This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
The ephemeral wetlands of the Bliss Dinosaur Ranch, entertain many reflections every day but you have to be there at the right time to capture those photons that are worth catching…. The winds were somewhere else as the water here was mirrored as smooth as it gets. Dead calm air is quite unusual up in this high ridge line country. The ice floating on the surface of this rapidly depleting due to the warmth… Melt water pond will be here but a few more weeks. This water level is quickly dropping soaking into the Hell Creek Formation sands underlaying this spot.. There is NO snow left to melt up the hill from it. Nothing to feed it further so I’m expecting it to disappear shortly.
This nearly full March Worm Moon that evening a few weeks ago was a beautiful sight rising just a few minutes before sunset. I worked it with 4 cameras/lenses over about 30 minutes. I have a few photos to finish from the “sitting” lol. The “Golden Hour” lighting tinting everything an orange hue that is classic for the timing of the sunset ongoing over my left shoulder. The sky show there is a subject for another post another day. Seeing the full moon while the sun is still up only occurs for a few days a month, perhaps 4 chances during the month.
Location: Bliss Dinosaur Ranch, (pretty much directly ON the Montana/Wyoming border, the 45 parallel, precisely 1/2 way between the north pole and the equator. Exactly🤔
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
It was a little windy for a reflective shot perhaps but this gibbous moon setting into a early morning setting moon backshow caught my attention. It made it through the “To Finish” Sieve I mentally put my images through.
I know the grassy bottom of this small melt water pond and it stays very firm even driving across it when it is full. The pond is ephemeral which means it dries up seasonally and has a good firm soil profile developed. I had JUST pulled up to the rippled mirror surface of this lake in my truck. The wind driven ripples were moving smoothly across the glass surface. The scene was subdued and very blue. Blue images are not my most common production but I liked this one. I’ve been accused of being Blue Blind before lolol.
Finding a pond high enough on a ridge that you can see the horizon around here is the tough part. For all intents and purposes this pond is about as high up as they get around here. IT’s also essentially directly on the Montana/Wyoming border lol. PLUS it has a thin bank to the horizon which is even more specific and desirable of a reflecting surface. . This place has a lot of topography so the particular combination of requirements is pretty rare up here. Even better, it’s only about 500 feet off the local county road which is rare for a photographic “attraction” up here. I normally have to drive miles of two track trails to get to an interesting subject lolol. No complaints on my end.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
Moon Lollipop? Mood Docking Station? So many titles, so little space and time. I find that celestial objects follow a routine in their movements. Our companion in space has habits that humans have noticed over time. There has always been a connection between humans and the moon. I think women even more so than men. Your results may vary 🤔
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
Here I have firm photographic evidence here that the moon is trying to communicate with us. As a ham radio guy, I’m always monitoring something or another but has no one has picked up Moon Magic just yet? “73” K7WIZ
Super Blue Blood Moon taken Feb 1, 2018,. This is was the first of it’s breed seen in the United State since 1866. . The white part is the actual fully illuminated moon. The red, the earths shadow (pre-umbra and umbra) make up the bloody red disk. 3200mm astro glass.
A blue moon of course, happens when there are two full moons in a single month. Technically this Blue Moon is a fudge (again) by NASA since the actual full moon happened in the morning of Feb 1st not on Jan 31st by less than 2 hours in some places. I love it when NASA fudges. 🤔
Blue moons are not quite as rare as the old saying implies. On average they occur once every 2.7 years. The lunar 29.53 lunar month migrates across the 30 or 21 day calendar month. February has never had a blue moon….. There were two blue moons in 2018 due to the discrepancy in timing adding up over the years. There were no full moons at all in February 2018 for instance. There is some calendar magic ongoing as these lunar shows migrate around.
This moon was a super moon being at it’s closest point to the earth in it’s orbit at slightly under a 225 thousand miles. This compared to the average of 238 thousand. What difference could 13000 miles make….14 percent apparent size difference. It’s hard to see with your eyes but I see it comparing things like windmill sails to the lunar disk size from the same spot in the road at the same focal length. I have these fixed objects to compare the moon’s size with lol.
Location: Over Bliss DInosaur Ranch, Wyoming/Montana borderlands. It was durn cold for this one lolol.
This is actually a morning back show looking at clouds sitting over the Big Horn Mountains 70 miles behind the dark ridge (the Red Hills) which are 40 miles distant. The cloud resembles a mesocyclone incoming and it was a weather system rapidly moving in on us. The moon was soon to dive behind the approaching spring storm. A mix of rain/snow and sleet proceeded to move in shortly afterwards that morning.
The moon here is a Waning Gibbous JUST past the full March Supermoon known as the Worm Moon. March is the month birds start digging worms out of the ground thus the moniker.
The two antelope had just run across the road in front of my truck, the male with them was still on the other side of the road. Separated from their leader, they stopped and waited for him Click . As I moved he broke stance and ran right in front of my truck as a sign of disregard to my presence. I have found that as a matter of principle, if Pronghorn CAN run across your path, they WILL run across your path.
I’ve only hit ONE pronghorn in 20 years of driving these backroads of Wyoming. I would indicate that as a family we have hit 13 deer and 2 antelope in the same time. I have personally hit 4 of those deer. Total Damage in all those collision to my vehicle… A broken license plate bolt and a lot of car washes. I spend a LOT of money on really good vehicle bumpers. Saves my insurance company a bit as I have never had a claim on a vehicle. Does it lower my insurance???? Maybe….
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld.
Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground. I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The moon is a little further behind.
Photographic Musings: The clouds were very thick and obscuring with the moon blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture unfortunately. Working on those 😜👀📸📸
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
I knew what time and place the moon was to rise but it seemed to take FOREVER for the March 9th rising Supermoon. It was precisely this color. The same phenomena effects the sun. “Golden Hour” and better, the red light passing to the pink/red “Belt of Venus” alpenglow. That projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but the moon to my camera. This resultant from the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. Lots less yellow light made it through in this capture.
So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Of course when the moon OR the sun is apparently this low, you actually seeing the celestial object below the line of sight to the horizon. The image is actually bent around the horizon. The atmospheric lens literally guides the image around the surface to my camera/eye. Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around in the snowy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄
This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having free access to many square miles of backcountry WY/MT is always a good thing with a camera. Both States in this Photo.. I was lucky the weather cooperated with me as it disappeared into a cloud deck 20 minutes later not to reappear for over a day.
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀
Photographic Musings: Manual Mode Phobia: (You know who you are) …. Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image. I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings. Balancing that light teeter totter requires you to set what is important to you first. More on this later.
Corral with a View (Moon Setting from my side yard. )
Back in the cold January of 2020, we had a little more snow on the ground that we do now in Mid-March 2020 as this posts. This is a corner of our corral system from just inside the fence of our front yard. Looking west this small part of the corral system. This enclosure was being used to keep some 1200 pound hay bales. Safety from the small herd of Corriente’ Longhorns we keep about. Corriente’ cattle are seriously able to take care of themselves in the winter. Like Bison they paw at the snow to expose the grass under the blanket. Angus and most purebred domestic breeds lack enough instinct to perform this task.
The mountains in the distance, known as the Red Hills reach 40 miles out from the camera. The Little Powder River Basin between myself and the Red Hills. Part of the right side of that ridge is in Montana while I’m standing in and looking at 1/2 a Wyoming ridge.
This Waning Gibbous Moon captured here in the process of setting. Remember it’s not the moon that’s moving. It’s the horizon/you. This was a full moon a few short days ago. I chase the moon from time to time. Here such that it is in the same image as the Pink Blush from the “Belt of Venus”. A variety of Alpenglow . Sunrise over my shoulder with a pink back show. If your going to be “Stuck” in a corral as stock, it might as well have a great view. 😜📸
When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).
The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.
Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.
I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.
I pay a lot of attention to Close / Far perspectives when I am out with a box of cameras. So many choices, how about a telephoto at 800 mm at 150 yards out from the branch. Such lighting only possible by parking an off road LED light bar close to the branch in question and start walking down hill until you can get both objects in focus. There are equations to figure out your focal distances but it depends entirely on your f-stop setting and particular lens. The higher the fstop, the less light into your camera BUT you get a deeper depth of focus. (i.e. both objects at infinity).
Mostly, completely missed are a million of these moments in time depending on the angle and time you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. Steep slopes help align a low moving terrestrial object with a terrestrial object (hint). I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. Time in important, knowing when to leave a scene is as important as anticipating a scene.
The rest of getting the photo is reliant of your positioning yourself before that time/space moment. My biggest limiting factor besides gravity is topography. If the moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the branch . Also If I move up 20 feet I’m suspended in mid air levitating above a small chasm. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there. 😔
The chill of the upcoming winter was in the air. I captured an old soldier of a wildlife tree. Heavily used by Wood Peckers and Flickers to hunt in for grubs. It oversees/overllows all on it’s high backcountry ridge redoubt. A safe nest for a dozen creatures. Within is a rest from the relentless high ground wind. A rest here for this Great Horned Owl while the rising moon lights up the scene. While dark to our eyes, the extraordinary night vision of the hunting raptor (and my Sony Alpha 7RIV) pierce the darkness. 😜 📸
Did I mention the above is art. The moon just by itself is a 16 image composite. I own the owl silhouette and the snag/twilight photo. Took me a bit to do this well. 🤔👀 (Landscape up to 3×2 feet)
Now the Science:
The owls perception of the night world and need to detect the smallest movement a trait of the species. This would be a real world nocturnal and uncommon encounter. I’m ignoring the limitations of physics and gear to get an image like this require it’s construction in the digital dark room. This scene has happened millions of times however. They would be REALLY hard to catch in the real world. It’d take a heck of a lens to do this at maybe 500 yards out. Having said that, if this ever unveiled in front me in the real world, I could certainly capture the image. That is, if I were given about 5 minutes to get into position/set up lolol.
While active during the day at times, they habituate the darkness and are totally apex predators in this environment. Just to stress the point, none of this would be happening without the moon. (Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s mass around the earth keeps the earths rotation stable. Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary for stabilizing the Tilt of our planet like a huge slow motion gyroscope. Scientists say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky. Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
The morning was cold but we are having a bit of snow at the moment. That could change by the time this posts a full 8 days later lolol. At any rate, here the rear view mirror is reflecting the sunrise side of the sky with the setting moon above. This is not a composite as if it were it would be in perfect focus. I’m thinking that’s going to hard to do this way. I was 50 feet behind the car to take this with a long telephoto NOT out the window which is WAY easier lol. The red on the right side of the frame is a tail light of the vehicle. Kind of a proof of concept image for me , 👀📸
A Backcountry drive in the borderlands: (This image was of my Jeep)
Backcountry Gravel Roads this time of year is hard driving with much snow depth. There are thousands of miles I’ve traveled backcountry when I still had my Jeep Grand Cherokee. Vastly limited in it’s off road activities mid-late winter. I’ve been off on two trail tracks lately (are you kidding lolol) with my F150 Raptor to work at the moment but photographing remote country roads has it’s advantages. . The high Wyotana skies are vibrant with orange to yellow hues most mornings not overcast entirely. Some mornings as this a saturated with the hues.
The Orange sunrise behind is covered in other photos from this drive but the perspective way behind the rear view mirror and a moon gives you was worth the effort.
This is a deep photo lol. The Depth of Field (DOF) is very thick. Getting all this in focus is a technical thing that can be done in Manual mode as long as your camera is capable of the dynamic range required to get all this detail. These Sony Alpha 7R series have silly good ability in low light as you might have noticed following my work.
I always rant and rave against deeply blue snow which is (in my opinion) a very very very rare natural color only in EARLY civil Twilight.. Pink however does reflect off ice like a movie projector screen even after sunrise.. Pink is common relatively IF you have a set of mountains named (for real) the “Red Hills”. I wonder why they are called the “Red Hills”. 🤔
I see pink Belt of Venus” (BOV) Alpenglow light hitting the ground “Fairly” regularly in the winter. Normally at sunrise you just see the BOV as a pink band in the western sky just before sunrise. The shadow of the earth’s horizon being a shrinking with the rising sun, blue wedge under the pink band. With the sun arisen behind the camera above the horizon, that red light surviving traveling hundreds of miles through low angle atmosphere. It is the camera that is in shadow of the horizon. That shadow was moving at close to 1000 miles per hour toward me. (25,000 miles around the earth, 24 hours in a rotation = 1000 mph. Chasing the sunrise is a fools game unless your in a supersonic jet.
Done in the camera (not a crop), I call this what I consider a “formally” framed image.👀 I took a great deal of precious time to precisely alight that gate with the edge of the frame. Hard to do with the angle I had to acquire to line up the banded cloud veiled moon. Camera lens distortion and other laws of physics applied. It was pretty dark too I point out as the sun hasn’t risen just yet that morning. Taken later in the fall after the first snow. All melted in this particular capture. It’s all covered by the white stuff at the time I post this in early March 2020.
There are only a few days a month when the full moon is still up while there is enough light to capture a landscape. A significant portion of those morning have obscured (as best) views of the setting moon. If I get one night a month where I get the full moon floating over illuminated landscapes, I consider myself lucky. What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.
There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.
On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).
Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.
Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸
It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.
. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
If you are “stumped” as to how I did this, I assure you it was done in the camera lol. No digital or otherwise magic involved. (well there are some orbital mechanics😜🤔)…. This was quite a ways out from my long lens to get that stump into the infinity focal depth along with the moon. Getting the moon to cooperate with the topography was quite a challenge in this hilly country.
Having terrestrial objects in the same focus as the moon or the sun is definitely an acquired skill with a few requirements for it’s practice. I’m still trying to perfect this kind of work in a variety of ways. Getting only a few opportunities a month to work a full moon low in the sky and still have the sun light up the foreground scene. Wait another 28 days and hope it isn’t cloudy during those days. 6 or 7 times a year in other words do I get a “shot” at this. .
You need at least a 400mm telephoto on a high f number for a deep focal field. You still need to stand way back several hundred yards to enable the telephoto to crush the perspective. Your lighting will change your other settings from what I used but a high f-stop is the place to start.
Perspective: Works like this…
As you step back the stump will get noticeably smaller but the moon stays about the same size. So the further you step back the smaller the stump and the relatively bigger the moon looks. Perspective takes hold….
When my name is included in the Title, the image is ART, usually taken from real photos . I disclose when I screw with images to any significant degree. I had fun with this one.
This Image became ART by removing 2 inches of the center hombre’s rope loop to give the illusion of it going behind the moon. The gate that provided me the photons for this capture, is our front gate. (albeit slightly re-arranged for this art work). When I screw with images I really can do anything I want but this is actually pretty true to what happened. Just a bit a rope, a little movement of the horses from their real positions and I end up with this illusion. I do like to occasionally put some art up. As I’ve said before, “all work and no play makes Frank a dull boy”.
The metal work is my original design but I did have it professionally cut with a computer controlled plasma table. We put this gate up 15 years ago at the front entrance to the Dinosaur Ranch. . There is also a T-rex on this gate but I excluded him for this particular illusion. This is ART remember :). With no rules I impose on myself to be photorealistic, I get to move, remove, replace, resize, recolor or pretty much do anything else I want to ART work. There are no limitations in the digital world. lololol (laughing maniacially). 👀😜😜
Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜
This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.
As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.
This is ART done from a photograph (I did mention this is ART didn’t I?) Oh the moon was real and the cow was real but she wasn’t exactly pointing her head upward. Simply speaking I drew her head in for the moo pose within the digital darkroom. . I’m sorry, I had to cheat to get this with her “mooing”. Everything was going well except you can never get a cow to look up at the moon when your in the right position for this otherwise silly hard technical image. Getting a long uphill slope to a ridge, a cow and the waxing gibbous moon rising in enough light to get a grassy slope in focus…. lots of things to go right.. .
She was 300 yards uphill easy. 800 mm lens. The moon is out a bit further than her. Of course high f-stop numbers are in play here.
The decidedly blue color cast is my doing of course since this is art. Blue Moo and all that. A little time in the digital darkroom makes almost anything possible. No question I try to be a photorealist at ALMOST all times. I have found that all work and no play makes Frank a dull boy 😜🤘📸
Have a great evening as this posts at 7:30 Wednesday the 19th February. This is a written one week before it posted on social media.
This MesoCyclone was Veiling the full Moon. Enough to catch the stars visible to my naked eye. Using a 20 second time exposure, some lightning flashed during the interval. Details in the clouds that are seldom to a camera pointing at the full moon. Most you see are fakes or composites. Time exposures over a second tend to overexpose the full moon badly. Even a moon that was unveiled. Limitation of the technology.
Straddling South Dakota, Wyoming and Montana, this rotating storm was around 100 miles across. Containing the energy of an atom bomb expended over it’s life.
The view I had of this storm was perfect enabling me to photographed it. I was up in the higher backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars. No other man made light sources in view from the highest mountain top around kind of backcountry.
Various colors are way saturated which is what time exposures do. I actually really dampened down the purples that were native in the camera’s software in this image. 20mm lens, cropped in a bit. I wouldn’t go over 20 seconds with a 20mm as longer would have blurred the starts. That time varies with the focal length of the lens so look it up on google lol.
This ranks as one of my personal favorite images of the year. There are a few others….🤔 Taken Mid Summer 2019. 2×3 aspect.
It’s not magic using a 12 inch Meade LX 200 Telescope at 3200mm. The result can be very interesting in the details… This bottom 1/3rd of a D moon (first quarter). I took this in infra-red capture… so any color would be artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….It doesn’t happen often enough even up here at 4000 feet in the dark dark westerns skies of the Montana/Wyoming borderlands.
It takes me 6 images at this magnification to stitch together the full moon into one frame. The resultant file is rather large lol. There was very good “seeing” that night. “Seeing” is a term astronomers and amateurs as myself use to describe the atmospheres transparency at any particular time. WHen the moon is straight up, the seeing tends to be better due to the less atmosphere your looking through. I see horribly distorted moons near the horizon where the atmospheric distortions have their way with the transmitted image. Turbulence above me usually blurs the details that this this light let through to my photon capture boxes (cameras).
Pursuit of the moon is a very cyclical thing. If your hunting for details, then you want LONG shadows to accentuate them. Full moons are wonderful of course, generally easy photography but the detail in the craters are elusive. I live very much in tune with the lunar cycle as well as the yearly sun’s migration I photograph both when they present me with opportunity and light worthy of your attention.
A little Backcountry Magic for you moon lovers out there.
The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.
In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.
Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.
Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms
This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.
The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)
Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.
Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔
Back to my normal programming:
Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….
Pink Alpenglow on Snow Moon (Moon Monday all Day Plus a Windmill Weekday)
Rare mornings each month does the Full moon set with the sunrise behind the photographer. Rarer yet are the mornings that we’ve just had a fresh snow coating everything. Add to that the Red/Pink light of the Belt of Venus falling down on the snow. The 40 miles wide Little Powder River Valley stretches across to the “Red Hills” (Their real name). The 6 inches of fresh snow over the last couple of days has been blowing around from a strong wind. “Sneaky Pete” the Windmill had to get into the picture as is his propensity of course. I have no control over his photobombing actions. In his defense, I find he provides scale for this perspective crushing telephoto shot
Mustings on Agility:
Standing back 400 yards from this .5 second exposure that was on a window clamp mount using my vehicle as a tripod out in a snow covered field that allowed this angle. Yes, this morning I was driving through drifts and 6 inches flat of snow all over the place. I have enjoyed the extra clearance that this new f-150 Raptor has. I’ve never had to take it out of 4 wheel high so far. Off road even down hills pretty steep hills (and getting back up) is doable so far. Usually valleys are black holes for 6000 pound objects that drop below the ridge line. I’ve not managed to get it stuck so far. I’ve gone many places that would have stuck my old jeep hard. I am much more agile in this rig than any other I’ve driven up in the high backcountry.