Tag: Night

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Late Night Feeding (Shhhhh)

Late Night Feeding (Shhhhh)
Late Night Feeding (Shhhhh)

Late Night Feeding (Shhhhh)

Always grainy the pitch black capture of a Game Trail Cameral (GTC) is problematic to me. I have to look through thousands of blurry images to find one this good but…. None the less, they are always candid and without prejudice by the actors. They are always behaving naturally for those auto photon capture boxes. It takes a flash of an Infra-red LED panel to illuminate the scene. Our human eyes are incapable of seeing in this part of the light spectrum in the Infra-red band. The deer aren’t usually aware that something happened. Different cameras make different amounts of noise so sometimes they look surprised lol.

Knowing the characteristics of how the flash works on particular brands of cameras is a big deal I’m finding out. Placement of the cameras should always be that the “funnels’ one might channel the animals into the optimal flash exposure area. Just like it did here. If they would have been closer, they would have been white like the stick in the foreground. Take note where the trails are and set the camera back 15 feet for most medium settings from where you think the animals are going to be. You have a 5 foot on either side of that (generally) for sloppp.

Placement of these GTC’s is everything. It’s really the only control of the image you have is your composition and analysis of the scene. You have to figure out where everybody walks and cover that area sufficiently. Then just stand back for a few weeks to months and see what happened there.

I planted 8 cameras of the 17 that I just serviced yesterday/this am. 9 to go. I’m planting all with fresh batteries that should last the winter. If you avoid compositions where wind blows grass or branches in front of the lens, your batteries will last a year. If cattle mull around your cameras, the batteries will last a week lolol. I won’t be able to get to most of these cameras until the snow melts in the spring.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Late Night Feeding (Shhhhh)

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Mesocyclone Lightning Bolt Impact

Mesocyclone Lightning Bolt Impact
Mesocyclone Lightning Bolt Impact

Mesocyclone Lightning Bolt Impact

If you stay under a large Mesocyclone long enough, your going to see some interesting things. This bolt was just ahead of a large rain shaft as the storm moved right to left. The dog leg in the precipitation shaft show a pretty huge change of direction. Winds can do very unusual things around these monster clouds. The light environment was basically pitch black post sunset but the flash bulb was adequate to the chore. I have to use a 25 second time exposure to do this kind of work. Wind is never an asset in that work. 🙂

The reason I like this is you can see the point of impact. It hit what I call “ridge 2” about 3 miles to my south of my position. I’m sure it hit a tree seeing the sparks. Fortunately it did rain which would put out any grass fires. I have seen trees burn for days internally after a strike. I have put out several of them. You could pour 1000 gallons of water on a burning tree and not put it out. It usually is nessary to tear it up to really put out an internally burning Pine tree. Most of the time the lighting runs down the outer bark blowing away chunks of the tree in the process. I see a LOT of lightning scars on the old growth timber along the ridge lines. Most trees survive the strikes. Some certainly don’t….

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Mesocyclone Lightning Bolt Impact

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Purple Petunia in the Dark

Purple Petunia in the Dark
Purple Petunia in the Dark

Purple Petunia in the Dark

Everyone needs some purple in their life at least once a week. Here’s my contribution to that fix…..

This summer, the flowers about had a rough time here at the homestead. Normally I have thousands to choose from. The hot dry weather is not a favorite of anything trying to grow. We do water flowering plants around the place fortunately. Unfortunately the early July hail storm mostly broke plants. Even big planted pots were beat to chunks of plastic leaving a mound of dirt with stripped stalks on them. All but a few of hard fought for flower pots were generally destroyed in the swath of that storm.

Add to that fun, the grasshoppers this year have been horrible. Worse, I recently photographed a Mormon Cricket (theirrrrr back!) A few of our planting have survived the summer to fight another day. This is a shot of a recovered survivor of the night after the hail storm. This flower was just about the “last man standing” here on the ranch. After 1/2 an hour of hail, most plants were shreds of leaves in a pile of ice laying on the ground. This one was in the shade of a tree trunk at it’s base.

Taken at night in very dark conditions with an LED ring around the lens. 100 mm macro.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Purple Petunia in the Dark

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Lightning Off My Deck

Lightning Off My Deck
Lightning Off My Deck

Lightning Off My Deck

It was pitch black out around 11PM this stormy night of worrying about range fires. I usually end up going “up the hill” after lightning storms with a quality “FLIR” (look it up if you don’t know) to look around for heat signatures in the distance. I find stomping a fire out when it’s 10 feet across is much easier than 3500 acres. Loosing a little sleep and running around the ranch at night is a small price to pay. If I hear thunder, I am up before it fades from the distance.

So I tend to stick around watching such events, nothing better to do…. Might as well set a quality camera on a tripod. Placed under my front porch roof where I can go inside and be close by. I have a tendency to try not to let quality gear get wet. Conditions have been known to change rapidly during these weather events.

The leaves are blurred on the close tree left frame. They were rustling in the breeze which in time lapse photography means blur. The 25 second time exposure is pointed down my driveway to the main gate entrance. That log gate is a 120 yards from the camera. The ridge right in front of the bolt is 550 yards out. The bolt certainly hit the next ridge over which is right at 1000 yards or 3/4 of a mile. I was running the camera at this point. FLASH….. 1, 2, 3, 4 ….. Booom… After regaining my eyesight, thought it might be a good idea for me to go inside and let a lightning trigger run the camera on automatic lolol.

The big white diamond on the lower left is a reflection off of 8 solar panels on a solar tracker. There are more panels you just can see the corner of in yellow sodium light next to it ground mounted. I’m thinking I got a little battery power from this lightning bolt

Location: The Homestead at the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Lightning Off My Deck

Lightning Off My Deck

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Noisy Midnight Lightning Storm

Noisy Midnight Lightning Storm
Noisy Midnight Lightning Storm

Noisy Midnight Lightning Storm

IT was/is VERY dry out. It has been in the 90’s for an extended period. Precipitation has been low all year. In HUGE contrast to the previous year.

A long day ended and an instant after I closed my eyes it seemed. Out of the night I was awakened by the rumble in the distance through the walls of my homestead. Generally being pretty quiet up here but for the roosters in the morning, I sat up to take notice. My fire watch instinct kicked in… On went the fire resistant pants and wool socks. I get to the porch all dressed up…. It started to rain…. pretty well.😜

Lightning flashed every 5 or 10 seconds but most of it was not visible to me where I stood. My window under a metal roof this night was fairly limited by the wind. I hesitate to put expensive gear out where left unattended, it might get knocked over or soaked. So I keep it close. I do keep a properly built “ground ring about my homestead. In 2 decades of living here. I’ve never had a lightning strike come into the house. I learned to build “ground rings” after building several Ham Radio Shacks and a communications tower on hill tops. Burying copper wire or water pipe recycled is a good way to get a proper path to ground before ground currents get you. It’s always better to have the best ground outside your place.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Noisy Midnight Lightning Storm

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Spiral Lightning and Hail Shaft

Spiral Lightning and Hail Shaft
Spiral Lightning and Hail Shaft

Spiral Lightning and Hail Shaft

The Telephoto time exposure of a gigantic spiral Lightning bolt. It was following the easiest path of least resistance. It’s hard to know but I’m betting this was a ground to cloud lightning. That is of course just a guess. Obscured is the top of the bolt. The shaft of falling hail blocking even the strobe passing behind.. The back of this mesocyclone had a pretty good down draft along with it. Down Drafts from big Mesocyclones tend to shake my Raptor quite a bit lol. I’m usually turning it 90 degrees to the action. Usually facing my window into the wind and rain. That’s hazardous duty for cameras lol. 

Based on empirical observations, Tampa Florida takes the record of lightning events/ strikes I understand. I spent years in that area. Having a memory of quite a few good storms over the Gulf of Mexico and Tampa Bay, there are moments up here…. Well let me tell you that 30 miles east of here is a little place called “Lightning Flats”. Right up on the North East Corner of Wyoming. Let’s just say it has it’s share of strikes over there. I know of animals getting killed by lightning up here. I’ve never known anybody killed by lightning to my knowledge. One is much safer in a vehicle as long as you stay away from metal and sticking long metal tubes out open windows….😜 👀

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Spiral Lightning and Hail Shaft

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Moon Lone Tree Silhouette

Moon Lone Tree Silhouette
Moon Lone Tree Silhouette

Moon Lone Tree Silhouette

A few days a month I get a chance to get SOME light from the sun at the same time the full moon is rising. This is a little late in the timeline where there is still enough light to catch the outline of the ridge. The Full Sturgeon Moon slowly emerging from hiding behind this lone tree. IT turns out the moon is shy until it has no choice and has to be exposed. I mean it turns all sorts of shades of pink, orange and red so it MUST be shy. He might have been ducking behind that tree to relieve himself before he starts the night shift. I mean the man in the moon is obviously a gentleman trying to be proper after all.

Photographic Musings:

Getting Details on Close objects and far objects in the same single photo…. A matter of high #f-stop setting which give you deep focus. It also steals light preventing it from getting in the camera. So a long shutter open time is a good thing. Not too long as it will over expose the moon, not too long as this hand held shot would be blurred. I find 1/30th freehand minimum for blur. A monopod will go 1/15th. Tripod you have to keep moving, not handy, a few seconds exposure on a moving moon. That’s not good. Basically, your walking over uneven ground, moving in opposition to the moons movements. It rises, I walk closer to the hill. It goes to the right, I move to the left. Set your ISO to get a visible image on your screen. Rule of photography 127 is “Get the photo” Damn the ISO…

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Moon Lone Tree Silhouette

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Pronghorn Family at Night

Pronghorn Family at Night
Pronghorn Family at Night

Pronghorn Family at Night

Taken at 2 AM by one of my game trail cameras. Of course as an Infra-red Flash automatic camera I have no choices here except for 3 levels of flash, 3 levels of sensitivity to make it flash and where to put it. The later being more important. Now the moon was full and illuminating the scene nicely thank you. Touching noses with one of her fawn ID’ing each other in the dark conditions. The other fawn is probably with the other Doe as well.

I place this camera at the gate between this field of grass and the field behind the camera where the water tank is. We keep 4 different water tanks open 364/24/7 for anybody that needs it. It’s funny how they don’t hang around water most of the time . Preferring to eat a mile or so away from where they water most of the time. I suspect that is an adaptation to Pleistocene hunting pressure near water . Back when the Large Cat population of crazy types like Saber Tooth, American Lion etc were about…. These guys are adapted to escape from those cats no longer an issue. Nothing else alive on the plains today but humans in our machinations can keep up with them. They don’t have a lot to worry about these days. As a chunk of the Pleistocene Megafauna slowly disappeared, these ungulates survived the causes of that extinction. What ever they did, it worked and here they are lolol.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands

Title: Pronghorn Family at Night

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Comet Neowise High Magnification

Comet Neowise High Magnification
Comet Neowise High Magnification

Comet Neowise High Magnification

This is my last image of the Comet Neowise this time around. In 6800 or so years, I’ll get it next pass. It is traveling on a big loop around our sun. The bluish ion tail points straight away from the sun. The curved tail of debris off the nucleus is spewing off the curved race track the comet is on. This like so many chunks of gravel from a race cars wheels. Mr. Newton would be pleased to understand that his laws still seem to work. I estimate the light from this comet took about 6 minutes to get to my lens. It was far far away. At .7 Astronomic Unit’s distant from earth, it’s almost as far away as the sun itself when I took this. It is quickly getting further away and is only visible with good gear now. . 📷

Mostly I worked this comet with medium to wide lenses. I did however pull out a big gun for about 30 minutes. First of all let me say, This is a big aperture terrestrial lens (about 6 inches) and very fast at F4. Focal equivalent of 600mm. And I got about 6 seconds of exposure at ISO 3000. Any longer of an exposure and you’ll get long star streaks. I really should have tracked the stars and done minute long exposures at f200. Coulda Shoulda Woulda and all that. I keep pretty busy when I get a once in a lifetime opportunity with such clear dark skies. 👁

Tough to get set up as it was a little windy, big lenses have a high wind profile. A tiny wiggle ruins the image. I couldn’t even see the comet in the viewfinder. I was aiming blind literally. Set the camera in the general direction, take a photo, realign the camera and try again. This took 4 attempts to get it entirely in frame. If you look carefully you can see the tree line at about a mile distant from my camera. Close far perspective lololol.

No more Neowise. 😔

Title: Comet Neowise High Magnification

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Lighting Over the Homestead

Lighting Over the Homestead
Lighting Over the Homestead

Lighting Over the Homestead

Taken around 11PM at night of the LONG day we had a dangerous grass fire on ranch. I had gotten up at 3AM to work Neowise Comet the night before. LONG day. A lightning storm around 2 pm started a fire over a ridge about a mile from my homestead. Instantly upon hearing thunder I jumped in the Raptor. Used it’s agility to quickly get the heck up the 400 foot hill I climb to see around. Binocs come out. Sure enough, smoke in one of our fields and a rapidly growing area of flame in 20 mph winds. Crushed grass from hail and somewhat grazed down fortunately. It took me 20 minutes to get a fire truck to the scene. We activate the local calling tree. The counties involved were both Powder River Mt and Cambell County Wy. The fire was on the border. This conflagration harmed no dinosaurs.👀😜

We are under extreme fire danger up in the country this year with one of the driest June/July’s on record. Last year was one of the wettest. If you don’t like the Wyotana weather, stick around it will change. Such as it been since the beginning of time on earth lolol. We are loaded with hundreds of square miles of hour fuel. A Hour fuel is very combustible. Dry grass for example. Fortunately grass fires are easier to fight than timber fires. We kept it out of the timber.

So we fought that fire, after seeing the Bureau of Land Management crew sitting the fire overnight and wishing them a peaceful night under the stars, I went back toward the homestead only to be waylaid by this little thunderstorm (Mesocyclone) for another hour. Time exposures of up to 30 second. It was a little windy that night as I indicated. The trees are all blurred from moving around in the lengthly 20-30 second period of electronic shutter. Wind moving my truck/tripod is problematic. Particularly if there were any point sources of light around. Blurs result.

Note the stars in the upper right corner of the frame.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Lighting Over the Homestead

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Neowise and Old Growth Pine

Neowise and Old Growth Pine
Neowise and Old Growth Pine

Neowise and Old Growth Pine

Old growth pines are some of the tallest things around me here in the backcountry. I get a few miles back off the gravel county road, one pasture starts looking a lot like the next pasture. You really have to have a sense of your position. One wrong turn out here and your in a hole that might take a while to extricate the Raptor from. I try to stick to existing two track roads as to not further any damage to the grass lands. Tall trees are sign posts to me as they and the ridges they live on silhouetted against the sky. It’s easy to get disoriented out in grassy pastures a square mile in size. Fortunately, the stars were quite visible so navigation didn’t require a compass.

I’ve had to resort to using a compass a time or two up here. We don’t have efficient cell service and I really don’t trust GPS very much. I way prefer visual, if not, a good old compass will do just fine. Remember to set your compass for changes in magnetic declination (google this) as the magnetic pole does wander. I’ve had to reset my compass several times in the last 4 or 5 years.

Neowise takes about 20 seconds open shutter (exposure) at f-4 to bring in (say ISO 2000) the image. Your settings will vary depending on your lens and camera. The trees illumination however is the result of a moderately bright LED pocket flashlight being swept over about 10 seconds across the surface of the tree. It was TOTALLY dark for this capture. Just star light, a little “curl” light and a little flash light.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Neowise and Old Growth Pine

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Frozen in Their Tracks

Frozen in Their Tracks
Frozen in Their Tracks

Frozen in Their Tracks

Have you ever seen eyes looking back at you from the trail? Perhaps you just sensed it…. You know, a chill in the air, the light leaving you, it’s a long way home and your on foot. You shine a light and something is returning some of that light to you…. Humm.

I like images that tell stories. First of all this is a Game Trail Night Camera image. They are all grainy and noisy. I didn’t care because I thought that the story this tells is priceless. A moment the flash went off, the eyes of what ever is standing out there definitely got the attention of the two Mule Deer Bucks in velvet antlers. It’s something that is eyes forward so I’m not going to speculate on what happened next. Eye’s forward reflecting creatures tend to be cats. I wasn’t there to get the context of the shot though. Facts are this was taken with an automatic camera at 4am. I was just getting ready to work the sunrise barely at the start of my day, these guys were already doing adrenaline for breakfast.

I found no sign of a kill anywhere near that camera so likely this was just a harmless encounter. Deer Predation does occur up here by several creatures. I won’t make any speculation as to what it is but it sure got their attention for this particular moment in space and time lol.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands. (Wyotana).

Title: Frozen in Their Tracks

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Windmill Watching Comet Neowise

Windmill Watching Comet Neowise
Windmill Watching Comet Neowise

Windmill Watching Comet Neowise

This full color image taken just outside the north fence of our homestead here in the Montana/Wyoming borderlands. Best tail of a comet I’ve ever taken and I’ve done a few over the decades back to Halley’s Comet in the 1980’s. The surprise Comet Neowise C/2020 F3 is it’s official designation. IT is a naked eye comet in this dark sky environment. Enjoy it as it’s not coming back for another 7000 years. So this will have to do. Let me know what it looks like next pass around the sun. It’s a big one with a 3 mile diameter nucleus. The orange tail totally took me by surprise. I could barely see the windmill in the viewfinder as this presented as pretty much a black screen with a few blotches on it lol. Focusing by instinct really.

I suggest about 3 AM though this was taken around 3:45 AM. I was “working” the comet after doing photography yesterday afternoon AND last sunset. It’s been a pretty short night. I might take a nap today…… Doing night photography is a whole different animal I point out. Not having light makes for a host of issues you have to deal with inside the camera and outside.

Photographic Musings:

With a long lens (this zoom was set to 300mm. Now the hard part with no light, is that turning your shutter speed to 10 seconds makes it VERY hard to focus precisely. Some “messing around” and testing the waters is necessary. Also there has to be some extra camera sensitivity (ISO) to boost the already silly low amount of light coming into the camera. A really good challenge.

Close / Far perspectives are complex during the daylight. This is a 10 out of 10 difficulty image requiring a tripod, proper shutter settings, not too high an ISO and enough F-stop to be able to focus BOTH close and far objects. Razors edge stuff… My lighting source are the low beams on my Ford F-150 Raptor. The LED light bar was TOO bright for the foreground without fogging out the background. So just a little ground light with a 10 second exposure. Any longer shutter with this long focal length, your going to get motion blur on the stars and Comet. To say this was a challenge would be an understatement. I didn’t think I had enough depth of field (focal depth) to pull it off. Got lucky I guess. Good luck trying this.

I have a few more nights to potentially work this comet. It’s all about the cloud cover. Normally I am at least 7 – 10 days out from taking a photo to publishing. This was taken this morning. Front of the line lolol.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Windmill Watching Comet Neowise

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Mooning for You

Mooning for You
Mooning for You

Mooning for You

Mooning for You

I find the Moon to be quite a character of note here in the highlands. Seems I’m always finding him sitting down on the job. OK, give it a short break before the climb. I’m sure he belongs to some union giving him 5 minutes ever 30 minutes for a rest. He obviously is not a rancher.

Heck, It’s a LOT of work to climb up with all that cheese to the zenith of it’s orbit. Think of the huge mass that has to be “lifted” over our heads. Yet Again, I caught it sitting down on the job, playing “king of the hill”. This is not the first time I have images of this kind of on the job sitting around. Who am I to question how the moon does his job.

I bet there is quite a view up there. This being a telephoto image of a hill top 400 feet higher than my location on and adjacent ridge. This can be mountain goat country. If there were only mountain goats that lived here. Instead I have celestial objects summiting hillocks holding prime overlook territory.

Wyotana is indeed a magical place. There are many ways to look at any scene, each angle has it’s own story.

Factoid. To determine if it is a rising or a setting moon. :

If the three small craters at 2 oclock are pointing up, it’s a rising moon. If those lined up three craters point to 3 o’clock, then the moon image is a setting moon.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Mooning for You

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Two Windows in the Storm

Two Windows in the Storm
Two Windows in the Storm

Two Windows in the Storm

A busy time lapse photo from a good camera on a steady tripod set up under the awning of my homesteads deck. The lighting you see is ambient inside our “compound” from various yard lights accumulated over 10 seconds…. The storm provided a 500 microsecond extreme flash giving me internally illuminated clouds. As the storm travels, it’s leaving stars in it’s wake in the pure dark sky. Got em!

Photographers notes:

Basically combining Time Lapse and Flash Photography .

This is not a composite in fact the bright star is actually a planet… Jupiter. The flash of the lightningwas instantaneous but the stars needed the 10 second time exposure. The results fit like a glove 📸. About 10 seconds at ISO 300 with f6 (ish) should get you close if you have a tripod, and a storm that leaves stars in it’s wake… Pouring rain (see dark areas)..

I wonder how long I can expose stars without streaking? 🤔🤔👀📷

500 divided by the Focal Length of your Lens = The Longest Exposure in seconds) before Stars “start to trail”.

For example; let’s say you’re taking a shot with a 24mm lens on a full frame camera. 500 / 24 = 21 seconds, which you can round to 20 seconds. Use the rule, it works. Hope this helps you avoid streaks unless you WANT them lolol. I think longer the better for that to taste…😜

Have a great Wednesday night all and be safe.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Two Windows in the Storm

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Red Fox Marking Post

Red Fox Marking Post
Red Fox Marking Post

Red Fox Marking Post

No this is not just outside Sanford and Son’s and no fake heart attacks here (Do you know the classical reference?)

So Game Trail Cameras play an important role in my understanding of game and predator patterns of movement. I have discovered that every canid that goes by this stick either pees on it or chews on it lolol. Apparently it is a community boundary between Coyotes and Red Foxes. I see Coyotes coming in from the east and these guys from the south. There may be some overlap in their territories but I suspect the two different species are NOT the best of friends. Top of that stick is definitely chewed on by many animals.

These Remote auto cameras definitely clue me in to behavior that I would normally have NO chance in capturing. I could sit down in this gully in a regular wildlife blind for days without any activity with a regular camera. Not that I have anything better to do on any particular day lolol. I think I’ll let the auto cameras do the work. These two were definitely on the hunt though. They just had to pay homage to the marks other left behind as a matter of due course I’m thinking.. 👀😜

Night images via Infra-Red flash are all to capture grainier than daylight images. The quality is more like a well printed newspaper than a high quality/resolution capture from a 5 thousand dollar camera rig. They may be grainy but they sure are Candid!. This is an 18 inch by 18 inch aspect final📸📸📸

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Red Fox Marking Post

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Moon Sign

Moon Sign
Moon Sign

Moon Sign

Right Turn “Clyde” series…. (Lot’s of detail in that dark )

This was less than easy to do. Handheld long lens rested on the Ford Raptor’s open door, (Clever Girl herself) with the 48 inch Rigid LED light bar lighting up the reflective sign. The trick of course is to get back far enough to get both objects in the infinite focal length. Then you still have to place enough light on the sign…. Now I handicapped myself by sticking with the truck. I could have walked back another 100 yards with a monopod and still have the same light on the sign.. I’m not always tolerant of windy/cold and this was a windy/cold night. Taken about an hour and 20 minutes AFTER sunset, the only real sources of light was the 98 percent April (Pink) Moon and my headlight. That is a dark night sky behind.

There were stars but even this crazy high dynamic range camera couldn’t sense/see them. The clouds right around the moon that were lit up, made it into the cameras data stream. Getting any detail around a moon of such wispy clouds scantily covering a moon is not something I’m able to accomplish some nights. Very very iffy that process. I’m thinking an average cell phone is not going to capture this.

This April 2020’s moon was every present for 4 photo-sessions in a row. I can’t remember a full moon interval where I’ve gotten to work it so much. The April supermoon, our orbiting partner was as close as it gets this year to the earth for this.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Sign

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Rising Full Moon Ridge

Rising Full Moon Ridge
Rising Full Moon Ridge

Rising Full Moon Ridge

Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. This Evening the skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon rise this clear is “keep busy” lolol.

A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The hillside was WAYYYY easier to get to “sign”. This was a cool evening by the way. It was around 15 degrees at the time, 3 inches of snow all over the ranch land.

Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the hillside would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the normal hillside. Topography is my master.

It was very dark for this and is sort of a time exposure for a full moon. I’m digging seeing the highlights in the grass on either side… First time I’ve see it.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Rising Full Moon Ridge

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Lone Tree Full Moon

Lone Tree Full Moon
Lone Tree Full Moon

Lone Tree Full Moon

When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).

The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.

Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.

I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Lone Tree Full Moon

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Perspective and the Moon

Perspective and the Moon
Perspective and the Moon

Perspective and the Moon

I pay a lot of attention to Close / Far perspectives when I am out with a box of cameras. So many choices, how about a telephoto at 800 mm at 150 yards out from the branch. Such lighting only possible by parking an off road LED light bar close to the branch in question and start walking down hill until you can get both objects in focus. There are equations to figure out your focal distances but it depends entirely on your f-stop setting and particular lens. The higher the fstop, the less light into your camera BUT you get a deeper depth of focus. (i.e. both objects at infinity).

Mostly, completely missed are a million of these moments in time depending on the angle and time you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. Steep slopes help align a low moving terrestrial object with a terrestrial object (hint). I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. Time in important, knowing when to leave a scene is as important as anticipating a scene.

The rest of getting the photo is reliant of your positioning yourself before that time/space moment. My biggest limiting factor besides gravity is topography. If the moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the branch . Also If I move up 20 feet I’m suspended in mid air levitating above a small chasm. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there. 😔

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Perspective and the Moon

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Moon Over Mountain Perspective

Moon Over Mountain Perspective
Moon Over Mountain Perspective

Moon Over Mountain Perspective (From summer 2019)

I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.

There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.

On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).

Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.

2:1 Diptech (2-20’x20′ images)

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Over Mountain Perspective

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Full Moon Tree Trap

Full Moon Tree Trap
Full Moon Tree Trap

Full Moon Tree Trap (Precision Framing)

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.

Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸

It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.

. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Full Moon Tree Trap

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Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise
Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜

This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.

I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.

Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.

As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Sheepherder Cairn Moon Rise

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Moon Light Only Landscape

Moon Light Only Landscape
Moon Light Only Landscape

Moon Light Only Landscape

Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.

Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms

Photographic Musings.

This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.

The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)

Title: Moon Light Only Landscape

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Moon Nesting in a Tree

Moon Nesting in a Tree
Moon Nesting in a Tree

Moon Nesting in a Tree (moon Monday all day)

Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.

Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔

Back to my normal programming:

Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Nesting in a Tree

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Moon Ascending to the Zenith

Moon Ascending to the Zenith
Moon Ascending to the Zenith

Moon Ascending to the Zenith

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from those tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage about.

Photographic Musings.

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a cooperative moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher as I work this at f64). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 1 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera..

This was handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Moon Ascending to the Zenith

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Windmill and the Moon

Windmill and the Moon
Windmill and the Moon

Windmill and the Moon

Cranberry Alpenglow is a rarer color of back show than the pure pine. I finish images as I remember them This day ended with a band of this Cranberry color spread across the eastern sky. This is just a darker variant of the “Belt of Venus” pink Alpenglow.

Photographic musings:

I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus. In low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….

High F-stop number give you deep focal fields. They become a double edged sword though. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close/Far perspectives to work with. Topography is your to contend with. . Getting in focus grass against the moon in low light is sort of a difficult thing to do. Just take your time but not too much lolol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Windmill and the Moon

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Great Horned Owl Hunting

Great Horned Owl Hunting
Great Horned Owl Hunting

Great Horned Owl Hunting …. Familiar here in the borderlands.

OK, you might ask how do I know this owl was hunting?. Well he is sitting 40 feet in the air above my barnyard well after dusk. 43…. err soon 42 domestic ducks hang out there. This is on top of the big light pole that lights the barnyard. I heard him and got on my Polaris Ranger Crew UTV which has two very bright LED light bars that are adjustable. So I slowly moved up to a comfortable distance (for me) and started working the scene. He was rather happy with his roost. I eventually walked all the way around him clicking all the time. It’s all handheld and it was very dark but most of the images are wonderful.

A Great Horned Owl is a big bird with plenty of presence. They can live 15 years in the wild and have up to a 5 foot wingspan. The predators body can be up to 25 inches long and they weigh as much as a blue heron at 5 pounds. They are all about claws and beaks though they have some of the best disruptive Camo colors/pattern I’ve ever seen. These guys are easy to recognize due to their “plumicorns” which are feather tuffs resembling horns. . They are not ears. I understand they are the most common own in the Americas. They range from the Arctic to South America.

Interestingly, the male Great Horned Owl is Smaller than the Female but has a much lower pitched call than his mate. “Hoo, H’ Hoos”!

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Great Horned Owl Hunting

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Moon Balancing Act Rising

Moon Balancing Act Rising
Moon Balancing Act Rising

Moon Balancing Act Rising

I find the moon to be a big show off when ever it can be. Here it is balancing on a rock like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.

There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit. You might notice the sideways snow drifts on that 20 story high hill telling a story of high wind here in the borderlands of WY/MT.

On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).

Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Moon Balancing Act Rising

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Skull Moon Atmospheric Lensing

Skull Moon Atmospheric Lensing

Skull Moon Atmospheric Lensing

It appears (to me anyway), like a skull looking up/left. What do I know as I have an overactive imagination. Great image for Halloween or just the 2nd day of January when this first posts lolol.

Heres an image from April of 2018 that I just finished. There wasn’t much to do to it. This shot is an interesting distortion by the 400 miles of atmosphere the setting moon light has to travel through to get to my camera. Changes in air density and humidity make for surfaces that refract/bend light just a little bit. This is metaphorically an imperfection in a glass lens.

Your actually looking at the moon when it is geometrically below the horizon as that same aforementioned atmospheric lens is at work. The atmospheric lens bends the light so that the sun and the moon actually set a little bit after the scheduled time for setting. They also rise just before they are scheduled to do so because their image is bent around the planet.

Waxing Gibbous Moon leans to the right as it sets. The little crater dot on the 3 o-clock position is a moon setting position. That crater, (Mare Crisium is it’s name) will be positioned at 12 o-clock for a rising moon image/scene. Keep your eye on that little Mare next time you see a photo of the moon situated on the horizon.

The ridge in the foreground is about 1000 yards out in this 3200mm telescopic shot. It was quite pitch black when this was happening.

Good Evening All and be safe in what you do.

Location: Bliss DInosaur Ranch, Wyoming/Montana

Title: Skull Moon Atmospheric Lensing