I find the Moon to be quite a character of note here in the highlands. Seems I’m always finding him sitting down on the job. OK, give it a short break before the climb. I’m sure he belongs to some union giving him 5 minutes ever 30 minutes for a rest. He obviously is not a rancher.
Heck, It’s a LOT of work to climb up with all that cheese to the zenith of it’s orbit. Think of the huge mass that has to be “lifted” over our heads. Yet Again, I caught it sitting down on the job, playing “king of the hill”. This is not the first time I have images of this kind of on the job sitting around. Who am I to question how the moon does his job.
I bet there is quite a view up there. This being a telephoto image of a hill top 400 feet higher than my location on and adjacent ridge. This can be mountain goat country. If there were only mountain goats that lived here. Instead I have celestial objects summiting hillocks holding prime overlook territory.
Wyotana is indeed a magical place. There are many ways to look at any scene, each angle has it’s own story.
Factoid. To determine if it is a rising or a setting moon. :
If the three small craters at 2 oclock are pointing up, it’s a rising moon. If those lined up three craters point to 3 o’clock, then the moon image is a setting moon.
If I’m in the right place at the right time, I often catch the moon pausing on it’s journey to it’s zenith. I’ve even seen it casually reclining on various soft surfaces but not this time. Here’s I caught it stuck in a rocky rut on the way to work. Sometimes it takes a while for someone to come along and give you a push in this country. I’ve seen stretches of “main” road go a day with no traffic before up here. Worse this is in the deep backcountry. Fortunately… Yet again I happened to come along at the perfect time and free the moon up. Saving tidal tables world wide from being off kilter. You can’t delay clock work schedules. All it took was a nudge, a word of encouragement then onward climbing it went. 😜
It was getting fairly dark at this click during the timeline I was working to get this. If I have a clear rising or setting moon, I will try to involve a close / far perspective. Usually this is initiated by a trip out to some backcountry parallel Ridges where I can have multiple horizons just by moving my positions. Distance is always your friend for this kind of work. You want a big length focal length lens. 400mm or greater comes to mind. Also it is good to be at least 300 – 400 yards out (depending on what lens) away from the fore ground object(s). If the moon rises, I walk down the hill I’m on and get another chance at it. If it’s setting, I just climb up a few steps and keep on shooting. Tripods don’t work well for this but a monopod has some applications here.
TWO Big Storms rumble across the high prairie land of Wyotana. The wedge on the left is closer, smaller and in the partial shadow of another storm between it and the sun. The right storm is really huge and ‘muscular” for your “garden variety” of giant storm moving across the high plains. The close storm is 40 miles out obscuring the Devil’s Tower from my view. The larger storm is well over 100 miles out over in South Dakota across that state line. These storms have energy equal to an atom bomb that they expend over their lifespan.
Closed to me the window to the horizon rising early June 2020 Strawberry Moon. These two monsters spinning like tops in the way being effective a keeping me out. By this point in this 30 mile road trip, I was getting impatient for the extra 1/2 hour it took for the moon to rise over that cloud bank.
In full disclosure, this is two very wide images individually stitched side by side inside of the digital darkroom. A real scene though. It is over 160 degrees wide almost 1/2 of the sky. These were really quite a scene. This is of course, the reason I followed the storms out on the road. Waiting just for this moment. The colors are as I experienced them with lighter / whiter clouds at the top and the “Belt of Venus” sunset light projected onto the storms sides.
I had very few opportunities to photograph the June 2020 Strawberry Moon as the clouds failed to provide me ample windows. Our closest celestial neighbor is coy with me sometimes. Playing peek a boo behind cloud decks. Some of these events are no shows by the actors. I drive miles to get to the right spot, and no moon, hiding behind a cloud, then it drops into the window…. this moon had it’s own agenda in mind this particular (and most) morning(s).
I arrange my schedule around such sky plays. Finding opportunity to compose properly is the result of the complex map in my head. By knowing where the moon will set, I can adjust my location to provide the “vision” ahead of the event. You have to have a camera with you (Rule 1 of Photography) of course. So premeditation is a requirement for the job of landscape photographer. You plan ahead and you bring a tool to accomplish your goal.
I don’t know the background information on this barn yet but I suspect it was built coterminously with the Main Parks Ranch Homestead Building 300 feet away. There is wisdom to build your house Northeast of the cattle yard when the predominate prevailing with is the Northwest. Something about the Scent of “O dor Corral” that has to be considered when designing a ranch compound layout circa 1900. No air conditioning then. All of this is built with rough cut locally obtained lumber.
Location: Near the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
I had gone on a backcountry road trip of about 15 miles to find a place around this storm which was blocking my view of the rising Strawberry moon. I understand the Algonquins tribe named it as the June moon corresponds to the picking of the wild strawberry crop. In Europe they are a bit more flowery with the “Rose” moon chosen for the moon moniker. Also called the “Hot Moon, the Honey Moon and the derivative of honey, the Mead Moon. Cheese with Honey I’m guessing lolol. It was probably about time for some Mead after the long winter this moon harkens the end of.
Seeing the Full moon this month was a good time for philosophy and thoughts of normalcy as the return of the season. I get very “reflective” introspectively about “cycles”. I’ve been at this place before a few times circling around our star. I recognizes processes and natures schemes for it’s perpetual engine to continue unabated. The machinations of our population makes little difference to those certainties provided by natures processes. All that is ongoing around is is insignificant in the scheme of the world around us. It’s somehow settling to have those processes continue in front of my eyes like the clock work that they are. The geologists in me tries terribly hard to be in tune with those little things. It’s makes understanding the bigger things that are so complex, possible. It takes a compilation of the little things to comprehend. Nature is easy, it’s human nature that is the tough one. IT’s the humans that the uncertainly. 😔📷
Reconstructing past lives and events grabs your minds eye coming upon an old homesteads and a windmill.
The comings and goings of old homesteads spark my imagination. There is a demolished homestead about 1/4 mile from this location. Pieces and parts of past lives past scattered about. They had their own hand dug well 35 feet deep and 4 feet wide about 200 feet from their house down in a deep gully. I filled in that hole when I first moved here. It was an “attractive nuisance” and 35 feet deep x 5 feet in diameter. Hand dug… Many settlers had to use the water at their windmill. I suspect an outhouse long since gone somewhere nearby downward of the prevailing wind but hopefully away from their water source.
This land has had cattle or sheep on it for 100 years and slightly more. That’s 5 generations of cowboys/herders that stayed the night or the summer in this treeless pasture. Finally when this wind engine was installed, being the only source of water for several miles around, the cowboys drank here too. This is very big country open back country. It’s remote and just plain challenging to get to in the winter.
This is a steel windmill which is more expensive than building the wood towers was. Wells were positioned centered in the pasture. This made it accessible to the entire area. A lot depended on the ground water geology to make the shallow wells work long term. (luck mostly early on). Don’t get me going on geology lolol.
This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.
(May 2020, third/last supermoon of the year) I was fortunate to have worked them all. This month I only had one opportunity to work it against the landscape. I have 4 quality images from this month’s full moon which is about par for the course. Without a doubt this image is the best one I have obtained from this combination.
This one is somewhat similar to others I’ve taken and I’ve shot this tree many times as it’s only a mile from my driveway. However the burgundy (muted pink light) alpenglow, details in the dark and the dynamic range of this one makes my heart pitty pat… 📸📸
I’ve taken a few photos of this tree in front of various astronomic occurrences. It is indeed a lone tree on that position about 1000 yards away from where I took this image.
Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon. This makes using Tripods very difficult as you have a moving target. Maybe a monopod. This however was handheld. Distance is your friend here from that Lone tree.
Practicing this kind of photography has found me on my butt more times than any other tripping over sage. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.Bear with me as capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a serious challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this. This composition is a tough one to capture in this low light/long focal field combination. 📸
2×3 aspect to 3 feet. Rested 1200 mm lens on “Clever Girl’s” drivers window.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands
Black and White… Handheld rested truck window, 1200 mm Zeiss/Sony optic/ Sony Alpha 7R4 camera body. This is a single image not a mosaic of the moon as I occasionally do with much higher magnification optics. 18 x 18inches. no sharpening applied thus no resultant artifacts seen so often in other forum posts. As it came off the chip with very minor shadows/highlights contrasting.
NONE of the earth’s current selection of climates would be happening without the moon. Remember the earth has NO climate, it has ALL climates. Anybody that talks about the “earth’s climate” is full of hooey to begin the discussion. (say’s the old paleontologist). ⚒⚒⚒
(Morning citizen scientist assignment, please google “moon formation”).
The moon is our planets protector. It’s moving mass around the earth keeps the earths rotation stable. Maintaining the earths 3D relationship to the sun means stability. Stability means life can develop. Too much variability is a problem…
Research reveals that less than 10 percent of terrestrial planets may have a satellite large enough to provide the stability life needs to develop. (This is a big deal and where some genuine magic occurs)
The Mass and resultant gravity is necessary to stabilize the Tilt of our planet like a stable slow motion gyroscope. (Tilt relative to the “Ecliptic” (another good look up). Most scientists will agree with me to say Earth’s “obliquity”, as this tilt is known, is important to remain stable. Changes in Obliquity have huge repercussions from the resultant environmental reactions. IT does wander over time BTW but a long time…🤔👀
Should Earth’s obliquity wander over hundreds of thousands of years, it would cause environmental chaos by creating a climate too variable for complex life to develop in relative peace. Imagine obliquity such that the South Pole is all daylight 100 percent of the time and the North Pole in 100 percent night sky all year.
Our lunar neighbor has literally made it possible for you to read this as a sequence of events set up in the flow of Space and Time. 🤔📸
Location: A little over Bliss Dinosaur Ranch, Wyoming/Montana (Wyotana) plus pretty much every where else 😜
See the medium sized Mare (Mare Crisium) at 12 oclock. The one near the edge. . That smaller crater will always point to 12 during a rising moon. It points to 3 oclock on a setting moon image. The little light from the twilight behind me was enough just to barely see the slope of that ridge. That ridge was around 10 miles from my camera/1200mm lens.
It’s not the moon that is turning in space to rotate that crater…. Actually you are the one that is spinning/rotating here on earth. IT’s all about your perspective. Question to think about…if your standing on Mare Crisium, does the earth ever set?🤔👀👅
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though.
Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon. Now you know as much as I do about the Pink Moon this year. All my images are posted about a week or two after they are taken so this posts the 29, taken the evening of the 8th. It’s as fast as I can get to “recent” images finished and get the posted these longer /warmer days. I write these narratives right at a week ahead of their posting. (currently).
Right Turn “Clyde” series…. (Lot’s of detail in that dark )
This was less than easy to do. Handheld long lens rested on the Ford Raptor’s open door, (Clever Girl herself) with the 48 inch Rigid LED light bar lighting up the reflective sign. The trick of course is to get back far enough to get both objects in the infinite focal length. Then you still have to place enough light on the sign…. Now I handicapped myself by sticking with the truck. I could have walked back another 100 yards with a monopod and still have the same light on the sign.. I’m not always tolerant of windy/cold and this was a windy/cold night. Taken about an hour and 20 minutes AFTER sunset, the only real sources of light was the 98 percent April (Pink) Moon and my headlight. That is a dark night sky behind.
There were stars but even this crazy high dynamic range camera couldn’t sense/see them. The clouds right around the moon that were lit up, made it into the cameras data stream. Getting any detail around a moon of such wispy clouds scantily covering a moon is not something I’m able to accomplish some nights. Very very iffy that process. I’m thinking an average cell phone is not going to capture this.
This April 2020’s moon was every present for 4 photo-sessions in a row. I can’t remember a full moon interval where I’ve gotten to work it so much. The April supermoon, our orbiting partner was as close as it gets this year to the earth for this.
When I see a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular lone tree up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. (April Egg/Fish/Pink Moon 2020)
The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a little further behind the ridge.
Photographic Musings: Clear as a bell this evening. I worked the sunset but this moon rose about 80 minutes after that. It was dark and a true night sky. About half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. This I captured only because I was moving along at an operational tempo most seal teams would envy lolol. Light is VERY fleeting.
I work the Moon’s “Shadow” line on parallel “opposite” ridge by driving along it and “seeing” what develops as I move. This is where the cool stuff suddenly pops up to photograph as in “I know it when I see it”. There are times I see lighting that is virtually impossible to capture with the technology. This moon is relatively easy by comparison lol. Of course, a full moon behind trees is a very common occurrence. It happens every time a full moon is up, at many angles millions of places around a woods. It’s being in the right place at the right time with the right gear to catch the image. That is the hard part.📷
It really was pink for this Moon Rise. Caught the Egg Moon at the moment of lift off from the horizon. This Mountain ridge is 10 miles out from my camera. This moon rise was 94 degrees east on the compass. (corrected for magnetic declination of course). You see magnetic north is not the same as geographic north. There are 8 degrees 44 minutes difference here at the Bliss Dinosaur Ranch. If you use a compass and don’t correct it for Polar Wandering of the magnetic pole, your navigation is off a bit. Makes a big difference the further you go lol.
The tendency to crush perspective is a property of long focal length lenses. This 1200 mm is about 28 inches long. It is looking at an area of that distant ridge that is about the size of a postage stamp at arms length. The distant stamp would cover the moon and the ridge in this photo more or less. This really zooms up on the ridge. The moon too but the relatively closer ridge, is disproportionally enlarges. If I were to jump into a car and drive 5 more miles back, the moon would still look this big but the ridge would look a lot smaller by comparison. The relatively smaller ridge with the moon about the same size would be the result. The moon appears to grow as I move further away from the ridge.
The joy of my work is that I get to see scenes like this. There of course is some discipline involved being up on those high ridges I frequent chasing light. Mostly it involves just kicking my legs over the side of the bed and getting up. I rise up pretty early in the summer with very short nights coming my way. Working the light often involves short nights. I might go third shift this summer and stay up from sundown to sun up, sleep during the day. It’s possible this is a better schedule for me as I’ve done it the old way for years lol.
The Close / Far Perspective in Low light is a function of how low the light is (chuckle). On the one or two mornings a month when the sun is rising coterminously with the moon setting, I hope to get a window to the moon. When I saw this cloud band cut across the Lunar Disk I figured that was the end of the show. Fortunately that was an incorrect conclusion.
I photographed this moon until it sank into the notch on the ranch on the right. Having prepositioned myself to position it setting in that notch. I find I am easier to move that either the ridge or the moon so you have to be accomodating to the Physics of the moment… 😜. This was a 250mm lens. I can bring to bear 1200 mm on that horizon for an up close and personal look. Posted in another place of course. Knowing where the moon is going to set is a simple matter of exploring a search of “Moon Compass” in Google. At least one of those sites will tell you where and when it will set. Then all you have to do is decide where to be when it sets. Being able to set and read a sighting compass to correct for Magnetic Declination changes will help in this endeavor. I use my personal 40 year old Brunton™ Geologists compass for such things. 🤔👀📷
This Timeline was the first of 2 essentially Full MoonSets over sunlit ground. I also worked a single full moon rise while the horizon was lit by the sun in the opposite sky. Here just the peaks are lit up. . Having clear windows for 3 of these in a month is a very rare occurrence. I consider myself lucky to get one peek a month. 📷📷
Following the moon down… The as the horizon climbs, the moon will slide down and right into the notch between those two hills. I have already published that image of just a little of the top of the moon remaining above that notch centered. I followed it all the way down until it was gone. Knowing where to be and when is a somewhat important part of my planning for an evening like this. I wanted the moon setting in that notch.
I had to find a high place with a view that lined up with the setting moons expected compass direction on the horizon. The Compass corrected of course for polar wandering.. The current resultant Magnetic declination is 8 degrees 44 minutes East current at my location. 👀🤔🤘 You can google the actual magnetic declination for your location. Many good compasses have an adjustment. Those that don’t, you have to add this mentally. Other wise your going to be 8.5 degrees off your nav’s.
What a beautiful supermoon.
Because the orbit of the moon around the earth is not perpendicular with the ground, the moon appears to be sliding to the right and down ward. It is indeed moving, revolving around the earth. We are rotating but it’s orbit is inclined. Don’t forget it’s the western horizon that is mostly doing the rising here lol. Two relative motions on going at the same time. Sort of hard to get a handle on it.
The Far Ridge is the “Red Hills” which has the Montana / Wyoming border sliding through right just off to the right of those peaks.
I will take a photo of anything in Perspective with the moon. The Far Ridge is 40 miles out. My truck/office/photostudio is about 200 yards from the camera. I just love how telephoto lenses CRUSH perspective. This is the “Pink” moon in it’s true shade lol. I guess it was less embarrassed that it has been in past years and just went orange just for this sitting.
From here on down I worked this moon extensively. This April 2020’s Pink moon had a window to it’s rise and set every time near full illumination this month. I seldom get one chance a month let alone 3 terminator crossings in a row while full close to the horizon. This was a rare weather window. I’m about a week behind with most posts. I bring some images forward ahead of the line to finish the same day but not very many.
From my homestead, it’s about a 3 mile two track trip to get to this high point on a remote ridge in Wyotana. This was still 20 minutes before sunrise which would occur over my shoulder. You get a glimpse of that sunrise in the Ford Raptors aluminum wheel. So far this is an exemplary expedition vehicle for me. New in December I have 1200 miles on it with 800 of that being in the backcountry. It is literally a ranch truck that I’ve been known to take into town. I used to go into town about once a month. These days, I have gone into town more than that as I was delivering product from my day job. I work in an “essential” occupation according to Homeland Security… . Nuff Said on that.
The Pre-sunrise windy morning was chilly with the breeze cutting through the kinks in my cold armor. My first instinct was to work the ridges but I went to the top first instead of working up. I usually don’t take the high photo early in the photoshoot. This whole timeline has marvelous pastels. A plus was the moon was almost pink too shining though the pink alpenglow. Blue clouds thicker but parting to let the moon peek through.
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. An Egg Moon, Fish Moon, Grass, Sprouting Grass Moon and otherwise known as the Pink moon historically. According to the Old Farmer’s Almanac, April’s full moon often corresponded with the early springtime blooms of Phlox subulata, a pink wildflower native to eastern North America. The wildflower is commonly called creeping phlox or moss phlox – and also goes by the name “moss pink.”
Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though. Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon.
Now you know as much as I do about the Pink Moon this year. All my images are posted about a week after they are taken so this posts the 14th, taken the morning of the 7th. It’s as fast as I can get to new images posted these days as I write these narratives right at a week ahead of their posting. (currently).
Actually this is indeed a 98.5 Percent Full April “Pink” Moon but the images title is a classic reference to a Movie Line. If you know from where, you could be my friend lol.
This is a very long 1200 mm telephoto shot with the sun being mostly up behind me with a brief over lap. Having the two celestial bodies at the horizon with daylight and a full moon is a one or two times a month opportunity IF the weather cooperates. Of course I have the moon lowering in the sky from about an hour before this. This particular one the last shot of the timeline consisting of several hundred images.
I am standing on my ground which is the same elevation as the saddle between the two far peak. That range of mountains is called the “Red Hills” and is 40 (forty) miles distant from my camera. The Intervening Little Powder River Valley 500 feet lower than the far ridge removed all that ground between here and there. A sand grain at a time the 20 foot wide “Little Powder” River carried all that sediment down to the Gulf of Mexico, through several tributaries. Some of it is still in the river banks along the way. All things eventually work to the sea.
This, looking westward barely diagonally across the Wyoming to Montana border. The moon setting at 279 degrees. I prepositioned myself just so it would set between the peaks. Fore knowledge of how things work makes your photo session “predictable”. It helps you choose to use the map in your head. Google: ‘Moon Compass’, and work the choices.
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.
The peaks in the distance, known as the Red Hills reach 40 miles out from the camera. Most folks out east would call them Mountains. We live basically at the same elevation (4000 ft) as the ridge tops on those hills. The “Little Powder River” Basin lays between myself and the Red Hills in the distance.. Part of the right side of that ridge is in Montana while I’m standing in and looking at 1/2 a Wyoming , 1/2 a Montana scene. This Gibbous Moon captured here in the process of heading for the horizon/setting. Remember it’s not the moon that’s moving. It’s the horizon/you. I chase the moon from time to time. Sunrise over my shoulder was an amazing show that morning… Nice snow for an Early April.
The full moon that morning was too late setting that day for me to nab it’s photons while in the Belt of Venus. 😔 The “Belt of Venus has dissipated with the blue wavelengths finally making it through to the atmospheric Ice clearly suspended in the low atmosphere here. That icy haze was rich pink red 20 minutes earlier before the sunrise. that morning. The time lines from a really good sunrise/sunset might run 2 hours long for me. I might take 800 -1000 images during that two hours. Out of those, maybe 4 or 5 will make it into my work flow.
A magical “Belt of Venus” evening up in the eastern Sky. . The sunset was 10 minutes past behind my shoulder as the blue stripe on the far horizon shows. That blue is the shadow of the western/opposite horizon blocking the long red light from the sun just over the lip. The pink projected onto the Ice suspended in the atmosphere are the reflections from the long wavelengths make it to my camera lens.
This ground is relatively easy to get to in the summer and fall as it’s on a local county road lol. This was taken spring 2019 as the snow pack started to melt into ponds as which provided the mirror for this capture. .
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the technical basics a few times. I would entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others. Just a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. This Evening the skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon rise this clear is “keep busy” lolol.
A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The hillside was WAYYYY easier to get to “sign”. This was a cool evening by the way. It was around 15 degrees at the time, 3 inches of snow all over the ranch land.
Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the hillside would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the normal hillside. Topography is my master.
It was very dark for this and is sort of a time exposure for a full moon. I’m digging seeing the highlights in the grass on either side… First time I’ve see it.
Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷
I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
You just have to be there to look at the right time and place about 200 yards away…… 😜😜
Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save the moon yet again. GOOD thing I’m standing up wind..👀
“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Weekday Windmill Junkies Unite : 🤘
Manual Mode Phobia: (You know who you are) ….📸
Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.
I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.
You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid before lifting off the backcountry folding chair it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… This color is it’s “Blush” of “being caught” sitting down on the job I suspect. I’ve seen a red flush before too. Easily flustered I think… 😜📸
I catch our old orbiting neighbor resting on unusual things all the time walking parallel Ridges along the shadow line. Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for.
The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 50 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography of course. You can’t walk where there isn’t ground I have found. 😔🤘
Halo’s around the moon are tough to capture. Try it…. I’ve been known to climb on my vehicles roof to get just a little more height. It would be nice to have a folding ladder from time to time too angles being what angles are. . 😜
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
The ephemeral wetlands of the Bliss Dinosaur Ranch, entertain many reflections every day but you have to be there at the right time to capture those photons that are worth catching…. The winds were somewhere else as the water here was mirrored as smooth as it gets. Dead calm air is quite unusual up in this high ridge line country. The ice floating on the surface of this rapidly depleting due to the warmth… Melt water pond will be here but a few more weeks. This water level is quickly dropping soaking into the Hell Creek Formation sands underlaying this spot.. There is NO snow left to melt up the hill from it. Nothing to feed it further so I’m expecting it to disappear shortly.
This nearly full March Worm Moon that evening a few weeks ago was a beautiful sight rising just a few minutes before sunset. I worked it with 4 cameras/lenses over about 30 minutes. I have a few photos to finish from the “sitting” lol. The “Golden Hour” lighting tinting everything an orange hue that is classic for the timing of the sunset ongoing over my left shoulder. The sky show there is a subject for another post another day. Seeing the full moon while the sun is still up only occurs for a few days a month, perhaps 4 chances during the month.
Location: Bliss Dinosaur Ranch, (pretty much directly ON the Montana/Wyoming border, the 45 parallel, precisely 1/2 way between the north pole and the equator. Exactly🤔
The first ridge of Rock, theTullock Formation, (Tertiary Alluvial Fans ) deposited 130 miles from the Big Horn Mountain which were the Source of the sediment. High gradient Streams ran off those distant slopes bringing the debris all the way out here. The first ridge is part of the “Prairie Dog Hills that span the Montana / Wyoming border 8 miles to my west. . It’s rough country out there too lol.
The Second Ridge is the spine of the “Red Hills” 40 miles distant. The Little Powder River Squeezes into the valley behind some 400 feet lower than the second ridge top. Sediments derived from the Big Horn Uplift were the source material. There are considerable area of “Clinker” Rock in those hills. Clinker is natures ceramic. Underground coal fires bake the clay surrounding the coal layers into a red Ceramic thus the moniker of “Red Hills”.
Finally, the March morning back show looking at the last sliver of the setting Full April Egg Moon (Passover moon). The moon heavily distorted from the atmospheric lensing that low in the air. The color is a result of only the red wavelengths making to my camera through that air. 1200mm long lens on a big heavy tripod. 2 second Time Exposure.
This moon is is also known by other name variations such as the Paschal Moon, Egg Moon, Fish Moon, Hare Moon, and the Sprouting Grass Moon. IT will occur Tuesday, April 7th at 8:35PM, Mountain Time. This image is from Last Aprils Paschal Moon. This Moon sometimes occurs in March and sometimes in April. The word Paschal means “Passover” in Greek (a transliteration of the Hebrew word pesach).
It was a little windy for a reflective shot perhaps but this gibbous moon setting into a early morning setting moon backshow caught my attention. It made it through the “To Finish” Sieve I mentally put my images through.
I know the grassy bottom of this small melt water pond and it stays very firm even driving across it when it is full. The pond is ephemeral which means it dries up seasonally and has a good firm soil profile developed. I had JUST pulled up to the rippled mirror surface of this lake in my truck. The wind driven ripples were moving smoothly across the glass surface. The scene was subdued and very blue. Blue images are not my most common production but I liked this one. I’ve been accused of being Blue Blind before lolol.
Finding a pond high enough on a ridge that you can see the horizon around here is the tough part. For all intents and purposes this pond is about as high up as they get around here. IT’s also essentially directly on the Montana/Wyoming border lol. PLUS it has a thin bank to the horizon which is even more specific and desirable of a reflecting surface. . This place has a lot of topography so the particular combination of requirements is pretty rare up here. Even better, it’s only about 500 feet off the local county road which is rare for a photographic “attraction” up here. I normally have to drive miles of two track trails to get to an interesting subject lolol. No complaints on my end.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.