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Moon Roping by Frank Bliss

Moon Roping by Frank Bliss
Moon Roping by Frank Bliss

Moon Roping by Frank Bliss

When my name is included in the Title, the image is ART, usually taken from real photos . I disclose when I screw with images to any significant degree. I had fun with this one.

This Image became ART by removing 2 inches of the center hombre’s rope loop to give the illusion of it going behind the moon. The gate that provided me the photons for this capture, is our front gate. (albeit slightly re-arranged for this art work). When I screw with images I really can do anything I want but this is actually pretty true to what happened. Just a bit a rope, a little movement of the horses from their real positions and I end up with this illusion. I do like to occasionally put some art up. As I’ve said before, “all work and no play makes Frank a dull boy”.

The metal work is my original design but I did have it professionally cut with a computer controlled plasma table. We put this gate up 15 years ago at the front entrance to the Dinosaur Ranch. . There is also a T-rex on this gate but I excluded him for this particular illusion. This is ART remember :). With no rules I impose on myself to be photorealistic, I get to move, remove, replace, resize, recolor or pretty much do anything else I want to ART work. There are no limitations in the digital world. lololol (laughing maniacially). 👀😜😜

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Roping by Frank Bliss

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Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise
Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜

This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.

I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.

Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.

As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Sheepherder Cairn Moon Rise

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Blue Moo by Frank Bliss

Blue Moo by Frank Bliss
Blue Moo by Frank Bliss

Blue Moo by Frank Bliss (as in “Once in a …..”)

This is ART done from a photograph (I did mention this is ART didn’t I?) Oh the moon was real and the cow was real but she wasn’t exactly pointing her head upward. Simply speaking I drew her head in for the moo pose within the digital darkroom. . I’m sorry, I had to cheat to get this with her “mooing”. Everything was going well except you can never get a cow to look up at the moon when your in the right position for this otherwise silly hard technical image. Getting a long uphill slope to a ridge, a cow and the waxing gibbous moon rising in enough light to get a grassy slope in focus…. lots of things to go right.. .

She was 300 yards uphill easy. 800 mm lens. The moon is out a bit further than her. Of course high f-stop numbers are in play here.

The decidedly blue color cast is my doing of course since this is art. Blue Moo and all that. A little time in the digital darkroom makes almost anything possible. No question I try to be a photorealist at ALMOST all times. I have found that all work and no play makes Frank a dull boy 😜🤘📸

Have a great evening as this posts at 7:30 Wednesday the 19th February. This is a written one week before it posted on social media.

Location: Bliss Dinosaur ranch, Wyoming/Montana borderlands

Blue Moo by Frank Bliss

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MesoCyclone with Moon at Night

MesoCyclone with Moon at Night
MesoCyclone with Moon at Night

MesoCyclone with Moon at Night

This MesoCyclone was Veiling the full Moon. Enough to catch the stars visible to my naked eye. Using a 20 second time exposure, some lightning flashed during the interval. Details in the clouds that are seldom to a camera pointing at the full moon. Most you see are fakes or composites. Time exposures over a second tend to overexpose the full moon badly. Even a moon that was unveiled. Limitation of the technology.

Straddling South Dakota, Wyoming and Montana, this rotating storm was around 100 miles across. Containing the energy of an atom bomb expended over it’s life.

The view I had of this storm was perfect enabling me to photographed it. I was up in the higher backcountry for almost 2 hours with 6 different camera lens combinations from before sunset to well into Astronomic twilight under the full moon. Being backcountry means any light on the terrain is ambient from the flash and the moon/stars. No other man made light sources in view from the highest mountain top around kind of backcountry.

Various colors are way saturated which is what time exposures do. I actually really dampened down the purples that were native in the camera’s software in this image. 20mm lens, cropped in a bit. I wouldn’t go over 20 seconds with a 20mm as longer would have blurred the starts. That time varies with the focal length of the lens so look it up on google lol.

This ranks as one of my personal favorite images of the year. There are a few others….🤔 Taken Mid Summer 2019. 2×3 aspect.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: MesoCyclone with Moon at Night

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Moon First Quarter Detail

Moon First Quarter Detail
Moon First Quarter Detail

Moon First Quarter Detail

It’s not magic using a 12 inch Meade LX 200 Telescope at 3200mm. The result can be very interesting in the details… This bottom 1/3rd of a D moon (first quarter). I took this in infra-red capture… so any color would be artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….It doesn’t happen often enough even up here at 4000 feet in the dark dark westerns skies of the Montana/Wyoming borderlands.

It takes me 6 images at this magnification to stitch together the full moon into one frame. The resultant file is rather large lol. There was very good “seeing” that night. “Seeing” is a term astronomers and amateurs as myself use to describe the atmospheres transparency at any particular time. WHen the moon is straight up, the seeing tends to be better due to the less atmosphere your looking through. I see horribly distorted moons near the horizon where the atmospheric distortions have their way with the transmitted image. Turbulence above me usually blurs the details that this this light let through to my photon capture boxes (cameras).

Pursuit of the moon is a very cyclical thing. If your hunting for details, then you want LONG shadows to accentuate them. Full moons are wonderful of course, generally easy photography but the detail in the craters are elusive. I live very much in tune with the lunar cycle as well as the yearly sun’s migration I photograph both when they present me with opportunity and light worthy of your attention.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon First Quarter Detail

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Backcountry Snow Moon Rising

Backcountry Snow Moon Rising
Backcountry Snow Moon Rising

Backcountry Snow Moon Rising

A little Backcountry Magic for you moon lovers out there.

The Atmospheric Lensing was in full blown effect for this. The moon distorted by the mirage lines. Remember that this moon is actually below the line of sight to the horizon at this moment. The moons image here has been bent around the planet over the horizon by the differences in air density/temperature. Without atmosphere in the way, you wouldn’t see it yet. It’s actually below the horizon which is dropping to expose it. (You realize the horizon is dropping NOT the moon is rising right??) The times of sunrise and sunset are always off a minute or so because of this phenomena for objects (the sun too) near the horizon.

Photographic Musings:

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Backcountry Snow Moon Rising

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Moon Light Only Landscape

Moon Light Only Landscape
Moon Light Only Landscape

Moon Light Only Landscape

Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.

Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms

Photographic Musings.

This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.

The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)

Title: Moon Light Only Landscape

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Moon Nesting in a Tree

Moon Nesting in a Tree
Moon Nesting in a Tree

Moon Nesting in a Tree (moon Monday all day)

Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.

Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔

Back to my normal programming:

Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Nesting in a Tree

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Pink Alpenglow on Snow Moon

Pink Alpenglow on Snow Moon
Pink Alpenglow on Snow Moon

Pink Alpenglow on Snow Moon (Moon Monday all Day Plus a Windmill Weekday)

Rare mornings each month does the Full moon set with the sunrise behind the photographer. Rarer yet are the mornings that we’ve just had a fresh snow coating everything. Add to that the Red/Pink light of the Belt of Venus falling down on the snow. The 40 miles wide Little Powder River Valley stretches across to the “Red Hills” (Their real name). The 6 inches of fresh snow over the last couple of days has been blowing around from a strong wind. “Sneaky Pete” the Windmill had to get into the picture as is his propensity of course. I have no control over his photobombing actions. In his defense, I find he provides scale for this perspective crushing telephoto shot

Mustings on Agility:

Standing back 400 yards from this .5 second exposure that was on a window clamp mount using my vehicle as a tripod out in a snow covered field that allowed this angle. Yes, this morning I was driving through drifts and 6 inches flat of snow all over the place. I have enjoyed the extra clearance that this new f-150 Raptor has. I’ve never had to take it out of 4 wheel high so far. Off road even down hills pretty steep hills (and getting back up) is doable so far. Usually valleys are black holes for 6000 pound objects that drop below the ridge line. I’ve not managed to get it stuck so far. I’ve gone many places that would have stuck my old jeep hard. I am much more agile in this rig than any other I’ve driven up in the high backcountry.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Pink Alpenglow on Snow Moon

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Moon Rise in Pitch Black

Moon Rise in Pitch Black
Moon Rise in Pitch Black

Moon Rise in Pitch Black (This is the Moon NOT the sun AND full Screen is a Must).

Moony Alpenglow I’m thinking. This is a 20 second long time widefield exposure with the camera aperture at low f-numbers (wide open). ISO is less than 1000 for this. High ISO is an evil thing in night time exposures.

I don’t do much work late at night as I do photography all day so there has to be a nap time somewhere. On the occasional night when I’m up over a mile away from my door up on Ridge 1 late at night, I usually bring a tracker along. Set up on Polaris. Takes a few minutes usually. Your camera mounts right to the tracker. 300 -400 bucks on amazon.

Rule of 600 in Star Photography:

The rule states that the maximum length of an exposure with stars that doesn’t result in star streaks is achieved by dividing the effective focal length of the lens into the number 600. A 50mm lens on a full sized sensor camera, therefore would allow 600 / 50 = 12 seconds of exposure before streaks are noticeable. That is unless you are using a device that moves the camera the same rate as the stars move. These “trackers” are a fairly inexpensive gadget but you do have to understand how to find Polaris (North star). Then you can take sharp stars over long intervals instead of getting lines from them moving.

Of course 20 seconds with a wide open iris totally overexposes the moon. That was the point. I wanted to see the moony Alpenglow it was projecting even faintly visible to my naked eyes lolol.

Location Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Moon Rise in Pitch Black

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Moon Quarter Close Up

Moon Quarter Close Up
Moon Quarter Close Up

Moon Quarter Close Up

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This left 1/3rd of a waning Crescent/last quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Quarter Close Up

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Windmill Cheese Trimming

Windmill Cheese Trimming
Windmill Cheese Trimming

Windmill Cheese Trimming (just a little off the whiskers please)

MOONDAY Monday, 2nd moon photo today….

“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀

Photographic Musings:

Manual Mode Phobia: (You know who you are) ….

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Windmill Cheese Trimming

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Old Glory Mooning for You

Old Glory Mooning for You
Old Glory Mooning for You

Old Glory Mooning for You

Old Glory speaks for its self in this borderlands windy twilight evening. The moon had is own plans and decided

Muddled has been the origin of the starts and stripes.. Accounts handed down orally over several generations. Mostly from the descendants of Betsy Ross. Congress onJune 14, 1777 took time from it’s busy schedule. It passed a resolution stating : “the flag of the United States be 13 stripes, alternate red and white”. That “the union be 13 stars, white in a blue field, representing a new constellation.”

Still to this day, no one knows who designed the flag. No one know why that particular color combination and pattern were chosen. Rumor is Betsy Ross made the first American flag in 1776. George Washington personally requested her design the flag. Again, this is hearsay.

Now the moon has it’s own agenda but has a bad habit of being predictable in it’s movement. Obviously nothing is hunting it was it never varies its routine. (bad plan generally) Knowing when the moon is low and full is of course a paramount to taking a shot like this so timing is an issue. Wyoming winds are unpredictable so there is a variable you can’t control. Luckily this was/is not much of a problem. It’s generally fairly windy in this country. A flag usually last me about 4 months before it get’s “Worn out”.

3×2 aspect to 3 feet.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Old Glory Mooning for You.

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Moon Rise Backcountry Windmill

Moon Rise Backcountry Windmill
Moon Rise Backcountry Windmill

Moon Rise Backcountry Windmill

There is more science going on here than you might suspect. First of all it’s about 8 minutes after sunset here. I can tell from the blue area under the pink Belt of Venus Alpenglow. The moon sits in the blue. That color is the SHADOW of the horizon. The long traveled red/pink light above the moon is the reflected light from the sun that made it back to my photon capture boxes (camera). The horizons shadow on the atmospheric Ice floating acts like a projection screen for the only color to make it that far. Ligh raveled hundreds of miles through air/dust/moisture/inversion layers bending and filtering out shorter wavelengths by those obstructions.

Photographic Musings:

Long telephoto captures CRUSH perspective. Low light after sunset starting civil twilight is one of my favorite times to practice my long range skills. This was done with a fixed 400mm lens which in an ideal world, should be a standard lens in your “kit”. Most use a 100-400 zoom. Most of those are not particularly fast lenses but they work just fine under all but these conditions lol. Bigger diameter lenses gather more light than smaller diameter lenses.

Normally I would blur the windmill as 99 percent of the time it is moving. Not that it’s windy up here or anything….. IT was indeed dead calm at this moment. Problem though, even if it was moving, a blurred windmill takes a long exposure, the bright full moon takes a shorter exposure. Your only choice is to expose the highlights properly. You can’t cheat on this on in the camera though I could have done it in the digital darkroom (photoshop) easily.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Moon Rise Backcountry Windmill

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Long Horn Moon

Long Horn Moon
Long Horn Moon

Long Horn Moon

There are only one or two mornings a month that I can get this kind of full moon scene. For the moon to be up full falling into the Belt of Venus (Pinkish Alpenglow). The lightI pick my spots based up on a few basic requirements. In this case I needed several “heros” in the image. Black cows in shadow are going to be silhouettes no matter what the camera. What is a western vista without a couple of longhorn cattle on board? My perception of distance was peeked at this scene. Click. The full moon Setting over the Red Hills 40 miles distant. Hit by the same red light blushing the Belt of Venus above them.

Photographic musings:

I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any closure to them as their temperment is my master in that. I do respect these mostly wild cattle. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon/sky considered an infinite focus in this camera calculus. Getting closer things precisely focused with background is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode…. Distance from the cattle is your friend to keep them in the same focal frame as infinite.

High F-stop number give you deep focal fields . A double edged sword high f-stop. High f-stop also steals light which is in short enough supply in this lighting.. Get too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. All the moon has to do, in close far perspective with almost anything, will be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close far perspectives. Getting in focus grass against the moon in low light is sort of a difficult thing to do.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Long Horn Moon

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Falling Horizon Exposing Moon

Falling Horizon Exposing Moon
Falling Horizon Exposing Moon

Falling Horizon Exposing Moon

My view from “Ridge 1” looking at the sun rise on “Ridge 4” which is about 10 miles distant. Working on Parallel Ridges gives you landscape ladders automatically.

The world we are living on is spinning like a top in space. Rotating around the earth the moon is albeit relatively slowly to our eyes. The appearance of the moon “rising” is an illusion. The Horizon is actually falling away fast enough that it makes a difference on long range rifle shots.

If you shoot a hypothetical “average” bullet at a 1000 yard target straight to the east, you better aim low…. say about 6 inches . If you aim to the west, you should aim high since the target is rising under your bullet. . You see to the east the target is dropping. Thus I’m saying that the horizon travels about 6 inches during the time a bullet travels 1000 yards. (over 1/2 mile). 6 inches is arbitrary as your bullet will act differently than my hypothetical one.

So the next mind game is to shoot straight north or south. You have to shoot neutrally, neither high nor low. Really long range rifle shooters use this in their calculations. Nothing like having your target rise or fall depending on the direction and distance the bullet travels over time. I’ve been involved in professional shooting for decades, trust me on this. You have to compensate at distances much over about 700 yards a little bit more each yard the bullet has to fly further. Most sportsman don’t shoot that far.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Falling Horizon Exposing Moon

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Moon Ascending to the Zenith

Moon Ascending to the Zenith
Moon Ascending to the Zenith

Moon Ascending to the Zenith

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from those tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage about.

Photographic Musings.

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a cooperative moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher as I work this at f64). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 1 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera..

This was handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Moon Ascending to the Zenith

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Moonset over Winter Highlands

Moonset over Winter Highlands
Moonset over Winter Highlands

Moonset over Winter Highlands

The January Wolf Moon

Diving into the morning low sky mist, the incoming light from that big Supermoon at perigee (closest approach to the earth) has lessened from it’s peak. .. IT had just snowed the night before. Moisture was thick in the air.

Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Tree and Moon all to line up at the same time can be challenging. …I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up. I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around in the snowy hills is a requirement for this job lolol. 

I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄 This moon didn’t sneak up on me by any means. It was however a question as to whether or not it would dive into a cloud bank that morning lol. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that anyone photographer could need. 

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Moonset over Winter Highlands

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Whirling Windmill Cutting Cheese

Whirling Windmill Cutting Cheese
Whirling Windmill Cutting Cheese

Whirling Windmill Cutting Cheese

Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save it yet again. 👀

“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Wednesday, Windmill Junkies Unite : 🤘

Photographic Musings:

Manual Mode Phobia: (You know who you are) ….📸

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Whirling Windmill Cutting Cheese

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Misty Morning Geothermal Ponds

Misty Morning Geothermal Ponds
Misty Morning Geothermal Ponds

Misty Morning Geothermal Ponds (A MUST for Full Screen)

Ducks were EVERYWHERE taking off that morning for parts unknown but likely south of here. The Cattle Hang here because the rancher feeds them nearby AND there is liquid water. The fog while freezing is still warmer than the air surrounding this microclimate.

This was taken down at the geothermal lakes about 20 miles to my south. There is a deep oilfield (5000 feet) that a lot of HOT water comes up with the petroleum. The geothermal water separated from the oil is treated before it is released into the environment of course. The ponds that are resultant from the field seldom freeze even in the coldest weather. I’ve never seen those lakes freeze over and I’ve worked them for weeks of -20 F degrees weather. The water exits the processing plant at 140 degrees. Even miles downstream, the ponds fed by that run off aren’t freezing yet.

The fog that develops here rivals the geothermal steams that Yellowstone has but here in Cattle Country. This geothermal lake area is adjacent to the ThunderBasin National Grassland in Campbell/Crook County. The water is fine for stock and game to drink according to the EPA controlling the site. Each lake is a liquid water oasis in the middle of a frozen desert for the animals living there. Each lake is also an enormous producer of that fog with warm water under -20 air. The wildfowl that gather here most nights would amaze you. I’ve caught many wonderful images in this area.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Misty Morning Geothermal Ponds

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Maiden Mother and Crone

Maiden Mother and Crone
Maiden Mother and Crone

Maiden Mother and Crone

A little moon Magic from exactly the Montana/Wyoming border. OK, that is 45 degrees north Latitude. Exactly 1/2 way between the equator and the north pole. It’s exactly 2700 nautical miles to either from here. One of the prime meridians. Might be some symbolism here. ☯

All taken in the month of December 2019 for the Full Cold Moon surrounded by waxing and waning crescents. The full moon on December 12, 2019 is known as Cold Moon, Open Moon or Big Winter Moon.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Maiden Mother and Crone

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Reflection over Farm Pond

Reflection over Farm Pond
Reflection over Farm Pond

Reflection over Farm Pond (Magic on the border)

The Belt of Venus variety of Alpenglow enhancing a rising full moon with it’s man (in the) looking back. This was just after the sun set over my right shoulder. It was an orange sky the other direction. Long wavelength red light makes it through the atmosphere to light up on the projector screen that this summer ice filled sky provided. Summer Belt of Venus is way more uncommon than in the winter.

Rising moons will alway have that face upright looking at you. The setting moon that face is on it’s right side. The moon appears to twist as it rotates but that’s an illusion. It’s actually you that twist as the earth rotates and look at the two different horizons for moon set and rise. It sort of depends on how far north or south of the ecliptic (good google word) the moon is.

Getting the Reflections of a Full Moon in the Borderlands of Wyoming/Montana is a matter of finding a lake lol. We are mostly a dry land ranch. A few small ponds near our well driven hydrants are sparse on the ranch. This one is no exception being hydrant driven. A ranch pumps a lot of water. Fortunately a wet year to kept this lake full all year. This was mid summer with heavy due on the grass and twilight skies miles into the backcountry. It was a wonderful drive to go there that morning.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Reflection over Farm Pond

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Forest Hugging the Sun

Forest Hugging the Sun
Forest Hugging the Sun

Forest Hugging the Sun (Cellulose Filter)

Satire: Did I mention this is Satire but just to begin…. My father told me many times that “things are as they are, not as they seem, or you are told.”

Sunspots:

You know we have a young sun. Young men often have trouble with their complexion. I heard the sun has some spots on it’s face. So, how do you expect the sun to get the spots off it’s face. Here Sol is going through the local “tree wash” before it rises up. Best be clean and shiny…. Best way it has found to get the spots off it’s face here during the solar minimum. I see the sun do this almost every morning. It takes a lot of work to keep your face under control as a youngster. . But there is a time and place for every photo and this moment in space and time is forever frozen. Caught him washing his spots I did ! 😜😜🤔📸📸

Back to my normal programming:

If you didn’t know, we are currently at the low period of the sunspot cycle. Every 9 to 14 years with a mean of 11 years, the sun goes from High to Low numbers of sunspots and back again. We’ve been watching this cycle repeat 25 times since it was first recorded in the early 1700’s. Men watching the sun with pinhole cameras could see them back in the day lol.

As I type this, there were 2 little sunspots just appearing on the suns disk. The first in months. Low sunspot numbers in the past has been affiliated with long periods of cold (Maunder Minimum is a phrase you should google). Suffice to say the sun behaves cyclically. It might not be good to get cold as famine is associated with cold times. As a GeoBiologist (literally) some of the most biologically active times on earth historically have been warm ones. Turning up and down the furnace as well as distance from that furnace is a BIG driver of the various climates earth has (Earth does not have a climate BTW. It has ALL climates on it)

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Forest Hugging the Sun

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Windmill and the Moon

Windmill and the Moon
Windmill and the Moon

Windmill and the Moon

Cranberry Alpenglow is a rarer color of back show than the pure pine. I finish images as I remember them This day ended with a band of this Cranberry color spread across the eastern sky. This is just a darker variant of the “Belt of Venus” pink Alpenglow.

Photographic musings:

I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus. In low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….

High F-stop number give you deep focal fields. They become a double edged sword though. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close/Far perspectives to work with. Topography is your to contend with. . Getting in focus grass against the moon in low light is sort of a difficult thing to do. Just take your time but not too much lolol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Windmill and the Moon

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Both Ends of the Sunrise

Both Ends of the Sunrise
Both Ends of the Sunrise

Both Ends of the Sunrise

The morning was cold but we are having a lack of snow at the moment. That could change by the time this posts lolol. At any rate, here the rear view mirror is reflecting the sunrise side of the sky and the main frame shows the Belt of Venus, the pink variety of Alpenglow.

A Backcountry drive in the borderlands:

Backcountry Gravel Roads this time of year are easy driving without snow depth. There are thousands of miles ofI took this back when I still had my Jeep Grand Cherokee which was limited in it’s off road activities mid-late winter. I’d go off on two trail tracks with my new rig to work at the moment but working roads has it’s advantages. You get to use the road itself as a leading line for the eye. It invokes memories of similar drives you have done. Or better gives you insight to a world you haven’t experienced. The high Wyotana skies are vibrant with pink to orange to yellow hues most mornings not overcast entirely. Some mornings as this a saturated with the hues.

The Orange sunrise behind is covered in other photos from this drive but the perspective that the rear view mirror gives you is worth the effort.

Quick Photographic thought.

Have fun with your high fstop when you try this as there are 3 layers of close/far focus issues plus it’s low light so your sucking wind for light to start with. Shutter speed has to be long to compensate, . Hard NOT to over expose the moon and see anything else in the frame. Your riding a knife edge on these.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Both Ends of the Sunrise

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Waning Crescent Moon January

Waning Crescent Moon January
Waning Crescent Moon January

Waning Crescent Moon January (Moon followers Unite)

Different phases and faces of that celestial neighbor constantly present themselves to me during the day and twilight but I find myself not going out much in the winter after dark. I let my mastiffs do my wandering around the homestead at night.

When I do get out I after nautical twilight at night or before Civil Twilight in the morning. Usually I am completely focused on twilight. Some rare astronomic events have me peaking outside at cloud cover in the middle of the night. I really don’t sleep much but I do photography all day which makes my circuit breaker to pop sometime during the evening lol. I’m either on camera or on computer finishing these days. I get my chores done on ranch too. Take care of a greenhouse and a flock of 80 birds, 6 cats and my personal Mastiffs. I’ve been feeding haybales to our corraled/captured herd of Corriente for a few weeks. 34 longhorn cattle go through a 1200 pound bail of hay in 2 days.

I digress…. The “Waning” part of Waning Moon gets smaller each night until the “New Moon” where the moon is entirely in shadow. I do have some captures of just that 2 illuminated percent crescent. This moon will evolve over the next few nights into that sliver. This is a 4 picture composite of the face of the moon in real color through a 3200mm refractor optic. Handheld actually on the roof of a vehicle rested.

Location: Over the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Waning Crescent Moon January

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Wolf Moon 2020 January

Wolf Moon 2020 January
Wolf Moon 2020 January

Wolf Moon 2020 January

Here I’m using a windmill filter to moderate the bright light coming from that big Supermoon at perigee (closest approach to the earth). I lost about 30 percent of the light which is enough for my camera to pull the tower in the haze out of the dark. It would have been harder to do with the extra light had the windmill not been in the way. Those durn Photobombing Windmills always seem to work into my landscapes but this time, “Sneaky Pete” helped me some. I have no control over his actions…. 😜😜

Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Moon all to line up at the same time can be challenging. All the while, at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.

I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE an alignment will occur. 😄 This moon didn’t sneak up on me by any means. It was however a question as to whether or not it would dive into a cloud bank that morning lol.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Wolf Moon 2020 January

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Icy Wolf Moon Set

Icy Wolf Moon Set
Icy Wolf Moon Set

Icy Wolf Moon Set (Super Blood Wolf Moon for 2020)

Native Americans called the January Moon, the “Wolf Moon” primarily because this full moon occurs in the dead of winter. It’s cold, the ground is frozen, and the prey pickings are slim. Wolves were hungry during this time thus plaintively howled at the moon, their calls frighteningly echoing in villages.

A few definitions that apply to this moon….

A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol.

Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔

Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though. Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge

Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon.

Now you know as much as I do about the Wolf Moon this year. All my images are posted about a week after they are taken so this posts the 18th, taken the morning of the 10th. It’s as fast as I can get to new images posted these days as I write these narratives right at a week ahead of their posting. (currently). Keeping up producing 6 finished fine art images a day is a bit of a chore but I am keeping up lolol. 📷📷🤘

Title: Icy Wolf Moon Set

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Moo Moon Club House

Moo Moon Club House
Moo Moon Club House

Moo Moon Club House

IT was a frigid morning at 14 below out on the backroads of Wyotana. I’m driving around in twilight before the sun comes up 20 or 30 miles from my homestead with a box o cameras next to me. I ran across this local landmark where I had to stop and stare.

OK, In full disclaimer mode, this is ART, I “assisted” the cow upstairs within the confines of the digital darkroom . That arena has no such rules of reality to control what I do. All work and no play makes Frank a very dull boy 😜😜😀📸📸 The moon was actually there I point out. ONLY the upstairs window has been messes with. I swear lolol Did I mention that this is actually ART? LOLOL.

There were about a half dozen cattle on the first floor. I’m pretty sure this building is a bit past the “basic fixer upper” moniker. The wood floor inside certainly has become soaked / covered by a rich bacterial mix. Any port in a storm I suppose. It would definitely be warmer inside than outside. It is also about the only wind block anywhere within easy walking distance in this snow. Cattle have a tough time in the winter during the really cold periods like the one we just had. Even the cattle outside are on the sheltered side of the house mostly out of the wind.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands, (Wyotana)

Title: Moo Moon Club House

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Moon Up Close and Personal

Moon Up Close and Personal
Moon Up Close and Personal

Moon Up Close and Personal

It’s not magic using a 12 inch Meade LX 200 at 3200mm, I need to take 6 images of the moon to mosaic together a full image. This top 1/3rd of a D moon (first quarter). I took this in infra-red so the color is artificial. Infra-red comes out pretty and pink raw out of the camera. This is more like it was at the time I took it not far from the horizon. The seeing was good that night. That was the mystical part….

The joy of “Mirrorless” removable lens cameras is that you get what you see in the eyepiece (or backLCD) BEFORE you click the shutter. Working in manual mode on a Mirrorless, you instantly know what your settings are doing, you watch it live on the screen. This is NOT a DSLR camera routine where you approximate the settings, take a photo, check the image on the LCD. Then you reset your setting better….. Rinse and Repeat until you get the shot.

I wouldn’t even consider buying the best possible DSLR versus a 1500 dollar mirrorless removable lens camera. Not even close. Mirrorless allows you instant feed back to your actions. If you are gear shopping, I strongly suggest you find out about mirrorless camera bodies that take removable lenses. As with anything else, you get what you pay for. I use Sony Alpha 7R series extensively though I have a couple of consumer level Canon M series cameras. I’m currently using the smaller chip cameras (not full frame like the Sony) for astro/big telescope as this image.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Up Close and Personal