Windmill and the Moon
Cranberry Alpenglow is a rarer color of back show than the pure pine. I finish images as I remember them This day ended with a band of this Cranberry color spread across the eastern sky. This is just a darker variant of the “Belt of Venus” pink Alpenglow.
I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus. In low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….
High F-stop number give you deep focal fields. They become a double edged sword though. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close/Far perspectives to work with. Topography is your to contend with. . Getting in focus grass against the moon in low light is sort of a difficult thing to do. Just take your time but not too much lolol.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Windmill and the Moon