When ever I point a really long lens directly into the sun, I’m going to get either Burnt Umber or Crimson colors. The latter was gifted to me here. You have to realize that no one knows what this would look like because you would be blinded to stare into such a scene. Using a 28 inch long lens to crush the perspective of about a mile distance from the tree pair. Shutting the camera down to light leads to all sorts of interesting effects. (mostly diffractions).
Obviously those two trees (Ents) were up to no good. Catching the sun like that trying to keep it all to themselves. Fortunately the sun had the state of mind to sneak out the back and disappear behind the ridge. The two didn’t have a clue how it got away but no matter how many times they try this, it never seems to slow down the sun very much. IT still rises more or less on time every day. Imagine if a whole forest did this at one time… think it might slow it down?
I work in a wondrous world of parallel ridges that when very mobile, allows me to find events like this to point my camera toward. By being able to move up and down topography quickly extends my ability to find such scenes. It is a truism that topography is my master. 10 feet lower, and the sun would be below the horizon, 20 feet higher and it wouldn’t be in the trees but above. Location, Location, Location…
The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.
There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..
Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.
A tad out of season is this Bee on a Summer Day. I’m still finishing random photos from pretty much the last 3 years so don’t bee surprised to see a few more bee photos incoming lol. I’ve actually seen a few bees about but it’s 37 degrees as I type this and it snowed today.
Its nice to keep the spring season in perspective. Looking ahead 1 month is healthy if you have the images. The limitations of the technology I use are such that deep focus in these macro images is not easy to achieve. There is a fine balance between getting closer and getting focus. It depends on what your wanting to do technically. Bumblers are still sort of rare these days. We’ve been in winter conditions pretty much since Oct 1. That was the last time I was able to photograph bumbler since then. I’ll do my best to give you macro fans a slow but steady flow of the little guys as they start appearing again. 🤠
The Bumblebee family has over 250 species in the genus Bombus. A few related genera to Bombus are found in the fossil record. Bombus is the last genus in the tribe Bombini which also had those fossil species in the classification scheme of things. There are fossil bees found but I point out that the 13 dollar BEE in “Amber” on Ebay might be a fake. Just saying😜 Fossil bees are rare as hens teeth (which, by the way actually exist ).
(Illusion of a Tsunami wave coming into the shore but it’s all clouds)
Getting just the right angle toward a sunset with the foreground is a challenge sometimes. I wander the hills sides and ridge tops of the remote borderlands of Montana/Wyoming. I the the big distances in either an UTV (Polaris Ranger Crew) or my Ford Raptor F-150. The distances in this area are such that covering a lot of ground is a necessity to find these locations. I always ride to the distant ridge but usually am walking around for the duration of what ever event I’m photographing. My timelines smoothly go from mounted to unmounted captures.
By walking or riding along parallel ridges, I’m able to see first and quickly compose these scenes. As I’ve always said, if I can see it in my environment, I generally can capture the scene in these high tech photon traps I use.
Looking into the sun is an “edge of the envelope” activity that is best left to mirrorless cameras as I use. DSLR cameras are dangerous to do this with as there is a direct light path to your eye through the camera. Mirrorless cameras have a video screen inside of the eye piece viewer. There is NO direct light path to blind you with concentrated light from the lens. Please don’t try this with a DSLR camera. You CAN capture this with a DSLR but you have to do it without looking through the camera WHILE you are taking the image. Set up your rig before you point and don’t look through your DSLR camera at the sun…
Winter “Golden Hours” can be markedly colorcast. This is the scene as I experienced it. 99 percent of the 1.2 people per square mile living in this country were not aware of this as living up this high topographically is an exception. I only know one residence on this ridge. Everyone else was under a blanket of fog down in the valley.
Here the gold light was reflective / pervasive off the white snow. The mist / fog was thick on the valley floor hundreds of feet below. This is a Wyotana backroad over looking both Wyoming (right) and Montana (left of the sun). A few miles south of the border watching the sun rise in an atmosphere saturated with ice suspended in the air. A good place in the world to see the east horizon 100 miles out. That horizon is actually in South Dakota but the ice mist here obscures it efficiently. This time of year the sun is actually setting just north of straight east. The dividing line between Wyoming and Montana is seriously blurred in my world with most of my photos having ground and sky in both states. Morning / Evening light is mostly east and west so I’m always looking down the borderline so to speak.
Yup everything was covered by Hoar Frost and Rime Snow that morning. This is very late in the stage play that was performed without much audience buy myself. By extension of my captures your there though. I see all these
Location: High Ridge (Ridge 5) along the Montana/Wyoming border.
Jumping into my photo, “Sneaky Pete” the Windmill provides a close for this “Close / Far” perspective
Windmill Junkies Unite: 🤘🤘📸 Don’t let your mother know you look at stuff like this…. 👀
Gotta love Yellow/golden Alpenglow. A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The Bighorns look pretty close in this image. But its taken by a 1200mm lens, this give the appearance of “SLIGHTLY” zoomed in. Resulting that the Big Horns look huge, way larger than they are in real life/naked eye. Those “hills” on the far right frame are 130 miles from the camera. They are also 13,000 feet tall ranking aside some of the highest mountains in Wyoming. The area of horizon can be covered by your thumb at an arms length.
The Big Horn Mountains are indeed distant from “Sneaky Pete” the Windmill. Sneaky “randomly” photobombs my landscapes. He and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Enjoy your “time off”, make the best of it you can. I’ve been working every day as hard as ever up here in the middle of nowhere. Be safe all.
Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.
I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.
Alpenglow occurs both before and after sunset. You see different colors with time as the sun light moves has to plow through progressively longer paths through the atmosphere. As the horizon draws closer to the sun, the colors that survive the trip are longer wavelengths like red and orange. Rich crimson is the result of only the longest wavelengths making it through that smoke, dust, moisture laden longest path where the light is actually bent around the globe a bit. Yellow skies like this are late results of a clear sky sunrise. Yellow is the last gasp of the twilight deeper colors. Blue Sky isn’t far away. (This is a VERY small area of the sky and the close ridge is 5 miles out)
Alpenglow as this exists because suspended atmospheric ice acts as a projection screen dominating the skies in the winter. What you see here is the result of illuminated/ lit up suspended small ice crystals shining yellow. That is the dominate color for this length of travel through the atmosphere. Just a few minutes before, this was red as these stage shows constantly change the set of the play.
Don’t forget: When the moon or the sun is ON the horizon, it is in reality below the actual line of sight. Hiding behind the earth. It’s image curves around the globe a little due to the atmospheric lensing. Only orange/red light makes it through that gauntlet giving us twilight colors.
Musings on working ridges with cameras. :
I am always looking for Layers of ridges. A “Landscape Ladder” so to speak. Working the high ridge country here on the Montana / Wyoming border is wonderful for finding such “ladders”. Parallel Ridges aligned at right angles to the sunrise and sunset creates unlimited opportunity way to work shadow lines photographically. You can usually find dozens of worthy sunsets and sunrises captures on the ridges following/moving along that shadow line. Many interesting foreground objects magically appear that way. Those are useful in the close part of the close/far perspective (the goal) . Start an hour before the event is my suggestion.
This method of working the landscape works very well for moon perspectives I find. Moving along that shadow line, on an opposite ridge, I’m able to maneuver down topography for a sunrise and up for a sunset. One can follow the sun/moon up/down over the “event” by changing my position. Ridges let me work the moon (for example) for an hour instead of 5 minutes that I would have on flat ground. It helps to be very agile getting about too. Cover more ground, get more captures.
I call this kind of sunset with divergent crepuscular rays a “Crown Sky”. The rays reminding me of a royal crown but it is also suggestive of a massive cathedral with a starburst at the focal point. I really don’t see too many of these. Considering the nature the particular environmental conditions necessary to create this.
OK here’s how it work. The light from the sun is passing under the lowest cloud bank just on top of the white disk. That light is stopped by the shape of the puffy bottom of the cloud surface. This creates shadows on the clouds/ice toward the camera. The “Rays’ you are seeing are the opposite of the shadow lineson the foreground of the effect. The lit up parts of the rays are illuminated by the light passing under that lower cloud bank. So that clouds bumpy surface profile is reflecting off the cloud deck. As a final “nice tough” here of course also has to be some falling ice crystals (hexagonal plates falling oriented like parachutes) to light up to really make it pop like this. So several things have to be happening at just the right time for this phenomena to occur.
I’ve seen these rays pointing upward like this capture as well as in a down facing divergent crown. I watch a lot of sunset/sunrises and I’d say these occur at a 1 in 500 rate or so. I have a handful of Crown Sky Captures over my travels.
Magic happens sometimes here on the Bliss Dinosaur Ranch. Here I caught a the Bliss Ranch Gynmastic Training Camp. Here a Great Blue Heron showing off spinning that big burning bubble on the tip of his beak… While standing on his Mates Back . Crowing/Displaying after a little bird whoopee that evening. Even while on a moving tree swaying in the breeze. Talk about balance….👀🤔😜 They are just building that nest. The third guy is a bystander as far as I can tell. I couldn’t see him blush within the rarefied air of this light environment.
With Topography my master, I find getting celestial objects to cooperate lining up with birds is mostly the miss part of a hit or miss situation. To have these huge eagle eyed birds patiently watch me work my way to them. Then tolerate me getting this alignment… Pretty cool …. 😃
Working the Great Blue Herons this time of year is certainly best. The 50 foot tall Cottonwoods have no leaves so capable of concealing nesting but not for another few weeks. Approaching and positioning for this shot in time and space has been a long term goal. Learning to do this in a camera is a task and a half plus getting all the variables to align. Trust me on this…
It just so happens my All Black Ford Raptor (new vehicle) backcountry truck looks enough like an Black Angus to these birds so as not to care so far. I very carefully work up to the nests in a familiar grazing animal gate. The new Ford stops the engine when I stop…perfect for photography. Wait a while, slowly approach, turn to the side, stay there a few minutes, take a few photos, move about 20 feet closer, rinse and repeat. I will gradually work my way over to where these 5×5 birds…. 5 foot tall birds with a 5 foot windspan…. are nesting. I was able to work these guys for 35 minutes as the sun disappeared behind the rising horizon . Forever in my world. 📸📸
Some of the pre-sunrise drives out into the backcountry are silly amazing sometimes. It takes me a minute to get set up for this kind of location. I usually have photographed the sight a different day . This fully involved twilight sky was colorful icing on the cake from that morning’s long timeline.
The term “Twilight” means 3 different things: Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Nautical Twilight starts when the sun is 12 degrees below the horizon technically. Both the Horizon AND brighter stars/planets are visible in this twilight. It is the “middle” of the three twilights. At the beginning of Nautical twilight, it’s about one hour to sunrise.
Rule of thumb which varies with your position on the globe, is 28 minutes each twilight. In Astronomical Twilight, If you live in the city, you have probably never noticed astronomic twilight. The are NO shimmers of daylight at the beginning of Astronomic Twilight a full hour and a half before sunrise. .
Away from the lights of population centers, we see Astronomic Twilight regularly where there is just a slight greying of the black totally dark sky mid night. It gets as dark here on our ranch in remote northeastern Wyoming as the North Atlantic Ocean according to NASA.
These guys were busy grazing on the grass of this ridge when out of the blue, this big ball of fire came down between them. Separated by an apparently dangerous fireball, the rear buck realizes the problem. I’m sure he’s working out the solution to his separation anxiety. Deer take time to process unique situations so I caught him here deep in thought. 😜📷
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here. I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work.
In reality this kind of image is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event. I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where with the snows/mud of late. The Backcountry is challenging to get back into at the moment.
I was driving along a two track trail with the bright lights of my Polaris Ranger Crew UTV. Big Bright LED lightbars are a fixture on all the vehicles I routinely take into the backcountry for photography. Not only do they help you see what you don’t want to run into, they show you what you do want to find lol.
So, after a long sunset photographic work session, I spied this Prickly Pear Cactus Boom down on the prairie as I was passing. There was still some residual color in the western sky and I was determined to get it. This flower just happened to have a green beetle within enjoying the relative safety of this environment. Can’t blame him really. Scented room with a view until I came along with my smelly noisy UTV I suppose. At any rate, I’m sure it all calmed down there as I pulled away.
Prickly pears belong to the Genus Opuntia which contains over 150 species across the globe. The deer in this country grow fat on cactus “figs” grown on the low paddle shaped cactus. These cactus have been used in Mexican cooking for hundreds of years. Take off the spines, and they cook like vegetables. I’ve eaten fresh prickly pear and I compare it to a cross between water melon and bubble gum.
There are so many ranch stories from any one particular spot that will never be told or known by the public or for that fact history. Some epic, standard stuff sure and most were. But stories of sweat, toil and hard work by generations of cowboys and cowgirls in the borderlands of Wyoming/Montana. I look around at all the fence posts set deep in the ground on my ranch, I just shake my head in astonishment at the work. If anyone hasn’t hand dug a post hole, raise your hand, you know who you are .
This is true cowboy country. There is a huge cattle culture in this place complete with the uniforms for such. The both counties my ranch is about have WAY more cattle than people living in an area the size of a small state. Ranches can get large up here, not as big as some of the historic ones though. There are still a few 100000 acre outfits (outfits as they call ranches locally 🙂
This IH/Deering Seed Drill was certainly used in the 1920’s and 30’s maybe into the 40’s. There are several old homesteads from the 20’s (ish) within 3 miles of my place that I know about. Somewhere back then, the owner parked this complex machine meant to drop seeds with some precision into a prepared field. It was the last work it did… Planting Hybrid Grass seed was it’s primary job. I’m not sure what pulled it. Maybe both horses early on and then the rancher got a tractor or a WWII surplus Jeep and pulled it with that. Many surplus Jeeps worked fields here in the west during the 40’s and 50’s. So many stories not told….
I even find fragments of historic leather harness “tack” for horse teams here along with the iron skeletons of old 2 seat carriages and abandoned buck wagons here on ranch. (The blacksmithed iron is fantastic.) There is about 110 years of European man living on this remote ranch in the borderlands. Over tthe last century, many early settlers threw broken items “over the bank” and out of mind.
So the steep/deep gullies near old collapsed sod houses are prime hunting ground for iron antiques, glass bottles etc left over from previous lives. There are even a handful of car/truck skeletons from the 1920’s around and even some in the backcountry. I have a “Small” eclectice collection of select ranch artifacts carefully spread about in rock gardens around here. Interesting stuff for sure, pretty rusty AND rusty all 📸
Boy is there a lot going on here. This was a dramatic morning to a student of clouds. The Kelvin-Heimholtz type Wave Cloud patterns on the top dark band is not a terribly common cloud phenomena. Differences in air density moving past one another making waves… Add to that the spread across the sky crepuscular rays during twilight. I probably have 4 other images in 30 years of photography. Twilight Crepuscular rays hard to find in my experience.
I was looking madly for a foreground object(s). Ones I could use on a mostly treeless parallel ridge between me and the show. The main sunrise still 10 minutes away. I move pretty quickly from place to place if it’s possible. Mid-winter presents it’s challenges to my access or more importantly egress from some of my ridge top photographic locations. I had to drive about a mile in variously deep snow to get this angle on the tree lined ridge over 2 miles distant from my position. There is a large deep drainage between that ridge and myself as well. Can’t get there from here lolol.
The yellow to orange to red Alpenglow gradients is typical morning midwinter. The longer traveled red rays illuminating the cloud deck from below. The Yellow / Orange part of the image is mostly Alpenglow. Alpenglow is exquisite here in the winter. Every twilight has some if the sun is not occluded by clouds. . There is usually ice in the atmosphere in the borderlands even mid summer sometimes. I’ve seen Alpenglow every month of the year.
This sunburst coming just over the edge of the far ridge is one of the most prodigious I’ve had come out of this camera. Part of it was there was a LOT of fog in the air for this. Primarily these sun star are diffraction artifacts inside the lens of the camera. They are either attractive to you or not I have found. I personally like them.
Are these rays there in the real world? Yes they are a result of light passing through a very small aperture. Light diffracts off the edge of the opening which you are seeing here. The same thing probably happens to your own eye but you’d be blinded if you tried so you turn away lolol. No one can look into a scene like this for very long twice. No human eye could do more than glance past this. Then you’d still be seeing spots. When the diffractions stars are BIG, it’s really bright. Also the F-stop is turned up to give me a small aperture. Cuts off light too … Wide focal fields with high F-stops lets me properly focus the grass at my feet AND the hillside.
This was taken a day before we got a pretty good snow. IT’s a LOT harder to get around up on the high ridges now. We’ve been in the deep freeze for a while with mid-February weather spitting a few inches every other day at us. No huge storms YET this winter, I hope we get snow spread out in smaller dumps rather than huge punctuated events with named winter storms.
As Canada Geese migrate, they make nightly stops here on open water which was getting rarer as the season went along. Migration consists of these big birds moving from where there were born, to warmer areas, then back to their birth place.
These geese are amazing birds with up to a 75 inch wingspan weighing between 5 and 15 pounds. Now a 15 pound bird is a LOT of bird. Big Males are nothing to mess with if they are being territorial and habituated to humans in city parks etc. They never stick around up here to give me a hard time so far. They will violently attack any creature that is a perceived threat to their goslings including humans.
The Canada Goose is literally the largest goose in the world. Having said that, there is a subspecies of canada goose that is the smallest goose species in the world as well. The oldest captive goose lived 40 year with 30 years being common in captivity. 10-25 in the wild is typical. They mate for life but if one mate is lost, they will take another.
True Story here on ranch…
I have some experience with geese chasing me. Never fought one. I did however have a confrontation with (captured them by hand) a wild 30 pound bird or 2 before (turkey) that was in our log house under construction at the time with no windows in the building yet. A flock of 1/2 dozen turkeys were inside. Not wanting to clean up the mess, it was my job to get them out…. I went in with safety glasses, a light jacket and gloves. I have determined that turkeys while flying through missing windows do well. Not so much flying out the same windows blanks in a log wall. (to the light). I had to catch each one of the birds Stuck on running around the room from me rather than trying to leave via the window. Dinosaurs all. Just no tail and teeth.
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in Civil Twilight, this is a very deep focus close/far perspective. . I was watching this wonderful alpenglow/wispy cloud gradient already on a remote high ridge. A fully involved sky is a treasure but this morning was a treasure chest with all the rare colorcast it led to later in the sky show.
Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Up here in the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Much easier on the roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. Everything else is lower in this area. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress). How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
Simple perspectives are my stock and trade. I have tried to make an art out of using the things that nature provides for me to photograph. There are so many little area of zen popping up everywhere I glance. The problem of course is there are so many and so little time so I just concentrate on the obvious stuff. Trying not to stand on my head or bend in a direction my design specifications don’t conform to. Fortunately this process involves a lot of walking on uneven ground carrying some camera weight up top. It keeps me in shape but more important it keeps me connected to the earth. Walking about is how I hunt dinosaurs in this country. Watching the earth is what I do.
Being very earth centric, I’ve spent my whole life considering geologic processes. Most are unaware of them and “blissfully” so. As a student of paleoenvironmental analysis, I see below this landscape and imagine the world that laid the sediment that eventually became those boulders. Clues in the rocks tell me books of information by their presence/characteristics. Geologists see past the beautiful sunset (enjoy those too). We imagine what processes leading to that rocks formation. I have a 3 D map in my head of the orientation of the rock layers under my feet. A useful thing to keep handy at times ….
It is somewhat complex to figure out what processes worked the sands these rocks are made of. That Hell Creek/Lance formation sand was deposited 66 +million years ago according to MANY scientists…. That’s 48.3 billion sunsets/sunrises. Actually numbers like that easily flow into my understanding of things when I imagine the inside structure of the earth, processes that occur now occurred then as well. You might say the perspective I have goes a bit under the surface of what I “look at”. Time is a 4th dimension to me. I don’t just look for fossils here, I look at the rocks to see if they are likely to have fossil in them first…..
Speaking of time, enjoy the snowy sunset and the Close/ Far Perspective.
Sun Trapped by Windmill (Headline of the news story).
A tad bit of Satire if you don’t mind …. (It’s an old narrative if your new to my world 🙂 )
Windmill Wednesday: Windmill Junkies Unite: 😜🤘
Crushing Perspective with Telephoto lenses is a very good pastime. I find that certain objects lend themselves to Close/Far work which of course is quite challenging to line up just so…… “Sneaky Pete” the Windmill here lends himself more than not to photography. He sites pretty well, much better than most kids anyway. The durn sun is always moving. It worked it’s way from the “trap” by slipping out the back door…….😜
Sneaky has his job on the ranch pumping air into a barnyard pond to keep it freezing in the winter and destratified plus the O2 thing. He is an aquarium pump lolol. Just a really small duck pond. He’s close enough to my house to be the first thing I run by on my way out to backcountry photo locations I visit.
So Sneaky is a notorious photobomber of some ill repute. He is always popping into my landscapes as I obviously have no control over his actions. Only Timber slows him down as he gets tangled… He only lets me live here as he’ll be here long after I’m gone. Sneaky is quite a character, I’ve seen him hang around those innocent Mule Deer and Pronghorn. He lives of course near a running water hydrant so the local wildlife is usually negotiating deals between the various characters that live around here through him. His deal is all about publicity.📸📸
Alpenglow such as this occurs when there is a LOT of ice in the atmosphere mostly during winter. . I’ve also seen smoke do this kind of scene in the summer. Here on the high ridges of the borderlands, I get to look at parallel ridge tops like this 40 miles away to the east.
After passing through a gauntlet of filters in the atmosphere, crimson/orange/yellow are the survivor hues. Absorbed/blocked/refracted away are the shorter wavelengths of color. Can’t trap them in my photon capture boxes (cameras) if they don’t make it to me. Passing that gauntlet to blues/greens and indigos consists not only of hundreds of miles of low angle atmosphere plus all the dust and the dirt suspended within.
The sun isn’t actually occupying the line of site where it appears to be here. Because of atmospheric “lensing”, the sun is actually still completely below your eye to the horizons line of sight. It just looks like it’s up. This accounts for several minutes of differences from rise/set charts versus the observed sunrise with the day always being longer due to lensing. The atmosphere literally bends it’s light around the curvature of the earth thus the “lens” part of atmospheric lens. This courtesy of inversions and thermal-clines. The path this light took was at least 300 miles of low angle air. The higher I go topographically, the longer the light I gets path. The redder the alpenglow.
Looking westward across the 40 mile wide Little Powder River Valley , a cloud bank will snuff out the light within minutes. I am often sent home early with no “photos in the can” by cloud banks shrouding the horizon. When I head off road to climb up ridges chasing light, the mid-winter wins sometimes. This night I went up hill. Over 300 square miles of landscape presents here, all covered by this snow blanket. We get most of our 14 inches a year of precipitation during the winter.
You will note how effectively Yucca plants have a tendency toward collecting their own stash of water. The result of this is to soak the ground around them. The Yucca is a great plant up here providing food to the deer all year long. Deer from both species eat the seed pods from Yucca which grow in significant quantities up here. Yucca flowers are edible too I ‘ve seen ungulates take advantage of them every year. The deer grow fat on them. Already eaten, mostly deer have consumed the seed pods. By Mid-Winter, the deer have consumed much of the food reserves on this ridge. They have moved on to other pastures. Typically they head to sheltered gullies with water near by.
If it’s going to be winter, I wish it would freeze the backcountry ground. As I type this it’s been staying around freezing and just above for weeks. Mud in the backcountry completely blocks me from access as I don’t want to rut up my two track trails.
This view from the Pass at Rockypoint Wyoming to the Southeast across northern Crook County Wyoming. I’m actually standing in Campbell County with the camera. The sky was fully involved in a wonderful twilight sky snow.
Well you know those distant Mountains as Devils Tower (left) and the three Missouri Buttes (right). 4 ancient volcanos throats exposed by erosion remain elevated over the surrounding debris plains. The volcanos fed by these conduits didn’t erupt all at the same time precisely but were in the same general geologic time frame of a few million years. They are certainly all related and in the same volcanic “field”. Devils tower is 35 miles out from this spot…
Eruptions supplied by these pipes which occurred far above on ground that is no longer up there. Erosion removed a LOT of material that used to be above the Tower and the buttes. Deeply buried these rocks were originally. The harder rock making up the Eventually the pressure in the original volcanic system dropped to the point where it was not pushing magma up the pipes. Insulated by the surrounding rock, the magma froze slowly in place. Because of that insulation and the slow cooling, the rock (Phonolitic Porphyry) was able to “crystallize” and freeze into columns. Known for it’s columns, the Devil’s Tower has it’s status as our nations first national monument. The Missouri buttes only have SOME columns. Not as many or as well formed. So they are not considered monument worth lolol.
Location: Near the Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Morning Alpenglow Rockypoint Wyoming (side show of twilight just before sunrise left of frame)
Rockypoint Wyoming is a good 12 mile drive over good gravel roads from my residence. That takes me about 18 minutes from my driveway it drive below the speed limit. I have found that I’m a rediculously careful driver. The police driving course I took and subsequent on the street work, watching speeders and turn signal stops all day,. I was also an EMT for 17 years. Saw a lot of the result of bad triving. Sometime Days at a time in a small town in Ohio lol. I digress…
So I’m driving by this intersection, I see, and locked up the “antilock” brakes. With less than ideal traction, there was a spasmodic response of deceleration. The car slowed jerking to a stop. I backed up, rolled the window down to verify what I was seeing. It was pretty cold at the time and setting up a tripod is of course the came.
I carry my cameras in a modified beverage crate with plush sheepskin over it. I take a box of 5 or 6 cameras out each time I’m working a sunrise / sunset.
Having that crate seat belted in as well as any baby. Each camera has it’s own lens set up for different situations of course. I avoid having to deal with changing lenses to get just the right optic to bare. Changing lenses is very easy but it introduces dust into your camera when you are working in an already dusty environment. I’d rather change lenses in my house next to a HEPA filter.
Location: Rockypoint Wyoming, about 10 miles south of Montana in Crook County Wyoming by a few feet, Campbell county behind me.
Driving two track roads during Nautical twilight up high in the backcountry is easier when there is only this much snow on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrive, it’s already into Civil Twilight with maybe 15 minutes to go till sunrise. THe sky starts to light up, the air is crisp, the smell of sage and pine are rife. There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken over a month ago in early December. We had lighter snow then than now. There is 6 inches flat everywhere on the ridgetops at the moment. You have to be very careful going off the ridge tops. The snow that use to cover them has been blown of to the sides. There hasn’t been much drifting yet this winter and I have a new truck now with excellent capabilities so it should be a productive winter up on the ride tops.
Looking up this hill for proper perspective, the lower yellow band is bright alpenglow. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting.
Grass Stand Sun Filter (or Summer Sunset Through the Grass…..)
Yellow gradient to red but there were some low clouds messing up a perfect gradient. It’s hard to fight mother nature but I like the yellow and transitional orange in this. Stepping JUST over a ridge line with a long lenses camera is at sunset becomes habit. I work parallel ridgelines all the time looking for close / far perspectives such as this.
The sun is SOOOO bright you couldn’t look at this scene with the human eye. I’m about 150 yards back from this grassy ridge with around 400mm involved. I work the shadow line on the far ridge. Distance is your friend with this kind of shot. Maximum F-stop settings (high numbers) give you a deep field of focus. Ifs your first priority to get the grass AND the background in focus. Good thing, it’s a bright scene and the High f-stop makes your aperture a pin hole. Go higher if you can. Then I mentioned, distance from the foreground object is key. You have to be far enough back to get the grass AND the sun focused at the same time.
As I type this, we are going into a cold snap you will have experienced by the time you read the post. I build these posts about a week ahead on average. I post 6 different images everyday on FB along with the story or lesson for the narrative.
View from up on Ridge one here on ranch. The window to the Big Horns is IFFY this time of year from this far away. My truck/tripod is 130 miles out for this capture off the highest point around the place. The timing on this was mid-Civil Twilight
Full Screen is a good choice for this. Twilight over the BigHorns this night was so obviously gorgeous. I had to resort to a short time exposure to catch it. The timing on this sunset is very late in Civil Twilight.
Civil Twilight after sunset ends about 28 minutes after the sun goes down 8 degrees under the horizon. It’s usually the best time to get those crimson and yellow skies. The yellow is Alpenglow. Atmospheric Ice causes this phenomena caused by refracted light passing through. Only the red wavelengths which have survived through hundreds of miles of atmosphere light the cloud deck.
The long lenses I use crush the perspective of distance. I’m almost always using telephotos to bring in just the BigHorn Mountains filing the whole frame. It takes about a 800 mm long focal length to fill the camera frame side to side with the tallest part of the range. The black ridge at the bottom is 40 miles out. The clouds behind the range are around 200 miles out I would suspect. The distance is hard to put into proper frame. Those 13000 feet high mountains appear smaller than the thumb on my outstretched arm from here.
Two young Mule Deer Does look off to the right. Deer are always aware of their surroundings but they were more interested in something other than little me. I was in my Jeep at the time. I have a new vehicle now that I traded off my Jeep/backcountry transportation for 15 years. It will be interesting to see if I can approach deer and have them accept me plus the new all black truck as “just another grazing animal.”
I don’t like to use glass filters to reduce the sun’s brightness. I would way prefer deer sun filters to reduce the glare and block some of the light coming int the camera. lol.
In reality, a glass filter usually give’s me difficult to deal with “Ghosts” of off center images. An extra artifact on the image that I don’t way like a lens flare. So this isn’t using a neutral density filter, it’s done with Manual Mode camera settings. This was take a week ago and is one of a LONG timeline I spent with several animals including this buck and a fawn. When the planets line up, they really line up and it was all business lol. I was working 3 cameras about as fast as I could spin dials get the shot, change up, rinse and repeat. I was moving back as the sun was going down to keep the angle with the ridge as well as moving as the deer grazed or moved.
Long lenses, HIGHest F-stop, lowest ISO, and fast shutter speed but don’t try this with a standard DSLR camera. You will blind yourself. I use a mirrorless camera variety that I am looking at video of the scene. Also your camera might literally have a spot burned into the digital chip that sees the scene inside your camera. Don’t blind yourself. . So know what you are doing before you try pointing telephotos into the sun please.🤔📷
Clarence Reece built a two story building in 1907. This became the General Store for the area (Rockypoint Wyoming which is in the North Eastern Corner of Wyoming). Just north west of Devils Tower which you can see from here about 35 miles away. Run by various local characters over the years, the store changed hands a dozen times. It closed finally in the Mid- 1950’s.
These timbers, cut 112 years ago, are the last remains of a building that served a whole community. These merchants who weekly at least, dealt with terrible dirt roads bought a lot of freight through these doors over time. Imagine if you will the old time gasoline pump with the glass top. An ranch kid attendant with a rag in his pocket took care of the windows and checked the oil.
I can’t imagine all the horse team trips to Gillette to hit the railroad in the early 1900’s. Gillette would be a two day trip via buck freight wagon I’m pretty sure from Rockypoint Wyoming. Camping on the trail, no weather forecasts or radio. These folks 100 years ago were tough hombres.
The community dance hall / community center became ground zero of local / national political discussions of course lol. Dances too but the roads could keep the band away. I’m sure they did best they could.
I own the back 1/2 of the Rockypoint 1940’s dance hall. It is a good structure that I resurfaced when I moved here in 2000 and it remains as a shop building.
Pursuing Ladybugs with a quality macro lens has it’s rewards. This 18 inch square image with a smooth green bokeh is a favorite summer pursuit. They are usually fast movers, difficult to catch sitting still enough to compose a frame. This one was an exception. It was sipping on the drops of “nectar” from the flowers petal.
The Ladybug didn’t eat the daisy. There were many grasshoppers around, obviously someone seconds before munched the petals. I wouldn’t want to accuse the grasshoppers without any proof ……(apparently outdated morality these days but I digress😟) Anyway, ladybug saw an opportunity to rehydrate and get some sugar. Nature is all about one creature making it either easy or hard on another. This little one is making good from damage. It will go on and eat aphids, scale insects and mites.
Red in nature is usually a warning. It’s a big flag that says they might not be a good choice to eat. Ladybugs blood (yellow) has a foul odor I understand from reading but I’ve never noticed it. I have ordered thousands of Ladybugs for my aquaponic greenhouse. Handled them by the hand full before but never crushed one let alone tasted lol.
I think they are little turtles having photographed them up close and personal for a while. When threatened they “turtle up” and release a little yellow blood from their legs (stinky as discussed above). The red / stinky strategy apparently works as they are abundant up here in the borderlands.