Sunrise Through the Knothole. IT was a crisp cold morning, I was out collecting chips from Game Trail Cameras. I was also working the sunrise as opportunities presented themselves. i went for a walk along the shore or this small lake. The sun was just emerging as the horizon dropped away exposing the nuclear furnace. (Remember, the sun doesn’t move, the earth’s horizon drops away exposing the sun.).
Driftwood can be knot holed and this piece was big enough to stick my camera accompanied with a a wide lens attached. I’m honestly not sure which side of the border this is on as it’s pretty much on the border lol. I didn’t have my GPS with me. I usually reserve that device for fossil hunts where landownership and exact location is a bit.
Thinking like a mouse looking through a window, I take images of natural portholes/windows as I see them. It’s the close/far focus thing that is hard to do photographically. On manual mode, if deep focus is your Priority with your image, think immediately of turning UP your F-stop number. High f-stop numbers set your aperture (the pupil size of your camera) very pinpoint. As small a hole in the lens as possible. This give you the deepest focus (thickness of the zone of focus). Low f-stop numbers give you shallow focus. Maybe a nose is in focus but not your ears. It lets in LOTS of light going big pupil (low f-stop) but you have fuzzy backgrounds. If full image (close/far) focus is what your after, then high f-stop numbers are your playground.
Once you learn F-stop is a double edge sword either taking or giving light, it also effects focal depth. The other two settings are adjusted after f-stop to compensate and balance your light equation. If you learn nothing else from this, learn f-stop means focus depth.
Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).
Title: Sunrise Through the Knothole