“Sneaky Pete” the windmill has a commanding view most nights. Those evenings where the weather window to the BigHorn Mountain Range are open to my lenses. The latest part of the Golden Hour has the best light in my experience. The low angle of the sun accentuates the light by filtering the rays through the suspended ice in the atmosphere. The smooth yellow (top) to orange (bottom) gradients of Alpenglow colorcast everything highlighting reflective surfaces and ridge tops with the right angle.
There was no wind that night. The Sail of the windmill moved not for my camera. No shutter speed tricks would have blurred it’s lack of motion. We do get occasionally dead calm air. During air conditions as this, I tend to get suppressed rifles out. My activity is to Shoot and listen to the bullet going supersonic across it’s entire arc of travel. Whoooooooooosssssssssssssh Twack…. Hearing the bullet Twack it’s final backstop 1000 yards out. You can hear your heart beat if your no where near herds of cattle. Then you hear a lot of cow calls, moos, and bawls by calfs.
The 130 miles to the BigHorn Mountains are visible due to my homesteads position high on a ridge (pass between drainages). I am topographically elevated as high as the far ridge is above the Little Powder River Valley below it. I have a straight shot right to the core of the BigHorns. 13000 foot peaks are part of the Backbone of the Rocky Mountains here in America. They used to be a lot taller. The Powder River Basin at my feet used to be a lot deeper in the distant geologic past. More like the Tetons but bigger. Then the basin filled up with debris from the mountains and the elevations are balancing out a bit.
There are nice twilights and then there are ones like this one. It’s almost Art if it wasn’t absolutely real as I saw the event. The Golden Alpenglow derived from the ice in the air, was resultant from suspended ice in the air. The longest day of the summer (Solstice) and ice was acting as a projector screen. Filtering some of the light passing through to spotlight the sun’s long traveled red rays on the cloud deck above. This dramatic opening act was just a preview of the sunrise to come. Sometimes these morning shows last well over an hour…. This one was around that. One hour is FOREVER in my world…. 😜
The air at my back was moving with a definite chill. Mid-June is an odd time to have to wear a good jacket but at 5:30 AM with a breeze, dress for the part. I have found this location that I call Sunrise Ridge). Such is “Fairly” easy to get to. It’s about a mile of bumpy two track roads. The journey takes me past several Game Trail Cameras thusly I had ulterior motives. Some mornings as this are so beautiful for so long I end up with 8 or 9 hundred images for the timeline. I’m sure I surpassed 1000 with the various camera/lens combinations I used to study this drama. The longer the show, the more clicking that occurs amazingly. 😃
During sunset a few days ago, I habitually turned around during a very colorful sunset. After picking my jaw off the dirt…. Looking over your shoulder can often be well worth your time. Certainly true in bear country but up here during sunset, the back shows can be as impressive as the sunset. The scene was dark so is the image.
I’ve very interested in trying to get the colors scheme accurate to the scene I experienced live. This one is very blue/cyan to my normal published image because that is the actual color of the sky at that moment. I was shocked that it wasn’t just grey with tinged pink clouds, but the cyan was there. I made a mental note of it. It was a rare color in my experience. The drift from day to dusk twilight was a colorcast experience on this evening. This sky was complex all around the periphery of my viewpoint. More or less the whole atmospheric dome above me was worthy of photography that evening. I was happy to comply working it with 3 different camera/lens combinations on a rotating basis lol.
Oh, the repeating cloud pattern on the horizon is a series of Kelvin-Helmholtz clouds. They are a fairly rare phenomenon, where a cloud produces a billowing breaking wave pattern. They occur when there is a strong vertical shear between two air streams, causing winds to blow faster at the upper level than at the lower levels. Filed under rare weather phenomena lol.
Let me start by saying that I did nothing to the colors in this image. I also did no shadows/highlight work to this. Essentially it is a raw image from the camera. It’s naturally colored exactly as it occurred as I saw it in the lens. Of a VERY small part of the sky on the horizon. The 1200 mm lens I’m using to take this images a postage stamp sized area at arm’s length of the horizon here. The ridge here is 40 miles distant from my camera. Full sized pine trees top the ridge which is effectively the horizon. I suspect the total ridge line captured here is a mile long in the frame. Attracted I was to this capture by two things. :
So the first thing to stand out to me in this beside the Harlequin color scheme are the tremendous shadows of the apparent printing in the sky. I’m still trying to read what it says as it looks as much like a block of text as any cloud formation I’ve seen in my travels. Then there are the shadows of the “letters” in the clouds which are making letters themselves. The condition called Pareidolia : seeing shapes of common things / people / faces in clouds. I love graphic presentations by mother nature. There is a message there in text in my humble opinion. We’re just not smart enough to understand it. … I thought I was seeing smoke signals….
Twilight is a time to look around. There is no better spot for this Breeding / Nesting Upland Sandpiper to watch the sunset. Hanging out on a fence brace with a view was a good choice I’m thinking. Topography was such I couldn’t get the larger twilight show behind the grass. I still liked the composition. I’m going to have to get a taller truck though lol.. Time for that 2 inch lift kit perhaps.
I liked the symmetry of the brace with the asymmetry of the angles by the wire versus clouds all interacting. The Peachy Creme Soda color is one of my favorite hues for an Alpenglow pallet choice by mother nature. I never know what she is going to pick but I do know that Alpenglow is one of my favorite sky phenomena. (Google it if you know know what it is).
This was taken in early July with the sky color attributed to ice reflecting the predominate color surviving the sunlights trip through the low atmosphere. Such low angle light is always tweeked by the shorter wavelengths being absorbed during the journey. No or few blues/ greens and indigos make it reflected back to my lens.
Close far perspectives are a challenge in low light. If your trying to do images like this, you need high F-stop setting. That will close off light which makes the other two settings important. Long exposures are your friend. High ISO will get you the photo but it will be grainy. . Manual mode is all about balance.
The Poetry of the moment is often hard to quantify but as poetry it does qualify. The color of the scene is a result of the cold hard physics of the world. The light proceeds on it’s path until some substance acts either to block or bend the dual nature of particles and waves. (This is a wonderful concept and worthy of an extended google search this AM). Light acts sometimes as a particle but also has wave like properties. Scientific wisdom everyone needs in their daily life but is beyond the scope of this narrative 😝 🤘
Turtle Butte from this angle is often confused with a volcanic cone (and even volcanic during a few of my journeys into satire). Maybe it’s just me. Impersonators are everywhere in geology. Things that “look like”. I can’t tell you how many people have asked me about those volcano’s. FYI, they are sedimentary remnants. Hard Cap Rocks protect the sediment below… . It’s all in the details, not the shape.
Humans are generalists. We miss details but do gather a wide interpretation of scenes at first. Shape! Then we slowly start focusing on details like composition and color. The color here is spot on to the original scene. I take great care in this exposing the highlights such that detail is still visible in them. If you’ve never spent twilights in Wyoming or Montana, you’ve never seen skies like we have. My job is to climb the 300 foot high ridges in the dark to get into position before this amazing show of artistry by mother nature. My photography is resultant of the various to and fro journeys pursuing those dual nature particles. (Photons).👀 🤔 📷
Twilight captures in June tend to be a very early morning rise for me. I’m thinking the night is just right at 8 hours long between sunrise and sunset these days. That makes for relatively short nights by the time I maintain my cameras for the next morning. Get up, get the dogs on patrol and something in my gut for breakfast. Then grab cam and go.
I often travel miles over two track backcountry roads to get to various locations I like to work terminator crossings. Some highpoint/ridgelines I frequent more than others but it depends on the time of year. That time of year of course controls which direction the sun is rising and setting. The sun is very far north at the moment and 2 days from the Summer Solstice as this posts (about a week after it was written on June 10th).
I get to have the sun rise and set over landscape features this time of year that I only see align for about 2 weeks. Similar short lived opportunities occur around the winter solstice as the sun rise and sets are furthest to the south. This celestial dance happens year after year. I just adjust my planning for where the “next photoshoot” is going to be based on the calendar. I run into most of the wildlife I photograph either on the way to work a sunset or after a sunrise on the way home. I’ve given up photographing wildlife in too dark an environment. Fully a waste of electrons as wildlife moves too much for low light work. The ones I do capture are rare. The wheel continues to turn if you watch.. 👀🤘
The stripe of orange/yellow colored ice under the Crimson Cloud Deck is what the sun light is passing through. A fully involved twilight sky is the result of that red/orange light making it through to the underside of a cloud deck This image was taken near the border line of Montana / Wyoming. The Butte actually sits directly on the border which coincidentally is precisely 1/2 way between the Equator and the North Pole. Some bright guy in the past decided that a kilometer would be based on the distance from the Equator to the North Pole. That distance is 10,000 kilometers between the geographic characteristics 90 degrees apart on the globe. There is actually a difference in distance to the south versus the north pole from the equator. There are several related discussions but that is something you’ll need to google for yourself 👀🤔😀
I must climb several hundred feet of topography to get this eastern view. It’s a several mile drive over two track roads. This spring time image from from May of 2020. With the drying out of my trails, I have much better access to the ranch’s high ground. The views are spectacular up there. I consider the east west view from certain high points around here to be 180 miles from horizon to horizon. Those spots however are not very easy to get to 1/2 hour before the sun rises lolol. The Big Sky of Montana merges seamlessly with the Wonderful Wyoming Skies right over my place.
Taken VERY early in Civil Twilight, this is a very deep focus close/far perspective. Those tree branches are very close for a telephoto perspective. I was watching this wonderful alpenglow/wispy feathery cloud color gradient already on a remote high ridge.
Getting around in the backcountry during early twilight: Up here in the Wyoming/Montana borderlands if you want a big view, you have to gain altitude to do so. The ridge tops are 4000 feet in elevation here. Everything else locally is lower. Having said that, we are actually very low topographically for Wyoming (but I digress). I have to leave considerably before sunrise to get up to an eagles view location as this.. I extend my horizon to 50 miles to the east if I climb the right peaks. This ridge named by me as “Sunrise Ridge” but usually because I’m taking pictures of the sunrise OVER this ridge. Not FROM this ridge as this captured moment in space time presents. IT’s a way’s out from my homestead driving 2 track roads in the dark. I have excellent lights on my F-150 Raptor though.
The Dark Orange Alpenglow is caused by ice that like a gel filter on a theatrical stage, colors all behind it. This is the cause of the color reflected of those feathery wisps of a cloud deck. Photography from the remainder of this timeline was equally as good. Eventually, most twilights gradually taper to a blue morning as the suns light was higher and less filtered by the atmosphere. Blue light invades, shadows ignite with detail and dynamic range. This was early in twilight, about 20 minutes before sunrise that May morning.
It’s green spring grass contrasted with Snow on the 130 mile distant peaks. This image is taken from my driveway here on the MT/WY border. Clearly “Nipple” butte stands 10 miles distant. The treed ridge is 40 miles out with the trees at the top of that ridge being the same elevation I stand/live. The 13000 foot high peaks of the Bighorn Mountain Chain reach far above that but well over the curvature of the horizon at it’s base. . Even further out than the range the bank of clouds stands perhaps 200 miles out from my camera.
Anything over 100 miles is a long photograph. Particularly through the low earth’s atmosphere. It take extraordinarily clear air to get detailed images of the Bighorn Mountains from this distance. To get images of the clouds well past it… That is a silly far shot. Now I take images of astronomical objects millions of miles away but only through 300 miles of atmosphere. MOST of that atmosphere is in the bottom 10 miles of the blanket. About equivalent to where Nipple Butte is….
TO find the distance to your “horizon, take the height of above the surface of your view point divide that by 0.5736 , then take the square root of that number and you have the distance to the horizon from your viewpoint. If your 6 feet tall the horizon is about 3 miles away. Works very well on flat ground… up here where there might be a few ridges around, it depends on topography too lolol.
Exactly on the Wyoming / Montana border, this Volcano simmers at behest of forces beyond our control. This of course is a satire and illusion of a volcano created naturally by a confluence of events and my position.
I love the long distance perspective of a properly involved deck of clouds colorcast by Alpenglow. These are real colors not unknown in this remote high country. The 180 mile long cloud deck positioned above a clear icy window to the sun. Our “volcano”, called Lookout Butte has a commanding view from the top as it’s name suggests. Being an “Insulberg” (google this), it has few characteristics resembling a Cinder Cone Volcano but for it’s shape. All form and no substance passing for an event of geologic significance in this fleeting moment. The chances of a thick layer of clouds across the sky lining up with the top is not terribly high so I cheat and move. The levers my ability to get just the right angle. The ability to move quickly from place to place is really useful for this kind of opportunistic photography. 👀
I don’t always work sunrise, but when I do, I always like a simulated volcano going off in the photo.😜. Illuminated by a dynamic gradient of long traveled cinema quality light, the actors of the stage show have a huge projection screen to perform under. Sometimes dramatic plays happen overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second.🕺 This show was the directors cut. 📸
I might take 800 photos of a particular sunrise as this. Maybe 2 or 3 images from the twilight will be finished. All the images from the timeline that morning but with different frames were equally as dramatic. Skies as above are rare but the high ridges I work have their share.
Twilight Over the Borderlandsis a capture standing on the Montana/Wyoming border. That line is 45 degrees north Latitude exactly, which runs right through that hill. EXACTLY 1/2 way between the North Pole and the Equator.
Its called turtle butte for two reasons. First, the cap rock from the correct angle looks very much as a turtle silhouette. Second, I have found fossil turtle fragments there. Some of them the size of your palm. These fossils are significant only by their presence. They are not valuable in and of themselves. The whole fossil assemblage taken as a whole is the significant scientific information. I have found some fairly nice turtle fossils in this “general area” but not much on that hill. There have been scattered dinosaur chunky chunks but alas, no amazing finds there. This is VERY big country to walk around in and cover any significant ground.
Up here in the borderlands I find a variety of things just walking or driving around. We actively hunt deer antlers as running over them will potentially flatten your ATV’s tire. Native American stone and metal artifacts have been found on our ranch. We note the presence of several teepee rings near natural seeps and springs on the ranch. There were no big “villages” up this high up on the ridges.
There were hunting parties though during the summer. The winter restricts access to these high ridges. Where there was water, there was game. Humans have been walking around this country for 11000 years. There is a documented Clovis man site within a 20 mile circle of my place. (LOL, that narrows it down). I still walk places up here that no human has been on before. Certainly try to walk off trail when ever safely possible. You will cover “better” ground that way. Everyone walks the trail… I seldom do.
Captures like this really wide angle twilight melodrama are always a welcome eye opener . Treated to this wonderful show I was. As it turns out it was just a promise of things to come. In my travels, I’ve experienced occasional morning light worthy of capturing in my photon traps last several hours as did this show. Well into the “Golden Hour” this play continued. Unfortunately there is no universal/international rating system of the various iterations I experience of twilight beauty. I might have to come up with one some day.
Taken a full 15 minutes before the horizon dropped away. Thus exposing our star in it’s full brilliance. The attenuation of it’s glare not as intense filtering through the veil of clouds on the horizon. The withering gauntlet experienced by the light on it’s path to the cloud deck above kept the shorter bluer wavelengths back. Only the strongest waves survive natures filters. True of light as it is ourselves. Nature filters out those things that can’t, won’t or are ignorant of adaptation to the conditions that prevail up on them.
The promise of a fully involved twilight sky is of a better day to come. Though sailors are to take warning so goes the wisdom of the ages. It’s a good thing living about as far away from the ocean as we do as such rules do not apply here. (We live 80 miles from the geographic center of North America). This was a wonderful day with more images from this timeline to come.
Wyotana is a mystical place somewhere near the border of Wyoming and Montana. That demarkation line between the two American Redoubt states is 360 miles long. I consider the “Zone” of Wyotana is about 10 miles wide. That makes a total 3600 square miles in this exotic land. That included area is 3 times larger than Rhode Island. Largely unknown, it includes parts of Yellowstone is mostly remote containing some of the most Mountainous country in the US. This is Cowboy Country from the east border of South Dakota west. All the way to the Yellow park boundary on the west.
Wild Wonderful Wyoming and Big Sky Montana have a few cultural differences. These largely result from Montana having more larger population centers. Their population derived from more migrants exiting huge cities on the coast. Wyoming is more rural with mostly rural local populations. There are HUGE areas of Montana is very similar culturally to HUGE areas of Wyoming. The oil industry and blue collar hydrocarbon guys come and go but a rancher is a rancher on both sides of the border. Our ranch IS in both states by the way lolol. Living in a remote rural ranching community on either side of the border is an entirely different existence from living near population. I’ve operated in both environments and way prefer the “long drive to town”.
Oh, the photo… taken 10 days before it posts as a side show to the main sunrise to the left of frame. I love complex skies with spring Alpenglow… 5:15 AM for this capture. My summer nights are getting shorter until the summer solstice….. Tough schedule to work both sunset and sunrise….
Imagine what a pioneer traveling to those peaks with an ox cart thought when he saw this vista. 🤔👀
The subtle hues of this image of theBigHorn Mountains are amazing colors to cover a landscape with. It was really that color, you could feel the humidity in the air. Wet sage too.
I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. Some nights, the weather window is closed to the mountains. Closed to the sun that window was that night. It hid far to the right off frame. The 130 miles distant 13,000 foot high mountain range was shrouded in the mist. All that air between my lens and the peaks are full of moisture and dust. This at the end of that nights sky show performance. Result: a subtle low light scene with an orange gel in front over the now moist spring landscape. Alpenglow in the spring.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The range is playing peek a boo with the weather controlling the show. I have many good captures from this month of the ranch which will slowly work their way into my work flow here.
The first dark ridge is 10 miles distant. The next darker ridge in the middle is 40 miles out. Taken with a 800 mm telephoto capture on a very high resolution camera. If you hold a postage stamp at arms length and place it against the horizon, this image would fit into a square that size. Big lenses take place a very small part of the scene in front of you covering the cameras chip image area.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
It’s called turtle butte for two reasons. First, the cap rock from the correct angle (not this angle) looks very much as a turtle silhouette. Second, I have found fossil turtle shell fragments there. Some of them the size of your palm. These fossils are significant only by their presence. They are not valuable in and of themselves. The whole fossil assemblage taken as a whole is the significant scientific information. I have found some fairly nice turtle fossils in this “general area” but not as much as on that hill. There have been scattered dinosaur chunky chunks but alas, no amazing finds there. This is VERY big country to walk around in and cover any significant ground.
Up here in the very remote borderlands I find a variety of interestings things just walking or driving around. We actively hunt deer antlers as running over them will potentially flatten your ATV’s tire. Numberous native American stone and metal artifacts have been found on our ranch. We note the presence of several teepee rings near natural seeps and springs on the ranch. There were no big “villages” up this high up on the ridges.
There were hunting parties though during the summer. The winter restricts access to these high ridges. Where there was water, there was game. Humans have been walking around this country for 11000 years. There is a documented Clovis man site within a 20 mile circle of my place. (LOL, that narrows it down). I still walk places up here that no human has been on before. Certainly try to walk off trail when ever safely possible. You will cover better ground that way. Everyone walks the trail…
Brown Season twilight landscapes are always dark, some are more colorful than others. When the veil of clouds is heavy, the shade and hues become muted with the encroaching dusk. Unfettered light causes an entirely different result… here, browns are in full display. I spend a lot of time working twilight skies/landscapes and find them challenging to reproduce accurately. It would be very easy to turn up the sky colors but I’m trying really hard to be a photorealist. This is as close as I can get this to how I experienced the scene. I find that an infinite spectrum of variable twilight exists and are mostly “capturable” with the right gear.
A majority of photographers wouldn’t finish this image I’m thinking. Having said that, I’m all about subtle tones and hues that escape view by most. The cool air of the twilight, the movement of game in the distance, the quickening of the light fleeing the scene is always breathtaking to me. Huge long landscapes (40 miles) make for an appropriate venue for this end of a day capture.. All creatures great and small getting ready for the night are all in their own world. Anticipating the washing away of the brown by spring rains to expose the green that is forthcoming. Seasons change, days come and go, but the animals seen to survive the hardships with an ever optimistic outlook toward the next day and the next meal.
This 1/2 miles of Campbell County road is the last of Wyoming going north as directly over the crest of the first hill, is the Montana border. The Valley in the Distance is the Ranch Creek Drainage which is the first watershed going into Montana. My closest neighbors live up there. We literally live in the last house north in Wyoming. End of the electric, end of the phone and the last internet source lol. There might be a few closer to the border but not many. We have land in both states, pay taxes in both, my son went to school in Montana but we live in Wyoming. By at least 3/4 of a mile. Most of my images have both states in them (Wyotana) .
In many ways we get the best of both worlds. There isn’t much difference in the landscape north or south from this vantage point. I am actually standing at our back yard fence for this telephoto capture. The hill on the left is several miles down the road with the far hills being about 10 miles distant. The Alpenglow sky from the sun that just set 15 minutes before to the left side of the frame is still barely lighting things up. The low light causes photographers to use tripods and long exposures to saturate their captures. I’m no exception here. A window clamp on my Raptors drivers side did the trick nicely. These are very very handy things to buy on amazon. Don’t buy a cheap one as you get what you pay for.
Both states in this VERY wide image. This is what I call a “fully involved” sky. This is the back edge of a HUGE Mesocyclone Spinning above. It is easily over a 100 mile diameter storm.
While Montana Claims the “Big Sky” moniker, Wyoming certainly shares it. Our ranch is in both states and MOST of my images have both states well represented in the capture. I’m one of the few photographers that can legitimately post an image in both states Facebook forums lolol.
This might be acalled a sunset” but in fact it is now in Civil Twilight. A full 4 minutes after the sun actually set. I consider this a night sky but others disagree.
Twilight is my favorite time of the day. I photographically work almost every morning but clear sky cloudless mornings. There are SOOOO many cloudless gradient twilight images in my portfolio. Certainly I don’t need many more.
Going out in the twilight before sunrise into the backcountry is alway interesting. I often run into still bedded deer, most of which don’t care that I’m driving by, stop, take a photo and move on… I get some of my best wildlife photography done coming back from working morning twilights. I’ve done this many hundreds of times. Over a career if you pay your dues, you get lucky with random encounters starting to add up. You need to have the right gear and ability to work in morning golden hour light. Twilight low light is a whole different group of settings lolol. The transition from twilight to sunlight or in reverse is rapid.
Landscape Ladder was taken a week ago as this posts. The grassy remote ridgetop I was on, gives way to the Little Powder River Valley across the first ridge at 10 miles distance.
The next ridge is the Red Hills 40 miles out, is backed by the 13000 foot high peaks. Those of the core of the BigHorn Mountain Uplift.
The Powder RIver Basin between the Mountains any my ranch pretty much ends at my ranch. I’m living right on the edge between the Wyoming Black Hills and the Powder River basin. Just west of my ranch, dinosaur fossil bearing rock that is older than the Big Horn Uplift. They dive under the sediments worn off the BigHorn Mountains.
Our Ranch is as high topograpically above the Little Powder River Valley Floor as the dark 40 mile distant ridge. It allows me to see the BigHorn peaks at this 130 mile distance. Weather windows to the BigHorns have been more plentiful this year unlike previous ones.
The sun is currently setting well north of these peaks from my vantage point at the moment. IT was still up at this capture… I won’t see it set over the big V notch until next fall again. The sun will continue to set a little more north each day till the summer solstice. Then it starts to rise and set a little further south each day until the Winter Solstice. I try to be very in tune to such things as my daily photographic activities take into account moon rise, sunsets with the time of year. Angles of sunrise and sunset are critical to where I go to photograph these days. Weather has the greatest impact of course.
This kind of capture is why I run a network of high quality game trail cameras (29 currently) to catch some of the inhabitants of my ranch in a more candid way. I watched this MeadowLark time and time again land on this post with animals crossing the funnel this gate creates. This one is the best by far. Pure infra-red Game Trail Camera capture in a very early twilight environment.
Each game trail camera (GTC) image is problematic from a professional photo finishing standpoint. Let’s just say these images from the GTC take a while in the digital darkroom to get them to my current standards lol. The problem with Game cameras on automatic is I have no real control over the lighting adjustment. Low med and high lolol.
Apparently it just got this below that low light threshold and was still in black and white. The only parameters you can control with most game trail cameras is 3 levels of exposure and IR sensitivity for detection of animal movement. Placement of the camera…. I find this is by far the most important thing. Composition of the shot and having a funnel or attraction to have the animals go to where the camera is actually pointing is the baby. Set up those wildlife funnels.
Have a great evening this Tuesday night and be safe out there. It’s an interesting world you guys live in.
The sun had JUST set and I had traveled about 5 miles south of my homestead to catch this. If I hadn’t adjusted my position, The whole show would have been hidden by the storm. In a reversal of roles, I became a storm “evader” instead of a storm “chaser”. 😜
We have had a good series of spring storms move through over the last week and I have been working them. I spent about 3 hours out in the backcountry yesterday. Most of that time was spent waiting for a particular storm event to occur. Once I have made it up to the ridge tops, I hate to loose my position so high up and head back to the house. As long as I don’t get poured on the two track roads are usually in good enough shape to head back and forth.. I have found out after many decades of 4×4 wheeling off road, that anybody can fall DOWN a hill. Most are not as talented progressing up a hill… Going up a wet/muddy hill is usually a recipe for redesigning landscape in the backcountry. I don’t see much point in that for the long term. Tearing up trails is generally not one of my favorite activities.. 👀🌲🌲🤘
At any rate, this was obviously worth traveling for in my mind. Skies totally lit as this are always worthy of my time in my humble opinion. Hopefully it was worth your’s.
I caught this gal Pronghorn nibbling on grass and other goodies in Silhouette. She was catching that last mouth full before the fading twilight during the new moon. It get’s REALLY dark here in the deep Wyotana backcountry. According to NASA’s website, we are as dark as the North Atlantic Ocean here. If you live near population, you really can’t appreciate how dark the night gets here.
Pronghorn are active most of the night I find. I find them sleeping at odd hours, resting when they are tired I suspect. This pregnant female is feeding for two. I can tell she’s pregnant just by her outline this time of year. The edge detail on this capture is amazing to me.
Low light/twilight work is my stock and trade. I primarily work in terrible photographic environments just like this one lol. Lack of light will make you do bad things to your camera resulting in lots of image problems. Grainy from turning up the ISO (camera sensitivity). No or a very shallow depth of focus because you turned down your f-stop number (lower) which makes your aperture (like the iris of the lens). Finally the last setting… shutter speed…. longer the shutter is open, the more the image is subject to blurring from shaking the camera. Plus the animal is not static so your looking at blurs from having too slow a shutter. Finding a balanced compromise results in images as this… Sharp, detailed and smooth colors without grain. I love the technology of mirrorless cameras….. 📸
Windmill Junkies Unite: 🤘🤘📸 Don’t let your mother know you look at stuff like this…. 👀
A wooden Tower Windmill WAAAAAY out in the middle of Nowhere in the Backcountry. It’s about 20 miles from my homestead to work this one. Gravel Roads lead close to this but I have to leave the highway to get this close. It’s a LONG walk with camera gear…
WOW, I see a lot of lit up twilight skies in my work (that is what I do lol) . This was a good one…A real color scheme as I experienced the scene. This lighter/softer twilight not as intense as some but soothing none the less. Everyone needs some purple in their lives at least once a week. I actually don’t see real purple very much, the gradient between the red and the blue made it. Mixing colors on the sky’s pallet.
My photographic technique is to properly expose the highlights and worry about the shadow details later. The skies gradient from yellow to red to purple in amazing to experience live thusly stealing my total attention. Taken by a 60mm lens, this give the appearance of “SLIGHTLY” zoomed in. Resulting that the Big Horns do not look quite that large as they are in real life/naked eye. Those “hills” on the far right frame are 130 miles from the camera. They are also 13,000 feet tall ranking aside some of the highest mountains in Wyoming.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands.. (Wyotana)
These 5 were caught in early twilight. These deer were up watching the sun go down with me. They were ridge lined and I was able to maneuver way below them about 100 yards out and Click…. I know this this grouppretty well as they are seen almost every sunset walking between their grazing area and one of my water troughs. We keep that water available all year (for the last 20).
They are pretty used to me being around but are still quite wild. They don’t come down to greet me you might say but I can get pretty close if the conditions are right….. As long as I stay in my vehicle anyway.
There is a whole little deer melodrama playing out pretty much all year but you really have to watch and pay attention to see it happening.
Remember F-stop? It was very low light. To freeze them in space and time, you need at least 1/200th second for a walking deer. You either give up F-stop (depth of focus) or ISO (camera sensitivity) I gave up f-stop as the detail in the sky behind wasn’t critical….. Though it was sure impressively fully involved with the long wavelenths that made it through the atmosphere. Getting a longer depth of focus is what F-stop does along with either letting in more light or taking it away with higher F-stop numbers.
Locally this “Pyramidal Hill” is called Mitten Butte. The orange Alpenglow behind on this Frosty Morning was saturated. Taken a more than a week ago.
Tree frames are elegant in their forms. Smooth curves mixed with contrasts and details. The landscape curves blend themselves into the frame with the silhouettes / negative space bordering the color from the long traveled sunlight. Dropping away to expose the sun rising up, the horizon moves closer to the light.
The actors of this stage show had only one in the audience. Sometimes dramatic plays happen overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second. I might take 800 photos of a particular sunrise as this. Only 3 or 4 images from this twilight my be worthy of finishing from that pile… None the less, you have to be there to capture the image.
More images from after sunrise of this morning with different frames were equally as dramatic. Skies as above are not rare but the high ridges I work have their share. Dozens of decades under the trees “belt”. It’s perspective far exceeds our own limited memory with short existence on earth (It’s comprehension might be a bit challenged though lolol). The complexity of our thought the tree can not conceive, but the perspective it has is beyond our comprehension. Being a tree it has ultimately a figurative and literal connection to the land lol. I would like to think it is deeper than that.
There is much more connectivity between living things and the environment than we give them credit for occurs I feel. Even disconnected to nature by nurture human/me, can feel things happening an orderly manner here in the highlands. It’s probably my own psyche settling into the cycles, the yearly natural event of this place in space and time.
Twilight Landscapes are all dark…because they were/are 😁
Layers of Landscape to the first big ridge stretch for 40 miles in the distance. The Alpenglow illuminated BigHorn Mountains are saturated in an orange color cast projecting off of the deeper snow cover of the slopes. There is still plenty of snow in the low and sheltered northern slopes and the deeper slopes of the 130 mile distant peaks. 1200 mm telephoto.
This Twilight Sky is what I call “fully involved”. Bear in mind that at the 130 mile distance, the 13K feet high BigHorns can be covered by your thumb at an arms length. This is a very small area of the sky way out there from where I’m standing. I can see 50 miles over my shoulder so I’ve got a 180 mile horizon to horizon sky to work. So I take a picture of a little portion of it lolol.
This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed with a long lens is about 1/100th. With a telephoto your going to have to compensate for the lack of light somehow as they are not a fast lens. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in. This came out “sharp as a tack”.
The Three Sisters were one of the landmarks well known to those on the pioneer migrations. They could be “seen for a hundred miles” from afar. While navigating the open prairie over two track trails rutted from the wagon in front of you. Out of the morning mist, something you have just read about appears in front of you. Three Sisters were back lit up by alpenglow and the rising sun far off screen left. Also Known as the Missouri Buttes. They were an important landmark to the old wagon trains and settlers out in this country. It took a while to get from Saint Louis to this spot.
This taken a few weeks from now back in 2019 and just finished. Just at sunrise far to my left.
The Curved trail of red crushed “clinker” rock leads to an abandoned homestead in the middle of a BIG grassy area stretching 30 miles to the Sisters. The old homestead at at this location burned down many years ago. Like so many other places it was absorbed into a larger ranch. Our ranch has at least 4 old homesteads within a few miles of us. All abandoned from when this remote country didn’t have electricity or phone. Those conveniences didn’t come in to the many areas around here until the ranchers put up the poles and ran the wires back in the 50’s and 60’s.
You all have a great day and be safe in your abode…
Location: The Pass to Rockypoint on Trail Creek Road. Campbell County Wyoming.
WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red is amazing to experience live thusly stealing my total attention.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
“Sneaky Pete” the Windmill and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Here “Sneaky Pete” the Windmill has thoughtfully placed himself dead center of my portrait landscape of this twilight sky show. I of course have no control of his actions as he is an attention seeker. I get for him that free publicity he’s longing for. The “deal is he works it out ahead of time with the deer and the Pronghorn to “sit” for me if I get him in the limelight. Seemed fair to me at the time and the animals do sit for me not and then… So when ever I get a cooperative Pronghorn (rare), I tip my hat to “Sneaky” for doing what he does best. Photobomb and give me a foreground object for scale 👁👅
Note: This narrative is quite complex with so little time and space for it all lol.
Windmill Junkies Unite: Windmill Wednesday :🤘 As I’ve mentioned before, don’t let your mother know you look at stuff like this…..☯
Musings on twilight color gradients: (back to reality).
I call this kind of twilight sky gradient “Alpenbows” Blue Down to crimson has a mix in between of yellow and blue to make green It’s a classic Twilight rainbow of color in the sky. The long through the atmosphere the light from the sun travels, the different colors drop out. Only red photons survives the trip down through the low atmosphere. Yellow higher, then mix Yellow with Blue to get green in between. Complete Color Gradients such as this are not common for me to see. I’ve seen WAY more the 20 years I’ve lived on the Ranch than all the years before.