Looking Northwest overlooking a 50 mile wide valley during the golden hour. The snow was not quite a foot deep. The ridge line road has better summer sunsets to the north west. The low angled sun cutting across the bath. The Day only has minutes left. Setting up for the sunset will take a minute. Interested I am in the lines and the shades of this Golden Hour. Long shadows stretch nearly to infinity at this late hour of the day. My ford has 13 inches under the lowest part of the drive train. A foot of snow is not even close to a problem. Now if it was drifting…… That’s a whole another problem.
A few days before, plowing this road helped this morning. Easy driving is a good thing. Winter this year has not been harsh YET. (Bad Luck saying such things). This really improves my time on target and make the ride much smoother. Bumpy snow and ice is always less than desirable. Now surfaces like this can be icy but not so here. Shoe Chains are a viable option in this country. There are some places on this ridge where I can see the Bear Lodge Mountains 100 miles to the east AND the Big Horn Mountains 140 miles to the west. That is a 240 mile horizon to horizon. I think that is under Websters under the definition of BIG Sky. Wyoming Shares the big sky with Montana, just not the slogan lol. I live in Wyotana so there is no difference for me. lol.
Handed down over at least 3 generations this early antique electric lamp was enjoying a sun beam spotlighting it one late afternoon. It’s position in the world is way deep in our living room. A sun beam fought through the gauntlet of trees, walls, house windows, and “Stuff” to hit a ring of 100+ year old cut glass tear drops. I walked into the room to witness them just glowing. I’m sure the inventor of this style had visions similar to the scene I experienced. The bulbs originally used were not quite in the same league lolol. . So this is Late afternoon low angle golden light reaching as far into the relatively dark recess of our living room. Little areas of zen are everywhere…..
Spotlighting against dark surfaces are just “focusing” on the highlights. High f stop numbers will let you get the foreground objects in focus as well as the background. Here I set the exposure to ignore the shadow detail though I could have brought out details of the plants, the door. Interested in just the highlights, I ignored the darker details and in fact was dropping them out. . Dropping out shadow detail is all about exposure. Usually all you have to do is JUST expose the highlights properly using shutter speed. Everything else should fall into place. It’s nice of the light to cooperate so. So often I have to move something but here, it volunteered to sit for me. 😜 I wonder what the union rate is for lamp models ?
Out here in the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was a wonderful veiled sky with a diffuse sun and a dense cloud deck above. The combination of the two required a foreground for the image to suit me. Close / Far perspective…
To use a stand of grass to grace a veiled sunset is not a new effort but is always a worthy target. Grass contains such an elegant form. Testures and lines abound. Over the years I have found that “you are where you are during the final minutes of sunset”. My mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fact with a wonderful sky as behind this shoot and use a seed head.
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this stand of grass moderate the amounts of light coming into the camera. Even a few percent help. Any photo is a light balancing act inside the camera. You only have just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷
I’m always trying to imagine things as a mouse would in my travels. My cameras don’t care if I’m taking a mouses viewpoint or mine at 6 foot. I put the camera on a plate to protect it. It was warm from being inside.
I actually don’t do a lot of architectural images, maybe 10 a year 🤔📸 Rare of the rare, I even have electric lines in this images which is certainly less probable. I never have them if I can avoid it. But I like to think I have an eye for patterns and a tendency for walking around with cameras. I’ll give in occasionally to my habits…. The two characteristics are synergistic if you have OCD as badly as I do 😜 I try to take advantage of this partnership when ever the two meet in the middle.
This phenomena was the result of a very gentle, very dry powder snow. It was like sand sifting through your fingers on that deck surface. One poof of wind and it all would have taken to drifts. AND this was about 4 inches deep for an idea of scale. The entire deck surface had this appearance. I thought I had seen most odd ball phenomena in the snows during my 3 decades living in Wyoming. I’ve never seen this phenomena before though I’d seen other photos of it. I didn’t have a deck in Jackson Hole as we had concrete there. I missed all that dry powder then where this is probably common. We are 2000 feet lower and warmer here. Snow sticks all the time to itself and covers this surface solidly.
The forest creates areas of interest by the way the vegetation effects the light. Light alleys, tunnels, vertical lines accentuated by pine “noodles” complicated the scene. In this forest, the only thing not covered by hoar frost was I. Anything near this spot was pretty much everything was reflective white. This effectively magnifies the brightness of the scene. Human eyes can not stand this level of light in the real world.
I love REALLY wide angle lenses. Taken with a 10mm rectilinear lens. Taken in 2×3 aspect on a full frame camera. .
(back to english)
As the light wraps around the camera, similarly, the lens sees widely around the camera to see past what your eyes would normally see. Your peripheral vision has nothing on this lens. The perspective here wraps around you. It causes you peer into the center. Hundreds of leading lines in this image. Each line leading your eye toward the light. The joy of a good mirrorless camera is you can actually look at a video screen. Because you DON’T have a direct light path to your eye. Even a scene this bright will not blind you. Live real time not after the shot. Do NOT try this with a DSLR camera as the direct light path to your eye could blind you.
It was about 6 degrees and a freezing fog had moved across this ridge top all night. The resultant hoar frost was monumental in it’s effects. I have Many wonderful images from this ridge / morning. A little chilly with the humidity in the air lol.
So I see the wonderful veiled sky. I’m several miles in, well past an easy walk into the backcountry. (I drove my Jeep because this gear is heavy! ) This is “Re Pete” the 1930’s Aermotor Windmill. He is “Sneaky Petes” (the windmill) older/bigger Brother here on the ranch. Usually they are the photobombers working their way into my landscapes and sunsets. Here the ducks photobombed the famous photobomber him self. I have no control over any of this narrative OR the windmills for that fact. It takes on a life of it’s own😜😂
An interesting path that leads to this particular moment of space and time here forever frozen . That ridge line parallels a higher line to the east. This is VERY hilly country with big gullies separating flatter divides. Two track trails cross deep animal trails from a century of cattle walking. You don’t want to hit one of those at 20 with your jeep lol. As I say, my jeep is a short timer here now.
Incoming is a new Ford F-150 that should improve my ride quality (which is beating me up as I put 3500 miles last year on my ATV alone driving two track (bumpy) backcountry roads. I feel like I’ve worked in a mine all my life driving heavy equipment. I actually wore out a set of front brakes in 2 years on my Polaris Ranger. There are a LOT of slow downhill descents (anybody can fall downhill) on that Polaris. This business is not for sissies here in the backcountry.
I’ve only dumped ONE camera and long lens out of a moving vehicle to date. It cost 1000 dollars to fix that camera back. I feel that was cheap. Particularly compared to buying a replacement camera. The lens undamaged. I was traveling about 15 mph at the time. Then watched the unit tumble end to end. It was very close to this spot lolol.
Sun pillars are shafts of light. Ice reflected spotlights as it were shooting generally 90 degrees up or down to the horizon. This is BY FAR the tallest pillar I’ve ever seen.
I’ve seen them below the sun many times as well. They form on ice crystals in the atmosphere. A combination of many many reflections off the large flat face of horizontally falling plate ice crystals. The effect is very similar to any slightly tilted horizontal surface. For instance, water reflect a light source (usually the sun) and spread it out vertically. This one is REALLY big. This is close to a 24mm image which is about 1/2 again the angle than your normal vision at 55mm.
The Physics explains it of course but the bigger they are, the rarer they are. The maximum extent of the pillar is about twice the maximum tilt of the plate crystals. Big oriented plates of ice at a high angle were required for this particular phenomena. The crystals are all flat 6 sided plates that fall the same way due to atmospheric resistance and their shape. Calm falling air is necessary. The high tilt is unusual. I’ve read that 5-10 degrees tall is not unusual. I bet this is 40 degrees tall if not 45 (I’d have to look at the meta data and do the math. It certainly seemed big to me at the time (click click click etc ).
The very first of the mornings light skimmed off the high hill tops and ridges. I like to be just on the far side of a ridge for the sky show. Here I caught a calf Black Angus enter the rear door of the cafeteria’s milk spigot. Between the green grass (rocket fuel) and all that raw milk makes them live wires. You never know which way they are going to jump in the spring.
I get a lot of comments regarding the conical pyramidal shaped hill. I often do satire narratives where they turn magicially into volcanos or the rare “American” pyramid. I’m sorry that the truth is way less interesting. Sadly they are just piles of different layers of sandstones and mudstones. Deposted during the late Cretaceous, these layers are world famous.. This is when the dinosaurs were crawling around these sands I’m standing on. Blanketed in the Hell Creek/Lance formation, we never know what we are going to find. . Known from the end of the dinosaur era. They are indeed occasionally fossilferous. I’ve found good sized bones in the grass before (rare but several times). There are indeed dinosaur fossils up here. We earned Bliss Dinosaur Ranch as a name. p
But this is a land of many uses. We raise a lot of grass and cattle up here. I raise some dinosaurs now and then of course. We’ve had a nationally released video of 4 wheel drive activity we’ve done up here. (2008 Petersons 4 wheel drive and offroad’s Ultimate Adventure Video was partially filmed here). We have had a major rifle shoot here every year for 18 years now. Oil has been extracted back in the 1960’s so the place was mineral rich. Open spaces are still open. You would be hard pressed to find much evidence of the 1960’s oil production. There are several pipelines for oil, gas and CO2 crossing nearby. This place makes many things happen.
This image was captured just as the horizon dropped exposing the relatively stationary sun. Everybody always says the sun rises but it’s really the horizon falling away. OK. It was a “sunrise” bone chilling cold sunrise. At -2F any wind amplifies the experience from a sweat shirt to full arctic gear. In dead calm air, -2 might as well be 50. I dress in layers.
Working in really cold conditions with cameras:
I’ve been up here in an open vehicle at -20 before so this was pretty comfortable relatively. Riding around with a box of 4 or 5 camera/lens in an open ATV in that temp is something I don’t like to do now.
For this capture, I was walking around from place to place for quite a while. Drove up there in my jeep. Usually my right had is my weak link. I wear “Red Head” Mitten/fingerless gloves. They are better than other gloves I’ve seen advertised for photographers and do a pretty good job. I always carry two pair. If they get wet, it’s time to change them. But you CAN work the delicate controls of a camera with them on.
I even had my Jeep to retreat to . I prefer not to let my cameras get so cold so having them in a heated car has it’s advantages.
Working out of a car window in the cold:
You have to watch shooting cameras out of a heated car into very cold air. You can get distortion similar to a mirage that I’ve actually seen live and watched it distorting the image on the cameras monitor. The warm air and the cold air mixing makes a little distorting lens just for your annoyance. With a long lens the distortion caused by this interface CAN be significant. Each situation is different. I try to keep air flowing into the drivers window versus warm air flowing out. It’s a huge difference with long lenses.
Windmill Herringbone Sky My Landscapes are always being “photobombed” by “Sneaky Pete” the windmill. I have no control over his actions. 🤣 Windmill Weekend: 🤘 Windmill Junkies Unite!! Musings:
Nice sky that night. It disappeared (moved on quickly) before the sun got into the sunslit at the bottom of the cloud deck. It was still an interesting sunset. I love this kind of perspective using a VERY wide 12mm lens. This is a HUGE section of the sky with a wide 12 mm Zeiss lens just screaming perspective. I call the wedge of light at the horizon a “Sunslit” and as soon as the sun dropped below the cloud deck, most of it evaporated (literally lolol). The rest of that evening had just a bit of this going on. I found a few more applications for this sky (Compositions) up the hill on Ridge 1 where I get to interact with all the old growth trees up there.
Sneaky Pete is not an old windmill. He is about 20 years old. He pumps air for a small barnyard pond that we like to keep open for our ducks in the winter. The bubbles break open the surface under all but the coldest winters. It give the ducks a place to escape to. Their little pond has frozen over a few times and they walk up the hill and spend that time with the chickens because there is a small pool in their cage with running water there. The ducks number over 30, the pool is about 4 feet long by 32 feet wide and shaped like a kidney lolol. Sneaky Pete does a lot for the ducks….😄
5:50 AM as this posts. Enjoy the day and be safe in all you do.
These Evil Halloween Eyes from a rising sun I took a week ago as this posts. I’m always on the lookout for the Great Pumpkin Rising.🎃 I caught him here just sticking his nose over the hill top. Particularly at this time of year when all the supernatural creatures are out and about roaming the backcountry just waiting for an unsuspecting photographer to wander by… As if all the photobombing windmills were not enough for me to deal with……😜
The Sun was down below the horizon, this is a night sky, the spot lights from the sun’s down angle illuminating and lighting up the atmospheric ice suspended in the air…. It gave me this effect and several others interesting images as the clouds changed over the timeline. This is a ridge 40 miles out so a pretty small part of the sky which was pretty dark. These sky shows each have their own personality, sometimes several bi-polar sunset/sunrises hit me in a row lol. . I try and like to think I can read a sky like the actor Bill Paxton’s character in the movie “Twister” except I try to predict good or bad sunrise/sunset ahead of time to figure out what to do instead of where to chase the tornado as in that B movie lolol. More likely one of my many Delusions… yup 😄
Share freely with the season. It’s a natural photo not a digital concoction I swear. This stuff really happens… I just set my gear and click …..📸
This Crown Sky during mid-civil twilight (about 15 minutes after the sun went down that night) is a pretty rare sky event. I’ve only been able to photograph a half dozen crown skies in 30 years and this is the ONLY one from twilight with the sun well below the horizon by 5 or 6 sun diameters by the time this was taken.
I know it’s dark…it was dark. I didn’t enhance the colors, this is a time exposure of about 3 seconds which tends to enrich colors a bit. I adjusted them to where I remembered them. This is a night sky after all…
If you look really close, you might find something looking back at you in the clouds but I’m just playing there a little as part of my style. The rest of the image is pristine to the actual scene and unmolested. Most won’t notice. Channeling Doolittle a little …….
This is a 2:1 Aspect Ratio Image that is 72 by 36 inches at high resolution (smiling).
This summer we had JUST finished sealing the Ranch’s Log Lodge building. That’s an every 4 or 5 year job up here. (Log houses are NOT for sissies.)… The sunrise that morning was filtered by a good mist up the ridge giving me a reason to go outside and grab some of these extra photons.
Work is where and when you find it in this profession lolol.