
This timeline was limited to about 15 minutes as this is just a thin slit for the sun to shine through. The cloud deck was otherwise opaque to the sun. It was actually quite beautiful as a stand alone sky show. Always trying to work a scene, I had no way to incorporate the foreground into this scene. I was up too high on the ridges and at a point JUST above the next ridge in front of the camera. No time to move. The cloud deck never lit up from under significantly on this show. That was a trick mother nature held out for a short 8 hours later for dawn the next day. That timeline will make it’s way into my work flow shortly. Stay tuned….
There was a lot of complexity to this evenings sky up here in Wyotana. The wind was indeed blowing hard and spinning ol’ “Sneaky Pete” a good bit. I have no idea how many times those bearings have rotated but it’s millions…. many I suspect. As I type this we had a 43 mph gust and the storms that moved through last week gave us an 84 mph gust on my weather station. I now have my weather reporting station back on line. Do a search for DW1087 for my weather station live here on ranch.
From a technical standpoint, doing this in camera with no Neutral Density filter in front of your lens is rare. The conditions must be JUST right. Anytime I point a camera into the bright sun, I’m mostly turning off the all the light valves. This gives me either crimson or burnt umber colorations. Who am I to argue with the camera. No human eye could stare at this live and work later.
I wanted to blur the windmill sail. A fast shutter speed will freeze it in it’s track and reduce light (less light is good here into the camera). It’s all about balancing these three things. But to blur such a thing, means 1/15th of a second which is VERY LONG in bright light. OVERPOWERING BRIGHT = hard to do right. Balance……3 things…..Shutter and:
Camera Sensitivity to ISO 100. Faster shutter speeds reduce the light coming in too. (you need to)
Leaving F-stop (aperture/iris size) to consider. I want a close far focus with this telephoto so I’m using F-36 (a high setting for a 400 mm lens). Higher the F-stop, = less light BUT deeper focal field. That means the depth of focus will have both the windmill and the distant sky/horizon in focus). Sort of a requirement but not a problem here. I only use 1 of maybe 10 of these I take….. Hard to do.
A volcano blows up on the border of Wyoming / Montana. Here we are 40 miles from the closest historic Volcanic Field and those haven’t gone off for a LONG time. I wake up to shaking the other morning and much to my surprise, was a local pyramidal hillock that was blowing it’s top. The steam was rising, the cauldron boiling. I anticipate pyroclastic flows, lahars, glowing red hot clouds and other volcanic manifestations similar to what buried Pompeii. Ash should start falling any moment. Maybe “Sneaky Pete” the windmill will save the day and blow the ash away… Back to my normal programming: OK, this is NOT a volcano.
A simple sedimentary sandy remnant, Turtle butte has great aspirations. But Alas I suspect turning into a cinder cone volcano is not going to come about in the scheme of things. If this were really a volcano, I’d set up an outdoor hot dog and marsh mellow stand for the tourists. I mean based on buffalo encounters at other volcanos, they like to get close to things a tad out of their league. I wonder why it’s called “Turtle Butte”? 😜
The Volcanic Fields regionally are several and spread in various time periods. Some being of serious world wide significance. Yellowstone of course is widely known as a “Super Volcano” the explosion of which would create a rough few centuries afterwards. There are many smaller volcanic complexes of various ages around the region. A pipe here, a sill there. The 16 or so million year history of Yellowstone starting out in Washington / Oregon culminating with a hot spot in Wyoming/Montana/Idaho. The Snake River Plain showing the path of the hotspot and a sequence of volcanic calderas across the continental scale landscape over that interval. That is a whole different scale of event for another time.
The night was a partially cloudy evening with mid-layer patches of stratus clouds. The air was cool but NO wind makes mother nature say “find a pond” to me. When I get lucky, the sun drops below the layer of clouds. Then it can happen that nature provides me with a color pallet that says “take my photo” lolol.. Conveniently a rare windless Wyotana last light of the day moment was spent down by this local pond with a view. I particularly enjoy fully involved skies but sometimes the mosquitos push my limits. Out comes a small can of DEET (Off™) I keep handy in “Clever Girl” for such excursions. I don’t like it anywhere near optics/lenses though. Yuck…
Spring time is a good time for new angles for me to work photographically. The sun pushes North every sunset. Landscape features I use for compositions here in the backcountry are changed in their relationship to the light everday. An infinite variety of subjects over the 5 square miles of this small ranch.
The sun will start setting more to the south each night starting the Summer Solstice June 20th 3:44PM MST, the sun will continue to set to the left from this view point from June 20th till next December. Moving completely off frame with it progression to the south. This is a very wide capture at 130 degrees wide showing the whole sky that night.
I am a real fan of pursuing close/far perspective images in the backcountry. I am standing up in Wyoming looking over the border up into Montana as the sun rises to the east/north east. The trees in the distance are in Montana. I’m one of the few photographers that can post most of the images I work on the borderlands in either states forums. I actually try to police myself if something is just Wyoming I’ll try to keep it only on Wyoming or national forums. Visa versa for Montana. The Islands of old grown trees on the ridge lines are testimony to their tenacity against fire/wind and lightning. The snag on the right lost it’s battle with lightning it seems.
So perspectives and warm mornings go together like peas and carrots. (classic reference intended). I’m not sure why this is but I’m drawn to the “close” details with a falling horizon exposing the sun.. All caused by the icy atmosphere in any of the fall winter, summer OR spring. We have alpenglow most of the year. There only has to be atmospheric ice suspended between the sun and the camera. Hundreds of miles of ice and air only let through that crimson/orange/gold light at this point. Earlier in twilight a lower angle only let through red wavelengths in twilight with crimson being the dominate colorcast that morning.
I take images with cameras that can look places your eyes can’t. You MIGHT be able to glance at this for a fraction of a second before you instinctively turned away. I watch this on a video screen and I know exactly what I just took a photo of without having to look at it. What I see on my screen is what I get here. (Actually I take very dark images only exposing highlight correctly. (If you must know). 📷
With Up hill Perspectives pointing into the sun out there, I’m never lacking a subject in this area lol. Lots of snags (fallen trees) around the highland backcountry ranch land I work are about. They provide cover for smaller creatures as rabbits, mice etc. Some are big enough to provide rain cover under them.
All sizes and shapes, ages and orientations of snags are there for me to play with in the backcountry. Standing as this, or fallen on the remote hillsides of the borderlands still keeping watch over their domain.
Photographic Musings: Only 3 settings to adjust in Manual Mode… F-stop, ISO and Shutter speed. Here is F-stop’s ball game. Close / Far work is good if you can get it 👀😜
Remember that depth of focus means the ability to have the close object in focus AND have the background in focus. The Manual Mode setting you use to be able to do this is F-Stop (aperture size). Large F-stop numbers are a small pin hole in your lens and gives you DEEEEEEP fields of focus. Being a double edged sword, F-stop will simultaneously shut off light as you turn up the numbers setting higher. A higher F-stop number = A smaller hole in your lens gives you good focus but steals light. A larger hole in your lens lets in a lot of light but you have no depth of focus. F-stop is the hard one to understand. Now all you have to do is figure out how to adjust the f-stop in Manual mode in your individual camera. It’s usually a thumb adjustment high on the back.
As I point cameras directly into the sun I usually get either Crimson or Burn Umber colors depending on my exposure. I’m not one to argue with my cameras on this point as I can’t look into the scene without blinding myself. I have no choice but to trust the full frame chips that Sony uses in their various Alpha 7 series camera backs used in my work.
Getting up an hour before sunrise in the summer takes some doing to motivate at times. I usually worked the sunset 6 hours before. IT takes a while to wind down after photographing sunset so the night is really short. I usually only need 4 to 5 hours of sleep a night (if I get a short nap mid day). Historically I will work 7 or 8 sunsets or sunrises in a row. In my old age wisdom, I might not work certain types of skies. Clear skies are way common and difficult for me to justify taking the time to work them. Obviously I don’t work heavily overcast sunrises.
My day revolves around photography so if I’m not taking care of ranch business and chores, I’m working images. Either taking photos up on the high ridges or going through the timeline of files picking winners/loosers. Then there is the time to finish. The hard part are these narratives. The photos are easy 😜🤘 In full disclose, I’m also looking for fossils and artifacts as I go……
Full time photography is not for the computer challenged these days. If you don’t work 3 to 4 hours a day in Photoshop or Lightroom, I would be surprised.
I never know what to expect from a sunset. Each one takes on a life of it’s own. I am constantly receiving/interpreting cues from the environment about what appears to be happening. I only have a few minutes to decide where I want to set up for the show soon to arrive. There is a quickening of my pace around this time of the evening as the setting sun usually terminates the light
I’m fairly agile in my Ford F-150 Raptor and able to cover a lot of ground fairly quickly as it is more or less a Baja Capable photographic Studio. I’m able to get around on just about any terrain I don’t want to tear up. Ruining trails I am not so much into. We strictly stay off of muddy surfaces. I have well traveled two track trails leading to most high points. I only drive off trail on private ground I own as a matter of principle. Over 80 percent of my trucks current milage off road.
Never expected this iteration on an infinite series of themes. It’s one I don’t normally see with the “Floaty” clouds light up with the deck just above them dark and foreboding. The starred sun which is in and of it self, an artifact of the camera’s high f-stop setting (diffraction artifact). None the less, it adds geometry and order to the chaos of the clouds that evening.
One of my favorite antiques on the ranch is this 1920’s-1930’s Deering Seeder sitting on the toe of a high ridge. The Cretaceous Sandstones capping/covering this isolated plateau of Sage and Spanish Dagger are these hard layers and lenses of hardened sand. This hard sand/rock was cemented harder than the sandstone taken away by erosion around it. Harder due to differences in the “Diagenetic” processes that turned loose plastic sand to rock. Notice I didn’t say magic processes. Good google word for today… It’s the reason the ridge is there… Hard rock protects the softer sandstone below…
The hard cap rock this scene is built over was laid down by just one act of a 3 million year long stage show. At the End of the Reign of the Dinosaurs on the coastal slope (piedmont really) toward the Cretaceous Era “Inland Sea” Sea sediments are 900 feet down here. Above them, the Beach Sand above that marine sediment. That is named Fox Hill Formation. From the old beach is where we get our water. Above that (below me) is another 700 feet of River Sand (Hell Creek/Lance Formations) that many ancient rivers carried lazily here.
I say many because these watersheds with rivers miles wide.. (think anastomosing braided channels of dendritic sand choked channels on a massive scale. Similar to the amazon water shed. This was the last stage for the dinosaurs to live out their last moments. The coast was extant from Canada to northern New Mexico. All along the coast of that land a mere 66 million years before present.
There were untold millions of high water/flood events in the history of this land. Mountains long gone to our west fed vast quantities of sand worn from them by wind water and ice. Our Ranch lies on 14 mile wide strip of Hell Creek/Lance formation exposed on the surface. This exposed due to streams and rivers moving thousands of feet of sediment that used to be above us away. Cutting into these old beds at a slight angle. Youngest rocks west with Older to the east.
Then somebody came along and “dumped this 100 (ish) year old farm implement here giving me a subject in this remote environment. What are the chances lolol.
In my world, the past is the key to the present and the future. Integral within our processes of the present exists hand me down learning from the past. Geological process occur without our being aware of them or not. My point is understanding the past helps predict the future as well as interpreting the present.
Oh, My LED lightbar on “Clever Girl” added some flavor to this freshly rained upon dynamic sunset through a storm in the deep backcountry.
Every capture I post is my memory of a moment in space time that will remain in our digital universe. Anything posted on the internet will probably survive us all. Digital memory is forever assuming a massive solar EMP doesn’t throw us back to the 1880’s. In a sense this image and most of my work is preserved as long as the internet remains a viable domain. Eventually Artificial Intelligence will know everything all of us have ever posted on the internet. Kind o scary huh? AI combined with the development pressure of Covid -19 will make it happen very fast too.
So I had myself a mirrored pond on a rare becalmed evening up here. This spot is exactly on the Montana/ Wyoming border. 45 degrees North Latitude is precisely 1/2 way between the Equator and the North Pole.🤔👀📷 (There are new people reading this lolol).
I made this an action shot. Driving my F-150 Raptor into the pond generated a large train of ripples slowly expanding outwards from the disturbance. The resultant ripple crests were a perfect mirror train to repeat the suns ever expanding reflections as they approach the lens.
These high land ponds are ephermeral, drying with the onset of summer. The sandstone rocks under them soaking up the water slowly replenishing the local “water table”. Water is still in this pond as this posts.
About this photo:
The Dynamic Range in this photo is incredible. I’m using a Sony Alpha 7R4 which has 15 stops dynamic range. I’d like to have a few more of these cameras lol. The dark lower part of this picture has very few artifacts from the WIDE range from straight into the sun to almost pure black but you can see the details in both ends of the lights dynamism.