I really don’t like glass filters in front of my lenses. They sometimes give me ghosts that are virtually impossible to remove. My alternative is to use what ever cellulose that is hand. I present a couple of nicely filled out grass seed heads for your filtration enjoyment…..
I find a lot a beauty in simple things. There is never a lack of something to focus on I find. As long as there is light, a piece of nature and a good camera, anything is possible. Making a crescent sun out of a cellulose fan…. not as straight forward as you think but worth trying sometime. Be careful not do this with a DLSR camera as you’ll likely blind yourself. I only use mirrorless removable lens cameras for such “into the sun” images. I watch the image on a video screen in my camera. There is no chance for me blinding myself looking at video. I point out AGAIN that regular DSLR cameras have a straight light path to your eye. You really can do damage.
Some mirrorless cameras are not made/designed/ able to look into the sun directly. You will burn a spot in your cameras sensor chip on smaller sensor cameras. You might check with the manufacturer to see if this kind of ultra bright work is safe with your particular camera/lens combination. Not all cameras are. The larger sensor cameras spread the image out over a much larger area and thus the temperature on the sensor is reduced.
I’m always looking for free cellulose filters to reduce the very very bright light from the sun. I never use filters in front of my lenses ever but natural ones. Extra glass get’s in my way but a Seed Filter for the Sun is always a good idea. I’m not sure of the plant species. There was a cluster of them by the road side so they are probably a noxious weed that just went to seed. I only know a two patches of this up here that I’ve noticed anyway. They seem to be very localized. It’s pretty stuff though with the sun playing through it. .
This was taken just a few weeks ago before the snow crushed all of this to the ground. Using a really Wide angle lens helps with this kind of capture but you want a lens that focus’s very closely. When I was shopping for a good wide angle, one of the things I paid a lot of attention to was how close the lens focuses. My 10 mm lens (here) will focus down to 9 inches away. Your setting FIrst priority is a high F stop….F-22 (deeper focal fields the higher the f-stop number) You need a deep focus for this… Shutter speed just has to be fast enough to stop any wind or hand motion of the seed headsSay 1/100th second. Then you just have ISO or camera sensitivity to balance the light equation to get the image where you want it. .
Your of course working manual settings on your camera. I don’t even know how to work my Sony Alpha cameras on Automatic. Never used it before on them. This image would have been capturable by a cell phone but this was a high end camera and lens.
I certainly used a “cellulose” filter on this Sun-slit Twilight. Yup that tree is all cellulose and it filtered the light that made it through to my photon capture box. Hundreds of miles of atmosphere for light to travel through to make it into this twilight image before the sunrises above the horizon and illuminate the cloud deck. This is a night sky technically. The sun has not risen here and won’t for about 9 minutes in this timeline. It’s still 3 sun diameters below the horizon or so. Dead calm, 2 second exposure, f22, ISO 200.
This image is all about the use of negative space. 36×24.