You really have to see this full screen to appreciate it. It is dark but that is because the dynamic range required to look into the sun. The Camera relents. It’s inability to replicate what my eye sees is obvious to me. Technology will eventually catch up. The human eye has 5 or more F-stops of Dynamic range than the best camera. IF you blow this image up, you can see lots of detail in the dark. If you looked at the sun at the scene, it would have blinded you the glare was so intense. Cameras seeing details in the dark while looking at other very bright things is why silhouettes are created. The camera is unable to do what the eye does. I point out that the camera is better at looking into the sun than the eye is though 👀😜📸
This timeline was limited to about 15 minutes as this is just a thin slit for the sun to shine through. The cloud deck was otherwise opaque to the sun. It was actually quite beautiful as a stand alone sky show. Always trying to work a scene, I had no way to incorporate the foreground into this scene. I was up too high on the ridges and at a point JUST above the next ridge in front of the camera. No time to move. The cloud deck never lit up from under significantly on this show. That was a trick mother nature held out for a short 8 hours later for dawn the next day. That timeline will make it’s way into my work flow shortly. Stay tuned….
Captures like this really wide angle twilight melodrama are always a welcome eye opener . Treated to this wonderful show I was. As it turns out it was just a promise of things to come. In my travels, I’ve experienced occasional morning light worthy of capturing in my photon traps last several hours as did this show. Well into the “Golden Hour” this play continued. Unfortunately there is no universal/international rating system of the various iterations I experience of twilight beauty. I might have to come up with one some day.
Taken a full 15 minutes before the horizon dropped away. Thus exposing our star in it’s full brilliance. The attenuation of it’s glare not as intense filtering through the veil of clouds on the horizon. The withering gauntlet experienced by the light on it’s path to the cloud deck above kept the shorter bluer wavelengths back. Only the strongest waves survive natures filters. True of light as it is ourselves. Nature filters out those things that can’t, won’t or are ignorant of adaptation to the conditions that prevail up on them.
The promise of a fully involved twilight sky is of a better day to come. Though sailors are to take warning so goes the wisdom of the ages. It’s a good thing living about as far away from the ocean as we do as such rules do not apply here. (We live 80 miles from the geographic center of North America). This was a wonderful day with more images from this timeline to come.
WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red is amazing to experience live thusly stealing my total attention.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
“Sneaky Pete” the Windmill and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
“Sneaky Pete” the Windmill has positioned himself dead center of this BIG twilight borderlands twilight sky show. Habitual Photo-bombers like Sneaky are incorrigible. I have no control over their actions.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color.
The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies. This is a pretty wide and tall image out of a 24mm lens.
Commentary on the weather:
We have way more snow than this at the moment. Winter has been very early this year. There is a lot of snow in the backcountry now and it’s not Christmas yet. IT has been a very moist year with every season being a month off. Spring was late and fall was REALLY EARLY on a Tuesday. Oct 1 Winter began this year. In the past I’ve driven down empty roads through Yellowstone in October before. I’ve never seen as cool/moist as year as this in my 30 years of living in Wyoming. It’s going to be a very long winter I’m afraid.. Starting winter early is bad.😫
The well known ranch rule is: If the gate is open, leave it open. If the gate is closed, close it after you pass through.
I will leave gates open to allow easy passing of game through the fences. They don’t have to crawl under the wire or jump over it. This particular area is a busy summer area for game, not so much in the as winter water is more than a mile away. It has to be moving water of course to not be frozen in this environment. Dryland areas like this evacuate of all ungulates during the colder months of the year.
I usually put game trail cameras on open gates but I had just removed several from this spot due to the oncoming winter. Not only will it be difficult to tend to those cameras, they would capture almost nothing that time of year. I tend to keep them around those water sources that are kept open. We trickle a jet of high pressure water into 4, sometimes 5 stock tanks all winter. It keeps them open nicely and should provide some nice ice sculpture images this year. Wildlife hangs near the water for good reason. Trapped near an island water source surrounded by dry land with LOTS of food. It’s not a bad way to spend your winter if your an ungulate. The one thing we usually have enough of is deer fodder/food.
This is a pull back as your eyes would see this scene at around what a 50mm lens sees of a Big Sunset Over the BigHorns Mountains. If you were on my ranch watching from 130 miles distant.
I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. I have many captures from this night worthy of finishing. I’m standing a few hundred yards north of the Montana/Wyoming border to take this so it’s across the state line.
This kind of sky show changes by the minute. Looking tightly into the setting sun is dramatically bright but the shadows add up and it’s actually pretty dark where I stand. The Camera shows me the scene on a video screen so I’m not going blind from this.
Exposure time is so important in getting the colors right. I see the actual image my camera is going to save BEFORE I click the shutter. So I can actually check the color of the sky in front of me and the camera Once you realize a high f-stop and low ISO are necessary to take this kind of image, shutter speed becomes your variable to match the colors in your viewfinder to the actual scene. (applies to mirrorless camera users not you DSLR guys).
The mountain chain in Silhouette to the right is part of the Red Hills at 40 miles out from the camera. That range is an erosional remnant of the sediment apron the BigHorn Mountains spread out this direction. There are no sediments from the Big Horn mountains “Fanglomerate” (google word of the day) that reach my ranch. It’s likely that those that did have been removed from above by erosion. Those distant mountains used to be a lot higher. Plus Powder River Basin between here and there was a lot deeper.
Sunset Across the 130 mile Distant BigHorn Mountains is one of quite a few BigHorn Range captures over most of last week. Amazing stuff 😲📸
Watching this alignment start up with the sun WAY left of the range less than a half hour before this. The sun will always move from left to right as well as downward. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis
That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. During the long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in. I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to this photo:
This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the len cap on (it’s that bright lolol) You only have 3 main things to set on your camera by working it on manual mode.
They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations. Priority 1 taken care of.
Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with.
Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire. On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on. So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸
Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁
This Complex Sunrise Big Sky image is on the Wyoming/Montana border looking east. Both states in the image. This is a “fully involved” sky
While Montana Claims the “Big Sky” moniker, Wyoming certainly shares it. Our ranch is in both states and MOST of my images have both states well represented in the capture. I’m one of the few photographers that can legitimately post an image in both states Facebook forums lolol.
This is called a “Sunrise” but in fact it is still in Civil Twilight a full 15 minutes before the sun actually rose. This is still a night sky. Day starts when the horizon drops away from covering the sun. Twilight is my favorite time of the day. I photographically work almost every morning but clear sky cloudless mornings. There are SOOOO many cloudless gradient twilight images in my portfolio lolol. Certainly I don’t need many more.
Going out in the twilight before sunrise into the backcountry is alway interesting. I often run into still bedded deer, most of which don’t care that I’m driving by, stop, take a photo and move on… I get some of my best wildlife photography done coming back from working morning twilights. I’ve done this many hundreds of times. Over time, you get lucky and random encounters start to add up if you have the right gear and ability to work in morning golden hour light. Twilight low light is a whole different group of settings lolol. The transition from twilight to sunlight is rapid.
I have a lot of this same sky looking west taken the evening of this same day overlooking the Big Horn Mountains. You will see these as they get finished/posted.
Location: Standing directly On the “Wyoming with Montana” border, Bliss DInosaur Ranch,
Caught Coming Home the other night: Alpenglow across the Barnyard
Really dark scenes like this are best caught on a tripod. I have a vehicle window clamp that works pretty well for lenses under about 8 or 9 pounds. I’ve had several cameras on that window before lol. One is easy. The reflections in the windows of this rather large Barn Structure we have (286 feet by 94 feet I believe) which is about the size of a regulation foot ball field. The Moon was up far to the left and I was trying like heck to see it’s reflection in the windows but I couldn’t get low enough to catch it. Durn Ground was in the way. Some things you just have no or little control of.😜”Alpenglow Across the Barnyard”
Time exposure, night time about 30 minutes after sunset at the beginning of Nautical Twilight. About 2 seconds worth of shake free camera. (you have to turn down the volume on the stereo AND turn off the car to avoid that. A real mood breaker since I tend to do photography with some jamming tune in the backcountry.
When you have a LOT of “stuff” in the atmosphere plus a LOT of red/orange light filtering through it, leads to Alpenglow. The low angle sun light plows through hundreds of miles of air, clouds, moisture, and dust. In this case, ICE is a major sun projection screen lighting up with the infusion of colored hues, mostly orange here but I’ve seen EVERY color in Alpenglow. Often the Gradients can literally be a rainbow gradient. I’ve seen and photographed it numerous times.
You can count the number of architectural silhouettes I’ve published on both hands I’m pretty sure. My tendency is to work nature not the man made stuff up on ranch…
The stratified cloud layer was rippled and in a perfect position to be lit from underneath by the sun as it dropped below the layer. It was heavily occluded before it got into the open air under the clouds. Big Sky yes but there is Herringbone sunset sky of both Wyoming AND Montana sky in this wide angle capture. (Most of my images have both states in them in one way or another).
The Herringbone pattern is not that common in my experience. Everything has to line up just right to get this kid of patterning/highlighting of just the low parts of the cloud layer. As soon as the heat from the sun hit this layer, the extra heat pretty much evaporated the clouds. Soon the sky went mostly clear for the actual sunset roughly 15 minutes later.
This location is only about a mile off the gravel road which this time of year is iffy. What you can’t see in this is the 5 or 6 inches of snow we have on the ground now. It’s been dang close to zero for several nights now. This is very early winter weather in my experience living up here in the borderlands. We get the best of both states AND the worst at times. Sometimes that is weather and other times it’s weather. 🤔😀
I’ve been busting still small drifts but I won’t go much off the paths now as it is really really slick and if you get into a hole, your not going to get out. They become gravity wells and even my jeep with full time 4 wheel drive has issues getting out of those in the winter. Don’t drop a tire off the level for anything. Hopefully I will only have this Jeep another month or two as I do have a higher smoother riding replacement coming with a 2020 build date likely lol.