Scenery such as this under the crescent moon takes my breath away. Surrounded by the quickening of the sunrise projecting it’s pink light. The ice so suspended in the atmosphere reflects those long traveled photons back to my light traps. This is termed Alpenglow. “Belt of Venus” variety. Cameras do no justice to the cool air on your face, the quiet of the remoteness, the sense of being the only human for miles in all directions. This photo location is about as close to the middle of nowhere as you can get. It’s 50 miles to anywhere with a population over 10. There are WAY more deer per square mile up here than people.
On a road trip up here in the winter high country consists of slick roads followed by short jaunts off the gravel. Two tracks roads are unpredictable as to snow depth so I tread carefully getting off road. Stuck in the snow is not something I’ve ever been. It’s not my plan to ever do so. I carry a LOT of survival gear, a good radio, folks generally know where I’m going ahead of time.
With the Ford F-150 Raptor I’m driving now, I’m feel much more secure but that is probably a trap eh? … It’s got at least 6 inches more ground clearance than my old jeep. (famous last words) So I’ll keep being choosy upon my trails and stick to the smart choices depending on the weather I guess…
Location: near the Bliss DInosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
I find the moon to be a big show off when ever it can be. Here it is balancing on a rock like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit. You might notice the sideways snow drifts on that 20 story high hill telling a story of high wind here in the borderlands of WY/MT.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
It appears (to me anyway), like a skull looking up/left. What do I know as I have an overactive imagination. Great image for Halloween or just the 2nd day of January when this first posts lolol.
Heres an image from April of 2018 that I just finished. There wasn’t much to do to it. This shot is an interesting distortion by the 400 miles of atmosphere the setting moon light has to travel through to get to my camera. Changes in air density and humidity make for surfaces that refract/bend light just a little bit. This is metaphorically an imperfection in a glass lens.
Your actually looking at the moon when it is geometrically below the horizon as that same aforementioned atmospheric lens is at work. The atmospheric lens bends the light so that the sun and the moon actually set a little bit after the scheduled time for setting. They also rise just before they are scheduled to do so because their image is bent around the planet.
Waxing Gibbous Moon leans to the right as it sets. The little crater dot on the 3 o-clock position is a moon setting position. That crater, (Mare Crisium is it’s name) will be positioned at 12 o-clock for a rising moon image/scene. Keep your eye on that little Mare next time you see a photo of the moon situated on the horizon.
The ridge in the foreground is about 1000 yards out in this 3200mm telescopic shot. It was quite pitch black when this was happening.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
MOON MONDAY 3PM offer… Moon photos all day today. This is number 4.
These two jokers were hanging out where I was driving just as the moon Full December moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, the blue like under it is the shadow of the eastern horizon on the western atmospheric ice screen. There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon. As the western horizon moves upwards, the blue will disappear along with the full moon setting in due time.
Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
MOON MONDAY 12pm ‘entry’ for this Last Monday of the decade.
The Pink Belt of Venus Alpenglow phenomena that colors the sky Pink was turning to cranberry on the left of the frame. I LOVE smooth subtle gradients in skies.
I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus but in low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….
High F-stop number give you deep focal fields but they are a double edged sword. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close far perspectives. Getting in focus grass against the moon in low light is sort of a difficult thing to do.
Full Horse Moon…. instead of Quarter Horse Moon…. 😜😄
I would like to thank the quarter horse and the moon for sitting for me. A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The horse was WAYYYY easier to get to “sign”. This was a cool morning by the way. It was around 10 degrees at the time, 10 inches of snow all over the ranch land. This neighbors horse was with his all black cohort free ranging out in the backcountry. I happened by about the same time the horizon was rising to cover the moon from below. What a coincidence 🤗
This setting moon that morning was very visible with the sun rising over my shoulder left frame. The lighting was wonderful, the sky robins egg blue with wisps of clouds. The horse was only about 150 yards out for the soft focus in the close/far perspective that this image is. I’d preferred 200-300 yards but beggar opportunist photographers can’t be choosy sometimes 😜👁 Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the horse would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the horse. I couldn’t walk any further back and still line this up. Topography is my master.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this and see a moon orbiting a gas giant planet such as Jupiter. That is because I live in a science fiction world of fantasy at times. I also have a somewhat overactive imagination but that is for another story lol.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
A big super-telephoto fast Canon lens to do this work is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase of a terrestrial object in focus with the moon is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I still consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. Click….. This morning of glass clear skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon set this clear is “keep busy” lolol.
On a sub-zero mid-winter morning, the Moon decided to roll down the hill but it hit some resistance in the high grass as it was just starting. It couldn’t go any farther down hill so it “rose to the occasion”. Actually this is a setting moon. Keep track of those three equal sized mares on the right pointing to 3 o’clock. That indicates a setting moon. If those 3 circles are pointing to 12 noon, it’s a rising moon.
Positioning compositions like this becomes a matter of millimeter side to side or up and down movements of my camera/head. You really can’t use a tripod easily doing this. The moon is always moving. You might think there is a limited window of opportunity to catch this moment. Yup. Pretty limited but I was doing this by hand and as such, I could move with the moon. It is literally dancing with the moon. 🌕🕺📷
It’s not a composite which is why it’s not quite what I wanted focus wise. It took a LOT of smoothing though to compensate for the low light gain as this was handheld (high camera sensitivity gives big chunky grains) .Atmospheric distortion was scalloping the edge of the moon too. I even had to give somewhere with the focus and that was on the moon. I was overly close to the Bird to do this ideally so I’ll use the image to teach. It’s still a pretty cool capture lol.
What you have to do if you just don’t have enough distance from the close object….. HINT: focus BETWEEN the terrestrial object and the moon having each JUST A LITTLE blurry.
Hopefully your highest possible f-stop number for your lens is used. F-stop will give you a deep field of focus. The bottom line is distance from the terrestrial object is your friend. The field of focus may be big enough to bring both into focus. Not perfectly here. Wish I would have had enough time for a tripod. The bird wasn’t well compensated for his time and he left pretty quickly lolol.
Something to consider:
Dinosaurs peered at the same moon that this modern version of an Avian Dinosaur is watching right now. I love ironic scientific connections. I point out that with time the moon is moving away from the earth so the moon was a little bigger and closer during the age of the dinosaurs. It was closer the further back in time you go.
Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.
Here the moon had found a nice place to slowly roll down hill but alas, a young “ent” (ish) tree has stopped it’s progression. The moon seeing it had no other way had to climb up the sky to evade and escape the clutches of the local clan of “Ents”. Thank heavens it didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess up if even one of those trees get’s their way.🤔🤔
Back to my normal programming:
Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….
Way outside a normal photographic challenge. I come up with these ideas, show up to the time and place. Then I have to figure out how to capture such a low light event. 🤔📷
This was a 1/15th second time exposure as it was very dark out for this. The wind was BARELY moving the windmill’s sail. The camera is about 400 yards from the windmill’s blurred fan (in the camera). The moon was 200+ thousand miles out and only about 3 percent illuminated. The morning sky was full of a dark brown ice glow starting into alpenglow.
A big 600 mm fast lenses will do wonderful captures if you can keep them still enough. Any wind on a big camera lens in this amount of light is a tough photographic environment. A shot timer in the camera is a good thing (or a remote shutter switch). It takes a second or two for a really big lens to settle down motion induced by the click. The Montana/Wyoming borderlands I frequent are mostly high ridges. The wind is actually higher up here than down at more reasonable altitudes. Truly this is a tough photographic environment to catch such a low light moment in space and time.
To catch a blurred windmill sail as well as a dim crescent in the same photo….. Taking photos in very low light at distance is an interesting game. If you get a chance to try this with your gear, start at a 1/15th second time exposure. Go longer if you need if your tripod mounting the camera.
Artistically I was compositing two nested arcs in the same image. I believe this was about 1 hour before sunrise. Taken during either late astronomic twilight or earliest nautical twilight. There was just a slight glow in the sky, just enough to eek this image out.
Layers of ridges sprawl below the Crescent Moon perceptively nearing the rising horizon. This 2 second time exposure of a 3 percent crescent setting over the Red Hill.s That last ridge is 40 miles distant from my lens. Resolving the different darkness of distant ridges in early civil twilight was a secondary goal in this image. Of course, getting that shadow and full outline of that sliver of a crescent was my main goal. I love alpenglow.
Actually capturing a detectable outline of the whole moon seems to be “restricted” to moon captures fairly close to the horizon. I’m not sure of the physics involved in this observation anecdotal as it is. However, what I do know for certain: seeing the whole outline is a tough capture. I can actually see things like this in the camera’s live video at the time.
The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.
I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are Christmas shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I use the smaller chip cameras (not full frame like the Sony) for astro/big telescope work).
This is a Game Trail Camera Capture with only the IR flash and the crescent moon to provide light. This cameras is actually at ground level looking upward at 46 degrees and caught this pensive look up. I thought was pretty cool catching a Buck watching the Crescent Moon. I put a piece of thick plastic under it to keep dirt from being kicked up by rain as it’s literally at ground level.
I’m always complaining how Game Trail Camera images are to a one problems to fix. I didn’t have to do too much to this capture at all really. It’s pretty good for right out of a Trail Cam.
This is a square 18×18 inch aspect image only in B+W. The infrared in converted to Black and White easily. If I do IR with my pro-cameras, they come out pink so the software in the Game Trail Camera does a conversion. IR is ALWAYS grainy so what you see is what you get but the candid nature of these cameras keep me working them hard. I currently have 28 that I’m caring for. (just added 2 more).
I had pulled a pile of game trail cameras off summer trails and am moving them to winter hangouts. Certain traffic patterns develop that I try to recognize to know where to put these automatic image devices. Deer tend to hang out in hollows with access to water. If you can set up a “funnel” by leaving a gate open, or figure out where they hang out, you chances get better. Natural funnels are something to really look for. Water holes are obvious places to put game trail cameras. Everybody has a drink a few times a day.
Crescent Moon Rising in Alpenglow is a very delicate capture taken in Nautical Twilight over 40 minutes before Sunrise. The 3 percent crescent was barely discernible to the naked eye. This 3 second time exposure brought it right out though (sly smile). 😊
The single star showing through is about the last star I could see even straight up. It wasn’t a planet as it was twinkling away and planets don’t twinkle normally. You can see stars in Nautical Twilight but by the time Civil twilight rolls around (28 minutes before sunrise), the stars are long gone.
This is a classic rainbow Alpenglow gradient red orange yellow green blue indigo (ROYGBIV). I see these fairly regularly in the winter. It is not often I see them with clouds about. Typically they form in a clear sky gradient. Either way there has to be a LOT of atmospheric Ice for this gradient to form . A photographer has to be on his game not to wash this delicate color balance one way or the other.
Getting the entire outline of the moon even as a crescent is more common low in the mists I find out. I’m not sure of the physics of this but I think the reduced light from the moon minimized the dynamic range difference and allows the camera to see into the shadow a bit. Our modern cameras have amazing abilities but our eyes see differences in light dynamic range WAY better than the cameras do.
At 239,000 miles away, this Low Sky Crescent Moon is a pretty cool image. It’s only a 5 percent or so crescent with edges distorted very sharply by the atmosphere. Taken this last week. I just got to finishing it but it did get pushed to the front of the line lol.
Using a terrestrial optic to do astronomic work is usually wrought with problems. This was taken while the camera was resting on my Jeeps Window. No tripod. No sharpening just as it came out of the camera minus a little crop. This is a full resolution 2×3 feet aspect image. I left a little extra black on the top because the moon would continue up and is actually centered vertically.
Seeing into the shadow happens occasionally but not on this one. Usually you see it with just a little atmospheric ice acting like a projection screen to the light that is in that shadow. Pretty inky black sometimes. The best shows are during the lunar eclipses where that dark shadow area is visible in the “earthshine”.
Seeing Details on/in Craters still is better right on the “terminator” (where the shadow meets the light). You can see the long shadows better which helps resolve the topography. Contrast is higher at the terminator.
Crescent Moon Setting Sail is BEST seen full screen.
Setting the mood:
The layers of ridges, the dark civil twilight slowly encroaching into nautical twilight. Then the stars will start to come out. Setting very quickly, less than a minute left before the horizon rises to cover the “Sail” of the ship so far away. The first ridge (black) is 40 miles away from my lens. The second Ridge is the Big Horn Mountain chain 130 miles out from my camera. Look carefully to see the outline of the whole moon. This is all very Subtle and it was quite dark for this capture.
I seldom see such a clear sky on a night that had very heavy alpenglow. (Starts out red, goes to orange and then this umber color. This is certainly the best moon sail I’ve ever captured this late in twilight. (just minutes before Nautical Twilight) Not having grain in an image like this is a gift. Only the moon edges blurred by several hundred miles of atmosphere is coarse.
Being a student of such things I think it worth noting that being able to differentiate the two ridges in this image or see the un lit side of the moon is almost magic (high technology we don’t understand) This is a brand new Sony Alpha 7R4 camera back and the dynamic range on this camera is PHENOMENAL. It also gives me 100 meg raw files to begin with 🙂 (60 meg .jpg out of the box). Put it on good fast glass and it’s a Monster for low light.
Dynamic Range??? What is that?? Low light??
. The Human Eye has 20 f-stops of Dynamic Range.(DR) This newest Sony has 15 f-stops of DR compared to less in MOST other cameras. The ability to see black cats in a coal bin and make out the individual hairs on the cat is good DR. . DR is all about seeing MORE levels of black or whiter on duller whites between. Seeing a white weasel on snow and picking out white hairs is all about DR. Or in this case, resolving a difference in what I thought at the moment was a dark silhouetted single ridge landscape but the data was there.
The inability of a camera to take the photo of stars behind a properly exposed full moon is due to that (at least) 5 f-stop difference between the human eye and some of the best technology we use. (as a normal consumer anyway). IF you ever see a properly exposed detailed Full Moon AND there are stars in the background of the image…..It’s a composite image combining a star field in photoshop which is very easy to do. If the artist is presenting it as a photo, he/she is a fibbing a tad.
Stars behind the moon.
I use pretty good (very good) gear and I CAN NOT take a close up (long lens) photo of a Full Moon where you can see the properly exposed details AND have stars in the photo. I see fakes ALL the time. Literally I have worn down a few batteries out trying to do so lolol…It is however, really easy to do it in photoshop all day lol. A veiled moon is easy to get SOME starts through the cracks in the clouds but not an unfettered full bright moon. A single Bright Planet like Jupiter MAYBE. Not a star field….. “ain’t gonna happen”. It goes against the Laws of Physics involved.
Gear, Sony Alpha 7R4, Canon 600mm with a 2x on a good tripod. 1 second time exposure, ISO 250, f-11
Location: From my front yard: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Very clear Skies, Alpenglow below with a Crescent Moon in Twilight. This Crescent a few days ago was a 5 percent illuminated disc. It will be a new moon tonight if we see it. Winter weather is occurring as I type this and next week look cold…. (Your reading this about 6 days after I typed it). This image was actually taken in my driveway which ended up just about the last image I took that day. I locked the front gate behind me as I go into our homesteads electric fence deer resistant perimeter for the night. I have to close the gate though as they will go across the cattle gates without a gate in the way. Title: Crescent Moon in Twilight
That night there was so much ice in the air , it produced one of the finest Alpenglow displays I’ve seen in quite a while. This was way to the left of the main show to the west. The camera her was almost straight south by south west. The real show was in the west but the moon wasn’t so..🌙lick…
This was later in Civil Twilight just before the boundary time 28 minutes (ish) after sunset to Nautical Twilight. 28 (ish) minutes later than that Astronomic Twilight starts (so do you know the difference?) It’s a good google if you don’t. Night starts the second the sun goes down and ends with the tip of the sunrise in the morning. Remember it’s not the sun that moves, it’s the horizon that is rising or falling across the face of the sun that your watching. Things are as they actually are, not the way you think they are or the way you have told they are 🤔🙏
This Image is about 1/4 of the Crescent moon, using a 6400mm telescope… It takes 16 of these photos to cover the surface of the moon and make a photomosaic. The resultant composite is a HUGE file and could be printed 5 by 3 feet I think lol. I have yet to come by that image and repost it to get it on my gallery.
I get little flocks of 10 to 20 Sharp Tailed Grouse, butt in this case…2 moons, one sharper than the other….
This grouse was WAAAAAYYY up a cotton wood tree, about 50 feet, add another 150 feet for my distance from the tree…. 200 feet….maybe….ALMOST enough distance to do this. Seeing the moon was hard enough lolol. Then I had to find somebody to cooperate long enough to set this up …. Location: Bliss Dinosaur Ranch, Wyoming/Montana.
THe Crescent moon was very bright versus the Nautical Twilight illuminated Windmill. (VERY DARK). I needed a handy filter, fortunately, “Sneaky Pete” the windmill jumped in and did the deed to moderate that light. That let me pick up the subtle hues in this capture of over 40 minutes before sunrise the other morning. This image will print a yard tall with resolution to spare. :).
Windmill Weekend and a Moon sliver. “Sneaky Pete” is trying to cut the cheese again….. Spinning blades and all…. That used to be a full moon and it look like “Sneaky” took a bite to me. I have no control over his actions but I’m sorry about changing the tides and the rotation of the earth…. 🤔🤔🤣🤣🤣
I’m going to have trouble this week with the launch of the website keeping my 10 image a day posting on going. I’ve got some things to learn that I have to do and a few things still to fix and then there is actually getting images up to the website thing…… It’s all very time consuming.
I’m going to limit my “output daily here) to 5 image a day for the short term but immediate future….
Technical Crap for this image: (Photographers notes normally but it’s 9am and I’ve been up since 4 busy Sunday Morning):..
The sunset at 7:40PM last night, the moon set at 275 degrees on the compass at 8:51….. This was taken more than an hour after sunset…. It was a tad dark with the 3.2 percent moon being the only source of light in this country. This is into what is known as “Astronomic Twilight (in order twilights…., Astronomic, Nautical, Civil, Sunrise and reverse for sunset).
5 second time exposure. Any longer and the moon would have smeared….. This is a full sized image and should print wonderfully…..
Now again, this is a full hour after sunset….Moonset last night… It’s pretty (very) rare to see the moons outline with a 3.2 percent of the moon illuminated crescent… Let alone at sunset through all that ground haze and hundreds of miles of distorting atmosphere…….
NOTE: the next Image I post of this….compare the size of the thickness of the crescent to this one.. Atmospheric lensing.
Those clouds I thought were going to block the view of the horizon crossing in front of the moon but they moved on to the right over the next 4 minutes till the next shot posted this morning on my personal FB page.
Meanwhile during Nautical Twilight yesterday about 5:14AM yesterday morning….. The moon was JUST rising and the sun was an hour under the horizon. I have some interesting shots with this little sliver… Incoming soon.