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Alpenglow Across the Barnyard

Alpenglow Across the Barnyard
Alpenglow Across the Barnyard

Caught Coming Home the other night: Alpenglow across the Barnyard

Really dark scenes like this are best caught on a tripod. I have a vehicle window clamp that works pretty well for lenses under about 8 or 9 pounds. I’ve had several cameras on that window before lol. One is easy. The reflections in the windows of this rather large Barn Structure we have (286 feet by 94 feet I believe) which is about the size of a regulation foot ball field. The Moon was up far to the left and I was trying like heck to see it’s reflection in the windows but I couldn’t get low enough to catch it. Durn Ground was in the way. Some things you just have no or little control of.😜”Alpenglow Across the Barnyard”

Time exposure, night time about 30 minutes after sunset at the beginning of Nautical Twilight. About 2 seconds worth of shake free camera. (you have to turn down the volume on the stereo AND turn off the car to avoid that. A real mood breaker since I tend to do photography with some jamming tune in the backcountry.

Alpenglow:

When you have a LOT of “stuff” in the atmosphere plus a LOT of red/orange light filtering through it, leads to Alpenglow. The low angle sun light plows through hundreds of miles of air, clouds, moisture, and dust. In this case, ICE is a major sun projection screen lighting up with the infusion of colored hues, mostly orange here but I’ve seen EVERY color in Alpenglow. Often the Gradients can literally be a rainbow gradient. I’ve seen and photographed it numerous times.

You can count the number of architectural silhouettes I’ve published on both hands I’m pretty sure. My tendency is to work nature not the man made stuff up on ranch…

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

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Sunslit Twilight With a Cellulose Filter

Sunslit Twilight With a Cellulose Filter
Sunslit Sunrise With a Cellulose Filter

I certainly used a “cellulose” filter on this Sun-slit Twilight. Yup that tree is all cellulose and it filtered the light that made it through to my photon capture box. Hundreds of miles of atmosphere for light to travel through to make it into this twilight image before the sunrises above the horizon and illuminate the cloud deck. This is a night sky technically. The sun has not risen here and won’t for about 9 minutes in this timeline. It’s still 3 sun diameters below the horizon or so. Dead calm, 2 second exposure, f22, ISO 200.

This image is all about the use of negative space. 36×24.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.