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Mooning for You

Mooning for You
Mooning for You

Mooning for You

Mooning for You

I find the Moon to be quite a character of note here in the highlands. Seems I’m always finding him sitting down on the job. OK, give it a short break before the climb. I’m sure he belongs to some union giving him 5 minutes ever 30 minutes for a rest. He obviously is not a rancher.

Heck, It’s a LOT of work to climb up with all that cheese to the zenith of it’s orbit. Think of the huge mass that has to be “lifted” over our heads. Yet Again, I caught it sitting down on the job, playing “king of the hill”. This is not the first time I have images of this kind of on the job sitting around. Who am I to question how the moon does his job.

I bet there is quite a view up there. This being a telephoto image of a hill top 400 feet higher than my location on and adjacent ridge. This can be mountain goat country. If there were only mountain goats that lived here. Instead I have celestial objects summiting hillocks holding prime overlook territory.

Wyotana is indeed a magical place. There are many ways to look at any scene, each angle has it’s own story.

Factoid. To determine if it is a rising or a setting moon. :

If the three small craters at 2 oclock are pointing up, it’s a rising moon. If those lined up three craters point to 3 o’clock, then the moon image is a setting moon.

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Mooning for You

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Lone Tree Full Moon

Lone Tree Full Moon
Lone Tree Full Moon

Lone Tree Full Moon

When I get a Full moon setting close to the horizon and JUST enough light, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon).

The Lone Tree on a Ridge is about 1/4 miles out from a parallel ridge in this capture. The moon is a little further behind.

Photographic Musings: There were heavily banded clouds with the moon mostly filtered out behind the veil through the twilight.. In an out of view over it’s last hour in the sky this morning which I observed. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges.

I work the “Shadow” line on the opposite ridge by driving along it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”. There are times I see things that are virtually impossible to capture. This veiled sun was ‘easy”. A partially veiled moon behind this tree is a common occurrence. This is low low light to catch that tree pre-sunrise in mid-civil twilight.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Lone Tree Full Moon

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Moon Over Mountain Perspective

Moon Over Mountain Perspective
Moon Over Mountain Perspective

Moon Over Mountain Perspective (From summer 2019)

I find the moon to be a big show off when ever it can be. Here it is rolling around a hill top like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder still barely lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.

There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. As I post this it’s deep mid-winter in the backcountry. We are high up so we get more snow than most. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit.

On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).

Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.

2:1 Diptech (2-20’x20′ images)

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Over Mountain Perspective

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Full Moon Tree Trap

Full Moon Tree Trap
Full Moon Tree Trap

Full Moon Tree Trap (Precision Framing)

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod. This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.

Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸

It takes a Manual Mode setting to do this folks. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of F-stop, then all you have to do is adjust the other two parameters left, ISO (camera sensitivity) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 It takes a lot of focal length in your lens to do this.

. 2×3 aspect to 3 feet wide from a 1200 mm telephoto lens. Not a crop.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Full Moon Tree Trap

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Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise
Sheepherder Cairn Moon Rise

Sheepherder Cairn Moon Rise (Caught ol Luna taking a break) 😜

This 96 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Taking too long will upset all the tidal charts that mariners use for sailing. This little rock pile is one of several Sheepherders Cairns in the area I’m aware of.

I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Rock Recliner” it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the moon shadow line.

Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.

As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the moon for the rocks. I run out of earth about 25 feet forward to a deep gully. Also If I move back 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. It’s the ground on a narrow ridge I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Title: Sheepherder Cairn Moon Rise

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Moon Light Only Landscape

Moon Light Only Landscape
Moon Light Only Landscape

Moon Light Only Landscape

Moon, This is the Moon. NOT the Sun. Captured from a Truck Window mounted camera up high in the backcountry of MT/WY. I have been able to get around with my “new rig” a little better. This capture on a remote ridge. This was done with a 30 second time exposure to pick up all the ambient light that was about. I could BARELY see this blush on the trees and had to set up my camera to catch this. A little tricky actually but the thought process is straight forward. The moon was heavily veiled for this and that limited me to landscapes instead of moon photos lol. This is the result.

Known as the Snow Moon, named after the snow on the ground. Some North American tribes named it the Hunger Moon due to the scarcity food. Also the hard hunting conditions during mid-winter. Others named it the Storm Moon for the tendency towards brutal February ‘s storms

Photographic Musings.

This was a very very dark capture. A 30 second time exposure requires a very stabile platform like a heavy tripod or a sand bag and a remote trigger. I used a timer. Your first priority is shutter speed, the more the shutter is open, the more light the camera is going to collect. 30 seconds is a long exposure for me.

The Aperture was F-11. To get Deep focal fields, F-11 is low for me. I wanted the Moon lit “Snow Diamonds” to show up in focus. The Snow Diamonds would blur setting a lower F-stop. Any higher F-stop and the image would have been too dark. Focal Length was 48mm.I hate using ISO higher than about 150 but here I used 300. (camera sensitivity.)

Title: Moon Light Only Landscape

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Moon Nesting in a Tree

Moon Nesting in a Tree
Moon Nesting in a Tree

Moon Nesting in a Tree (moon Monday all day)

Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.

Here the moon had found a nice place to catch a comfortable rest before climbing to it’s zenith. Thank heavens this didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess if the moon gets held up.🤔🤔

Back to my normal programming:

Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

Title: Moon Nesting in a Tree

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Moon Ascending to the Zenith

Moon Ascending to the Zenith
Moon Ascending to the Zenith

Moon Ascending to the Zenith

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from those tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage about.

Photographic Musings.

In a nutshell, you need a 400mm or longer lens, distance, timing, topography and a cooperative moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher as I work this at f64). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 1 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera..

This was handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Moon Ascending to the Zenith

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Windmill and the Moon

Windmill and the Moon
Windmill and the Moon

Windmill and the Moon

Cranberry Alpenglow is a rarer color of back show than the pure pine. I finish images as I remember them This day ended with a band of this Cranberry color spread across the eastern sky. This is just a darker variant of the “Belt of Venus” pink Alpenglow.

Photographic musings:

I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus. In low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….

High F-stop number give you deep focal fields. They become a double edged sword though. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close/Far perspectives to work with. Topography is your to contend with. . Getting in focus grass against the moon in low light is sort of a difficult thing to do. Just take your time but not too much lolol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Windmill and the Moon

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Moon Balancing Act Rising

Moon Balancing Act Rising
Moon Balancing Act Rising

Moon Balancing Act Rising

I find the moon to be a big show off when ever it can be. Here it is balancing on a rock like a precocious 10 year old. It’s probably trying to impress the sun which is still up over my shoulder lighting up the scene I often find it resting on the horizon or caught by some rouge “Ent” Tree. Way out in the remote back country many magical and mystical things occur when I pursue light. I’m just the stenographer here with the limitations of the technology I deal with daily.

There are only a few days a month where the relatively full moon is close to the still sunlit horizon. I get perhaps 3 or 4 sunrise/sunsets a month with the moon involved. Some months I don’t get the opportunity due to cloud cover . I’m usually game to be in the backcountry for this kind of activity. Deep snow sort of slows me down but NOW I have a taller truck with 35 inch studded snow tires to help a bit. You might notice the sideways snow drifts on that 20 story high hill telling a story of high wind here in the borderlands of WY/MT.

On the moon you can clearly see the smaller top crater at 12 oclock. (It’s actually a small “Mare”). It is always at 12 oclock on a rising moon but at 3 oclock as the moon sets here at 45 degrees north latitude. That little Crater is Mare “Crisium”. (Sea of Crisis from the latin).

Have you noticed the moon’s face appears to rotate clockwise as the night progresses? This is an illusion as you are the one that is rotating, not the moon🤔. Your looking at the moon rising looking east. Then you spin and look at the moon set to the west. In other words your point of view has changed. The amount of change depends on how far north or south of the equator. Illusionary. It’s very complex from here and another whole narrative. 🤔📸 It will make you crazy trying to figure this one out lololol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Moon Balancing Act Rising

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Skull Moon Atmospheric Lensing

Skull Moon Atmospheric Lensing

Skull Moon Atmospheric Lensing

It appears (to me anyway), like a skull looking up/left. What do I know as I have an overactive imagination. Great image for Halloween or just the 2nd day of January when this first posts lolol.

Heres an image from April of 2018 that I just finished. There wasn’t much to do to it. This shot is an interesting distortion by the 400 miles of atmosphere the setting moon light has to travel through to get to my camera. Changes in air density and humidity make for surfaces that refract/bend light just a little bit. This is metaphorically an imperfection in a glass lens.

Your actually looking at the moon when it is geometrically below the horizon as that same aforementioned atmospheric lens is at work. The atmospheric lens bends the light so that the sun and the moon actually set a little bit after the scheduled time for setting. They also rise just before they are scheduled to do so because their image is bent around the planet.

Waxing Gibbous Moon leans to the right as it sets. The little crater dot on the 3 o-clock position is a moon setting position. That crater, (Mare Crisium is it’s name) will be positioned at 12 o-clock for a rising moon image/scene. Keep your eye on that little Mare next time you see a photo of the moon situated on the horizon.

The ridge in the foreground is about 1000 yards out in this 3200mm telescopic shot. It was quite pitch black when this was happening.

Good Evening All and be safe in what you do.

Location: Bliss DInosaur Ranch, Wyoming/Montana

Title: Skull Moon Atmospheric Lensing

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Moon Rising Snowy Ridge

Moon Rising Snowy Ridge
Moon Rising Snowy Ridge

Moon Rising Snowy Ridge

Photographing images like this a combination of finding the right position in x/y space, timing and distance is z, and that position moves with the speed of the moon which makes using Tripods very difficult. Maybe a monopod….This was handheld. Distance is your friend here from that Lone tree. I’m about 600 yards out from it for this shot. This is a full sized image not a crop. Doing this kind of photography has found me on my butt more times than any other. The moon is constantly moving, I’m usually on some parallel ridge walking forwards (as the moon is rising and to the left a bit while looking through a 2 foot long lens (tube) and not at my feet with sage brush around on uneven ground.

Capturing this kind of image is a “sub-hobby” of mine within the general photography that I do. I find it a seriously fun challenge to get terrestrial objects in the same focal plane as the moon or the sun in twilight or darker conditions. Just like this 📸

You have to get working that camera on Manual if you want to do this kind of work lol. Cell phone cameras need not apply and won’t do this without an external lens of some rigged hook up….lolol Lots of fstop, then all you have to do is adjust the other two parameters left, ISO (camera sensitiviey) and Shutter speed. I’ve covered that many times elsewhere so I won’t do it again here 📸 Suffice to say, distance is your friend here and lots of lens to do this.

. 2×3 aspect to 3 feet tall from a 1200 mm telephoto lens. Not a crop.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Moon Rising Snowy Ridge

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Moon Resting Before the Climb

Moon Resting Before the Climb
Moon Resting Before the Climb

Moon Resting Before the Climb

MONDAY MOONDAY : All moons all day….moon image number 5 (of 6) for the day 6pm edition..

Backcountry Moon Cradle:

I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “snag” cradle it was sitting on. Who knows how long it was sitting there. I mean it only moved after I pointed a camera at it… I catch the old guy resting on unusual things all the time walking parallel Ridges on the shadow line.

Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 100 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under.

As this moon is rising, I have to walk closer to the hill to keep the perspective. If I move forward about 20 feet, you can’t see the log / snag. Also If I move up 20 feet I’m suspended in mid air levitating above a 20 foot deep gully next to the path. The ground I am actually standing on lol. I wonder how many photographers have walked a little more back, a little more, and more. Only to find out that there wasn’t any ground there.

Location. Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)

Moon Resting Before the Climb

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Horsey Belt of Venus

Horsey Belt of Venus
Horsey Belt of Venus

Horsey Belt of Venus

MOON MONDAY 3PM offer… Moon photos all day today. This is number 4.

These two jokers were hanging out where I was driving just as the moon Full December moon was setting. The pink”Belt of Venus” was pervasive in the back show that morning. Alpenglow like the Belt of Venus is a result of LOT of atmospheric ice. The pink is the light that made it over the horizon, the blue like under it is the shadow of the eastern horizon on the western atmospheric ice screen. There are not many days of the month you can catch this and then the sky has to be clear enough to see the moon down that low to the horizon. As the western horizon moves upwards, the blue will disappear along with the full moon setting in due time.

Yet another low light (civil twilight) Close / Far perspective out of a 23-135 Sony G series lens. Some lenses do this kind of thing better than others but a medium zoom of about 70mm was my pick here. High F-stop for deep focal depth of field. Camera sensitivity and speed you set to light conditions with ideally lower iso and faster shutter if you can get away with it. Riding the razor blade of light balance. F stop is your priority here unless the horses are moving. If they are moving your going to have to make your shutter speed faster and turn up your camera sensitivity to compensate for the less light due to a faster speed/shorter exposure. It’s always those three settings working your camera in manual mode. Your camera on automatic is not going to take this image.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Horsey Belt of Venus

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Moon Trapped in Alpenglow

Moon Trapped in Alpenglow
Moon Trapped in Alpenglow

Moon Trapped in Alpenglow

MOON MONDAY 12pm ‘entry’ for this Last Monday of the decade.

The Pink Belt of Venus Alpenglow phenomena that colors the sky Pink was turning to cranberry on the left of the frame. I LOVE smooth subtle gradients in skies.

Photographic musings:

I try my best to find tight frames for the moon. It’s surprisingly hard. I couldn’t step back any further as topography is my master in that. Operationally, I often drive or walk the “shadow” line on parallel ridges of the moon or sun to find an interesting “Close” object to get in focus with the moon. I’ve worked parallel ridges for miles while the moon or sun rises or sets, I’m on that line. The moon is considered an infinite focus but in low light, getting closer things precisely focused is a function of distance and f-stop. F-stop is the aperture (pupil) size of your lens. Higher numbers is small pupil, lower f-stop number are a bigger pupil (aperture). Manual Mode….

High F-stop number give you deep focal fields but they are a double edged sword. High f-stop also steals light which is in short supply in this lighting. Distance from the foreground object IS YOUR FRIEND. Getting too close and you’ll never be able to focus both objects. The timing/lighting for this sort of capture is of very short duration. A few minutes, once a month at most. The moon has to be in close far perspective with almost anything to be a great shot out of the gate. Enjoy the pursuit. This is one of my favorite Close far perspectives. Getting in focus grass against the moon in low light is sort of a difficult thing to do.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Trapped in Alpenglow 122219D

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Full Horse Moon

Horsey Setting Moon
Horsey Setting Moon

Full Horse Moon…. instead of Quarter Horse Moon…. 😜😄

I would like to thank the quarter horse and the moon for sitting for me. A photographer is only as good as his the source of the photons we capture. It’s harder than heck to get the moon to sign a model release I have discovered. The horse was WAYYYY easier to get to “sign”. This was a cool morning by the way. It was around 10 degrees at the time, 10 inches of snow all over the ranch land. This neighbors horse was with his all black cohort free ranging out in the backcountry. I happened by about the same time the horizon was rising to cover the moon from below. What a coincidence 🤗

This setting moon that morning was very visible with the sun rising over my shoulder left frame. The lighting was wonderful, the sky robins egg blue with wisps of clouds. The horse was only about 150 yards out for the soft focus in the close/far perspective that this image is. I’d preferred 200-300 yards but beggar opportunist photographers can’t be choosy sometimes 😜👁 Remember trying to do a terrestrial object with the moon, distance is your friend with a telephoto. Further back, the horse would have looked much smaller to the camera. This relative to the moon which would look bigger compared to the horse. I couldn’t walk any further back and still line this up. Topography is my master.

Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Full Horse Moon 122019B

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Veiled Full Moon Halo

Veiled Full Moon Halo
Veiled Full Moon Halo

Veiled Full Moon Halo

Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.

I look at this and see a moon orbiting a gas giant planet such as Jupiter. That is because I live in a science fiction world of fantasy at times. I also have a somewhat overactive imagination but that is for another story lol.

Photographic Musings:

To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.

A big super-telephoto fast Canon lens to do this work is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Veiled Full Moon Halo

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Moon Rolling Down Hill

Moon Rolling Down Hill
Moon Rolling Down Hill

Moon Rolling Down Hill

Perspectives of Close/Far are a favorite pursuit of mine particularly if the Moon is part of the photo. In the gamut of my photography, chasing the moon seems to be a constant. This chase of a terrestrial object in focus with the moon is literally a sub-hobby of mine. Nestled within the larger business of pursuing the possibilities of light on a broad scale. I still consider my self to be a landscape photographer. I find myself distracted by any movement or unusual angle most of the time. Click….. This morning of glass clear skies had me working at an operational tempo most seal teams would envy. One of the things I try really hard to do during a moon set this clear is “keep busy” lolol.

On a sub-zero mid-winter morning, the Moon decided to roll down the hill but it hit some resistance in the high grass as it was just starting. It couldn’t go any farther down hill so it “rose to the occasion”. Actually this is a setting moon. Keep track of those three equal sized mares on the right pointing to 3 o’clock. That indicates a setting moon. If those 3 circles are pointing to 12 noon, it’s a rising moon.

Positioning compositions like this becomes a matter of millimeter side to side or up and down movements of my camera/head. You really can’t use a tripod easily doing this. The moon is always moving. You might think there is a limited window of opportunity to catch this moment. Yup. Pretty limited but I was doing this by hand and as such, I could move with the moon. It is literally dancing with the moon. 🌕🕺📷

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Moon Rolling Down Hill

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Dinosaurs and Birds Moon Watching

Dinosaurs and Birds Moon Watching
Dinosaurs and Birds Moon Watching

Dinosaurs and Birds Moon Watching

I Love scientific irony….

It’s not a composite which is why it’s not quite what I wanted focus wise. It took a LOT of smoothing though to compensate for the low light gain as this was handheld (high camera sensitivity gives big chunky grains) .Atmospheric distortion was scalloping the edge of the moon too. I even had to give somewhere with the focus and that was on the moon. I was overly close to the Bird to do this ideally so I’ll use the image to teach. It’s still a pretty cool capture lol.

Photographic Musings.

What you have to do if you just don’t have enough distance from the close object….. HINT: focus BETWEEN the terrestrial object and the moon having each JUST A LITTLE blurry.
Hopefully your highest possible f-stop number for your lens is used. F-stop will give you a deep field of focus. The bottom line is distance from the terrestrial object is your friend. The field of focus may be big enough to bring both into focus. Not perfectly here. Wish I would have had enough time for a tripod. The bird wasn’t well compensated for his time and he left pretty quickly lolol.

Something to consider:
Dinosaurs peered at the same moon that this modern version of an Avian Dinosaur is watching right now. I love ironic scientific connections. I point out that with time the moon is moving away from the earth so the moon was a little bigger and closer during the age of the dinosaurs. It was closer the further back in time you go.

Title:Dinosaurs and Birds Moon Watching

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.

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Moon Detained Rolling Downhill

Moon Detained Rolling Downhill
Moon Detained Rolling Downhill

Moon Detained Rolling Downhill

Satire: The forest is full of a million moments of time and space. Different moments and different angles each contribute to what a camera can save for our amusement. It’s a matter of being in the right place at the right time to see the play go on stage.

Here the moon had found a nice place to slowly roll down hill but alas, a young “ent” (ish) tree has stopped it’s progression. The moon seeing it had no other way had to climb up the sky to evade and escape the clutches of the local clan of “Ents”. Thank heavens it didn’t hold up the moon very long as there are so many things that rely on precise timing of the moon and the tides. 😃 Think of the mess up if even one of those trees get’s their way.🤔🤔

Back to my normal programming:

Of course there are other phenomena related to the full moon besides photographers making up satire. Emergency rooms get busy on full moon nights. I worked as a medic for 20 years total and I give some credence to that discussion. I’ve seen some crazy stuff on full moon nights. They say that dogs are 28 percent more likely to be taken on an ER vet visit during the full moon. Birth Rates go up (don’t ask me! I learned what caused that crap early on). More Crimes are committed (FBI stats), Amazingly and last in this short list is that during a full moon is a better time to have surgery. The outcome statistically is better during the full moon. I don’t ask why. I just go with the flow….

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Moon Detained Rolling Downhill

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Windmill Crescent Moon Filter

Windmill Crescent Moon Filter
Windmill Crescent Moon Filter

Windmill Crescent Moon Filter

Way outside a normal photographic challenge. I come up with these ideas, show up to the time and place. Then I have to figure out how to capture such a low light event. 🤔📷

This was a 1/15th second time exposure as it was very dark out for this. The wind was BARELY moving the windmill’s sail. The camera is about 400 yards from the windmill’s blurred fan (in the camera). The moon was 200+ thousand miles out and only about 3 percent illuminated. The morning sky was full of a dark brown ice glow starting into alpenglow.

A big 600 mm fast lenses will do wonderful captures if you can keep them still enough. Any wind on a big camera lens in this amount of light is a tough photographic environment. A shot timer in the camera is a good thing (or a remote shutter switch). It takes a second or two for a really big lens to settle down motion induced by the click. The Montana/Wyoming borderlands I frequent are mostly high ridges. The wind is actually higher up here than down at more reasonable altitudes. Truly this is a tough photographic environment to catch such a low light moment in space and time.

To catch a blurred windmill sail as well as a dim crescent in the same photo….. Taking photos in very low light at distance is an interesting game. If you get a chance to try this with your gear, start at a 1/15th second time exposure. Go longer if you need if your tripod mounting the camera.

Artistically I was compositing two nested arcs in the same image. I believe this was about 1 hour before sunrise. Taken during either late astronomic twilight or earliest nautical twilight. There was just a slight glow in the sky, just enough to eek this image out.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Windmill Crescent Moon Filter

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Moon Resting on Wolf’s Head

Moon Resting on Wolf's Head
Moon Resting on Wolf's Head

Moon Resting on Wolf’s Head Butte is one of my favorite Moon “Cradle” capture.

Satire: I’ve found that the Moon will often take just a second to rest on a comfortable spot before the effort to rise to it’s zenith. Some of these buttes have what I call “Moon cradles” where the moon can settle down for a moment. Fortunately, it never sits there for long. 😜😜

Back to my normal programming.

Getting terrestrial objects in focus along with the moon…. Be still my heart. It’s a hobby of mine within my larger photographic world catching the moon resting on things. I do get some requests for information on how to do this.

Photographic Musings:

In a nutshell, you need a 400 -600mm lens, distance, timing, topography and a full moon. Distance from the foreground object is your friend. So is a HIGH f-stop number (f22 or higher). High f-stop gives you a deep field of focus that extends foreground object to infinity (moon). Being the double edged sword that f-stop is, by turning it up, you reduce the already low light level in the camera. A short 3 second time exposure if you have a tripod would be nice to compensate. Longer exposure means more light into the camera.. I did this handheld at about 1/30th second. Your ISO (camera sensitivity) is your wildcard. Change it to get an image as rule one is get the image…damn the graininess (which high ISO will give you). There are only three things you have to adjust to use your camera on manual mode after all.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title: Moon Resting on Wolf’s Head Butte

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Buck Watching the Moon

Buck Watching the Moon
Buck Watching the Moon

This is a Game Trail Camera Capture with only the IR flash and the crescent moon to provide light. This cameras is actually at ground level looking upward at 46 degrees and caught this pensive look up. I thought was pretty cool catching a Buck watching the Crescent Moon. I put a piece of thick plastic under it to keep dirt from being kicked up by rain as it’s literally at ground level.

I’m always complaining how Game Trail Camera images are to a one problems to fix. I didn’t have to do too much to this capture at all really. It’s pretty good for right out of a Trail Cam.

This is a square 18×18 inch aspect image only in B+W. The infrared in converted to Black and White easily. If I do IR with my pro-cameras, they come out pink so the software in the Game Trail Camera does a conversion. IR is ALWAYS grainy so what you see is what you get but the candid nature of these cameras keep me working them hard. I currently have 28 that I’m caring for. (just added 2 more).

I had pulled a pile of game trail cameras off summer trails and am moving them to winter hangouts. Certain traffic patterns develop that I try to recognize to know where to put these automatic image devices. Deer tend to hang out in hollows with access to water. If you can set up a “funnel” by leaving a gate open, or figure out where they hang out, you chances get better. Natural funnels are something to really look for. Water holes are obvious places to put game trail cameras. Everybody has a drink a few times a day.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Buck Watching the Moon

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“That’s No Moon”

"That's No Moon" Star Wars Refrence
"That's No Moon"

“That’s No Moon” is a classical quote an early Star Wars Movie. If you know the reference, you could be my friend 😜 Every special operator ever minted knows it lolol. You know who you are.

The far Ridge is the northern Big Horn Mountain Range at 130 miles out , it cuts the moon off a bit above the green treed ridge. That ridge is the Red Hills at 40 miles from my camera. The foreground landscape is about 8 miles out from my camera.

This is moon set not rise so technically the quote above wouldn’t apply lol. There is only a few opportunities a month for images as this. Mostly you just can’t see the moon through all the hazy atmosphere at the horizon.

I’m actually looking across the Montana/Wyoming border to get this angle. I was indeed lining up that foreground mountain hump with the hump of the moon. I actually think about abstract stuff like that but it does get over demanding this bad case of OCD I have. lololol.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: “That’s No Moon”