A close / far perspective is never very far from my mind when working the backcountry. I often go places on ranch that I haven’t been for years. Sometimes that pays off in unusual ways. I really don’t find a lot of Pronghorn Skulls here. They are particularly rare here (anyway) with the horn sheaths still attached. Those fall off very easily as they are shed each year. To find a pretty well preserved skull already cleaned by the local insects…. it was a good morning lolol. I have a suspicion that when I get just the right place, I’m going to have this out at 100 yards with a HUGE sun between it’s horns due to the perspective. Stay tuned, it is riding in the back seat of “Clever Girl” until I find just the right composition for it.
I had been driving hills of late often going into 4 wheel low. The Raptor doesn’t have much trouble with the terrain. It takes me where I ask it too regardless of the smoke conditions. It seems to be able to breath just fine with it’s twin turbos lol. . Me I don’t like the air much, a little asthmatic from it, a slight cough. HEPA filter in the dash of the Truck AND in my living room at the moment. I keep the windows closed and limit my on foot time during this “inconvenience”. I normally drive TO the ridge and walk around. These smokey days, I’m driving all over the ridge and walking very little. Seems the smart thing to do. I’m also not putting my Mastiffs in their kennel. They hang out next to the HEPA and air conditioning vent.
Smoke “filters” from forest fires to reduce the light coming from our furnace make for interesting photographic opportunities. This added a sun rising a minute before the actual sunrise time. You will find sunrise time is not a fixed time. Depending on the atmospheric conditions prevalent at any particular terminator crossing, you might get a sunrise where the sun is actually below the horizon appear as if in a mirage. Perhaps a minute or two earlier than the scheduled time. I personally have never seen it rise later. Topography and the distance to your horizon may make a slight difference is rise / set times.
This phenomena is termed “Atmospheric Lensing”. This is a physics of light discussion generally at grade school level. Most have not heard of this. Here the sun is not actually up. Bent around the globe light can be. This by the refractions caused by the differing densities of the atmosphere covering the planet in the thin blanket. As the horizon drops, the sun eventually catches up to it’s actual position well above the horizon. Not here though. This image bent considerably by natural forces. The sun’s outline heavily distorted. I’ve seen a variety of different manifestations of this distortion. This was a pretty cool one. Looks like a chubby Teen Age Ninja Turtle in orange to me lol.
Done without a neutral density filter in front of the camera. Almost a silly unlikely capture. It is a rare image from my equipment that has very few issues with the silhouette against the sun. The smoke in the atmosphere obviously has some attenuating aspect on the amount of light passing through. Normally the camera is on the edge of the envelope doing this. All the normally insurmountable technical issues were overcome to get this one.
The big lemon colored sun is an easy capture in and of itself. Getting something terrestrial in front of it without large red rims around objects (diffraction artifacts). Washing them out is typical. I have pointed a camera at the naked sun with trees in front a few times (thousands) before and have never gotten this quality out of the composition. Sharpest edges ever in this type of composition lol. Again, only a smoke attenuated sun will do when you need a celestial object for a “sitting”. Of course I lost 1/2 of the light by letting it set 1/2 way lolol. High fstop (the softness) for deep focus, fast shutter in the 1/6000th range, LOW ISO in the 100 range and a lot of atmospheric filtering.
I’m always trying to work sunset at less than f22 if possible. I suspect this is f60 ish. A tiny pin hole in the aperture. It’s a 1200 mm lens with a very high resolution camera (170 meg raw+ .jpg) which allows me to come up this close without much of a crop. There is NO substitute for high resolution and high dynamic range in a camera.
During the Fall Equinox (on Sept 22nd during 2020) Smoke Pall over the skies from the fires to the west.
Around the Equinox, the east / west trending fences have a tendency to fall into order with the universe. For all intents and purposes, this fence line is directly on the Montana / Wyoming border . Montana on the left and Wyoming on the right. Looking East at Sunrise. Ive done many fence perspectives straight on with the fencline. Getting above it so far was an act of crushing perspective with a long lens from a far away hill. Looking over this west slope of a local divide between upper drainage courses.
Many of my photo’s have parts of both states in them. Either a Wyoming ground with Montana Sky or visa-versa. Here the sun looks over all that ground. It is having a great deal of trouble getting it’s light to the ground. The Pall of Smoke this particular day (this has set in for a few months I’m thinking ) was different than each day before it. The strange “filtered light” feeling reminds me of watching a total solar eclipse.
You might note the “Hump Gate” mid-fence. It’s a Cattle gate I designed to put on the ground without having to dig a hole under it. Cattle don’t cross it but ATV’s zip right over it. Idle minds are problematic in my world lol.
Getting the opportunity to image skies like we have been experiencing of late is once in a lifetime (I hope). I’ve lived in Wyoming for 30 years (10 in Jackson Hole and 20 here in eastern Wyotana. ). I’ve seen wildfire skies from smoke palls before. Never even close to the severity put on display for so many. If you have been living under a rock (not a bad idea these days) of late and haven’t experienced these… don’t. You won’t like it.
There is a very odd feeling associated with living under the plume from major fires up wind for weeks at a time. Having experienced the 2017 total solar eclipse, I have a basis by which to compare. The feeling of the sun dimming is perceptable under both phenomena. As a friend said, “it is like the sun is broken”. Nothing is getting the energy it prefers so even the few plants that are actively growing aren’t storing the sugars they need for the winter. All of the west is under this pall variously through out the last month. Weeks at a time.
The closer you get to the west coast, the worse it gets. There is so much smoke, you can see it from space easily as it whiffs around the globe with the prevailing winds. In a few weeks it will come back around at us from the west again. This will effectively block sunlight and lower the amount of solar radiation we will receive. There are complex relationships involved with local temperatures. I believe the Pall will lower regional temperatures than they would have been without the smoke (duh). Anytime you reflect energy away from the surface, you loose temperature as the sun is the furnace here. Might just be a very cool winter as a result of all this soot in the air. The west coast just put a bit of particulates and CO2 into the air. Forest Management is a good investment.
This is an amazing image to me. It is VERY hard/rare/unlikely/difficult and otherwise tough to get detail on the back of anything standing by the sun. I’m easily able to read AEOMOTOR (with the A covered by the sail). I’ve run my cameras for a bit. Having pointed at the sun a few times. I don’t believe I’ve EVER had this result…. This is a very odd color.. almost salmon. Never seen it before either. Seeing the surface detail on this side of the windmill… priceless.
First of all, this is a smoke Pall (of course) blocking about 80 percent of the suns light. IT’s very even smoke though and effectively a filter for the sunlight. The face of the Windmills Sail are in shadow. The ability of the best consumer technology is limited by your camera’s sensor chip being able to resolve the differences between really bright and really dark. This is known as Dynamic Range. THe human eye has 21 f-stops of dynamic range. The Sony Alpha 7R4 I used for this has 15 f-stops of dynamic range. That is really high for a camera in the current crop. Being able to see detail of a black cat in a coal bin in a bright white room is what dynamic range is about.
This is “Re Pete” the backcountry windmill. Big brother of “Sneaky Pete” the windmill that hangs out by my residence. I have to travel a bit and go through some gates to get to this guy. He is positioned on a wonderful little area. We call his home the “Treed Pasture”. Named that for the thousands of Jack Pines living there. This guy is functional. I’d have to change the pump leathers to get it running again though. It worked last time we used it in around 2008. Probably eeds some lube I suspect. He’s 40 feet up there and that sail is 8 feet across. A man can stand on that high platform and not come to the top of the sail. These are big machinations.
Boy the Land of the Rising Sun has nothing on this country. (Except Deep Sea Food lol) . Those swanky Japanese Maples are perhaps more photogenic than the backcountry Jack Pines seen here. But not much. Old growth and 60 feet tall survivors of the “big fire” back in the 1930’s. Here they bask in the colorcast smoke filtered light. The smoke from the fire all over the west. The sun size show the crushing of perspective by this long lens. Those trees are a mile distant.
These survivors dominate the ridge on the Wyoming / Montana border. This ground was more like the ridge behind them 100 years ago. No low branches is an adaptation to range fires. Those trees that loose their lower branches to heat from earlier fires do better the next time around. This growth habit is not reflected in the young progeny around the old still standing soldiers.
Living Hundreds of years on this ridge, the family here is tightly knit. I would imagine they are all related closely from a single pioneering ancestor. No doubt from way back in local early post glacial history. These pine trees of course release their seeds by way of cones falling scattered around their base. Those cones only open in response to a grass fire that is not too big, not too small. When the fire burns past, you get a generation of young pine trees that sprout up afterwards. Unless the fire is too hot. Fed by a century or more long build up of fuel in the grass. Old logs, branches and layers of pine cones.
Facts are that regular fires are GOOD for the ecosystem by regularly cleaning up the forest litter. Preventing HOT uncontrolled fires is a good idea across the board. Those fires burn the seeds they release and set the trunks of the old grown on fire destroying them in the process. Regular small fires help, large hot burns not so much. I’ve fought a few fires during my two decades on ranch. I don’t like fighting back in the woods too much. Not that I like fighting fires at all lol. Controlled burns are a GOOD thing. It spreads out the work over decades safely instead of all at once where you just loose things. This is not new knowledge. Common sense.
The horizon is a ridge 40 miles out. Those bumps are full grown pine trees making the saw teeth on the horizon. The perspective is deceiving. The area of the sky covered in this image is about the size of a postage stamp at arms length. Telescopic lenses literally give you a front row seat by crushing distance and thusly perspective you perceive. Such large celestial objects are possible. The relative apparent sizes mess with you… This actually makes the trees look HUGE relative as the sun. 863,000 miles across for that sphere, 50 feet for the tree. Based on that comparison, the sun must only be a few thousand feet tall. (shaking head side to side)…. Early Scientists/observers had it rough. They came up with the “Flat Earth” theories….
All the smoke in the atmosphere these days is good only for photography. Giving me crimson, yellow and black as my entire color pallet to capture. Three color, color schemes are fairly hard to find in nature typically. You have to narrow your search with the telephoto. There was a MUCH bigger sunset on going all around this close up. Many more colors started to appear. But when looking directly into the furnace, you only capture what light makes it to the camera. The smoke stopping ALL colors but Red/Yellow =Orange from making it to my photon traps. I can only record what is sent my way after all . I’m pretty sure that the time spent watching backcountry sunsets is not taken off your life’s timeline by the powers that be. It’s all free time….
A second Landscape Perspective this morning. I figure I’m a landscape photographer, I better post a good landscape every now and then lol. This Close / Far capture of the old growth trees about a mile distant, the far ridge at 10 miles with the sun a mere 8 light minutes distant (93 Million Miles).
I LOVE salmon / peach colored skies. In this case it was the smoke between me and the orange source giving what would normally be orange a decidedly grey colorcast. The dirty smoke contrasting the layers of landscape in this multiple ridge environment. I’m standing on ridge one, the sun rises over ridge 5. That’s the first ridge to my east all the way to the last I can see. That last ridge is my effective horizon. I’m not aware of any place high enough for me to see over it short of climbing the big horns. It stands about 200 feet higher than the hill I am on. I have to climb over that ridge to see over it unfortunately. I don’t miss but about 2 minutes of initial sunrise from this position.
Remember when your teacher said you’d use geometry in your lives? I actually do to a degree (pun intended). I have to imagine how this stuff works before I can decide the concept is correct.
The air was quite unhealthy. Similar to smoking outside except one can’t get fresh air between puffs. There are a variety of health effects with a new study indicating even “Gut” health is related to air quality of all things. The SUN (not the moon) was setting into the Pall… Close/Far Perspective with Smoke Filter… Not a condensation cloud in the sky, this is ALL ground level smoke.
There are hundreds of fires burning in the west. Many in California but every western state has something burning. Most are lightning related other might be a bit more suspicious. None the less the smoke has spread far and wide to the point where my copy of “Weatherwall™” shows me where it is the thickest. Some of the applications out there now will actually have a choice to select where the fires are. The map is covered…😔
I have only had to fight one fire this year so far fortunately. I understand the forecast is for cold weather. This is a good thing lowering the fire danger considerably. Last night was a .2 rain here with a hard rain surrounding us. There isn’t much grass to burn in this area due to drought and grasshoppers eating what’s left. Basically it doesn’t pay to run the tractor and other equipment to harvest hay. It’s very desert like this year. We normally get 14 inches a year mostly in the spring. This year the spring did not deliver AND the last two months have been VERY HOT and DRY as this narrative is written.
Another name is “Crown” Sky. This is the second image I’ve posted from this timeline. This is the widest lens I have. The top of the frame is past straight up (over 90 degrees tall). These “Crepuscular Rays are actually over my head from the horizon. This is a first for me. I’ve never seen one this big before. It literally covered 1/2 of the sky. I figure this is about 1/4th of the sky as it continued over head quite a way.
Unfortunately there were no “Anticrepuscular” rays on the other side of the sky associated with this or I would have done the whole sky as a mosaic dome with 5 or 6 images from this lens. Still this was an awe inspiring display to witness. It lasted a good 1/2 hour too so it’s not like I don’t have options regarding image choices lol. Several hundred clicks were heard in proximity to this event from my place.
The different images each reflect the constantly changing dance of clouds blocking the rays. It’s not rays lighting up the sky, it’s shadows not lighting up part of the sky you note as distinctive. Without the shadow of the cloud tops, you would be looking at a uniformly illuminated smoke screen. That acting like a projector screen from that bright bulb. Otherwise, everything would be lit up . This is all about shadows of that big cloud above the sun.
This is the pullback and image number 2 from this timeline. That is the original and official “pin hole camera”. We have a silhouette here of a local mountain top from another nearby peak. I was walking along the ridge to take maximum advantage of the Pareidolia I suffer from. There are at least two “easter island” faces in the silhouette. Suddenly as I’m walking along…..
I freeze. I really didn’t have the right camera with me, so after a trip to my truck. Consisting a few hundred feet of climbing, I figured I’d never find the window again. I couldn’t see it projecting a dot in the shadow on the landscape. The sky was too “lit up” throwing very bright diffuse light making that impossible. (What a sky).
It turns out that the “window” to this pinhole was about 2 feet by 2 feet at this distance (about 300 yards). I just by happenstance walked with my head at the right level. I’m amused by simple things these days.
I find looking at the world with the amazement of a child has done well for me over the decades. I attempt to view perspectives like a mouse and lighting as a youngin’. Try to moderate those with a dose of awareness though lol. Even though I’ve photographed thousands of sunsets/sunrises, each one is a new experience. Each different than any before. The spiffs of being a landscape photographer. 😎
Looking into the furnace is a hazardous thing to do with most cameras. I don’t suggest pointing a camera with a telescopic lens into the sun unless you really know what your doing. This was very bright of course going to places the human eye can only glance into for fractions of a second. More and your doing damage to your eyes. Don’t…I use gear that is good with this.
The old growth pines on this ridge, married a long time living together. Roots intertwining for well over 100 years. Sharing the same ground will tend to put everybody on the same page. The metaphor here leads to the conclusion that common interests exceed differences. The trees work together blocking the wind and gathering the light most of the time. Here they are cooperating with me making a nice frame for my sunset that evening. The have both survived decades of grass fires burning to their base. Survivors both.
The Yellow surrounding the sun is where the term “Golden Hour” comes from. What I’m after is the smooth yellow to blue gradient here with every color variation in between the two end members. Needless to say this is a wide lens involved to fit all of this in the frame lol.
When looking at a bright Crimson Sunset, one has to take it in perspective. Look how large the sun is relative to how you normally see it. This is zoomed WAY into just a little small area of the sky. Which by the way, is a big area of sky if you were out there under it lolol. So perspective is important to understanding these images. Hold your thumb out at an arms length toward the horizon. Your thumb would cover this entire frame. Postage stamp sized at arm’s length.
Skies banded are best. Or something close to best. I’m all about color, cloud and landscape gradients. I chase them incessantly. Both in the real world and in my dreams. The perfect banded sunset would be a bucket list item. The term perfect of course is up for debate.
You couldn’t look at this for more than a glance. The mirrorless cameras looks well into the bright Not as well into the dark without a time exposure. I think the same is true of the human mind.🤔
Our eyes however aren’t good at the really dark or really bright either. They are generalists sensors we use to deal with most of the events in our world. Apparently there was no survival benefit in our developmental past to look directly at the sun. This is why we invented hats with brims and sunglasses. Now why we don’t have night vision like canids or feline is a good question. In a weapons race, humans gave up an edge there to be functional generalists. 📷
Finding windows through vegetation is a matter of either finding them randomly or making them for use later. This tree I cleared out some limbs months ago to make a slot just for this week. Fitting the sun into the slot is a whole different matter. First of all as the sun is rising it moves to the right. As it moves to the right, I have to move to the left. Tripods don’t work for this. Handheld will work just fine.
Topography is my master. To align such a vision, I have to be at just a certain x, y, z coordinate at a certain time. The earth has to cooperate with me to give me a place to stand. I have maybe a minute to work scenes like this as the earth will drop away and the sun would be hidden by the horizon. If the ground I’m on climbs, the sun would have to climb out of the bushes it’s resting on. It’s already climbing for the day. Here I caught it being lazy resting before the arduous climb to the it’s zenith that day.
That morning was cool for a early august sunrise. Some morning are in the low 50’s up this high. Nothing like the days I lived in Jackson at 6200 feet where we actually could routinely get some snow in the summer. Not so much down here at 4000 feet in Wyotana.
(Maybe a little silly satire). We are pretty green up here on the Bliss Dinosaur Ranch. I believe there are 24 big solar panels up and running things like water wells up here. Wind generators 2. Underground and above ground green house. Big windmills 2.
I can only align this the 28th of July and May 15 when the sun rises in a certain position. Otherwise the spacing is all off and nothing is aligned throwing off my OCD (I have it bad) Compositional requirements all amok. There is no alternative to turning the camera mostly off to light pointing a telephoto into the sun. (NO DSLR’s). The background ALWAYS goes to some shade of burnt umber and the sun goes yellow. I must point out that with a telephoto a close / far perspective like this with 4 layers of objects.
“Sneaky Pete” the windmill is 200 yards out. The smaller wind electric generator is 100 yards out. The Hand water pump about 120 yards along with the vent pipe the sun is sitting on. Re: vent pipe, I seriously overbuild my infrastructure up on ranch to support the mass of celestial objects as the sun. Bought that pipe years ago. My comment is they don’t make things like they used to. 😜 📷
I have a habit of catching both the sun and moon being lazy sitting down on the job like this. For all I know the sun is management (sitting around) and the other guys are out there pumping water… Oh wait, that is sort of how business works isn’t it? lololol. The sun provides the power for all these devices, human made (machinations) to run water pumps. Windmills (wind engines) can be used to pump water/air or circulate fluids, the wind is powered by the sun.
The smaller windmill charges a batter bank which is about 10 years old currently and holds a charge well. Still good batteries maintained by that. Runs a small water pump from a cistern Vented with a hand operated cast iron water pump. Good old man power also initially powered by the sun. 🤔 Getting all these actors to line up is like herding cats. The pipe is leaning from all that weight….. 👅
Mayan Pyramids on the Montana border…. Perhaps but the geologist in my pulls my imagination back in lol. Timing and position is a critical factor in this kind of image. The hill top is over a mile away with me watching the sun slowly rise while climbing up its left side. You see the sun moves up yet but it always moves to the right horizontally as well. More “Diagonally” up the sky than straight up.
So I started vividly imagining this unfolding stage play of the Mayan King awaiting the mounting of the sun god on the great pyramid. This “pyramid” is literally located 1/2 way between the Equator and the North Pole. 45 degrees North Latitude about where that tree stump is on the left. This must be a far northern suburb of the Chacchoben, Place of the Red Corn in Yucatec. But wait, the Hill seems to have fossil turtle remains, and dinosaurian parts and pieces in consistently sandstone/mudstone sequences. It is/was not built by stacking man made blocks as ancient cultures were so adept at constructing. Shape is a poor indicator of what things are. As we Pariedoliacs well know eh? The substance has to be there…
The area around the sun is VERY bright. You will need a mirrorless camera as looking into the sun through a DSLR camera could blind you. It’s a direct light path from the sun to your eye. I look at a video screen inside my camera so it’s impossible to blind yourself with one of the mirrorless cameras out there. However I suggest you check with the manufacturer to see if your particular camera can take this kind of abuse. A good use of negative space I think…. 😜
Sunspot AR2767 is an early member of new Solar Cycle. We have had 25 complete sunspot High/Low cycles since we started keeping track of such things. The last cycle was quite anemic for numbers of sunspots versus the historic record. I’ve been watching this sunspot move across the suns face for the last few days. It’s the small dot at 8 o’clock. It’s not a dust spot on my camera’s sensor, trust me… 😜
In an attempt to explain how this works in a few sentences: The low sun spot numbers roughly correspond to increased gamma ray penetration of earths atmosphere. Fewer sunspots result in less solar wind away from the sun which keeps those gamma rays at bay during busy sunspot periods. Gamma rays penetrating our atmosphere do all sorts of things. They ionize channels of air as they pass creating lightning paths of discharge. They also create “points of Nucleation” which are condensation centers causing more cloud cover. More cloud cover cools the planet by reflecting heat back to space. (white). Gamma rays also smash through our bodies routinely but fortunately not an excess of them visit. If you ever see a flash of light with your eyes closed, either your like John Travolta in the movie “Phenomena”, or you just had a gamma ray hit your optic nerve.
At any rate this was taken with NO man contrived filters what so ever. Shut the camera down to light by turning down the iso as low as it will go. The F-stop # as high as it will go, and the shutter as fast as it will click. Say 1/4000th to 1/8000th. Have a veiled sky to help you out. Don’t use a standard DSLR with a direct light path to your eye. You’ll blind yourself. I have used Sony Alpha 7 R2 to R4’s for this. Your camera may not take this so consider a few neutral density filters stacked in front of the lens or a proper solar filter. Here I let the clouds do most of the work.
A Daddy Long Legs spider surrounded by it’s 3 dimensional home/web decorated with hundreds of condensed dew drops was a lucky find. Talk about a harmless spider. (I know, some of you REALLY don’t like spiders). Others buy them as pets. I always thought they were too fragile personally as the big spiders crack like an egg. Some of you may not know my wife and myself ran the only pet shop for 6 years in a big college town. Sold that in 1986…. (one of my 9 professional careers). I have sold a LOT of Tarantulas to Frat Houses before. They seemed to like scorpions too. Needless to say I’ve been bitten, stuck, stung, and otherwise generally chewed on for 6 years by all the exotic stuff that went through our pet store.😜 I was much younger then.
Setting the stage:
We are in the middle of a 6 month long drought. That morning was HEAVILY pea soup fogged. The sun was deeply veiled to the point of the fog filter being quite effective at making this possible. Pointing the camera into the sun to capture darker detail is the challenge. Don’t try this with a DSLR camera. Mirrorless cameras won’t blind you in the process. That is a very bright sun at the top. Looking into the furnace as it were.
So when the relative humidity hits 99.9 percent, dew condenses on any cool object. Droplets in the moving air collide with larger drops nucleating around intersections or rough points in the webbing. Anywhere there is a SLIGHT disruption of otherwise smooth air flow, frost or dew will deposit there. That depends on the temperature. For a good google this afternoon, search “triple point of water” in google and see what comes up.
Radiance: (Websters) : the quality or state of being radiant 2 : a deep pink : the flux density of radiant energy per unit solid angle and per unit projected area of radiating surface. (1 and 3 nailed this) I’m thinking that I’m digging the Flux Density here but maybe it’s just me. Of course totally square natural frames and visual tunnels always are a nice hero or two to add to the images mix.
All images are combinations of light, angle and the subject(s) of the composition. My job is to bring them together into a coherent mass… jumble if you will. Coherent being the key word. Chaos is the tendency of the world but bringing order to chaos is what I often pursue. Those are the images that somehow bring a semblance of logic to the disorganization that is so prevalent in our universe. They make sense to our minds sense of balance and proportion. Leading they eye naturally as the masters of the 16th century figured out toward the focal point of the image. Here is a sunburst as the center. Ago old technique, modern technology to look into the eye of the furnace that keeps us warm.
This “Golden Hour” capture is classic to the intensity of the sunsets in air full of ice. Alpenglow glow colors the air golden. Only the hour after sunrise and the hour before sunset qualify as the “Golden Hour”.
Sunday Night I get a little philosophical… Forgive my editorial excesses… Please apply this to the appropriate world sit rep….
Just when it seems that there is no way out. Stuck in the hole. The road ahead looks impassible. I point out that nearly every problem is a matter of viewpoint. Here the situation only looks bad. My example is: Sol is in a deep hole here… Since he is about the heaviest object in the solar system, this could take a winch larger than I have here on ranch. Living on a remote ranch in the middle of nowhere has it’s preparedness aspects. I try to be prepared for most situations but this one was a bit beyond my anticipatory imaginings. Unknowable endings brings anxiety beginnings.
It’s a good thing that most problems are a result of our perspective. They are not made of insurmountable mountains in my experience. In my hideously disguised metaphor it seems the land behind our celestial neighbor dropped away smooth allowing his clean “get away” from my perception of his predicament. I just couldn’t see from my angle…. My thoughts of his delay caused a whole list of celestial consequences that had cosmic ramifications. Talk about anxiety…. Boy are we lucky. (from my perspective) 👀
My point is, get others opinions about problems that seem unavoidable and insurmountable . Others may see a way out of the “problem” that we can’t because of each of our limited perspective(s). … We have to get our minds together or we will be torn apart where we are forced by our “problems”.
Now from strictly back to my normal programming basis, Simple Photographs like this are a favorite. I think from somewhere back in the “70’s” I picked up a liking for lots of negative space with smooth gradients about. Position and timing were everything in this capture. 😜 📷
The rare thick foggy morning in the midst of a precipitation drought was welcome in this high country. The dew point had been reached during the darker hours. The net effect was a net moisture gain which is sorely needed. The strength of the gossamer iridescent spider silk amazes me with it’s natural strength. That is a lot of water for it to hold up. I suppose it’s spread out equally throughout the construction.
The sun was heavily veiled by the pawl of fog still lingering after the sunrise. I caught this early enough in the process to get the best of both worlds. Sun shape and definition through the filtering fog but yet enough moderation of the glare to allow me to image this wonder. The spider was no where to be seen as I’m sure the HUGE glass eye I stuck into his domain was sufficiently worthy of note. Thus his quick exit. I’d have loved to have had a dew covered cat faced spider attached to this lolol.
Nature has it’s way of producing miracles that escape our perception due to our hurry up and get there mentality. I have had to teach myself to slow down and actually see/recognize what the generalist in me ignores. Each of us has this ability to focus in on the details around us. Few take the time. To see what others only look at in passing, paying no mind to it, is a core achievement of a good student of photography.
This 92 percent Illuminated moon was rising in the eastern sky the same time the sun was setting. I used the same camera, same 1200mm lens at full magnification, both handheld front rested on a truck window. Taken a maybe 30 seconds apart. I took the moon image, turned around already spinning dials on the camera to choke out the excess light from the MUCH brighter sun. This is all done without any external filters on the Sony Alpha 7 platform. A Rising Moon and the Setting Sun. The sun is closer to the horizon, note the sculpted edges from atmospheric lensing distortion. The moon’s edges are crisp.
Granted it’s a big long terrestrial lens at 1200 mm. No astronomic telescope here, this is the same lens I use for bird eye brow images. This image is of course a composite of course with the two being on opposite sides of the sky at these particular moments. The sun and the full moon are “seldom” seen in the same side of the sky. 😜
Boy talk about a blank look on the suns face. Currently, the sun has NO, zip, zero sunspots visible on it’s face. We are at the low of a very quiet / low sunspot activity/number during the current solar minimums. Right in the middle of the low we are. A good google search this AM would be “Maudner Minimum”.
You might note that the two disks are essentially the same size. This is part of the reason the sun can cover the moon during an eclipse. The moon just had it’s supermoon status revoked last month. Moving a little away in it’s orbit. It’s still very large but would if in the right place would result in a ring of fire eclipse as just occurred in the southern hemisphere. These types of annular eclipse occurs when the moon is a little further away not quite covering the suns disc. A ring of fire shows all the way around the central moon silhouette.
Location: A bit over: Bliss DInosaur Ranch, Wyoming / Montana borderlands (Wyotana)
The hundred year old trees and the nearly 100 year old windmill share the scene with us here. There was a time when I would take a light level reading spin some dials, maybe look up a setting on a chart using the film speed I chose for the event. It was the wild wild west and very expensive to take a photo. Then you could have to either print them yourself or on film. I got exposed to digital image processing/ printing seriously in 1989. Photoshop version 1 and Quark Express. I had opened a full prepress service bureau serving other graphic artists in Jackson Hole by 1993. It was film first then a laser drum scanner to
Complications: Translated through my lens to your computer by a host of technological innovations. Converting light photons to electrons in the camera. Those electrons recorded as a series of 1’s and 0’s. Those series are carefully manipulated inside the camera to start into something resembling a really huge number. Properly interpreted and modified by a host of algorithms under my control, that number is changes slightly to suit my sense of finish. From there, the computer file (image) is converted by a lossy compression scheme to .jpg. Then Facebook messes with it further resizing it to suit themselves.
Then and only then does the computer file that was generated by the photons from the sun hit your monitor. Your screen converts that big number from the electron stream back to photons for your eyes to receive.
So see! It’s a really simple process to go from my lens to your eyes.. 😜 😜
Often I climb a ridge only to be clouded out of a sunset. To be honest, I was worried about this particular night’s cloud cover shutting me down. Just a thin band at altitude but below it snuck out a full blown solar spotlight. I call these sun slits where at the last second, the clouds part enough for our furnace to shine though.
The cluster of buildings is the Homestead of the Bliss Dinosaur Ranch. I don’t publish too many photos of the place but it’s a good scale to the breadth of this wide angle image. The largest white roof at the rear of the compound is about the size of a regulation foot ball field for scale.
The difference between an enormously bright sun and a now shadowed landscape is tremendous. The dynamic range necessary to see the extremes exceed the human eyes ability. Looking into the sun would cause you to avert your gaze. But you could probably see the landscape around it if you don’t stare directly at the sun. Cameras see the world entirely differently and not as well as the human eye. They can see into the bright better than our eyes can. They can see into the dark better than our eyes can. WHere they eyes win is being able to see both at the same time. Cameras don’t have the dynamic range the human eye has. Technology is catching up with us though. It won’t be long until the cameras are better. At least the ones I can afford to by now can’t do it.
Right into the sun Captures with layers of landscape are actually one of my favorite images. I’m not sure how many of these I’ve taken. Likely they certainly number in the hundreds. Probably only 50 or so have been finished and published from my archives of photos that need to be finished (extensive). I think it’s a 70’s thing of mine… Could be just me
I prefer to do photography without additional “filters” in front of my lens. Pointing such right into the sun usually gives me ghosts of the sun I can’t fix in the digital darkroom. If your camera doesn’t have the dynamic range the mirrorless Sony Alpha 7 versions I used for this, you will have to use Neutral Density screw on glass filters in front of your lens. Those will act like sunglasses to your camera so it can actually see what’s going on. Please don’t try to do this with a DSLR style camera. They have direct light paths to your eye and blinding has happened. The Sony Alphas are a mirrorless design that is entirely a video in the eyepiece. No direct light path to blind you.
The trick on all of these is to not overexpose the sun but yet have enough detail in the shadows to bring out the horizons. It’s a knife / razors edge of tweeking exposure back and forth. You could also adjust f-stop since it’s not as critical here but is useful for eliminating light at high settings. Pointing a camera at the sun is an exercise in turning down the camera to light a LOT before you point it at the sun (hint). Don’t burn a spot in your cameras digital sensor…. . 👀 📸
When I see high contrast scenes I hunker down and try to bring it in. High F-stop diffractions and silhouettes dominate the scene on a remote ridge line. The backcountry is full of an infinite number of little zen like scenes at any one time. I find that all I have to do is be there and mother nature will provide. Smoke in the atmosphere is a wonderful thing for photography.
I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol. Working parallel ridges with riding or walking a shadow line is the way to set up compositions that I’m using here. Look for opportunities to walk and follow shadow lines.
Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. If your buying gear soon…. Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after.
If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way. Don’t look into the sun with a DSLR camera.
Clouds hundreds of miles away accentuate and attenuated this image filtering the light before it reaches my lens.. Various levels of smoke from burning forests, dust and moisutre give western photographers opportunities. I am not ashamed to take advantage of it though my heart goes out to those that the fires impact.
I’ve physically fought my share of grass fires living surrounded by a giant sea of grass. Fires used to burn here from their start to the first snows putting them out. I’ve seen some tremendous sunsets as a benefit to natures actions cleaning up the dead fall that we have allowed to accumulate to dangerous levels.
I’ve said many times before that I don’t use glass filters in front of my lenses. When shooting directly into the sun, the best filters have leftddfff a ghost of the sun in my images. Offset reflective artifacts are not generally welcome to a photographer that tries really hard to be a photorealist. I will occasionally wander using lens reflections/flares in my work, but not here lol. 📷
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Sun all to line up at the same time while at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google which would be about as far north as the sun gets mid June lol.
Get a compass, a map (in my head by now) and figure out “what two or three things” can line up. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE it is going to take place though. 😄
I am a real fan of pursuing close/far perspective images in the backcountry. I am standing up in Wyoming looking over the border up into Montana as the sun rises to the east/north east. The trees in the distance are in Montana. I’m one of the few photographers that can post most of the images I work on the borderlands in either states forums. I actually try to police myself if something is just Wyoming I’ll try to keep it only on Wyoming or national forums. Visa versa for Montana. The Islands of old grown trees on the ridge lines are testimony to their tenacity against fire/wind and lightning. The snag on the right lost it’s battle with lightning it seems.
So perspectives and warm mornings go together like peas and carrots. (classic reference intended). I’m not sure why this is but I’m drawn to the “close” details with a falling horizon exposing the sun.. All caused by the icy atmosphere in any of the fall winter, summer OR spring. We have alpenglow most of the year. There only has to be atmospheric ice suspended between the sun and the camera. Hundreds of miles of ice and air only let through that crimson/orange/gold light at this point. Earlier in twilight a lower angle only let through red wavelengths in twilight with crimson being the dominate colorcast that morning.
I take images with cameras that can look places your eyes can’t. You MIGHT be able to glance at this for a fraction of a second before you instinctively turned away. I watch this on a video screen and I know exactly what I just took a photo of without having to look at it. What I see on my screen is what I get here. (Actually I take very dark images only exposing highlight correctly. (If you must know). 📷
IT was very late Golden Hour Lighting and the sun was settling into a cloud deck. (thus the red colorcast… natural). I had been watching this 5x5x5 bird (5 pound, 5 foot tall bird with a 5 foot wingspan) for 15 minutes. Sitting across a pond literally on the Montana / Wyoming border, he is 50 feet up a mature CottonWood Tree. The Pond is artesian and never dries up. The birds commonly seen in marshlands in the south, are rare sightings in this backcountry setting. There is a Heron rookery on ranch so I see them more than most. This photosession was just 9 days ago as this posts.
The cottonwoods are leafing out. I could only see 1 nest in the tree line where 6 were visible a week ago. I’m worried about the huge wind storm that blew through a few days before this. I’m guessing 80 mph gusts took a few nests out. Hopefully others are just obscured by the leaves of the trees. I looked very carefully to sky other nests but could only make out one. There was a Red Tail Hawk Nest not far down the tree line that I also could not locate in the 15 minutes I was watching this timeline unfold.
Catching a bird of any size at take off is a matter of reading it’s body language. Birds OFTEN poop just before they go errrr launch (no pun intended). Then there is that Squat 200 microseconds before the feet leave the perch. Timing and anticipatory focus. I’m thinking the focal field is 2 feet deep here… maybe 3… Focus a few feet in front of where he is standing…
I left after this fellow flew the coop as the sun was going down and I was a way out in the backcountry. A few miles to go over grass fields in the dark is tricky sometimes…. .