The cloud on the horizon is the top of tall Mesocyclone (a really big storm). The intervening Ridges BARELY illuminated by the veiled sunset ongoing behind me. The sun was throwing very long shadows effected by the cloud cover over my shoulder. There was a storm behind me too. This storm is at least 80 miles distant. Certainly it covered eastern Wyoming, South Dakota, and a sliver of Montana. It’s Twin to the left is off frame and standing over the Montana / South Dakota / North Dakota tristate area. There were several of these huge monsters rumbling across the prairie that night.
The centers of these large thunderstorm complexes are 2 to 9 miles in diameter. They are huge spinning tops rotating about those spinning complex with a top cap many tens of miles across. They are land hurricanes of sorts. A weather engine powered by solar heating of the land. Rising hot humid air hits higher colder air which causes it to condense. This starts a rotation as the energy builds through out the day. By they time they get this big, they are in the small nuclear bomb range of energy levels. These are potentially very dangerous indeed with the cast of dangers they possess. Lightning, Hail and Flash Flooding are the major threats. It pays to be on the west side of these storms as the danger has passed at that point. Prayers to those underneath the right real quarter of the storm.
The cowboys have been awake for 50 minutes . Takes time to get geared up/. Grab some breakfast from the hen house… Then there is tack on the horses to apply. A few big Black Angus Bulls strayed from the local herd managed to successfully negotiate the fencing separating 2 herds. The separate owners would prefer not to mix cattle if possible lolol. The cow hands will go separate the bulls. Horses work best moving Bulls. Trust me on this… I’ve done it both with horses and with ATV’s. Not even close the two experiences are lol. One is comfortable, the other is stupid lol.
Even the best of fences, while keeping good neighbors, is but an inconvenience to a Big Angus Bull with love on his mind. Operations generally try to keep Bulls Pinned and landlocked with another pasture between them and the next herd. Even 5 wire barbed wire can be easily over come by nearly a ton of BIG willed fellow. Thick skinned they are. Not many made into couches due to that tendency to scar themselves up a tad in the spring.
Bull Fences must be well built. Any structure that you intend to work any significant number of “head” over the years has to be a long term engineering project. Well built and heavy. Iron is best of course. There are MANY sucker rod and drill stem pipe fences built/welded together up here in Oil field country. They are permanent additions to any cattle operation.
Less longevity built in, this particular Wood Plank Fence is quite old, still willing to hold back the cattle pressure from the other side. We are just an inch of precipitation yearly from being called a desert… as such wood lasts a LONG time. Many decades of life.
Random things happen all the time. Who would have thought I’d come upon two yearlings (1.5 year old buck anyway) playing hide and seek in the woods. They both carefully backed in behind the old pine to hide from me… Not seeing each other figured they were safe… What happened after this I leave to your imagination but I suspect someone or both got a startle when they bumped. I know but I’m not telling 🙂 I unfortunately did not get much more on camera as they weren’t cooperating with my mental wishes.
Back to my normal programming.
Well the twilight was spectacular anyway as par for the course of late. Magnificent skies are the rule rather than the exception when wispy clouds are overhead and there is a lot of smoke in the air. Long traveled sunshine colored the clouds with only the finest of displays that night.
Finding two deer on a ridge in front of the show was cool. Having them pose for me, priceless. The two caught in my cameras stare were frozen in time. Click. Who can argue with photographic evidence of hide and seek play lolol.
I see the light. Light has a tendency to travel in a straight line unless acted upon. Usually this is by passing through a change in media such as air to water. This refracts the light. As I was carefully wandering in the twilight dusk along a high ridge. I was scanning for imaginary faces in the silhouette. (This image having many for you Pareidoliacs out there).
Having huge deep boulders on the skyline usually makes anthropomorphic imaginings easy. This scene froze me in my tracks. The spot of orange light in the black on the low right is actually showing THROUGH the boulder field. Talk about a gauntlet/light filter lol. I’m not used to seeing straight lines through rocks. My geologic background caused OCD kicks in lolol.
I was walking around with the wrong camera upon first happenstance to see this. “Clever Girl” was up the hill about 4 stories. Climbed up and traded cameras, climbed back down. (Got to stay in shape to do this stuff). I figured I was never going to find the exact same place in 3-D space again. I went back to roughly the same spot with this lens, found the “zone” and clicked. It was visible in a little window about 2 feet by 2 feet. Move outside that box and I couldn’t see it.
It’s an obvious metaphor. Simply put: “Seeing the light is looking at JUST the right angle at the right time. “
Good Morning… Right at the crack of dawn, all the colors of this land are popping. From the grey of the Bentonitic soil under a thin coating of grass in front. To the unique blue of the sage brush 50 yards out. Sage being one of the most important keys I use to match camera color values versus reality. I pay very close attention to the hues of the grass in a particular light. Getting colors as rich as this is a matter of timing. As the horizon falls away enough to expose the sun (we’re the ones that are spinning remember), the light was perfect. A reasonably balance of the rainbow was just starting to appear. I find in Twilight captures, there is perfect time for this. A few minutes on either side and the light is gone or not there yet.
Knowing when to leave a scene is a developed skill. I could click away at this sky but it’s going to wash out in seconds from the fully engaged glare of our sun. This is the time when I turn around to check out the back show in the skies over my shoulder here. This was a complex weather system involving some sporty weather the evening before. It’s usually a good bet the next morning after storms move though.
Sometimes it takes me a while to get to some of these backcountry locations I shoot mornings from. I can’t see the eastern horizon from my homestead so travel is always involved. Sunsets are way easier lol. I can work from my porch sometimes, driveway others lol. This was about a mile east but 400 feet higher than my driveway. The ridges here are all more or less parallel to one another in this upper drainage. Having said that we are at 4000 feet roughly which is LOW in Wyotana. The LOWEST spot in Wyoming is 3099 feet not far from here. The LOWEST topography in Montana is 1820 feet. 🤔
Some of the coolest pink lighting the next morning after the same color pink moon 7. The same conditions filtering the light occurred in the same air mass as the night before for. I noted the unusual pink color in a recent post with that colored moon rising. Next morning, there it was again. This is not the first time I’ve seen the same atmospheric conditions cause similar photographs from evening to the next morning. This pink that is literally touching the horizon closely matches the color of moon in that timeline the previous night. I will never forget that color. Surprised me it did lol.
To facilitate a long dark drive up on the ridges to get a good view of the east horizon, I have to prepare and travel early. I generally do not work perfectly clear sky sunrises but I can see colors like this very early. The recent hail storm messed up my sunrise camera beyond repair. It totally destroyed it’s protective housing. Then it got flooded. . A replacement for it and a few others is yet to be ordered. I now have some insurance money to replace that tool in my tool chest. It enables me to see over “Ridge One” before sunrise and get a better idea on whether to go our or now. It’s a fairly high priority item for me to work on after all the damage as I used to use it literally every morning.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana) (The left side of the photo is Montana, the right side is Wyoming).
So I wake up the other morning and much to my surprise, was a local pyramidal hillock that was blowing it’s top. The steam was rising, the cauldron boiling. I anticipate pyroclastic flows, lahars, glowing red hot clouds and other volcanic manifestations similar to what buried Pompeii. Ash should start falling any moment. Maybe “Sneaky Pete” the windmill will save the day and blow the ash away…
Back to my normal programming: OK, this is NOT a volcano. It takes a properly positioned camera lol. Those are normal clouds up in the sky. Yellowstone is not blowing up. The Devil’s Tower/Missouri Butte Volcanic Neck field about 50 miles to my southeast has not reactivated. No, the Laramide Orogeny has not started back up just yet.
That Butte (called Turtle Butte), is made of layers of river sands stacked on top of one another. The volcanic shape is a result of a hard cap rock which resisted erosion better than every thing else between it and myself. All that rock has been removed by erosion. It is a erosive remnant of all the material that used to surround the hill. Hundreds of feet if not thousands of feet (depending on your location) of sediment has been removed around here. Remember Devils Tower? That used to be a mile or so deep. Now it sticks up 1267 feet above the Belle Fourche River. That river system essentially removed enough material to expose the harder tower. Same process here except just the top of the hill is harder rock.
For a Black and White Game Trail Camera Night Shot, this came out pretty well lolol. 📷 Grainy as would be expected of an Infra-red camera.
Each game trail camera shot has issues. I spent some time working on in the digital darkroom this to fix them. The result was good enough to get published second today on my timeline. I love photos that tell stories. This has a wonderful obvious one.
A Mule Deer Buck Listening to a Meadowlark Sing it’s melody in the Twilight.
The bird on the post in silhouette is a Meadowlark. I know them very well, trust me it’s a Meadowlark. It’s singing it’s heart out to the Spring Velvet buck (you can only see one growing horn at this angle) . He was in antler growth mode in early June when this was taken. I have no question that buck is listening and watching that Meadowlark. Being the State Bird of 6 Western States, the Meadowlark’s are sort of hard to ignore even at 4:55 AM. What a way to start your morning 📸 . Actual sunrise that morning was around 20 minutes later. You have to look but there is a grazing buddy of the buck over on right frame.
Game trail cameras lag months behind as I only pick them up when I pass them. That might be 1/2 a year depending on the season.
It takes a drive “up the backcountry ridge” for a view of the western sky. After the sun has set. I see scenes like this every other day up here sans overcast skies. I find myself so used to the lighting I’m exposed to, overlooking a beautiful image that needs to be finished is a real thing. Scrolling through hundreds of captures after working any one particular sunrise or sunset timeline is a tough job. I usually under-expose everything so sometimes seeing it raw out of the camera is difficult. That mountain/ the far ridge is 50 miles distance. There are no yard lights visible over that distance. This is big empty country.
Photographic Musings: No over-exposure allowed. Only expose the highlights correctly. I adjust the image’s dark area back to reality later. Having found that over exposing twilight skies JUST to get some landscape detail is just improper. The best way is to capture a proper twilight sky without blowing out fine/intricate details. Some clouds are smooth, others have amazing patterns. THe detail lost in an overexposure is gone. Same thing happens when a beginning artist turns up the volume on color saturation or intensity. IT blows out the detail. There is a HUGE amount of detail in this properly exposed alpenglow colorcast sky.
Without the digital dark room, you would have a just black silhouette on the bottom. Here you have two ridges clearly visible with some detail present. If your purist and don’t like “changing” what came out of the camera, your ignoring the fact the camera by itself can’t capture the real scene. My eyes could clearly see the ridges in the distance. I had to coax it out of the digital file though. Photorealism. There wasn’t a silhouette there to my eyes. I produce images as I experienced them.
Location: Bliss Dinosaur ranch, Wyoming / Just a Beautiful Twilight
The morning that showed me this view was 14 hours earlier than when I typed this narrative. It’s rare that I take a photo and schedule it to be published the same day. Sort of like being a bouncer choosing who gets to enter a nightclub. If your a “looker”, you go right to the front of the line. There are several thousand images for me to finish at the moment lolol. They are sitting in a folder on my workstations desktop called “Images to finish”. Job security 📸
The texture on this wonderful old snag from 100 years of exposure to the elements. It is harsh here in Wyotana with hot high altitude sunny summer days and terribly dark cold winters. Wood rot here take a LONG time as 14 inches a year average of precip tends to reduce rot. There are a LOT of “Snags” around from the 1930’s fire that “burned until the snow fell” up in this country. This one developed even more character as those orangish spots are bruises from the hail storm that threw up to 3 inch ice balls at it. The Mountain in the knot hole is known to me as “Turtle Butte”. It is precisely on the Montana/Wyoming border about 1/2 and half. 🤔
This is the second of a series with this Snag. I worked it a few years back as well. The lighting was entirely different then and it hadn’t hailed lol. The old masters would go back to the same place again and again to get different light. It was harder to travel then. I just work a very large area of backcountry photographically.
JUST after the sun disappears behind the rising horizon, I clicked this. The simple image of a sunset is only overcome by the beauty of the event. Watching thousands of sunsets from start to finish has taught me nuances in lighting. Both Causation and Effect become apparent with enough observation. There are an infinite number of angles to look at something. There are more that I can imagine in my mine. (more than infinity). 😜
Sunsets this time of year from my ranch are getting more and more straight to the west. From my position one mile inside of Wyoming, your looking at both states in this frame. Wyoming is to the left and Montana is to the right. Living on the border with access to both states has it’s advantages. I am sandwiched between two counties fire departments and get pretty good service lolol. This late into a drought year has me looking over Amazon and elsewhere online for firefighting tools. To have a smoke free sky like this image might take a while with a pretty good fire 50 miles west of here. You can’t see it here as this was the day’s ending before it started burning.
So enjoy the clear sky sunset while I’ve still got them making their way into my work flow. The last two sunset/sunrise I’ve worked have been heavily influence by the smoke from that fire. There will be other images of that fire’s smoke plume incoming and published here soon.
A Couple of old soldiers standing on this saddle of this mile distant ridge. The perspective long telephotos give you is crushed between the two ridges here. The far ridge is 8 miles out from my camera. Sort of a “Close/Far” perspective.
These trees are old growth that survived a major fire in the 1930’s that “burned till the snows fell”. There is a mix of grass and forested areas in this region. Our ranch is about 25 percent ‘treed’ pasture. The rest is just grass and sage with a few dinosaur fossils mixed in on the surface. That is prime dinosaur hunting ground amid those small outcrops. I never know what I’m going to find walking areas like this.
Twilight Landscapes are much easier before the sky gets too bright. Photography is a light balancing act. Having your camera try to see into the dark needs a tripod or sandbag to stabilize the camera. Extend your exposure so you can get more light. Take that gained light away by turning up your f-stop to a higher number giving you a longer field of focus in return (Double edge sword) Only of course, if you want to have it all in focus instead of just those trees lolol. To sum that up: giving up light you gain with a longer exposure then taking it away by turning up f-stop to give you deeper focus…. Then you have only ISO (Camera sensitivity to adjust to give you a proper exposure.). You can also adjust for a longer shutter too if your brave.
“Sneaky Pete” the Windmill has positioned himself dead center of this BIG twilight borderlands twilight sky show. Habitual Photobombers like Sneaky are incouragible. I have no control over their actions. I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
Don’t let your mother know you look at stuff like this…. 👀 WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red in amazing to experience live thusly stealing my total attention. Taken by a 60mm lens, this give the appearance of “SLIGHTLY” zoomed in.
The power and magnitude of these massive high prairie cyclones is incredible. Here it is visible over 1/2 it’s girth. The power wrapped up in the slowly growing spinning monster is equivalent to an atom bomb. That power is expended over hundreds of miles of travel. Fortunately this is usually across huge areas of low population density. When these go over big cities, there is a lot of damage.
About a 5 days ago as I type this, one of this (not this one) traveled right over our ranch and homestead. My wife has been spending her “greater” time at home gardening all spring. We just put up a 60 x 20 foot covered greenhouse this spring.
The damage these storms can do to you of course depends on the intensity and WHICH part of the storm hits you. Then how long it stays over you is a big deal. We has a LOT of golf ball hail plus SOME 3 inch (almost small baseball from our storm. That was bad enough. So it sat over us for 1/2 an hour ebbing and flowing. Some of the biggest stones were near the end too . By then I was walking around with 3 inches of heavy folded canvas for an umbrella. I was dealing with emergencies best I could. I have film of ice balls breaking through a fiberglass roof panel.
Several careers have trained me to deal with emergencies. It becomes more than a training scenario when it happened literally 360 degrees around you lolol. Hunker down, take some images and start damage assessment. Bring in the Pros…
I have some more images from the hail storm but it’s hard to get to all of them with my normal load PLUS starting the repair. They will work into my timeline’s workflow as they do.
Yes my 2020 Ford F150 raptor was damaged by this. It’s a tough truck and short of a lot of small dents on the upper surfaces mostly, only has a broken drivers mirror, a few cracked light fixtures and a hole punched through a cowling by the wipers. It’s kind of liberating in fact. I’m not so worried about scratching it somewhere lol …. 😜 Now I will see what it can do (laughing maniacally).
I take photos of cloud formations that look as if they might be a good test for your anthropomorphic visualizations. Pareidolia is the tendency to see familiar shapes in random data. This totally unaltered image of a small late afternoon thunderhead that wants to grow but turned into perhaps a polar bear with big eyelashes and Grouper Fish lips. Everybody that has this “ability” see’s something different though many of us see the same thing as well. There is some commonality in our “condition. Some will see a cloud, others will let their imagination flow and come up with other alternatives. IT was a beautiful Wyotana Twilight. My favorite time of the day.
Of course it is this ability that we are trying to teach to our computers for facilitating facial recognition. Once AI becomes heavily involved, it will be a big deal. Stay tuned for that. The machines ability to do facial recognition now is amazingly sophisticated. Our brains are more creative but not as fast nor as systematic as the AI will be.
Evolutionary Biologists will tell us that the ability to see faces out of limited information (dark forests) kept our ancestors alive longer than those that didn’t have that ability. The psychiatric establishment at one time considered those with this tendency to be psychotic and often would put the “patient” away for a “treatment” in some wonderful home for the insane. Let’s not forget that piece of history as those that forget such often live to repeat the mistakes of the past.
I love to work that group of trees for the perspectives from that high ridge. Certainly I’m glad I’m not over there now. Seeing areas you frequent struck by lightning from a distance is a good thing. Better than from up close and personal lolol. This is taken from right at one mile away from the hill that his being struck. This is a very wide angle image showing more of the storms perspective.
These clouds were roiling with the majority of the precipitation behind behind this leading edge. I was surprised by the hail the other day because I don’t have cell signal to give me current radar information. I saw a rain shaft coming and didn’t realize it was full of 2 inch hail lolol.
We are indeed very remote up here. I’m actually going to research radar in vehicles or somewhat to get internet to my vehicle. I do have a communications tower so it’s a matter of how, not if. Might be able to do it for certain spots on the open prairie but not the whole thing. I have internet at my communication tower but that is kind of a silly place to be in a lightning storm.
This was much closer to sunset than others from this timeline. Mostly the clouds above are the only sunlight left. The landscape is illuminated by the lightning bolt plus the ambient lighting from the partially occluded twilight ongoing over my shoulder.
I just love it when architecture aligns with Astronomy and Physics. It makes my sense of proportion much more in an agreement with my position in 3-D time and space. Close / Far Perspectives are a gift when they appear to me. If I move a few inches in either direction, the effect is not there. The goal is to set up the symmetry just slightly offset. I would work this sky for an hour if it would last that long. Holy Moly!!
Really close focus wide angle lenses are so fun. Seeing how far I can pull the depth of field toward the camera in under such low lighting conditions make for an interesting photo. All of the physics that rules the natural world controls my activities and success/failures in achieving such close focus. These colors are as I remember them with the yellow sunny part of the image being “Slightly” over exposed. I trade off things like details in areas of super bright for details out the dark area of the photo. The ability to see details in BOTH dark AND bright at the same time is called Dynamic Range. The Human Eye has a dynamic range of 21 F-stops. The best camera I use (Sony Alpha 7R4) has 15 F-stops. Now your milage will vary with your camera with many cheaper cameras working well enough with 12 F-Stops.
Dynamic Range is definitely something I look at when I’m evaluating Cameras. How close a lens will focus is something I look at when buying lenses.
The wind was indeed blowing steady for Wyotana at this moment.
Up on the highest ridges here in the borderlands, besides the view, I see a myriad of habitats. Large patches of Yucca (Spanish Dagger, Our Lord’s candle, Joshua tree, and Adam’s needle.) exist here with a large wild rose bush (rose hips) on the eastern slope (less hot) of this ridge. The tall yucca flower stalks provide a majority of the food for the Ungulates up here (Mule Deer, WhiteTail Deer and Pronghorn) Elk eat them too where Elk habitat exists. There is a small herd somewhere near here. We also have itinerate bulls come through now and then.
This eventing was one of smaller storms moving through mostly miss rather than hit. We stayed dry that evening (notice a theme lately with the dry thing?). We got .6 of an inch a few days ago as I type this. It would be nice to have several inches. They yucca will do fine through the drought. It’s tough as nails.
For many centuries, yucca plants of various species have served American Indians for a variety of uses. Not restricted as fiber for rope, sandals and cloth. The roots have been used as a soaping agent. Whe food was short early Californian settlers along with Native Americans used the green pods for food. Native Americans boiled and baked the fruits, eating the blossoms, chewed the raw leaves. Apparently they had a technique of fermenting the fruits to produce a beverage for rituals.. Ummm . I actually think the flowers are fine in a salad. Never eaten roasted seeds before.
“Sneaky Pete” the windmill has a commanding view most nights. Those evenings where the weather window to the BigHorn Mountain Range are open to my lenses. The latest part of the Golden Hour has the best light in my experience. The low angle of the sun accentuates the light by filtering the rays through the suspended ice in the atmosphere. The smooth yellow (top) to orange (bottom) gradients of Alpenglow colorcast everything highlighting reflective surfaces and ridge tops with the right angle.
There was no wind that night. The Sail of the windmill moved not for my camera. No shutter speed tricks would have blurred it’s lack of motion. We do get occasionally dead calm air. During air conditions as this, I tend to get suppressed rifles out. My activity is to Shoot and listen to the bullet going supersonic across it’s entire arc of travel. Whoooooooooosssssssssssssh Twack…. Hearing the bullet Twack it’s final backstop 1000 yards out. You can hear your heart beat if your no where near herds of cattle. Then you hear a lot of cow calls, moos, and bawls by calfs.
The 130 miles to the BigHorn Mountains are visible due to my homesteads position high on a ridge (pass between drainages). I am topographically elevated as high as the far ridge is above the Little Powder River Valley below it. I have a straight shot right to the core of the BigHorns. 13000 foot peaks are part of the Backbone of the Rocky Mountains here in America. They used to be a lot taller. The Powder River Basin at my feet used to be a lot deeper in the distant geologic past. More like the Tetons but bigger. Then the basin filled up with debris from the mountains and the elevations are balancing out a bit.
There are nice twilights and then there are ones like this one. It’s almost Art if it wasn’t absolutely real as I saw the event. The Golden Alpenglow derived from the ice in the air, was resultant from suspended ice in the air. The longest day of the summer (Solstice) and ice was acting as a projector screen. Filtering some of the light passing through to spotlight the sun’s long traveled red rays on the cloud deck above. This dramatic opening act was just a preview of the sunrise to come. Sometimes these morning shows last well over an hour…. This one was around that. One hour is FOREVER in my world…. 😜
The air at my back was moving with a definite chill. Mid-June is an odd time to have to wear a good jacket but at 5:30 AM with a breeze, dress for the part. I have found this location that I call Sunrise Ridge). Such is “Fairly” easy to get to. It’s about a mile of bumpy two track roads. The journey takes me past several Game Trail Cameras thusly I had ulterior motives. Some mornings as this are so beautiful for so long I end up with 8 or 9 hundred images for the timeline. I’m sure I surpassed 1000 with the various camera/lens combinations I used to study this drama. The longer the show, the more clicking that occurs amazingly. 😃
During sunset a few days ago, I habitually turned around during a very colorful sunset. After picking my jaw off the dirt…. Looking over your shoulder can often be well worth your time. Certainly true in bear country but up here during sunset, the back shows can be as impressive as the sunset. The scene was dark so is the image.
I’ve very interested in trying to get the colors scheme accurate to the scene I experienced live. This one is very blue/cyan to my normal published image because that is the actual color of the sky at that moment. I was shocked that it wasn’t just grey with tinged pink clouds, but the cyan was there. I made a mental note of it. It was a rare color in my experience. The drift from day to dusk twilight was a colorcast experience on this evening. This sky was complex all around the periphery of my viewpoint. More or less the whole atmospheric dome above me was worthy of photography that evening. I was happy to comply working it with 3 different camera/lens combinations on a rotating basis lol.
Oh, the repeating cloud pattern on the horizon is a series of Kelvin-Helmholtz clouds. They are a fairly rare phenomenon, where a cloud produces a billowing breaking wave pattern. They occur when there is a strong vertical shear between two air streams, causing winds to blow faster at the upper level than at the lower levels. Filed under rare weather phenomena lol.
Let me start by saying that I did nothing to the colors in this image. I also did no shadows/highlight work to this. Essentially it is a raw image from the camera. It’s naturally colored exactly as it occurred as I saw it in the lens. Of a VERY small part of the sky on the horizon. The 1200 mm lens I’m using to take this images a postage stamp sized area at arm’s length of the horizon here. The ridge here is 40 miles distant from my camera. Full sized pine trees top the ridge which is effectively the horizon. I suspect the total ridge line captured here is a mile long in the frame. Attracted I was to this capture by two things. :
So the first thing to stand out to me in this beside the Harlequin color scheme are the tremendous shadows of the apparent printing in the sky. I’m still trying to read what it says as it looks as much like a block of text as any cloud formation I’ve seen in my travels. Then there are the shadows of the “letters” in the clouds which are making letters themselves. The condition called Pareidolia : seeing shapes of common things / people / faces in clouds. I love graphic presentations by mother nature. There is a message there in text in my humble opinion. We’re just not smart enough to understand it. … I thought I was seeing smoke signals….
Twilight is a time to look around. There is no better spot for this Breeding / Nesting Upland Sandpiper to watch the sunset. Hanging out on a fence brace with a view was a good choice I’m thinking. Topography was such I couldn’t get the larger twilight show behind the grass. I still liked the composition. I’m going to have to get a taller truck though lol.. Time for that 2 inch lift kit perhaps.
I liked the symmetry of the brace with the asymmetry of the angles by the wire versus clouds all interacting. The Peachy Creme Soda color is one of my favorite hues for an Alpenglow pallet choice by mother nature. I never know what she is going to pick but I do know that Alpenglow is one of my favorite sky phenomena. (Google it if you know know what it is).
This was taken in early July with the sky color attributed to ice reflecting the predominate color surviving the sunlights trip through the low atmosphere. Such low angle light is always tweeked by the shorter wavelengths being absorbed during the journey. No or few blues/ greens and indigos make it reflected back to my lens.
Close far perspectives are a challenge in low light. If your trying to do images like this, you need high F-stop setting. That will close off light which makes the other two settings important. Long exposures are your friend. High ISO will get you the photo but it will be grainy. . Manual mode is all about balance.
The Poetry of the moment is often hard to quantify but as poetry it does qualify. The color of the scene is a result of the cold hard physics of the world. The light proceeds on it’s path until some substance acts either to block or bend the dual nature of particles and waves. (This is a wonderful concept and worthy of an extended google search this AM). Light acts sometimes as a particle but also has wave like properties. Scientific wisdom everyone needs in their daily life but is beyond the scope of this narrative 😝 🤘
Turtle Butte from this angle is often confused with a volcanic cone (and even volcanic during a few of my journeys into satire). Maybe it’s just me. Impersonators are everywhere in geology. Things that “look like”. I can’t tell you how many people have asked me about those volcano’s. FYI, they are sedimentary remnants. Hard Cap Rocks protect the sediment below… . It’s all in the details, not the shape.
Humans are generalists. We miss details but do gather a wide interpretation of scenes at first. Shape! Then we slowly start focusing on details like composition and color. The color here is spot on to the original scene. I take great care in this exposing the highlights such that detail is still visible in them. If you’ve never spent twilights in Wyoming or Montana, you’ve never seen skies like we have. My job is to climb the 300 foot high ridges in the dark to get into position before this amazing show of artistry by mother nature. My photography is resultant of the various to and fro journeys pursuing those dual nature particles. (Photons).👀 🤔 📷
Twilight captures in June tend to be a very early morning rise for me. I’m thinking the night is just right at 8 hours long between sunrise and sunset these days. That makes for relatively short nights by the time I maintain my cameras for the next morning. Get up, get the dogs on patrol and something in my gut for breakfast. Then grab cam and go.
I often travel miles over two track backcountry roads to get to various locations I like to work terminator crossings. Some highpoint/ridgelines I frequent more than others but it depends on the time of year. That time of year of course controls which direction the sun is rising and setting. The sun is very far north at the moment and 2 days from the Summer Solstice as this posts (about a week after it was written on June 10th).
I get to have the sun rise and set over landscape features this time of year that I only see align for about 2 weeks. Similar short lived opportunities occur around the winter solstice as the sun rise and sets are furthest to the south. This celestial dance happens year after year. I just adjust my planning for where the “next photoshoot” is going to be based on the calendar. I run into most of the wildlife I photograph either on the way to work a sunset or after a sunrise on the way home. I’ve given up photographing wildlife in too dark an environment. Fully a waste of electrons as wildlife moves too much for low light work. The ones I do capture are rare. The wheel continues to turn if you watch.. 👀🤘
The stripe of orange/yellow colored ice under the Crimson Cloud Deck is what the sun light is passing through. A fully involved twilight sky is the result of that red/orange light making it through to the underside of a cloud deck This image was taken near the border line of Montana / Wyoming. The Butte actually sits directly on the border which coincidentally is precisely 1/2 way between the Equator and the North Pole. Some bright guy in the past decided that a kilometer would be based on the distance from the Equator to the North Pole. That distance is 10,000 kilometers between the geographic characteristics 90 degrees apart on the globe. There is actually a difference in distance to the south versus the north pole from the equator. There are several related discussions but that is something you’ll need to google for yourself 👀🤔😀
I must climb several hundred feet of topography to get this eastern view. It’s a several mile drive over two track roads. This spring time image from from May of 2020. With the drying out of my trails, I have much better access to the ranch’s high ground. The views are spectacular up there. I consider the east west view from certain high points around here to be 180 miles from horizon to horizon. Those spots however are not very easy to get to 1/2 hour before the sun rises lolol. The Big Sky of Montana merges seamlessly with the Wonderful Wyoming Skies right over my place.
Taken VERY early in Civil Twilight, this is a very deep focus close/far perspective. Those tree branches are very close for a telephoto perspective. I was watching this wonderful alpenglow/wispy feathery cloud color gradient already on a remote high ridge.
Getting around in the backcountry during early twilight: Up here in the Wyoming/Montana borderlands if you want a big view, you have to gain altitude to do so. The ridge tops are 4000 feet in elevation here. Everything else locally is lower. Having said that, we are actually very low topographically for Wyoming (but I digress). I have to leave considerably before sunrise to get up to an eagles view location as this.. I extend my horizon to 50 miles to the east if I climb the right peaks. This ridge named by me as “Sunrise Ridge” but usually because I’m taking pictures of the sunrise OVER this ridge. Not FROM this ridge as this captured moment in space time presents. IT’s a way’s out from my homestead driving 2 track roads in the dark. I have excellent lights on my F-150 Raptor though.
The Dark Orange Alpenglow is caused by ice that like a gel filter on a theatrical stage, colors all behind it. This is the cause of the color reflected of those feathery wisps of a cloud deck. Photography from the remainder of this timeline was equally as good. Eventually, most twilights gradually taper to a blue morning as the suns light was higher and less filtered by the atmosphere. Blue light invades, shadows ignite with detail and dynamic range. This was early in twilight, about 20 minutes before sunrise that May morning.
It’s green spring grass contrasted with Snow on the 130 mile distant peaks. This image is taken from my driveway here on the MT/WY border. Clearly “Nipple” butte stands 10 miles distant. The treed ridge is 40 miles out with the trees at the top of that ridge being the same elevation I stand/live. The 13000 foot high peaks of the Bighorn Mountain Chain reach far above that but well over the curvature of the horizon at it’s base. . Even further out than the range the bank of clouds stands perhaps 200 miles out from my camera.
Anything over 100 miles is a long photograph. Particularly through the low earth’s atmosphere. It take extraordinarily clear air to get detailed images of the Bighorn Mountains from this distance. To get images of the clouds well past it… That is a silly far shot. Now I take images of astronomical objects millions of miles away but only through 300 miles of atmosphere. MOST of that atmosphere is in the bottom 10 miles of the blanket. About equivalent to where Nipple Butte is….
TO find the distance to your “horizon, take the height of above the surface of your view point divide that by 0.5736 , then take the square root of that number and you have the distance to the horizon from your viewpoint. If your 6 feet tall the horizon is about 3 miles away. Works very well on flat ground… up here where there might be a few ridges around, it depends on topography too lolol.
Exactly on the Wyoming / Montana border, this Volcano simmers at behest of forces beyond our control. This of course is a satire and illusion of a volcano created naturally by a confluence of events and my position.
I love the long distance perspective of a properly involved deck of clouds colorcast by Alpenglow. These are real colors not unknown in this remote high country. The 180 mile long cloud deck positioned above a clear icy window to the sun. Our “volcano”, called Lookout Butte has a commanding view from the top as it’s name suggests. Being an “Insulberg” (google this), it has few characteristics resembling a Cinder Cone Volcano but for it’s shape. All form and no substance passing for an event of geologic significance in this fleeting moment. The chances of a thick layer of clouds across the sky lining up with the top is not terribly high so I cheat and move. The levers my ability to get just the right angle. The ability to move quickly from place to place is really useful for this kind of opportunistic photography. 👀
I don’t always work sunrise, but when I do, I always like a simulated volcano going off in the photo.😜. Illuminated by a dynamic gradient of long traveled cinema quality light, the actors of the stage show have a huge projection screen to perform under. Sometimes dramatic plays happen overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second.🕺 This show was the directors cut. 📸
I might take 800 photos of a particular sunrise as this. Maybe 2 or 3 images from the twilight will be finished. All the images from the timeline that morning but with different frames were equally as dramatic. Skies as above are rare but the high ridges I work have their share.
Twilight Over the Borderlandsis a capture standing on the Montana/Wyoming border. That line is 45 degrees north Latitude exactly, which runs right through that hill. EXACTLY 1/2 way between the North Pole and the Equator.
Its called turtle butte for two reasons. First, the cap rock from the correct angle looks very much as a turtle silhouette. Second, I have found fossil turtle fragments there. Some of them the size of your palm. These fossils are significant only by their presence. They are not valuable in and of themselves. The whole fossil assemblage taken as a whole is the significant scientific information. I have found some fairly nice turtle fossils in this “general area” but not much on that hill. There have been scattered dinosaur chunky chunks but alas, no amazing finds there. This is VERY big country to walk around in and cover any significant ground.
Up here in the borderlands I find a variety of things just walking or driving around. We actively hunt deer antlers as running over them will potentially flatten your ATV’s tire. Native American stone and metal artifacts have been found on our ranch. We note the presence of several teepee rings near natural seeps and springs on the ranch. There were no big “villages” up this high up on the ridges.
There were hunting parties though during the summer. The winter restricts access to these high ridges. Where there was water, there was game. Humans have been walking around this country for 11000 years. There is a documented Clovis man site within a 20 mile circle of my place. (LOL, that narrows it down). I still walk places up here that no human has been on before. Certainly try to walk off trail when ever safely possible. You will cover “better” ground that way. Everyone walks the trail… I seldom do.