This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truely amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
I was driving my new rig for this trip. It truly is a well suited vehicle to do what I’m doing. The 2020 Ford F-150 Raptor is the first new vehicle I’ve purchased since 2005 Jeep Grand Cherokee (Road Warrior) was bought. It is BY FAR the nicest riding, most capable pickup I’ve ever owned. ehicles for 30 years. . I just added a very serious LED light bar for the front which I used in this capture to illuminate these needles from the side. All those layers of colors are the result. I am adding some more light as time goes along here. There are 3 more built in switches for me to add lighting so I’m starting to get very serious about it. 🙂 There are so many uses for a bright light source in the backcountry. Stay tuned 👀😀📷
Pine Noodle Frosty Sunrise is a perspective at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.
For some reason, I’m drawn to perspectives under icy sunrises. Focus close requirement(1) plus a sun show far (2)is my goal. Putting them in the same focal field is top on my list for planning this capture.
These two “priorities” fortunately compliment each other while in your Manual Mode camera settings. High light gives you the ability to set your widest lens to it’s highest fstop setting f-22 (ish). This cuts back light considerably which you need . It also lets you focus on things 10 inches in front of this particular wide lens AND have the background in focus. I always pay attention when I’m buying lenses to look for ones with the shortest distance to focus close. (macro) but if you want to do this, you need a wide angle say 12-24mm lens with a close focus.
Shutter speed 1/100 – 1/400 depending on your light conditions and ISO (camera sensitivity) is low like ISO 100 or ISO 200. This was a very bright light environment in the distance but just. The sun was just clearing the ridge.
The right gloves for cold work. There are many brands but I use:
The joy of -2 degrees is that the gear doesn’t like it, but my fingers take the brunt of the cold abuse. They don’t operate the equipment as well either if chiled.. I wear glove/mittens by “Red Head” that have the ability to open up your fingers. Fine detailed adjustments on a camera take more tactile feedback than through a glove sometimes. Finding your location on your camera body is the biggest problem. I find it is always better to have warm fingers and have quicker control of the camera bodies settings oddly enough lol. “Red Head Mittens” have been used by this photographer down to a -20 windchill with good results. I was tougher then though……