A big Buck perfectly centered in front of a huge veiled sun provides an amazing visual image… Perfect for your wall.
Along that line of thinking… how about a silhouette theme for your wall? … Here an ALMOST silhouette (highlights on the hair) against the sun is a dramatic acquisition from one evening.
I actually had to maneuver over a mile to capture this moment.. I saw the deer on the other side of the ridge and realized the opportunity. Again topography, time of day and situational awareness prevailed. Circling around him without raising the worry level of the jumpy ungulate was paramount. Fortunately for me (an you) he didn’t really get concerned of my behavior which resembled hunting to me.. Hunting is sort of what I do when I pursue such images… Many similar skills are involved in the searching for such captures.
Corriente’ Cattle have been on the ranch since 2012. We have Black Angus too but these guys are much more photogenic. Something about the horns that gives them a western look.
Fully covered skies where I catch any animal that I can silhouette are automatically better by their inclusion. I would indicate that everybody was looking at this sunset that evening. I’m sure that even the glutton on the right took a few seconds between chews to enjoy this vision. It was hard not to notice this sky show. It stands out in all that I have seen as pretty impressive….
This can only happen during a totally overcast evening with thin / spotty enough clouds to allow the light to get under the canopy. A cool night, this particular evening was very moist with alpenglow rife to provide this colorcast to the show.
Bear in mind that this is a long range telephoto shot so the area of the sky wasn’t as big as this perspective would have you believe lol. Telephotos crush perspective and you never know how big an area of sky you are seeing. This frame covers an area of sky about the size of a postage stamp at arms length at the horizon. It’s a mind bender I think. This was a good night for images as this held on for 10 minutes anyway. That gave me plenty of time to get around… Click …
The smoke that evening was intense. The air conditioning in the truck barely moderated the sneezing I enjoy in such air. Going out into this for long is a health risk certainly. There are all sorts of negative effects from enjoying the air as this. A good allergenic episode is my typical response. I know others that are put out of action by this kind of Pall. This kind of pollution can push some individuals over that cliff too. My advice is to stay inside if you can. As I type this the thermometer is approaching 100 degrees. I hope the animals find relief from this. They can’t come in as much as I’d like it for a while. Then there is the clean up thing….
The brown landscape color is accurate to the scene. The lowermost darkest ridge is 3 miles, next is 10 miles. The low ridge past that is 13 miles. Finally the 4th layer is 35 miles out with the sun hanging around 8 and 1/3rd light minutes out. This is as thick as it gets without blotting out the sun. I COULD have easily watched this outside of the camera with my naked eye. I don’t however suggest doing that. Always use appropriate eye protection. OK, maybe a very quick glance at this level of illumination.
Usually the Sun is FAR too bright to expose both landscape and it’s surface properly. Here because the sun has been smoke filtered a LOT it is possible to resolve the ridges. Normally hidden in the glare. The smoke acts like a theatrical gel over a spotlight. It allows only the longest wavelengths of light through.
Random things happen all the time. Who would have thought I’d come upon two yearlings (1.5 year old buck anyway) playing hide and seek in the woods. They both carefully backed in behind the old pine to hide from me… Not seeing each other figured they were safe… What happened after this I leave to your imagination but I suspect someone or both got a startle when they bumped. I know but I’m not telling 🙂 I unfortunately did not get much more on camera as they weren’t cooperating with my mental wishes.
Back to my normal programming.
Well the twilight was spectacular anyway as par for the course of late. Magnificent skies are the rule rather than the exception when wispy clouds are overhead and there is a lot of smoke in the air. Long traveled sunshine colored the clouds with only the finest of displays that night.
Finding two deer on a ridge in front of the show was cool. Having them pose for me, priceless. The two caught in my cameras stare were frozen in time. Click. Who can argue with photographic evidence of hide and seek play lolol.
At first I had an imaginary shark hunting the water in the distant. The waves covering all but the dorsal fin. No wait… perhaps it’s a sail boat at a good breeze in high seas. The crest of the wave hiding the hull of the sailing ship. The illusion of waves swelling in the open ocean is unmistakable. I’m often taken by flights of fancy. The freedom to search for what could be is sometimes more compelling that for what is. On that segue…
I watched this moon descend into the cloud bank on the right 15 minutes earlier. Wrote it off for the session. I figured it would be obscured. From that point on, it was just until I looked back to the horizon. Looking the other way… Preoccupied I was working the sunrise on the dawn side of the sky. I was aware (back of my mind) when the moon was setting. Having done this a few times I finally did glance around at the other horizon JUST in case. I was surprised when I looked up to see this vision. The clouds had moved to the right leaving a window to the really low moon.
Now this was taken with a huge long lens. These totally screws with your perspective. Zooming up on the relatively small mountains, makes the moon looks big. That ridge is 40 miles distant. The place I set up for this backshow of the sunrise that morning was high enough to give me views both ways. Around 4000 feet which is high ridge country in this corner of Wyoming.
I see the light. Light has a tendency to travel in a straight line unless acted upon. Usually this is by passing through a change in media such as air to water. This refracts the light. As I was carefully wandering in the twilight dusk along a high ridge. I was scanning for imaginary faces in the silhouette. (This image having many for you Pareidoliacs out there).
Having huge deep boulders on the skyline usually makes anthropomorphic imaginings easy. This scene froze me in my tracks. The spot of orange light in the black on the low right is actually showing THROUGH the boulder field. Talk about a gauntlet/light filter lol. I’m not used to seeing straight lines through rocks. My geologic background caused OCD kicks in lolol.
I was walking around with the wrong camera upon first happenstance to see this. “Clever Girl” was up the hill about 4 stories. Climbed up and traded cameras, climbed back down. (Got to stay in shape to do this stuff). I figured I was never going to find the exact same place in 3-D space again. I went back to roughly the same spot with this lens, found the “zone” and clicked. It was visible in a little window about 2 feet by 2 feet. Move outside that box and I couldn’t see it.
It’s an obvious metaphor. Simply put: “Seeing the light is looking at JUST the right angle at the right time. “
Old “Sneaky Pete” here has met his match. The environment is even kicking his butt. The air is thicker up here, it’s hard to breath, the sky is under a perma-eclipse. Asthmatics need not apply for a ranching job surrounded by a sea of grass/sage with smoke filling the air. Not an eclipse of the sun by the moon but by Forest Fires. If you’ve missed this enjoyment consider yourself healthier. Visibility was about 8 miles this morning at times. It comes and goes.
I don’t even remember a stretch this long (2 weeks) when I had a “normal” sunset to watch. These images will stretch out over the fall as I have dozens to finish from the startling skies. The very unexpected physics is welcome from a photographic standpoint. I have to clean my lenses more often that is for sure. I find my eye’s are more sensitive than my nose or lungs. It’s hard to take photos of what you can’t see. I found that out taking photos of Comet Neowise. Photography by instinct.
This was actually QUITE a dark Scene. Everything was indeed brown or a shade of red. I’ve seen VERY interesting shadow effects from this that I will work into my publishing schedule. There is SO much red light proportionally that it is actually hard to take a “normal” photo until about mid day. More than a few miles of atmosphere will completely block out the sun. I’ve seen it set into the smoke not the horizon 1/2 a dozen times already.
This is the pullback and image number 2 from this timeline. That is the original and official “pin hole camera”. We have a silhouette here of a local mountain top from another nearby peak. I was walking along the ridge to take maximum advantage of the Pareidolia I suffer from. There are at least two “easter island” faces in the silhouette. Suddenly as I’m walking along…..
I freeze. I really didn’t have the right camera with me, so after a trip to my truck. Consisting a few hundred feet of climbing, I figured I’d never find the window again. I couldn’t see it projecting a dot in the shadow on the landscape. The sky was too “lit up” throwing very bright diffuse light making that impossible. (What a sky).
It turns out that the “window” to this pinhole was about 2 feet by 2 feet at this distance (about 300 yards). I just by happenstance walked with my head at the right level. I’m amused by simple things these days.
I find looking at the world with the amazement of a child has done well for me over the decades. I attempt to view perspectives like a mouse and lighting as a youngin’. Try to moderate those with a dose of awareness though lol. Even though I’ve photographed thousands of sunsets/sunrises, each one is a new experience. Each different than any before. The spiffs of being a landscape photographer. 😎
Looking into the furnace is a hazardous thing to do with most cameras. I don’t suggest pointing a camera with a telescopic lens into the sun unless you really know what your doing. This was very bright of course going to places the human eye can only glance into for fractions of a second. More and your doing damage to your eyes. Don’t…I use gear that is good with this.
The old growth pines on this ridge, married a long time living together. Roots intertwining for well over 100 years. Sharing the same ground will tend to put everybody on the same page. The metaphor here leads to the conclusion that common interests exceed differences. The trees work together blocking the wind and gathering the light most of the time. Here they are cooperating with me making a nice frame for my sunset that evening. The have both survived decades of grass fires burning to their base. Survivors both.
The Yellow surrounding the sun is where the term “Golden Hour” comes from. What I’m after is the smooth yellow to blue gradient here with every color variation in between the two end members. Needless to say this is a wide lens involved to fit all of this in the frame lol.
I know this is a very dark image but it was very dark. Late Civil Twilight at dusk. What? You think T-rex only ate during the day? 😜 Yearning for some cheese I’m thinking.
Here the background narrative here is that we here on the Bliss Dinosaur Ranch use a “Way back Machine” (time travel) I acquired on e-bay. The estate of Mr. Peabody was disposing of it. (The 1960’s cartoon). So I sent a couple of pokes back to the end of the Cretaceous after tinkering with the machine for weeks. Got it working.. It’s hard to get all those old tubes and electrolytic’s they used back then. Lots of dust too… (Years old discussion)…👅
So we saved the moon 66 million years ago but I understand someone stepped on a butterfly. (You can be my friend if you know that reference. ). 🤘
The Plasma-Cut metal art over the Ranches “Gate 1” has been the cooperative subject of many a yarn woven into my art. It has been the subject of many a photographer over the decades since it’s inception. I created the image on my computer in photoshop (drawing). Then I had a file sent to someone who utilized computer controlled plasma-cutting of metal. This angle however is silly close to the previously mentioned foreground gate art. To have both objects in the same focal field takes some “manipulation” of the settings in manual mode. This was hand held as is most of my work. I’d say I use a tripod once a week for 5 minutes. I do use a truck window to steady a camera from the driver seat most the time. (Rested camera). I also use rocks to rest a camera. 📷
I think there is some affection there. I think the moon was trying to Dock there….You know, take on supplies and the like…. 😜 📷
Finding the Cliff was easy. Getting far enough away from the rocks to place the cliff in the same focal plane as the moon (infinite) was the hard part. Topography has to cooperate along with celestial agreement. The Moon is mostly a moving target remember. Getting planets and Cliffs to line up has some complexity to the capture to get both in focus. Position your head/camera in the X,Y,Z and time 4th dimension (time in this case). Getting a kiss on a moving face is pretty hard. I had the idea at first of making them contact by moving my head about 1/2 inch to the left. It’s truly amazing how little one has to move to have an object 600 yards plus away (cliff) to cover a moon a couple of hundred thousand miles away. Nailed the focus on the cliff, the moon is a little soft. I will perfect this with time.
This is the Sturgeon Moon, August Moon 2020. Filed under things you can do with a 1200 mm lens…. So far I have many captures of this months moon in various situations that will work their way into my work flow shortly. Remember the full moon was 9 days ago as this posts. That is how long it takes to go from Click to Publish with me doing this essentially full time. I figure I invest on average 1.5 hours work per image/narrative page on average and I publish 4 a day every day.
This is my last image of the Comet Neowise this time around. In 6800 or so years, I’ll get it next pass. It is traveling on a big loop around our sun. The bluish ion tail points straight away from the sun. The curved tail of debris off the nucleus is spewing off the curved race track the comet is on. This like so many chunks of gravel from a race cars wheels. Mr. Newton would be pleased to understand that his laws still seem to work. I estimate the light from this comet took about 6 minutes to get to my lens. It was far far away. At .7 Astronomic Unit’s distant from earth, it’s almost as far away as the sun itself when I took this. It is quickly getting further away and is only visible with good gear now. . 📷
Mostly I worked this comet with medium to wide lenses. I did however pull out a big gun for about 30 minutes. First of all let me say, This is a big aperture terrestrial lens (about 6 inches) and very fast at F4. Focal equivalent of 600mm. And I got about 6 seconds of exposure at ISO 3000. Any longer of an exposure and you’ll get long star streaks. I really should have tracked the stars and done minute long exposures at f200. Coulda Shoulda Woulda and all that. I keep pretty busy when I get a once in a lifetime opportunity with such clear dark skies. 👁
Tough to get set up as it was a little windy, big lenses have a high wind profile. A tiny wiggle ruins the image. I couldn’t even see the comet in the viewfinder. I was aiming blind literally. Set the camera in the general direction, take a photo, realign the camera and try again. This took 4 attempts to get it entirely in frame. If you look carefully you can see the tree line at about a mile distant from my camera. Close far perspective lololol.
It takes a drive “up the backcountry ridge” for a view of the western sky. After the sun has set. I see scenes like this every other day up here sans overcast skies. I find myself so used to the lighting I’m exposed to, overlooking a beautiful image that needs to be finished is a real thing. Scrolling through hundreds of captures after working any one particular sunrise or sunset timeline is a tough job. I usually under-expose everything so sometimes seeing it raw out of the camera is difficult. That mountain/ the far ridge is 50 miles distance. There are no yard lights visible over that distance. This is big empty country.
Photographic Musings: No over-exposure allowed. Only expose the highlights correctly. I adjust the image’s dark area back to reality later. Having found that over exposing twilight skies JUST to get some landscape detail is just improper. The best way is to capture a proper twilight sky without blowing out fine/intricate details. Some clouds are smooth, others have amazing patterns. THe detail lost in an overexposure is gone. Same thing happens when a beginning artist turns up the volume on color saturation or intensity. IT blows out the detail. There is a HUGE amount of detail in this properly exposed alpenglow colorcast sky.
Without the digital dark room, you would have a just black silhouette on the bottom. Here you have two ridges clearly visible with some detail present. If your purist and don’t like “changing” what came out of the camera, your ignoring the fact the camera by itself can’t capture the real scene. My eyes could clearly see the ridges in the distance. I had to coax it out of the digital file though. Photorealism. There wasn’t a silhouette there to my eyes. I produce images as I experienced them.
Location: Bliss Dinosaur ranch, Wyoming / Just a Beautiful Twilight
Mayan Pyramids on the Montana border…. Perhaps but the geologist in my pulls my imagination back in lol. Timing and position is a critical factor in this kind of image. The hill top is over a mile away with me watching the sun slowly rise while climbing up its left side. You see the sun moves up yet but it always moves to the right horizontally as well. More “Diagonally” up the sky than straight up.
So I started vividly imagining this unfolding stage play of the Mayan King awaiting the mounting of the sun god on the great pyramid. This “pyramid” is literally located 1/2 way between the Equator and the North Pole. 45 degrees North Latitude about where that tree stump is on the left. This must be a far northern suburb of the Chacchoben, Place of the Red Corn in Yucatec. But wait, the Hill seems to have fossil turtle remains, and dinosaurian parts and pieces in consistently sandstone/mudstone sequences. It is/was not built by stacking man made blocks as ancient cultures were so adept at constructing. Shape is a poor indicator of what things are. As we Pariedoliacs well know eh? The substance has to be there…
The area around the sun is VERY bright. You will need a mirrorless camera as looking into the sun through a DSLR camera could blind you. It’s a direct light path from the sun to your eye. I look at a video screen inside my camera so it’s impossible to blind yourself with one of the mirrorless cameras out there. However I suggest you check with the manufacturer to see if your particular camera can take this kind of abuse. A good use of negative space I think…. 😜
Most of you know I maintain a network of Game Trail Cameras across my ranch. Various trails and natural choke points are favorite places of mine to plant them. I have to decide WHERE to put them. This is based on WHERE the unknown creature destined to walk in front of my automatic cameras will inhabit eventually. I noticed a well used path down near a local lake where small animals obviously had tread prior to my discovery of the local highway. Out comes a game trail camera with a view of the path.
Of course I have no control over environmental lighting. Moving animals at night are hard for Game Trail Cameras to freeze. This one did pretty well but at 5:15AM, just a bit before sunrise that day, there was enough ambient light to freeze this little canid (I think a Fox of some sort). What was REALLY interesting was the breakfast it had in it’s mouth.
I wish I knew the back story of this. I can only by implication assume the fish was dead on the shore. The other alternative is he did some early morning fishing which would be different for sure lolol. The Fox may like his sushi from a gas station refrigerator next to the automotive fluids aisle. You know, a little past prime perhaps?? There was a pretty good grass fire here on ranch lately so maybe he had that fish cooked first. Back to reality, the lake is getting lower and a fish may have been trapped in the shallow. At any rate, caught him with his breakfast. Yumm. 😜
The stripe of orange/yellow colored ice under the Crimson Cloud Deck is what the sun light is passing through. A fully involved twilight sky is the result of that red/orange light making it through to the underside of a cloud deck This image was taken near the border line of Montana / Wyoming. The Butte actually sits directly on the border which coincidentally is precisely 1/2 way between the Equator and the North Pole. Some bright guy in the past decided that a kilometer would be based on the distance from the Equator to the North Pole. That distance is 10,000 kilometers between the geographic characteristics 90 degrees apart on the globe. There is actually a difference in distance to the south versus the north pole from the equator. There are several related discussions but that is something you’ll need to google for yourself 👀🤔😀
I must climb several hundred feet of topography to get this eastern view. It’s a several mile drive over two track roads. This spring time image from from May of 2020. With the drying out of my trails, I have much better access to the ranch’s high ground. The views are spectacular up there. I consider the east west view from certain high points around here to be 180 miles from horizon to horizon. Those spots however are not very easy to get to 1/2 hour before the sun rises lolol. The Big Sky of Montana merges seamlessly with the Wonderful Wyoming Skies right over my place.
Taken VERY early in Civil Twilight, this is a very deep focus close/far perspective. Those tree branches are very close for a telephoto perspective. I was watching this wonderful alpenglow/wispy feathery cloud color gradient already on a remote high ridge.
Getting around in the backcountry during early twilight: Up here in the Wyoming/Montana borderlands if you want a big view, you have to gain altitude to do so. The ridge tops are 4000 feet in elevation here. Everything else locally is lower. Having said that, we are actually very low topographically for Wyoming (but I digress). I have to leave considerably before sunrise to get up to an eagles view location as this.. I extend my horizon to 50 miles to the east if I climb the right peaks. This ridge named by me as “Sunrise Ridge” but usually because I’m taking pictures of the sunrise OVER this ridge. Not FROM this ridge as this captured moment in space time presents. IT’s a way’s out from my homestead driving 2 track roads in the dark. I have excellent lights on my F-150 Raptor though.
The Dark Orange Alpenglow is caused by ice that like a gel filter on a theatrical stage, colors all behind it. This is the cause of the color reflected of those feathery wisps of a cloud deck. Photography from the remainder of this timeline was equally as good. Eventually, most twilights gradually taper to a blue morning as the suns light was higher and less filtered by the atmosphere. Blue light invades, shadows ignite with detail and dynamic range. This was early in twilight, about 20 minutes before sunrise that May morning.
As I point cameras directly into the sun I usually get either Crimson or Burn Umber colors depending on my exposure. I’m not one to argue with my cameras on this point as I can’t look into the scene without blinding myself. I have no choice but to trust the full frame chips that Sony uses in their various Alpha 7 series camera backs used in my work.
Getting up an hour before sunrise in the summer takes some doing to motivate at times. I usually worked the sunset 6 hours before. IT takes a while to wind down after photographing sunset so the night is really short. I usually only need 4 to 5 hours of sleep a night (if I get a short nap mid day). Historically I will work 7 or 8 sunsets or sunrises in a row. In my old age wisdom, I might not work certain types of skies. Clear skies are way common and difficult for me to justify taking the time to work them. Obviously I don’t work heavily overcast sunrises.
My day revolves around photography so if I’m not taking care of ranch business and chores, I’m working images. Either taking photos up on the high ridges or going through the timeline of files picking winners/loosers. Then there is the time to finish. The hard part are these narratives. The photos are easy 😜🤘 In full disclose, I’m also looking for fossils and artifacts as I go……
Full time photography is not for the computer challenged these days. If you don’t work 3 to 4 hours a day in Photoshop or Lightroom, I would be surprised.
A Dandilion Sun filter. I use “Cellulose” filters where ever possible to moderate the glare from that ball of fire up there. Sometimes what ever is handy… in this case :). I find you are where you are with only the gear you are carrying at the time. Noted is a spring bloom of the invasive plant in the backcountry. I find isolated patches here and there anyway. Fortunately, just about every part of the plant is edible and another food source.
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Veiled Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. I only had a 400mm lens for a “macro”. Closest focus for this lens is about 4 feet away. I’ve certainly taken this shot before and will again. It’s a right of passage for the “Close / Far” perspective students to get this one.
Figuring it out is not rocket science but you do need to be in manual mode. I’ve heard from some that manual mode is scary and difficult. Wouldn’t know as I’ve never operated any of my current crop of cameras on any other mode. I don’t have a clue how to work them on automatic….
I would way prefer a 90mm (ish) macro lens though. The long macros work well for close ups of dragonflies on the wing … Most telephotos will take macroshots, the question is how far away do you need to be…. 😜📸
This silhouette “halfie” (almost) caught my attention for the extreme stepped gradient around the sun. I call these bow waves and don’t see them live real time very often. They are in reality natural diffraction artifacts from the thin slit in the clouds that the sun light is passing through. Ripples…. When light (or electromagnetic waves) passes through a thin slit shaped window, lightwaves ripple like water. The Physics of this moment should not be discounted. The slit was very thin, precisely what one needs for this natures “experiment”. The mind of the guy that figured this stuff out (Huygen) was right up there with the best. “Huygen diffraction” would be a good google search for you for continuing education on this. Constructive/Distructive interference of waves is the discussion which is lengthly. I’d never get it past my grammer checker (Nazi SS training in that program trying to explain all that) lololol.
So the bow wave here is literally Ripples around the Island of Light that the Sun’s Disk represents in this metaphor. Capturing ripples of light that are natural is hard and fairly rare. Note: I could do this in the digital darkroom very easily but this one is the real thing. Not a digital color shadow radius artifact. The whole discussion lies about the cloud “slit” which is the initiator of the diffraction process that provides this variable gradient around the sun. If you have a gradient like this with a complete sun, it’s the result of an artifact within the digital dark room treatment the artist (at that point) is using on his previously raw photo. (unedited photo=raw photo out of the camera). This capture is entirely unedited or I would have had landscape detail down in that black negative space.
This is the second finished capture of 3 from this sunrise stage show. The play started at 5:15 AM when I had a 5:36 appt at sunrise. There was very little indication at my homestead that this would be such a show. Taking in the information from a remote ridge lined camera I have looking east, I jumped into “Clever Girl” my Ford F-150 Raptor and started gaining altitude. A sunslit window to the light was showing…might have amounted to nothing…. I never know for sure if I’m wasting my time before I commit to an hour at least watching sky plays…
Our ranch is on a high ridge but I have to climb higher ridges to actually see sunrise. There is a 400 foot high series of parallel ridges to my east which effectively hides my east view. I see 130 miles to the west and 50 miles both north and south from my homestead. I see about 1000 yards east without climbing to the top of Ridge 1 to the east. The actual time AT my homestead I see the sun is about 1/2 hour later than what ever time the sun actually rises.
The Snow squall that was ongoing at the time (taken the first week of May). We are used to a late frost with the “last” frost being May 15th…This posting on May 20th, 2020… A very wet cold weather descended on us after this sunrise. Certainly the completely overcast (thickly so) cloud deck was quickly obscuring the solar disk at this capture. There was less than a minute of light left before the day turned to a gloomy lack of interesting light morning. Wet and rainy for a week thank god as we need the moisture.
Windmill Junkies Unite: 🤘🤘📸 Don’t let your mother know you look at stuff like this…. 👀
A wooden Tower Windmill WAAAAAY out in the middle of Nowhere in the Backcountry. It’s about 20 miles from my homestead to work this one. Gravel Roads lead close to this but I have to leave the highway to get this close. It’s a LONG walk with camera gear…
WOW, I see a lot of lit up twilight skies in my work (that is what I do lol) . This was a good one…A real color scheme as I experienced the scene. This lighter/softer twilight not as intense as some but soothing none the less. Everyone needs some purple in their lives at least once a week. I actually don’t see real purple very much, the gradient between the red and the blue made it. Mixing colors on the sky’s pallet.
My photographic technique is to properly expose the highlights and worry about the shadow details later. The skies gradient from yellow to red to purple in amazing to experience live thusly stealing my total attention. Taken by a 60mm lens, this give the appearance of “SLIGHTLY” zoomed in. Resulting that the Big Horns do not look quite that large as they are in real life/naked eye. Those “hills” on the far right frame are 130 miles from the camera. They are also 13,000 feet tall ranking aside some of the highest mountains in Wyoming.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands.. (Wyotana)
These 5 were caught in early twilight. These deer were up watching the sun go down with me. They were ridge lined and I was able to maneuver way below them about 100 yards out and Click…. I know this this grouppretty well as they are seen almost every sunset walking between their grazing area and one of my water troughs. We keep that water available all year (for the last 20).
They are pretty used to me being around but are still quite wild. They don’t come down to greet me you might say but I can get pretty close if the conditions are right….. As long as I stay in my vehicle anyway.
There is a whole little deer melodrama playing out pretty much all year but you really have to watch and pay attention to see it happening.
Remember F-stop? It was very low light. To freeze them in space and time, you need at least 1/200th second for a walking deer. You either give up F-stop (depth of focus) or ISO (camera sensitivity) I gave up f-stop as the detail in the sky behind wasn’t critical….. Though it was sure impressively fully involved with the long wavelenths that made it through the atmosphere. Getting a longer depth of focus is what F-stop does along with either letting in more light or taking it away with higher F-stop numbers.
(Illusion of a Tsunami wave coming into the shore but it’s all clouds)
Getting just the right angle toward a sunset with the foreground is a challenge sometimes. I wander the hills sides and ridge tops of the remote borderlands of Montana/Wyoming. I the the big distances in either an UTV (Polaris Ranger Crew) or my Ford Raptor F-150. The distances in this area are such that covering a lot of ground is a necessity to find these locations. I always ride to the distant ridge but usually am walking around for the duration of what ever event I’m photographing. My timelines smoothly go from mounted to unmounted captures.
By walking or riding along parallel ridges, I’m able to see first and quickly compose these scenes. As I’ve always said, if I can see it in my environment, I generally can capture the scene in these high tech photon traps I use.
Looking into the sun is an “edge of the envelope” activity that is best left to mirrorless cameras as I use. DSLR cameras are dangerous to do this with as there is a direct light path to your eye through the camera. Mirrorless cameras have a video screen inside of the eye piece viewer. There is NO direct light path to blind you with concentrated light from the lens. Please don’t try this with a DSLR camera. You CAN capture this with a DSLR but you have to do it without looking through the camera WHILE you are taking the image. Set up your rig before you point and don’t look through your DSLR camera at the sun…
The highlights around everything is the result of a fine coating of Hoar Frost and Rime Snow. Everything facing or exposed to the wind was covered that morning. Fog covered the valley floor below this high ridge overlook.
It’s always a challenge to capture one of the moments when a tree hangs a lightbulb down from it’s heights to light it’s way in the dark. Humans have flashlights. Trees… well…🤔😜 Those Ent’s are getting high tech….
Perhaps this capture is more symbolic of the tree plugging into our furnace for all things that keep it alive. Energy flows freely in this image. Heat transfer makes everything possible. For without that furnace we would be in a cold place on a frozen rock. All life relies on this warmth. Have hope though… if the sun suddenly disappeared in a senior Sci-Fi moment, there would still be microbes surviving deep in the earth. Warmth from below, geothermal and chemical energy providing the basics for life even then. I’m not so sure sentient life would do very well under that scenario. I might be wrong…
Bright as heck scene. IT’s hard to get much more detail out of the shadows with out technology with a higher dynamic range than I have. Right now I’m working with have the ability to resolve 15 fstops of dynamic Range . Most cameras have 12 f-stops or less. The human eye has 21. D.R. is the ability to see the brightest lights AND the darkest darks at the same time in the camera. It’s easy to adjust most cameras to do either, but not both.
Oh the history… Deep in the backcountry of Wyotana, is this old tin covered shack. It was used for many decades. From as early as 1900 some structures survive the years intact out here if the windows remain. Windows generally keep everything wild that might decide to overnight out. Cattle Pressure usually destroys windows in abandoned structure UNLESS they are in a fenced in an enclosure or corral area surrounded by other buildings. This on an abandoned homestead where the main house burned many years ago. It is indeed protected from cattle pressure.
This bunk house housed many hired hands over the years. All working on the larger ranch that used to head quarter at this site. Families came and went with the turning of the calendar. Generations perhaps of cowboys ‘passing through’ on their life journey. Father and son partnering, time passes, as eventually do the keys to the door. The number of boots passing that door must have been countless. Lives long since past. The poker games on the only table. The frost on the window ghosting one of the many hands passed with Aces and Eights. None of us has the perspective of this surviving relic of a past age. But perhaps to be a future alternative to the reality of todays world. We might all circle back to that life again.
Live in “interesting times” :
Maybe boring is better but change is of the essence wafting in the breeze. Not to worry as change has always been part of our existence here. It is as certain as life itself. When we become complacent and “used” to our lives, expect the unexpected. Things sneak up on you otherwise. Suddenly everything your “used” to changes. Then we reflect our thoughts to the stability of the old ways and realize that is where we belong. It is after all where we all came from.
I’m thinking I’m going to start practicing some more 1880’s technology than I already play with…. 🤔
Oh… the image…. Wonderful Alpenglow lights the background on an icy/snowy/frosty winter like spring morning. I love prodigious Alpenglow gradients during late civil twilight ❤️
Location: “Wyotana”, The Montana/Wyoming borderlands…
When I see a Full moon rising at the horizon, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This particular lone tree up high on a ridge has faced the worst wind/weather this high country can throw at it. It is a true old soldier. (April Egg/Fish/Pink Moon 2020)
The Lone Tree on a Ridge is about 1/4 miles out from the parallel ridge is was working in the dark for this capture. The moon is a little further behind the ridge.
Photographic Musings: Clear as a bell this evening. I worked the sunset but this moon rose about 80 minutes after that. It was dark and a true night sky. About half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. This I captured only because I was moving along at an operational tempo most seal teams would envy lolol. Light is VERY fleeting.
I work the Moon’s “Shadow” line on parallel “opposite” ridge by driving along it and “seeing” what develops as I move. This is where the cool stuff suddenly pops up to photograph as in “I know it when I see it”. There are times I see lighting that is virtually impossible to capture with the technology. This moon is relatively easy by comparison lol. Of course, a full moon behind trees is a very common occurrence. It happens every time a full moon is up, at many angles millions of places around a woods. It’s being in the right place at the right time with the right gear to catch the image. That is the hard part.📷
Merging together silhouettes will if the lighting is conducive for such. One of these guys is a “butt head” it seems…. Your choice as to which one 😜
The Alpenglow from the suspended Atmospheric Ice was the backdrop for this evenings stage play. As I move from one photographic opportunity to another working the light, I see many things. Some are worthy of your time so I point my photon capture boxes in that direction trapping a few.
I watched these guys watch the setting sun between my main job of taking snap shots of the actual sunset that night lol. Deer definitely check out the sunset. I’ve seen them do it. The evening progressed from blinding bright sunset to the right saturated tones of the twilight. The “boys” got back to the main business of finding tasty morsels on the hillside.
These two Spring antler growing bucks have their bony horns covered in “Velvet”. This time of year (about a month from now) is prime antler growth time. I actually have a smaller “Stag” buck up here that still has it’s antlers. HE’s an oddball though. Everyone else shed theirs in January as did these two. The grow back very quickly with a blood vessel rich “Velvet” skin nourishing the growing bone from the buttons on their skull cap.
Yes there is actually a small cave passing all the way under that boulder. One can crawl in there with all the other creepy things that might live in such a place if you had to get out of the weather. (from the other side lol). That hole is the back window with a view over my shoulder…
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.