I’m all about highlights. These dark brown/red seeded plants past the yucca were a projection screen for the sunlight just creeping over the hill top. Working backcountry ridge tops for perspective gives you interesting diversions from the normal. I put myself into the mind of a mouse and use the light from their hiding places in my photon capture boxes (cameras). I usually leave a few foreground objects out of focus to get the feeling of closeness. (It was)..
Using a Yucca sun filter, a Spike blocking the sphere of the sun proper from our view. This is yet another in a long line of “Close / Far” perspectives I have finished in the last couple of years.
Buying lenses Musings:
Close far perspectives require interestingly, a close focus capability along with higher fstop capability if possible. Most folks when buying lenses look at the focal length as everyone wants a long lens. God knows bigger is better right? 🤔😜. You actually CAN do this from a 400mm telephoto if you set it up right. The closest my 100-400mm Sony/zeiss telephoto will focus is 15 feet. So much for things in the way lolol. The 10mm Voightlander lens on a Sony Alpha 7R2 back I used here will focus down to 10 inches and do so under high fstop for a very deep focal field indeed.📷📷📸
The particular lenses I use isn’t important and isn’t my point. When your buying a low fstop lens is nice but I like lenses with HIGH fstop potential for close/far since higher fstops give you a thicker field of focus. Close to infinity is the game here. Evaluate perspective lense about how close they can focus. “Macro” lenses focus very close. But they MIGHT not focus close AND far at the same time. High stops with close focus is a very good thing in a lens used for this kind of image. Hope this helps if your buying gear.
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads the view. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the bright scene on your retina. A quick though of eye damage, you blink and a minute later your vision is back. .
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate.
With the weather getting a little colder here mid-winter, I love crunching out through crusted snow. Crusted snow is a hard surface on top of softer snow underneath. I typically fall through somewhere
This is dry high ridge country here in the borderlands of Wyoming / Montana . The location several miles into the backcountry of this 4000 foot in elevation ridge. In this area, occurred a fire that burned all summer during the 1930’s. That fire didn’t go out until the snows fell in the fall. This obviously changed the landscape from a heavily forested pine grove into a more open landscape. Prior to human habitation, wildfires were always burning unchecked across North America. Then it got worse because native Americans did a LOT of burning to open up the deep woodlands. A grassland/forest mix is good for the wildlife. And they knew it. Pretty much right up until maybe 100 years ago.🤔
Random backcountry captures happen because of paying dues and paying homage to that which is in control of the backcountry. Rinse and repeat many times so you will increase the opportunity for photographically interesting encounters. You have to be there with a camera in your hand to get some of those moments in space and time. They are fleeting, you often only have moments to capture them before the light changes. The more you carry a camera (s) around, the more cool captures your going to get. 📷 I do actual photography every day if I have ANY light worthy of chasing. I knew this antique seeder was on the prairie, I never knew it would throw shadows like this in December / January.
Oh Christmas Tree (with all due respect to Mario Lanza I changed the title to my image to Oh instead of O….)
Even the Wildlings way out in the backcountry have decorated trees to enjoy this Christmas day. A trillion of these moments in space and time happen all the time. It is a matter of realizing the possibilities and having the technology (in your hand) to capture the image.
Each and every one of these trees was casting a hugely contrasting shadow. I just had to pick the place where I could see the whole shadow. Again topography controls / limits my photography. That gravity thing is also a problem.
This well blown snow accumulates around the Yucca Plants. While where I’m standing is only about 6 inches, there are places in the hollows where it’s knee deep. Getting here was half the fun of this photograph 📸🎄 I’m locked out of most of the backcountry now. I have to plow a road if I want to get up on the big ridge. A couple of miles of plowing but I like to wait for a big storm to come through and blow around. Let it drift abit before I take the time and diesel fuel to clear a path.
Hope Christmas morning was blessed with family and gift giving to all of you. It’s right around noon as this posts and it’s gonna be time for a nap sometime soon lol.
This big old sun dog happened one cool sub-zero morning. Ice crystals refracting light were falling out of the air in front of my camera everywhere. All the white speckles are ice crystals close to the camera. I was just driving along a high ridge as is my typical backcountry drive. It suddenly appeared as I was driving along. The ice fall moved over me.
Two ways these form:. 1: light passing through suspended atmospheric plate-shaped hexagonal ice crystals in high and cold cirrus or cirrostratus clouds. Alternately, refraction from drifting in freezing moist air at low levels as diamond dust as here. Those “mock suns’ are from the aforementioned “Diamond Dust”. The colors usually go from red closest to the sun outward with the standard rainbow sequence. This was VERY bright.
This half circle halo is 22 degrees from the sun. These 22 degree refractions are present with and without mock suns in my experience. This particular Sundog even has a sun pillar above AND below the sun itself. Pillars develop as a result of ice crystals slowly falling through the air, reflecting the sun’s rays off of their hexagonal flat surfaces.
I’ve only seen one better sundog off the face of the Jackson Hole Ski area at the Village mid winter back in the 90’s. This was a few miles back in the backcountry pretty much across the border with sky in both Montana and Wyoming. .
Miles into the backcountry, it was a chilly -2 degrees F. The ridge with the cloud veil blocking the blinding sun. This Perspective: Snag to the Sunrise is a backcountry very wide angle image taken about ten days ago as this posts. A lot of this snow has melted since the image was taken. A few days of autumn return but with mud…
There was an 1/8th inch of ice covering most of the north side of trees, the sun rising to the south west was just starting to light up the ice that was coating the grass. The Pine Noodles (Needles covered with ice) were a subject all by themselves this morning of worth light. This square aspect image is full resolution to 18 inches by 18 inches.
The is a very nice little ridge line being the uppermost reaches of the drainage. This particular ridge separates Trail Creek (Wyoming) and Ranch Creek (Montana). I usually work ridges in the early winter leading to road work only in the late winter. Snow depth will deny access to the ridges without me plowing snow over two track paths in the backcountry. I start going on road trips late winter when conditions look photogenic. The two tracks are drifted over badly is the rule. Deep snow is problematic from my viewpoint.
I am trading off my Jeep for a taller vehicle (F-150) some of my viewpoints might change lolololol. Hopefully I will be able to get through a big higher snow with this new rig due sometime this century I understand …..😃
Spotlighting in the Borderland Backcountry can be a very contrasty thing after a storm. This vista surprised me coming up over the ridge behind the camera. I instantly stopped of course and started composing the final frame. What dramatic contrast…. I honestly don’t see this very much this pronounced. That was a very interesting (if not cold at -2F) morning up on that ridge. It always is after a storm and the cold. That is BIG country back there.
I call this phenomena spotlighting for obvious reasons. There is about 4-6 inches of standing snow up on the ridges and I’m still driving about in my Jeep Grand Cherokee. I have a new vehicle incoming if Ford will put it in production lololol. (We have a vin now 🙂 ) Winter is coming though and I’m going to have to get plowing some snow to get up in this country. This particular spot is about a mile up a long hill to get to. Roughtly the same distance to the far ridge in the shadows with trees on it. The far right side of that ridge (ridge 4) is a full 2 tiles out. Distances are deceiving out here. The closest ranch house in that direction is about 10 miles of hills and gullies that have to be driven around. That would mean about 20 miles of driving lololol.
All of this ground in this image is underlain by the Cretaceous Hell Creek/Lance Dinosaur Fossil Bearing Sandstone. This is prime country to find dinosaurs. I found a partial Triceratops just left of the frame around the corner or a hill so I have some basis for saying this lol.
Pine Noodle Frosty Sunrise is a perspective at -2 degrees F. There was a breeze and I don’t care how you dress, something gets cold lolol.
For some reason, I’m drawn to perspectives under icy sunrises. Focus close requirement(1) plus a sun show far (2)is my goal. Putting them in the same focal field is top on my list for planning this capture.
These two “priorities” fortunately compliment each other while in your Manual Mode camera settings. High light gives you the ability to set your widest lens to it’s highest fstop setting f-22 (ish). This cuts back light considerably which you need . It also lets you focus on things 10 inches in front of this particular wide lens AND have the background in focus. I always pay attention when I’m buying lenses to look for ones with the shortest distance to focus close. (macro) but if you want to do this, you need a wide angle say 12-24mm lens with a close focus.
Shutter speed 1/100 – 1/400 depending on your light conditions and ISO (camera sensitivity) is low like ISO 100 or ISO 200. This was a very bright light environment in the distance but just. The sun was just clearing the ridge.
The right gloves for cold work. There are many brands but I use:
The joy of -2 degrees is that the gear doesn’t like it, but my fingers take the brunt of the cold abuse. They don’t operate the equipment as well either if chiled.. I wear glove/mittens by “Red Head” that have the ability to open up your fingers. Fine detailed adjustments on a camera take more tactile feedback than through a glove sometimes. Finding your location on your camera body is the biggest problem. I find it is always better to have warm fingers and have quicker control of the camera bodies settings oddly enough lol. “Red Head Mittens” have been used by this photographer down to a -20 windchill with good results. I was tougher then though……
Looking From Under a Snag, I see the world from an entirely different perspective. There is a feeling somehow of security even though there is a ton of wood over your head being held up by rotten broken branches. What could go wrong there?😜
This is a very busy photo with all sorts of of things going on. Enjoy the looking. I ought to put a “where’s waldo” in some of these images lolol.
It was cold near zero when this was taken a week ago as this posts. “Winter is Coming” and in reality has come here to the borderlands. Fall was on a Tuesday this year it has been confirmed. ❄️
The sunset here was a clear sky orange/yellow alpenglow show which almost always pushes me toward snags to work wide lenses….Grab that 12 – 24mm or sometimes like this I have a 10mm wide angle full frame lens. I use it when ever I get a chance. It is very wide.
Perspectives and clear skies seems to go together… Cloudy complex skies detract from the detail up close. I feel that detail is the point of the photo myself but your opinion may differ lol.
RegardingFallen logs: “Snags” each has it’s own character and personality I find out. Some are masculine and rugged like this one. Others are more curvy and feminine with a grace that is hard to describe. Orientations change from tree to tree, opportunity emerges as I drive by on the ridge tops. I see the possibilities as I go though sometimes I get on a mission for a particular tree.
Here the trees were all frosted with 1/8th of an inch of ice, 4 inches of snow sticking to everything. The air is full of ice turning the sunset orange and yellow. This little shelter under this tree has provided an expedient rain shelter for many a small animal as it’s roots make quite a cover. I find deer beds all around this area as the big tree also provides a windbreak . Such a shelter is a rare thing on these wind blown slopes. Soon this fairly recent tree fall will be rife with woodpecker holes. Thusly then to graduate to full fledged “wildlife tree”.
This 2 year old buck’s antlers were still in velvet last early summer when I took this. By next year he will be better but a 5 year old is best for horns. Having said that….
This Buck is Wyoming (WY) proud for sure. I actually have some other photos of this guy around the ranch that I’d have to find to show you but this is the real deal. (his antlers spell WY if you haven’t seen it yet). 📸
I have a deer image who’s antlers spell WYO somewhere too lolol. I’ll get to it.