I see a variety of scenes driving the backcountry.
These 2 Mule Deer Bucks caught in a late twilight Silhouette were up watching the sun go gown with me. They were ridge lined and I was able to maneuver way below them about 200 yards out and Click….
I know this these two pretty well as they are brothers born a year apart I’ve watched grow up. There is a 2.5 year old on the right, a 3.5 year old on the left and a 4.5 year old in the center. It’s all about the antlers lol. These boys They are pretty used to me being around but they are still quite wild. They don’t come down to greet me you might say but I can get pretty close if the conditions are right….. As long as I stay in my vehicle anyway.
Next year the bigger of the two will probably be a serious challenge for the other itinerate bucks that wander through. There is a whole little deer melodrama playing out pretty much all year but you really have to watch and pay attention to see it happening. These guys start small and work their way up the ladder to eventually run a small herd of gals.
Yes there is a little pac man on the right center side of frame reaching over the lip… Sort of a Kilroy was here cloud….
Working the shadow line of parallel ridges with telephoto lenses has it’s rewards. I find that it’s the simple compositions that carry the most interest as complex misleads the view. Detail yes, but the time and space moment should place you in that continuum in your mind. The human eye might be able to resolve this but only for the briefest of moments. The reflexive look away followed by the ghost of the bright scene on your retina. A quick though of eye damage, you blink and a minute later your vision is back. .
Yucca make for big speed bumps in the backcountry. Some of the clumps can get 2 feet high. In the winter they catch a snow drift behind the clumps big time. It looks like a sand dune field after a good snow and blow in the backcountry where Yucca is about.
I look at a lot of sunsets but seldom do I do much looking at the sun. Without the benefit of a mirrorless camera set up I’d be blind by now. I watch scenes like this develop live on video. The setting changes I make to the camera show up in real time as I spin the adjustment dials. With a mirrorless camera in my hands, I know what the image is going to look like before I click the shutter. Compare to a standard DSLR where you click and then see what you did on the back LCD. Just my 2 cents on that debate.
Here I’m using a windmill filter to moderate the bright light coming from that big Supermoon at perigee (closest approach to the earth). I lost about 30 percent of the light which is enough for my camera to pull the tower in the haze out of the dark. It would have been harder to do with the extra light had the windmill not been in the way. Those durn Photobombing Windmills always seem to work into my landscapes but this time, “Sneaky Pete” helped me some. I have no control over his actions…. 😜😜
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Moon all to line up at the same time can be challenging. All the while, at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄 This moon didn’t sneak up on me by any means. It was however a question as to whether or not it would dive into a cloud bank that morning lol.
In reality, these two bucks grew up together. I’ve been watching them a brothers from two different parents of a herd I’ve followed for years. Thick as thieves they are. Always hanging out together. I’ve seen them sparring many times but never with murderous intent that I’ve seen in males that didn’t grow up as best friends.
Regarding the image. For this to occur, I had to figure out that these guys traveled this particular ridge at the same time every day (roughly). I had to be in a position far enough away to get both the sun and the deer in focus under f-64 with this particular telephoto. I also had to be on a parallel ridge that let me climb up backwards up the slope to keep up with the sun setting. The sun of course always cooperates with me. 😜📸
To say this was a very bright scene would be an understatement. The human eye couldn’t have looked at this for more than a fraction of a second. Certainly don’t try this with your DSLR camera. I use mirrorless full frame cameras that won’t blind you as your watching video with no straight to your eye light path. Some mirrorless cameras could get a spot melted on their chips if they aren’t rated for this so know your gear. I use sony alpha 7 of various models with no problem. Just never even point a mirrorless camera into the sun without maximum f-stop for the lens selected as a starter. Don’t fry your eyes or your gear pointing a camera into the sun please.
This Crown Sky during mid-civil twilight (about 15 minutes after the sun went down that night) is a pretty rare sky event. I’ve only been able to photograph a half dozen crown skies this good in 30 years. This is the second from mid -twilight with the sun well below the horizon by a few sun diameters by the time this was taken.
It was dark. I didn’t enhance the colors, this is a time exposure of about 3 seconds which tends to enrich colors a bit. I adjusted them to where I remembered them. This is a night sky after all… I will work a “promising” sunset from early Golden Hour to late Civil Twilight. Longer if the sky show lasts longer. Reverse that for morning / sunrise. Sometimes I work from my yard, other times I’m way out in the backcountry. Hard to know what the skies are going to do.
The light rays reaching toward the heavens. Scientists call them Crepuscular Rays. Those photons bounce off ice in the atmosphere. The travel to my camera lens. Within the camera’s sensor, they are dutifully recoded but only as a series of 1’s and 0’s. All by the computer in the camera. There a variety of software programs (filters if you will) effect the digital signal in various ways determined by a programmer overseas. If you select automatic, those are the guys doing the camera adjustments not you. . Try manual mode sometimes…… You do the work…. Only three main things to learn….. Just saying. (ISO, F-STOP and Shutter Speed)
Grass Stand Sun Filter (or Summer Sunset Through the Grass…..)
Yellow gradient to red but there were some low clouds messing up a perfect gradient. It’s hard to fight mother nature but I like the yellow and transitional orange in this. Stepping JUST over a ridge line with a long lenses camera is at sunset becomes habit. I work parallel ridgelines all the time looking for close / far perspectives such as this.
The sun is SOOOO bright you couldn’t look at this scene with the human eye. I’m about 150 yards back from this grassy ridge with around 400mm involved. I work the shadow line on the far ridge. Distance is your friend with this kind of shot. Maximum F-stop settings (high numbers) give you a deep field of focus. Ifs your first priority to get the grass AND the background in focus. Good thing, it’s a bright scene and the High f-stop makes your aperture a pin hole. Go higher if you can. Then I mentioned, distance from the foreground object is key. You have to be far enough back to get the grass AND the sun focused at the same time.
As I type this, we are going into a cold snap you will have experienced by the time you read the post. I build these posts about a week ahead on average. I post 6 different images everyday on FB along with the story or lesson for the narrative.
Prairie Smoke Sun Filter (Sunset middle of the summer so a tad out of season)
Geum triflorum is a perennial native to North America. This flower seed head pictured here have a host of nicknames. These include: Long-Plumed Avens, Three Flowered Avens, Old Man’s Whiskers, Purple Avens and Red Avens. This is actually a rare plant across it’s range as naturalized invaders are out-competing it. 😕 I only know of a few spots on my place to find them. They are only 5 or 6 inches tall and not particularly obvious. They aren’t really an evergreen. Their leaves can last through winter turning red and crimson. This is easier for me to find than in the spring. I just make mental notes where I see them.
The Native Americans used an infusion of the roots , crushed seeds or pulverized roots as a kind of eye-wash, a tonic for menstrual Cramps, a gargle solution for sore throat and general stomach complaints. You will need to research further to get the processes involved in those uses. I only see them a few times a year during the late spring and earliest summer. Spring was on a Friday this year as I remember our yearly spring day. 😀
There is a little belly time involved in pursuing this kind of cellulose filter. I way prefer natural cellulose filters rather than glass filters. The Bokeh show us a sunset view . Rolling around on the open pine forest these are thriving in, has it’s host of risks. This is cattle country after all. Then there is Prickley Pair Cactus How else am I supposed to stay in shape? Rolling around in the woods.
So I’m up on a high ridge for twilight. The sun is down for 5 minutes and the clouds are lighting up with a still blue sky above. I was driving my Polaris Ranger Crew UTV that has 2 bright LED lightbars on the front. I sat down right up against the front bumper in the grass. I brought a 12 mm wide lens but I cropped the image down to the center since the edges were all dark. Only the center was bright enough to recover. I only expose the highlight properly and worry about the dark later. This actually came out much better than it could have.
Close / Far perspectives under low light are rather tricky to capture. It’s takes a basic understanding of the requirement to use Manual mode on your camera to catch an image like this. High F-stop numbers, Long shutter speeds (tricky with moving grass), and perhaps a higher ISO to add a little camera sensitivity. Your priority here is depth of focus field. To get close grass AND the sky in focus at the same time requires you to use that requirement as your first priority. F-stop is the baby here. The other two settings are to get enough light to compensate for the high Fstop (very small hole in your lens to let light through). You have to realize that fstop is a double edge sword.
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. The yellow is Alpenglow. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
Glover Moth Purple on Blue (plus green and orange lichen too….Wyotana Summer is a good thing…
6 months out of season for your pleasure.
When I had this Glover moth over for a stay in my refrigerator for a night (I caught him by a porch light, zip locked eventually cooled him down to 34 degrees). The next day was sunny, bright/blue, warm with scents of various blooms in the air. I definitely put him on that flower hanging over that tree branch. He was happy to hang on though. Being torpid/cool and slow from that stay in my fridge, he was enjoying the heck out of the warming sun.
This Glover Silk Moth has a 5 inch wingspan. It’s as big as your hand.. Found all along the east/west slopes of the Rocky Mountains from Mexico to Canada. Coincidentally that is also where our ranch is located roughly lol. Liking my backyard apparently.
Like most silk moths they eat various plants during the larval stage. The adults do not eat. They are interested in reproduction not ingestion lol. This one was hanging out on this flower one summer morning in 2019. Being chilled, the Glover had no interest in flying away. (He did in about 15 minutes. Forever in my world for a photographic subject actually sits for me. Better, lets me move them from place to place to find the right frame. That antenna system is a magnificent development that I as a ham radio operator am jealous of. 🤔😜
I see several of these guys each spring. Running into them around the ranch headquarters compound I find them near the lights in the cool nights here. They get cold over night and are pretty slow until the sun warms the day. I am usually out pretty early on sunny spring mornings looking for critters JUST LIKE THIS.
My “Catch and Release” approach with an over night in a fridge simply slows them down for the night and lets me have a much longer “encounter” with any buy you can catch. Just don’t take them below freezing overnight.🤔📸 Way nicer than either and a pin. Lots of photography done that way 😔
I took this a week ago as this posts with quite a Twilight Behind a Lone Tree on a Remote Ridge. This one of about a dozen favorite lone trees of mine being on a very high ridge that is approachable from both sides at least on foot from this side AND I can get far enough away to fit it all in to the frame. These are all requirements for me to get this kind of capture. Topography and astronomy has to coincide with Botany. That’s a lot of coincidence lol.
Twilight skies are notoriously color boosted by many artists. I would suggest to you that if anything, the real show was actually much more vivid in person. I stopped a bit light on saturation finalizing this as I’d like it to be photorealistic to what I experienced. It was beautiful. It’s easy to be enamoured with silhouettes of lone trees against an active twilight sky show. I keep them real though and will tell you if I seriously mess with color. It’s seldom I mess with the highlights of an image. My tendency is to bring hidden detail out of the shadow in the digital darkroom. . I did none of that with this image for the silhouette effect. It is pretty much as raw out of the camera.
This capture has the triangle formed by the clouds and the hill slope. Geometry formed in an image is always a bonus “hero”. Every photo needs a few heros. Hero’s defined here as something that draws the eye, brings forth a memory, or is just a nice series of colors or gradients. Something attractive.
While I admire the tenacity of this lone tree. Living with out the benefit of the group shelter from the incessant Wyoming/Montana winds. Here on the high ridges all things are buffeted by hurricane winds yearly. The slopes leading up to them will enhance and focus the wind at times worsening the situation. Having an unparalleled view is a benefit, of this old sentinels exposed existence.
If this tree is certainly 100 years old (probably 200+), it has seen a mininum of 36500 sunrises and 36500 sunsets. I’ve only photographed well over 1000 from start to finish during my photographic travels. I’ve seen virtually (almost) every shade on the pantone color swatch book in the natural sky. And many of those missing color representatives created by others using excessive “filters” to enhance their highlights posted on the internet.. Some of the colors I’ve seen created by others are certainly un-natural. ART. The use of that color slider control on the phone are definitely missing in nature lolololol. I try REALLY HARD to be a photorealist. Blue Snow is a classic example. I’ve seen blue snow twice in my life. Both circumstances were in EARLY Civil Twilight. I see it daily posted in the forums. Generally I live in a blue snow free zone.
The color gradients I see in this image are the Alpenglow equivalent of a rainbow. It’s sort of the wrong order of colors as a classic rainbow but there are refractions here going on. I have to get up to the ridges at least 1/2 an hour early. Getting into position this time of year is always in question and often in doubt. I’m on foot for this particular location for this shot. .
Twilight to me is a night sky in this case, late civil twilight. The 13000 foot high peaks at 130 miles out from my lens. This is a 2 second time exposure and it was very dark out. Once the sun goes down, there is still an hour and a half sky show through the three twilights. You just need a good tripod and time exposures to see the show sometimes. I have photographed many of these from start to finish. This week has been incredible.
Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Nautical Twilight starts when the sun is 12 degrees below the horizon technically. Both the Horizon AND brighter stars/planets are visible in this twilight. It is the “middle” of the three twilights. At the beginning of Nautical twilight, it’s about one hour to sunrise. Rule of thumb which varies with your position on the globe, is 28 minutes each twilight.
In Astronomical Twilight, If you live in the city, you have probably never noticed astronomic twilight. The are NO shimmers of daylight at the beginning of Astronomic Twilight a full hour and a half before sunrise. . Away from the lights of population centers, we see Astronomic Twilight regularly where there is just a slight greying of the black totally dark sky mid night. It gets as dark here on our ranch in remote northeastern Wyoming as the North Atlantic Ocean according to NASA.
Aermotor windmills account for the bulk of windmills out there. The company started way back in the 1888 with 24 sold the first year. Over 20000 of the beasties sold in 1892. The company still exists. They also sold a LOT of steel fire “look out towers” for fire watch and being a lightning target lololol.
Reconstructing past lives and events grabs your minds eye coming upon and old homestea. The comings and goings of old homesteads spark my imagination. There was a homestead about 1/4 mile from this location. They had their own hand dug well 35 feet deep and 4 feet wide about 200 feet from their house down in a deep gully.. I filled it in when I moved here. It was an “attractive nuisance”.
Most settlers had to use the water at their windmill. I suspect an outhouse long since gone somewhere nearby downward of the prevailing wind. This land has had cattle or sheep on it for 100 years and slightly more. That’s 5 generations of cowboys that stayed the night or the summer in this treeless pasture. Being the only source of water for several miles around, the cowboys drank here too.
This is very big country open back country. Many square miles of grass are attached to any particular ranch. This is a steel windmill which is more expensive than building the wood towers was. Wells were positioned centered in the pasture. This made it accessible to the entire area. A lot depended on the ground water geology to make the shallow wells work long term. (luck mostly early on).
This is tough capture that your not going to get on your cell phone lol. Let me set the stage for this stage play beyond most of your picture taking experiences.
To have this melodrama unfold in your mind, please understand that that silhouetted ridge is 40 miles from my camera. The sun a bit further. With the prodigious size of the optics, a significant wind cross section can be a factor moving your camera about. Not so much for this bright light capture. Shutter speed will dampen that motion. You need to use a fast shutter 1/2000th sec or higher so as not to gather too much light. Also LOW ISO numbers (camera sensitivity).
The most important thing is setting your camera to a HIGH a f-stop number as you lens will go. If you don’t, this WILL cook your camera’s sensor if your not working through a pin hole sized aperture. Talk about a bright scene….. The human eye has no right to be looking into such a harsh environment. (Disclaimer below)
Working from a high ridge helps get above the hazier air (at times) closer to the ground out of the picture. It improves the angle. Position is everything. Now I’d love to have a cell tower or a building for scale. Alas, there are not many up in this country with no cell service lol. Those are full sized trees and they are really REALLY far away👀 3200mm lens involved in this. Tripod for sure lol.
I remind you that it’s not the sun that is setting/falling here. We live on a spinning ball with the horizon actually doing the rising thusly slowly covering the face of the sun. The “Sun Slit” under the thick cloud deck above was just a sliver. Only allowing this fleeting scene to penetrate the space between the cloud with the opaque earth.
Disclaimer: Do not point your camera at the sun without knowing that DSLR’s have a direct light path that can and will blind you if you watch the sun through it. I use mirrorless full frame technology and watch scenes on video. No direct light path AND
So I’m driving around the backcountry . This old piece of Drill Stem Pipe was 10 foot high off the ground with this wonderful sun filter on top. No way a person that wasn’t standing on a horse to get this up there. It’d take a heck of a toss to place that bottle up there so high. At least a 3 pointer I’m pretty sure if so thrown.
I’m always looking for sun filters of any kind but glass in front of my lens. This of course is a notable exception. Usually I shun “Screw on” UV filters, Neutral Density filters and glass in general as they leave ghost images of the sun when pointing into the sun. This amber glass was the perfect solution to how to take the sun without blinding yourself or the camera.
Can anyone ID the Bottle as to what brand of beer? I don’t drink it so I’m clueless.
This was done with a canon M50 consumer level camera. Maybe 600 bucks on Amazon, get a used one. It’s a small sensor Mirrorless Removable Lens Camera that held up to me pointing them into the sun just fine. I can testify it can do this kind of work lolol. If you want a good mirrorless camera to start with fairly cheaply, I suggest that model. I’m not saying you couldn’t destroy the camera looking into the sun with a telephoto with no filter, you could.
Disclaimer, this kind of photography CAN damage your cameras and your eyes so use only mirrorless cameras rated for this work. Never work sun under f22 or even higher if your lens can stop down more.
These are amazing moths. They don’t eat as adults. So this one is looking for a partner and hoping to reproduce the species shortly. Hanging out in my side yard is as good a place for such things as any I suppose lolol. I don’t think there is a dating app for that yet …..
This Glover Silk Moth has a 5 inch wingspan. It’s as big as your hand.. Found all along the east/west slopes of the Rocky Mountains from Mexico to Canada. Coincidentally that is also where our ranch is located roughly lol. Liking my backyard apparently.
Like most silk moths they eat various plants during the larval stage. The adults do not eat. This one was hanging out on thie flower one morning. The cold morning had it chilled. He had no interest in flying away. The troublesome part was sneaking up close enough for the macro shot. That barberry has barbs lol. Macros start at 9 inches from the lens… . That antenna system is a magnificent development that I as a ham radio operator am jealous of. 🤔😜 They might not be receiving radio waves though lolol.
I see several of these guys each spring. They are typically not worried about me much. They get cold over night and are pretty slow until the sun warms the day. I am usually out pretty early on sunny spring mornings looking for critters JUST LIKE THIS.
Location: Bliss DInosaur Ranch, Homestead side yard, Wyoming/Montana borderlands (Wyotana)
I find the moon to be a big show off when ever it can be. Here it is balancing on a rock like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit. You might notice the sideways snow drifts on that 20 story high hill telling a story of high wind here in the borderlands of WY/MT.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
As the snow moved into the region this fall, here in October, there was still green grass around. Not so much now in early January. Brown and White season is upon us. It’s a mix at the moment. Most of the foot of snow we accumulated turning to ice over a couple of warm days a few weeks back. January can be quite cold up here in the Wyoming/Montana hinterlands.
This old antique is immune to the cold, unaware of the beauty around it. There is a 180 mile across horizon to horizon sky it enjoys. I’m sure glad it is sitting on a ridge top with a view.
This is a slightly uphill aspect this late in the year with the sun so far to the south. If I stood up, I could see the horizon but not from ground level. The sun here was diving into a cloud bank that ultimately would cut my photo session shorter than I would have liked. Mid-Winter, this location can be unreachable by Jeep. We will see how the new truck does busting drifts. 35 inch studded snow tires and a lot of ground clearance is a good thing for this environment I have discovered.
The high ridges I work in this country are a constant source of amusement for me. I never know exactly who or what I’m going to run into. I have random encounters with a host of wildings virtually every trip. Then there are the staples like this old seeder hanging out
I see this capture metaphorically as closing one eye to observe the view through this ocular shaped frame. Eyebrows above and a bright pupil from the sun rising behind a deep veil of clouds. The illusion was complete to me. The colors were marvelous. I worked this sunrise hard for about an hour from twilight to mid-golden hour.
When I’m walking around the backcountry, I try to see natural shapes that mimic familiar shapes. Commonly those are anthropomorphic reminding me of human attributes. Here I was looking through Natures eye actually feeling like I was looking through one 👀
This scene was spectacular for that imaging/seeing. I’m pretty much standing on the Montana/Wyoming border with “Turtle Butte” to the left. Several layers of trees constitute the rest of the frame. I call that hill “Turtle Butte” because it has a wonderful turtle silhouette on it’s top from the right angle. This late in the year, the sun is rising so far south, that angle is a few months around the corner.
This is one of the last photos I will have obtained from my old Jeep Grand Cherokee I just traded in on a new truck. My angles will change with the new ta;;er vehicle. Modified is the way I see those little areas of Zen. By over 2 feet, my viewpoint should be elevated. Hopefully this vehicle will ride better, and go where ever it needs to. My Jeep would go anywhere my Polaris Ranger could more or less. It would just throw me around the cab doing so. A properly built Ford F-150 Raptor is a bit longer than either of the previously mentioned vehicles. The tendency to “high center” more easily is a characteristic of a long truck. By the time you read this, I will be driving it. First new vehicle in 15 years. Finding myself stuck is the backcountry has never happened to date.
It appears (to me anyway), like a skull looking up/left. What do I know as I have an overactive imagination. Great image for Halloween or just the 2nd day of January when this first posts lolol.
Heres an image from April of 2018 that I just finished. There wasn’t much to do to it. This shot is an interesting distortion by the 400 miles of atmosphere the setting moon light has to travel through to get to my camera. Changes in air density and humidity make for surfaces that refract/bend light just a little bit. This is metaphorically an imperfection in a glass lens.
Your actually looking at the moon when it is geometrically below the horizon as that same aforementioned atmospheric lens is at work. The atmospheric lens bends the light so that the sun and the moon actually set a little bit after the scheduled time for setting. They also rise just before they are scheduled to do so because their image is bent around the planet.
Waxing Gibbous Moon leans to the right as it sets. The little crater dot on the 3 o-clock position is a moon setting position. That crater, (Mare Crisium is it’s name) will be positioned at 12 o-clock for a rising moon image/scene. Keep your eye on that little Mare next time you see a photo of the moon situated on the horizon.
The ridge in the foreground is about 1000 yards out in this 3200mm telescopic shot. It was quite pitch black when this was happening.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.
. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Happy New Years Eve All from myself and the rest of the crew on the Bliss Dinosaur Ranch.
Bye Bye that long decade. God bless all those we left behind in our travels
This image is “filed” under things I see coming home with a pile of cameras in a box next to me….. 📸📸📸📷📷📷 From my front driveway on one Alpenglow filled sky last winter. I had been taking photos of those two all evening against the sunset. This is one of the reasons I raise Corriente Long Horns. I like their profile photographically 😜
Cowboys roping dinosaurs is sort of what we do up here. There are over 10K fossils in the collection at this point. Most are small teeth and vertebra of course (1000’s), but we’ve found some nice fossils up here.
My New years Resolution is to take more photos of those fossils and get them on line for others to enjoy. Somebody might/will see something I’ve done wrong, an improper ID, something. It’s a good thing to do sharing. I learn as much as the rest of you writing as you do reading this stuff. I mostly double check my information lolol.
My dad’s famous saying was to me “Things are as they are, not as they seem or how you have been told. “. This applies to every thing you hear on the news these days. So enough narrative for New Years Eve. Be safe in crowds everyone (stay away from gun free zones), have a great time tonight. Moderation in all things please lolololololololololol. (I know my audience 😜)
MONDAY MOONDAY : All moons all day….moon image number 5 (of 6) for the day 6pm edition..
Backcountry Moon Cradle:
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “snag” cradle it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the log / snag. Also If I move up 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. The ground I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
MOON MONDAY 3PM offer… Moon photos all day today. This is number 4.
These two jokers were hanging out where I was driving just as the moon Full December moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, the blue like under it is the shadow of the eastern horizon on the western atmospheric ice screen. There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon. As the western horizon moves upwards, the blue will disappear along with the full moon setting in due time.
Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
MOON MONDAY 12pm ‘entry’ for this Last Monday of the decade.
The Pink Belt of Venus Alpenglow phenomena that colors the sky Pink was turning to cranberry on the left of the frame. I LOVE smooth subtle gradients in skies.
I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus but in low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….
High F-stop number give you deep focal fields but they are a double edged sword. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close far perspectives. Getting in focus grass against the moon in low light is sort of a difficult thing to do.
Full Horse Moon…. instead of Quarter Horse Moon…. 😜😄
I would like to thank the quarter horse and the moon for sitting for me. A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The horse was WAYYYY easier to get to “sign”. This was a cool morning by the way. It was around 10 degrees at the time, 10 inches of snow all over the ranch land. This neighbors horse was with his all black cohort free ranging out in the backcountry. I happened by about the same time the horizon was rising to cover the moon from below. What a coincidence 🤗
This setting moon that morning was very visible with the sun rising over my shoulder left frame. The lighting was wonderful, the sky robins egg blue with wisps of clouds. The horse was only about 150 yards out for the soft focus in the close/far perspective that this image is. I’d preferred 200-300 yards but beggar opportunist photographers can’t be choosy sometimes 😜👁 Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the horse would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the horse. I couldn’t walk any further back and still line this up. Topography is my master.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).
I know, it’s out of season in Wyoming, not so much down south at the moment though. Be careful down there. As the cold air moves over us, the arctic blast does BIG storms in LA, MS, AL, GA….. Be careful out there and prayers for those effected by the storms.
In this complex summer image, I set the camera up at the mirror to reflect the sky slit 90 degrees left frame….Flash….. Can you find the Deering Seeder? This was a HUGE mesocyclone that hadn’t even reached us yet. We were just under it’s leading edge here. That shelf cloud is an indication that it’s about to get sporty. The 80 mph winds this brought with it did some damage. The big hail missed us though. That big white roof is our big barn which is roughly the size of a regulation foot ball field under that roof. It’s an old roping area under there.
This storm donated quite a few lightning photos. I usually work storms like this up on the ridges definitely in a car. The car doesn’t make you immune to the strikes but it helps. Your not going to get killed by ground current if your not touching metal is the plan. Not that the bolt couldn’t hit the camera. I’ve been pretty close to some strikes before and it will wake you up. Looking forward to working it with the new vehicle with no moon roof. I ordered it WITHOUT a sunroof (a several thousand dollar options that will probably leak). More metal overhead is a good thing I’m thinking lolol.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this and see a moon orbiting a gas giant planet such as Jupiter. That is because I live in a science fiction world of fantasy at times. I also have a somewhat overactive imagination but that is for another story lol.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
A big super-telephoto fast Canon lens to do this work is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
I often find myself out in the middle of nowhere in the grass during sunset. Humm I wonder what’s around for filter material? 🤔🤔 Also discovered is the tendency toward you actually being where you are. A limiting factor certainly lolol. Photography is both planned AND accidental when it occurs. Rule one of getting a photograph:
RULE 1: Have a camera with you as much as possible. I don’t even like to go outside without one when I’m going to do ranch chores in the mud in the rain.☑️
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Clear Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. Here I was using the headlights of my Jeep (very bright) to illuminate this side of the thistle plant. The Thistle globe of seeds was my sun filter to reduce / minimize the difference in lighting between the front with the bright unbridled sunlight behind.
Anybody notice the Photobomber in this image? You have to look past the obvious to see the little spoiler lolol. Interestingly enough I didn’t see it until I got the image up on the big screen to finish the image. So I suggest zooming in on this capture lolol. 👀📸
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish.