Driving the backcountry I see many images but not all of them are straight forward just point and click lol. Without the Smoke Pall totally filtering all but the brightest longest wavelength colors. The sun was ALMOST naked eye viewing here which made the grass highlight possible. Halo’s in the grass around the sun are hard to catch when they are not BLOWN out by overexposure.
Normally the glaring intensity of the setting sun will over power the cameras sensor leaving hard colored edges around the sun, unlike this smooth gradient/transition. I really like smooth gradients in my images, if you see steps in my color ramps, either it was really like that or I screwed up something lol.
The color is true to the sky I was looking at through the camera. Most of the sky was smoke grey. This is a very small area of the sky through this telephoto lens. This image covers an area the size of a postage stamp at arms length. This was hundreds of yards away.
The thickness of the smoke of late has been troublesome. Animals and Humans alike suffer from the choking irritant. As I type this, the residents of Jordan Montana can return to their home. One of many fires ongoing in the area was ready to run over the town. The 50 mph winds and low humidities made for fire storm grassland conditions. One of the few redeeming results of a hot forest or grass fire is the color in the sky down wind. I’ve seen some smoke/light phenomena this week I’ve never experienced before.
This flower somehow survived the very early frost we had last week (as this posts). It was on the highest point of the highest remaining flower (not too many left). Between the hail storm in July beating up every flowing plant with a view straight up got destroyed. At a minimum it bruised or at least broke most of the plant up. Just like I have 5 apples on a tree that normally would yield several bushels, I have a few flowers about. The suspicion is that this is high value real estate. All sorts of creatures were around this small bed in a sheltered area getting their fill with the pollen. Bees, Flies, Wasps bugs of all kinds were visiting this island in the middle of a hailed upon desert. The Mantis was staking it’s claim.
I’m sorry to say the cold probably got this one I’m pretty sure. It was a good summer for insects. Particularly grasshoppers. There should be lots of Mantis Egg sacs about. IF I see any I’ll photograph them of course. I have found one in the ranches Walipini Greenhouse already. It’s our 6th generation of them down there.
I have to get about 3 inches away to get this kind of capture. Patient predators if you ask me 🙂 I was on my knees praying for this shot. However I was all in for good focus as well as a slower subject lol.
Mantis are part of a huge order of some 2400 species under that umbrella worldwide. This is a native Wyoming/Montana species. Though almost all the flowers it hunting have all been imported from elsewhere. Thrilled he was to see my lens coming at him lolol. I have to get about 3 inches away to get this kind of capture. They might see themselves in a mirror. Patient predator if you ask me 🙂 The are constantly moving back and forth a lot to imitate plants swaying in the breeze. They usually don’t stick around in any one place very long on their rounds.
I titled this Shock but I could have used Bow wave just as well. The atmospheric phenomena you are seeing here is a very complex interaction for sure. The color is real as is the wave in front of the sun. I was watching this clearly on my video eyepiece just as you see it here. The Pall of Smoke was significant even for recent standards.
Amazing light effects occur in a heavily occluded / smoky atmospheric haze. I have views looking west from the local that reach out 93,000,000 miles to the sun. Between myself and the sun are many miles of atmosphere acting as a filter to all but red and yellow light. (With all gradations in between like orange).
I think there are a lot of things going on here with the color and the gradients. You will note a baseball diamond shaped area of yellow above the sun is the highest sky where yellow can penetrate with a given intensity. (a calculus equation or two involved here I suspect chuckle). Less smoke between me and the light there. Below on the wave, only the red light can penetrate the haze. The closer to the sun, the brighter the light the haze has to block. The curve will be smooth around the base. Mother Natures Geometry at her best artist strokes. I love smooth gradients but naturally stepped gradients are massively cool. Maybe it’s just me chasing light again lolol.
I’ve seen this only a few times in my travels. I suspect it has a name but I haven’t researched it.
I see the light. Light has a tendency to travel in a straight line unless acted upon. Usually this is by passing through a change in media such as air to water. This refracts the light. As I was carefully wandering in the twilight dusk along a high ridge. I was scanning for imaginary faces in the silhouette. (This image having many for you Pareidoliacs out there).
Having huge deep boulders on the skyline usually makes anthropomorphic imaginings easy. This scene froze me in my tracks. The spot of orange light in the black on the low right is actually showing THROUGH the boulder field. Talk about a gauntlet/light filter lol. I’m not used to seeing straight lines through rocks. My geologic background caused OCD kicks in lolol.
I was walking around with the wrong camera upon first happenstance to see this. “Clever Girl” was up the hill about 4 stories. Climbed up and traded cameras, climbed back down. (Got to stay in shape to do this stuff). I figured I was never going to find the exact same place in 3-D space again. I went back to roughly the same spot with this lens, found the “zone” and clicked. It was visible in a little window about 2 feet by 2 feet. Move outside that box and I couldn’t see it.
It’s an obvious metaphor. Simply put: “Seeing the light is looking at JUST the right angle at the right time. “
Of course this is very dark. It looked like a refrigerator bulb across the yard. ONLY the red through yellow wavelengths were making it. Not many of those either. This reminded me of the Eclipse we witnessed down at Douglas Wyoming a few years back. The way the subdued lighting had everything awake but on hold. Almost like a pause before the curtain opens for the screen play to follow.
We’ve had smoke for two weeks now and I’ve worked every terminator crossing (look that up if you don’t know it) during that interval. Except this AM as I type this. A small cloud system came in and blocked my eastern view with nothing but a gray slate screen. Sort of like the internet was down in the denial. I was so used to getting up and about, shock to my system…. The nights are very short in the summer. It’s a good thing I don’t need much more than 4 hours of sleep. (as long as I get a nap during the day lol).
I’ve spent a good deal of time doing photography these days. This intense a smoke pall for so long is fortunately a rare event this severe. This plume(s) is equal or in excess of any I’ve experienced in my 20 years living in Wyotana. It’s been an interesting “disaster” year all around now with twin hurricanes landfalling on the Gulf Coast. I did some post-graduate marine biology teaching down at the Gulf Coast Marine Lab in Ocean Springs Mississippi. Those guy are getting clobbered as I type this. (Shaking head side to side).
Bee Flies are Harmless to humans as they do not bite. I have only seen this species a few times and they are “Flighty”/hard to approach. I’m thinking I cheated and used a sex lure. I didn’t intend to of course. I had just mounted a fire fighting mattock tool with a yellow fiberglass handle to the racks on the Raptor. The Yellow Bee Fly must have just fallen in love instantly. I had brought my cameras out to the truck a few minutes before planning to head out shortly. Looking over I froze in my tracks. I got my camera and he was still there…..
Holy Crap I thought. I took 3 progressively closer images until he wasn’t in the view screen anymore. This was from 10 inches away or there about. Natural Sunlight just cooking down. This actually makes the capture harder since bug are very active when fully warm. Hair Triggers so to speak.
Those are HUGE eyes for such a small Bee Fly. This accounts for their tendency to fly quickly. These are good bugs too. The adults just sip nectar but the larva eat some bad bugs in your garden. I like to see these guys. They are just not very common in my area. Pretty small is the word…. It might be 1/4 inch eyes to butt. I’ve seen them more early in the spring on Dandelions though.
Mayan Pyramids on the Montana border…. Perhaps but the geologist in my pulls my imagination back in lol. Timing and position is a critical factor in this kind of image. The hill top is over a mile away with me watching the sun slowly rise while climbing up its left side. You see the sun moves up yet but it always moves to the right horizontally as well. More “Diagonally” up the sky than straight up.
So I started vividly imagining this unfolding stage play of the Mayan King awaiting the mounting of the sun god on the great pyramid. This “pyramid” is literally located 1/2 way between the Equator and the North Pole. 45 degrees North Latitude about where that tree stump is on the left. This must be a far northern suburb of the Chacchoben, Place of the Red Corn in Yucatec. But wait, the Hill seems to have fossil turtle remains, and dinosaurian parts and pieces in consistently sandstone/mudstone sequences. It is/was not built by stacking man made blocks as ancient cultures were so adept at constructing. Shape is a poor indicator of what things are. As we Pariedoliacs well know eh? The substance has to be there…
The area around the sun is VERY bright. You will need a mirrorless camera as looking into the sun through a DSLR camera could blind you. It’s a direct light path from the sun to your eye. I look at a video screen inside my camera so it’s impossible to blind yourself with one of the mirrorless cameras out there. However I suggest you check with the manufacturer to see if your particular camera can take this kind of abuse. A good use of negative space I think…. 😜
Radiance: (Websters) : the quality or state of being radiant 2 : a deep pink : the flux density of radiant energy per unit solid angle and per unit projected area of radiating surface. (1 and 3 nailed this) I’m thinking that I’m digging the Flux Density here but maybe it’s just me. Of course totally square natural frames and visual tunnels always are a nice hero or two to add to the images mix.
All images are combinations of light, angle and the subject(s) of the composition. My job is to bring them together into a coherent mass… jumble if you will. Coherent being the key word. Chaos is the tendency of the world but bringing order to chaos is what I often pursue. Those are the images that somehow bring a semblance of logic to the disorganization that is so prevalent in our universe. They make sense to our minds sense of balance and proportion. Leading they eye naturally as the masters of the 16th century figured out toward the focal point of the image. Here is a sunburst as the center. Ago old technique, modern technology to look into the eye of the furnace that keeps us warm.
This “Golden Hour” capture is classic to the intensity of the sunsets in air full of ice. Alpenglow glow colors the air golden. Only the hour after sunrise and the hour before sunset qualify as the “Golden Hour”.
There was a lot of complexity to this evenings sky up here in Wyotana. The wind was indeed blowing hard and spinning ol’ “Sneaky Pete” a good bit. I have no idea how many times those bearings have rotated but it’s millions…. many I suspect. As I type this we had a 43 mph gust and the storms that moved through last week gave us an 84 mph gust on my weather station. I now have my weather reporting station back on line. Do a search for DW1087 for my weather station live here on ranch.
From a technical standpoint, doing this in camera with no Neutral Density filter in front of your lens is rare. The conditions must be JUST right. Anytime I point a camera into the bright sun, I’m mostly turning off the all the light valves. This gives me either crimson or burnt umber colorations. Who am I to argue with the camera. No human eye could stare at this live and work later.
I wanted to blur the windmill sail. A fast shutter speed will freeze it in it’s track and reduce light (less light is good here into the camera). It’s all about balancing these three things. But to blur such a thing, means 1/15th of a second which is VERY LONG in bright light. OVERPOWERING BRIGHT = hard to do right. Balance……3 things…..Shutter and:
Camera Sensitivity to ISO 100. Faster shutter speeds reduce the light coming in too. (you need to)
Leaving F-stop (aperture/iris size) to consider. I want a close far focus with this telephoto so I’m using F-36 (a high setting for a 400 mm lens). Higher the F-stop, = less light BUT deeper focal field. That means the depth of focus will have both the windmill and the distant sky/horizon in focus). Sort of a requirement but not a problem here. I only use 1 of maybe 10 of these I take….. Hard to do.
When ever I point a really long lens directly into the sun, I’m going to get either Burnt Umber or Crimson colors. The latter was gifted to me here. You have to realize that no one knows what this would look like because you would be blinded to stare into such a scene. Using a 28 inch long lens to crush the perspective of about a mile distance from the tree pair. Shutting the camera down to light leads to all sorts of interesting effects. (mostly diffractions).
Obviously those two trees (Ents) were up to no good. Catching the sun like that trying to keep it all to themselves. Fortunately the sun had the state of mind to sneak out the back and disappear behind the ridge. The two didn’t have a clue how it got away but no matter how many times they try this, it never seems to slow down the sun very much. IT still rises more or less on time every day. Imagine if a whole forest did this at one time… think it might slow it down?
I work in a wondrous world of parallel ridges that when very mobile, allows me to find events like this to point my camera toward. By being able to move up and down topography quickly extends my ability to find such scenes. It is a truism that topography is my master. 10 feet lower, and the sun would be below the horizon, 20 feet higher and it wouldn’t be in the trees but above. Location, Location, Location…
The lighting was so unusual I pulled up and pursued it as hard as I could. The heavily veiled sun was peaking through up the hill. But not where I was standing hundreds of yards away. The angles were unusual. I was sun shaded but bright spotlights shone through the veil. This high lighting the hillside. This sunrise was a nice variation of the many themes I have experienced. Lots of contrasts and highlights are a good thing lol.
There is a fossil site below that tree… I haven’t really dug much there, just scratching the surface. I know there is a caudal vertebra from some dinosaur sitting up there under the edge of a boulder about a foot from where I initially found it. It’s only a few inches across. There are also a few bone cross sections (outcrop with bones sticking out) under the cap rock. I don’t believe it is worth my time to dig there as it’s likely just a few random individual bones. They are likely NOT bones from the same individual. Bones soon to become fossils were washed into that spot by the Cretaceous Age rivers. (End of the Dinosaur Era). 53 percent of the fossil record is composed of pieces and parts of Triceratops… They were the cows of the day..
Everybody on two legs (theropods like T-rex) at them. The more things change, the more they remain the same. 2 legged creatures of today eat those modern day cows too.
A tad out of season is this Bee on a Summer Day. I’m still finishing random photos from pretty much the last 3 years so don’t bee surprised to see a few more bee photos incoming lol. I’ve actually seen a few bees about but it’s 37 degrees as I type this and it snowed today.
Its nice to keep the spring season in perspective. Looking ahead 1 month is healthy if you have the images. The limitations of the technology I use are such that deep focus in these macro images is not easy to achieve. There is a fine balance between getting closer and getting focus. It depends on what your wanting to do technically. Bumblers are still sort of rare these days. We’ve been in winter conditions pretty much since Oct 1. That was the last time I was able to photograph bumbler since then. I’ll do my best to give you macro fans a slow but steady flow of the little guys as they start appearing again. 🤠
The Bumblebee family has over 250 species in the genus Bombus. A few related genera to Bombus are found in the fossil record. Bombus is the last genus in the tribe Bombini which also had those fossil species in the classification scheme of things. There are fossil bees found but I point out that the 13 dollar BEE in “Amber” on Ebay might be a fake. Just saying😜 Fossil bees are rare as hens teeth (which, by the way actually exist ).
(Illusion of a Tsunami wave coming into the shore but it’s all clouds)
Getting just the right angle toward a sunset with the foreground is a challenge sometimes. I wander the hills sides and ridge tops of the remote borderlands of Montana/Wyoming. I the the big distances in either an UTV (Polaris Ranger Crew) or my Ford Raptor F-150. The distances in this area are such that covering a lot of ground is a necessity to find these locations. I always ride to the distant ridge but usually am walking around for the duration of what ever event I’m photographing. My timelines smoothly go from mounted to unmounted captures.
By walking or riding along parallel ridges, I’m able to see first and quickly compose these scenes. As I’ve always said, if I can see it in my environment, I generally can capture the scene in these high tech photon traps I use.
Looking into the sun is an “edge of the envelope” activity that is best left to mirrorless cameras as I use. DSLR cameras are dangerous to do this with as there is a direct light path to your eye through the camera. Mirrorless cameras have a video screen inside of the eye piece viewer. There is NO direct light path to blind you with concentrated light from the lens. Please don’t try this with a DSLR camera. You CAN capture this with a DSLR but you have to do it without looking through the camera WHILE you are taking the image. Set up your rig before you point and don’t look through your DSLR camera at the sun…
Winter “Golden Hours” can be markedly colorcast. This is the scene as I experienced it. 99 percent of the 1.2 people per square mile living in this country were not aware of this as living up this high topographically is an exception. I only know one residence on this ridge. Everyone else was under a blanket of fog down in the valley.
Here the gold light was reflective / pervasive off the white snow. The mist / fog was thick on the valley floor hundreds of feet below. This is a Wyotana backroad over looking both Wyoming (right) and Montana (left of the sun). A few miles south of the border watching the sun rise in an atmosphere saturated with ice suspended in the air. A good place in the world to see the east horizon 100 miles out. That horizon is actually in South Dakota but the ice mist here obscures it efficiently. This time of year the sun is actually setting just north of straight east. The dividing line between Wyoming and Montana is seriously blurred in my world with most of my photos having ground and sky in both states. Morning / Evening light is mostly east and west so I’m always looking down the borderline so to speak.
Yup everything was covered by Hoar Frost and Rime Snow that morning. This is very late in the stage play that was performed without much audience buy myself. By extension of my captures your there though. I see all these
Location: High Ridge (Ridge 5) along the Montana/Wyoming border.
Jumping into my photo, “Sneaky Pete” the Windmill provides a close for this “Close / Far” perspective
Windmill Junkies Unite: 🤘🤘📸 Don’t let your mother know you look at stuff like this…. 👀
Gotta love Yellow/golden Alpenglow. A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The Bighorns look pretty close in this image. But its taken by a 1200mm lens, this give the appearance of “SLIGHTLY” zoomed in. Resulting that the Big Horns look huge, way larger than they are in real life/naked eye. Those “hills” on the far right frame are 130 miles from the camera. They are also 13,000 feet tall ranking aside some of the highest mountains in Wyoming. The area of horizon can be covered by your thumb at an arms length.
The Big Horn Mountains are indeed distant from “Sneaky Pete” the Windmill. Sneaky “randomly” photobombs my landscapes. He and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Enjoy your “time off”, make the best of it you can. I’ve been working every day as hard as ever up here in the middle of nowhere. Be safe all.
Taken a few days ago. This is a VERY bright scene but the sun was indeed markedly yellow and the sky orange around the glare of the sun placed in the same focal plane as this tree. If you hold your thumb out at the end of your outstretched arm, it would cover this image area. Positioned where I thought the bulb should screw into this rare backcountry lamp post. When taking such images, shutting down the camera to light is a necessity. The lens is an 28 inch long 600 mm optic. I’m working hand held for this kind of capture. About 300 yards distant from the snag. The sun is out a bit further. 🤔
Being so bright a scene, it had some interesting light effects on the sensor and diffraction effects are rife. The particulates in the air as well as the clouds below it’s line of sight enabling only the longest red rays access to me. The bright yellow light from the sun overwhelmed and diffracted around the branches. though. Makes it look like it on this side of the tree lolol.
I never know how these are going to come out when taking photos way outside the sane photographic envelope looking into the sun as this capture. Settings you must consider looking it a scene is a fast shutter so going freehand is easy. You need ISO low low numbers and fstop as high as you need to enable both snag/sun to be in the same focal field.. The higher f – stop will give you a deep depth of field but will tend to cause those diffraction effects where the light wraps around and hides the branches.
Alpenglow occurs both before and after sunset. You see different colors with time as the sun light moves has to plow through progressively longer paths through the atmosphere. As the horizon draws closer to the sun, the colors that survive the trip are longer wavelengths like red and orange. Rich crimson is the result of only the longest wavelengths making it through that smoke, dust, moisture laden longest path where the light is actually bent around the globe a bit. Yellow skies like this are late results of a clear sky sunrise. Yellow is the last gasp of the twilight deeper colors. Blue Sky isn’t far away. (This is a VERY small area of the sky and the close ridge is 5 miles out)
Alpenglow as this exists because suspended atmospheric ice acts as a projection screen dominating the skies in the winter. What you see here is the result of illuminated/ lit up suspended small ice crystals shining yellow. That is the dominate color for this length of travel through the atmosphere. Just a few minutes before, this was red as these stage shows constantly change the set of the play.
Don’t forget: When the moon or the sun is ON the horizon, it is in reality below the actual line of sight. Hiding behind the earth. It’s image curves around the globe a little due to the atmospheric lensing. Only orange/red light makes it through that gauntlet giving us twilight colors.
Musings on working ridges with cameras. :
I am always looking for Layers of ridges. A “Landscape Ladder” so to speak. Working the high ridge country here on the Montana / Wyoming border is wonderful for finding such “ladders”. Parallel Ridges aligned at right angles to the sunrise and sunset creates unlimited opportunity way to work shadow lines photographically. You can usually find dozens of worthy sunsets and sunrises captures on the ridges following/moving along that shadow line. Many interesting foreground objects magically appear that way. Those are useful in the close part of the close/far perspective (the goal) . Start an hour before the event is my suggestion.
This method of working the landscape works very well for moon perspectives I find. Moving along that shadow line, on an opposite ridge, I’m able to maneuver down topography for a sunrise and up for a sunset. One can follow the sun/moon up/down over the “event” by changing my position. Ridges let me work the moon (for example) for an hour instead of 5 minutes that I would have on flat ground. It helps to be very agile getting about too. Cover more ground, get more captures.
I call this kind of sunset with divergent crepuscular rays a “Crown Sky”. The rays reminding me of a royal crown but it is also suggestive of a massive cathedral with a starburst at the focal point. I really don’t see too many of these. Considering the nature the particular environmental conditions necessary to create this.
OK here’s how it work. The light from the sun is passing under the lowest cloud bank just on top of the white disk. That light is stopped by the shape of the puffy bottom of the cloud surface. This creates shadows on the clouds/ice toward the camera. The “Rays’ you are seeing are the opposite of the shadow lineson the foreground of the effect. The lit up parts of the rays are illuminated by the light passing under that lower cloud bank. So that clouds bumpy surface profile is reflecting off the cloud deck. As a final “nice tough” here of course also has to be some falling ice crystals (hexagonal plates falling oriented like parachutes) to light up to really make it pop like this. So several things have to be happening at just the right time for this phenomena to occur.
I’ve seen these rays pointing upward like this capture as well as in a down facing divergent crown. I watch a lot of sunset/sunrises and I’d say these occur at a 1 in 500 rate or so. I have a handful of Crown Sky Captures over my travels.
Magic happens sometimes here on the Bliss Dinosaur Ranch. Here I caught a the Bliss Ranch Gynmastic Training Camp. Here a Great Blue Heron showing off spinning that big burning bubble on the tip of his beak… While standing on his Mates Back . Crowing/Displaying after a little bird whoopee that evening. Even while on a moving tree swaying in the breeze. Talk about balance….👀🤔😜 They are just building that nest. The third guy is a bystander as far as I can tell. I couldn’t see him blush within the rarefied air of this light environment.
With Topography my master, I find getting celestial objects to cooperate lining up with birds is mostly the miss part of a hit or miss situation. To have these huge eagle eyed birds patiently watch me work my way to them. Then tolerate me getting this alignment… Pretty cool …. 😃
Working the Great Blue Herons this time of year is certainly best. The 50 foot tall Cottonwoods have no leaves so capable of concealing nesting but not for another few weeks. Approaching and positioning for this shot in time and space has been a long term goal. Learning to do this in a camera is a task and a half plus getting all the variables to align. Trust me on this…
It just so happens my All Black Ford Raptor (new vehicle) backcountry truck looks enough like an Black Angus to these birds so as not to care so far. I very carefully work up to the nests in a familiar grazing animal gate. The new Ford stops the engine when I stop…perfect for photography. Wait a while, slowly approach, turn to the side, stay there a few minutes, take a few photos, move about 20 feet closer, rinse and repeat. I will gradually work my way over to where these 5×5 birds…. 5 foot tall birds with a 5 foot windspan…. are nesting. I was able to work these guys for 35 minutes as the sun disappeared behind the rising horizon . Forever in my world. 📸📸
Some of the pre-sunrise drives out into the backcountry are silly amazing sometimes. It takes me a minute to get set up for this kind of location. I usually have photographed the sight a different day . This fully involved twilight sky was colorful icing on the cake from that morning’s long timeline.
The term “Twilight” means 3 different things: Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Nautical Twilight starts when the sun is 12 degrees below the horizon technically. Both the Horizon AND brighter stars/planets are visible in this twilight. It is the “middle” of the three twilights. At the beginning of Nautical twilight, it’s about one hour to sunrise.
Rule of thumb which varies with your position on the globe, is 28 minutes each twilight. In Astronomical Twilight, If you live in the city, you have probably never noticed astronomic twilight. The are NO shimmers of daylight at the beginning of Astronomic Twilight a full hour and a half before sunrise. .
Away from the lights of population centers, we see Astronomic Twilight regularly where there is just a slight greying of the black totally dark sky mid night. It gets as dark here on our ranch in remote northeastern Wyoming as the North Atlantic Ocean according to NASA.
These guys were busy grazing on the grass of this ridge when out of the blue, this big ball of fire came down between them. Separated by an apparently dangerous fireball, the rear buck realizes the problem. I’m sure he’s working out the solution to his separation anxiety. Deer take time to process unique situations so I caught him here deep in thought. 😜📷
Lining Deer UP from hundreds of yards away against the setting sun is an exercise in understanding topography. By working parallel ridges I get to stay hundreds of yards away from the casual deer. not alert the deer and am still able to get far enough away to catch a foreground object in focus for three layers of image here. I only get to have the planets align like this a few times a year. I only had one opportunity this year to have deer pose for me in front of such a show. Images like this are infrequent in their occurrence for me to work.
In reality this kind of image is going on all the time, there just isn’t anyone there to take the photo. Getting into the right position for this is a lucky event. I have known these two bucks for a few years and because aware of their tendency to walk this ridge an hour before sunset. They were on their way from their grass pasture to the water hole on the other side. Almost every day these two walked this ridge like clockwork. Following the same trail daily These two are still around. I’m not sure exactly where with the snows/mud of late. The Backcountry is challenging to get back into at the moment.
I was driving along a two track trail with the bright lights of my Polaris Ranger Crew UTV. Big Bright LED lightbars are a fixture on all the vehicles I routinely take into the backcountry for photography. Not only do they help you see what you don’t want to run into, they show you what you do want to find lol.
So, after a long sunset photographic work session, I spied this Prickly Pear Cactus Boom down on the prairie as I was passing. There was still some residual color in the western sky and I was determined to get it. This flower just happened to have a green beetle within enjoying the relative safety of this environment. Can’t blame him really. Scented room with a view until I came along with my smelly noisy UTV I suppose. At any rate, I’m sure it all calmed down there as I pulled away.
Prickly pears belong to the Genus Opuntia which contains over 150 species across the globe. The deer in this country grow fat on cactus “figs” grown on the low paddle shaped cactus. These cactus have been used in Mexican cooking for hundreds of years. Take off the spines, and they cook like vegetables. I’ve eaten fresh prickly pear and I compare it to a cross between water melon and bubble gum.
There are so many ranch stories from any one particular spot that will never be told or known by the public or for that fact history. Some epic, standard stuff sure and most were. But stories of sweat, toil and hard work by generations of cowboys and cowgirls in the borderlands of Wyoming/Montana. I look around at all the fence posts set deep in the ground on my ranch, I just shake my head in astonishment at the work. If anyone hasn’t hand dug a post hole, raise your hand, you know who you are .
This is true cowboy country. There is a huge cattle culture in this place complete with the uniforms for such. The both counties my ranch is about have WAY more cattle than people living in an area the size of a small state. Ranches can get large up here, not as big as some of the historic ones though. There are still a few 100000 acre outfits (outfits as they call ranches locally 🙂
This IH/Deering Seed Drill was certainly used in the 1920’s and 30’s maybe into the 40’s. There are several old homesteads from the 20’s (ish) within 3 miles of my place that I know about. Somewhere back then, the owner parked this complex machine meant to drop seeds with some precision into a prepared field. It was the last work it did… Planting Hybrid Grass seed was it’s primary job. I’m not sure what pulled it. Maybe both horses early on and then the rancher got a tractor or a WWII surplus Jeep and pulled it with that. Many surplus Jeeps worked fields here in the west during the 40’s and 50’s. So many stories not told….
I even find fragments of historic leather harness “tack” for horse teams here along with the iron skeletons of old 2 seat carriages and abandoned buck wagons here on ranch. (The blacksmithed iron is fantastic.) There is about 110 years of European man living on this remote ranch in the borderlands. Over tthe last century, many early settlers threw broken items “over the bank” and out of mind.
So the steep/deep gullies near old collapsed sod houses are prime hunting ground for iron antiques, glass bottles etc left over from previous lives. There are even a handful of car/truck skeletons from the 1920’s around and even some in the backcountry. I have a “Small” eclectice collection of select ranch artifacts carefully spread about in rock gardens around here. Interesting stuff for sure, pretty rusty AND rusty all 📸
Boy is there a lot going on here. This was a dramatic morning to a student of clouds. The Kelvin-Heimholtz type Wave Cloud patterns on the top dark band is not a terribly common cloud phenomena. Differences in air density moving past one another making waves… Add to that the spread across the sky crepuscular rays during twilight. I probably have 4 other images in 30 years of photography. Twilight Crepuscular rays hard to find in my experience.
I was looking madly for a foreground object(s). Ones I could use on a mostly treeless parallel ridge between me and the show. The main sunrise still 10 minutes away. I move pretty quickly from place to place if it’s possible. Mid-winter presents it’s challenges to my access or more importantly egress from some of my ridge top photographic locations. I had to drive about a mile in variously deep snow to get this angle on the tree lined ridge over 2 miles distant from my position. There is a large deep drainage between that ridge and myself as well. Can’t get there from here lolol.
The yellow to orange to red Alpenglow gradients is typical morning midwinter. The longer traveled red rays illuminating the cloud deck from below. The Yellow / Orange part of the image is mostly Alpenglow. Alpenglow is exquisite here in the winter. Every twilight has some if the sun is not occluded by clouds. . There is usually ice in the atmosphere in the borderlands even mid summer sometimes. I’ve seen Alpenglow every month of the year.
This sunburst coming just over the edge of the far ridge is one of the most prodigious I’ve had come out of this camera. Part of it was there was a LOT of fog in the air for this. Primarily these sun star are diffraction artifacts inside the lens of the camera. They are either attractive to you or not I have found. I personally like them.
Are these rays there in the real world? Yes they are a result of light passing through a very small aperture. Light diffracts off the edge of the opening which you are seeing here. The same thing probably happens to your own eye but you’d be blinded if you tried so you turn away lolol. No one can look into a scene like this for very long twice. No human eye could do more than glance past this. Then you’d still be seeing spots. When the diffractions stars are BIG, it’s really bright. Also the F-stop is turned up to give me a small aperture. Cuts off light too … Wide focal fields with high F-stops lets me properly focus the grass at my feet AND the hillside.
This was taken a day before we got a pretty good snow. IT’s a LOT harder to get around up on the high ridges now. We’ve been in the deep freeze for a while with mid-February weather spitting a few inches every other day at us. No huge storms YET this winter, I hope we get snow spread out in smaller dumps rather than huge punctuated events with named winter storms.
As Canada Geese migrate, they make nightly stops here on open water which was getting rarer as the season went along. Migration consists of these big birds moving from where there were born, to warmer areas, then back to their birth place.
These geese are amazing birds with up to a 75 inch wingspan weighing between 5 and 15 pounds. Now a 15 pound bird is a LOT of bird. Big Males are nothing to mess with if they are being territorial and habituated to humans in city parks etc. They never stick around up here to give me a hard time so far. They will violently attack any creature that is a perceived threat to their goslings including humans.
The Canada Goose is literally the largest goose in the world. Having said that, there is a subspecies of canada goose that is the smallest goose species in the world as well. The oldest captive goose lived 40 year with 30 years being common in captivity. 10-25 in the wild is typical. They mate for life but if one mate is lost, they will take another.
True Story here on ranch…
I have some experience with geese chasing me. Never fought one. I did however have a confrontation with (captured them by hand) a wild 30 pound bird or 2 before (turkey) that was in our log house under construction at the time with no windows in the building yet. A flock of 1/2 dozen turkeys were inside. Not wanting to clean up the mess, it was my job to get them out…. I went in with safety glasses, a light jacket and gloves. I have determined that turkeys while flying through missing windows do well. Not so much flying out the same windows blanks in a log wall. (to the light). I had to catch each one of the birds Stuck on running around the room from me rather than trying to leave via the window. Dinosaurs all. Just no tail and teeth.
The commonality we all have with roads leading off into the distance brings back memories of “going over the pass”. Every time I crest a hill I never know what I’m going to see.
Taken early in Civil Twilight, this is a very deep focus close/far perspective. . I was watching this wonderful alpenglow/wispy cloud gradient already on a remote high ridge. A fully involved sky is a treasure but this morning was a treasure chest with all the rare colorcast it led to later in the sky show.
Civil Twilight begins about 28 minutes before sunrise or ends 28 minutes after sunset. It is that period from when the sun is about 6 degrees below the horizon. On clear days you can do normal outside activities that require light. That solar elevation angle below the horizon defines each twilight phase. CIvil Twilight is by far the brightest of the three twilights.
Up here in the Wyoming/Montana borderlands if you want a big view, you usually have to gain altitude to do so. Much easier on the roadways than back on the snowy ridges. The ridge tops are 4000 feet in elevation. Everything else is lower in this area. The lower streams are 3600 feet. We are actually very low topographically for Wyoming (but I digress). How easy it is to gain altitude depends on where you are going of course but winter makes this much more relevant a discussion. Climbing up backcountry two track trails is usually hazardous at best lolol. This complicated with snow blowing around. Being able to read snow drifts is a good skill in this country. This was a stressless busy morning for sure.
Location: near the Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana)
Simple perspectives are my stock and trade. I have tried to make an art out of using the things that nature provides for me to photograph. There are so many little area of zen popping up everywhere I glance. The problem of course is there are so many and so little time so I just concentrate on the obvious stuff. Trying not to stand on my head or bend in a direction my design specifications don’t conform to. Fortunately this process involves a lot of walking on uneven ground carrying some camera weight up top. It keeps me in shape but more important it keeps me connected to the earth. Walking about is how I hunt dinosaurs in this country. Watching the earth is what I do.
Being very earth centric, I’ve spent my whole life considering geologic processes. Most are unaware of them and “blissfully” so. As a student of paleoenvironmental analysis, I see below this landscape and imagine the world that laid the sediment that eventually became those boulders. Clues in the rocks tell me books of information by their presence/characteristics. Geologists see past the beautiful sunset (enjoy those too). We imagine what processes leading to that rocks formation. I have a 3 D map in my head of the orientation of the rock layers under my feet. A useful thing to keep handy at times ….
It is somewhat complex to figure out what processes worked the sands these rocks are made of. That Hell Creek/Lance formation sand was deposited 66 +million years ago according to MANY scientists…. That’s 48.3 billion sunsets/sunrises. Actually numbers like that easily flow into my understanding of things when I imagine the inside structure of the earth, processes that occur now occurred then as well. You might say the perspective I have goes a bit under the surface of what I “look at”. Time is a 4th dimension to me. I don’t just look for fossils here, I look at the rocks to see if they are likely to have fossil in them first…..
Speaking of time, enjoy the snowy sunset and the Close/ Far Perspective.
Sun Trapped by Windmill (Headline of the news story).
A tad bit of Satire if you don’t mind …. (It’s an old narrative if your new to my world 🙂 )
Windmill Wednesday: Windmill Junkies Unite: 😜🤘
Crushing Perspective with Telephoto lenses is a very good pastime. I find that certain objects lend themselves to Close/Far work which of course is quite challenging to line up just so…… “Sneaky Pete” the Windmill here lends himself more than not to photography. He sites pretty well, much better than most kids anyway. The durn sun is always moving. It worked it’s way from the “trap” by slipping out the back door…….😜
Sneaky has his job on the ranch pumping air into a barnyard pond to keep it freezing in the winter and destratified plus the O2 thing. He is an aquarium pump lolol. Just a really small duck pond. He’s close enough to my house to be the first thing I run by on my way out to backcountry photo locations I visit.
So Sneaky is a notorious photobomber of some ill repute. He is always popping into my landscapes as I obviously have no control over his actions. Only Timber slows him down as he gets tangled… He only lets me live here as he’ll be here long after I’m gone. Sneaky is quite a character, I’ve seen him hang around those innocent Mule Deer and Pronghorn. He lives of course near a running water hydrant so the local wildlife is usually negotiating deals between the various characters that live around here through him. His deal is all about publicity.📸📸
Alpenglow such as this occurs when there is a LOT of ice in the atmosphere mostly during winter. . I’ve also seen smoke do this kind of scene in the summer. Here on the high ridges of the borderlands, I get to look at parallel ridge tops like this 40 miles away to the east.
After passing through a gauntlet of filters in the atmosphere, crimson/orange/yellow are the survivor hues. Absorbed/blocked/refracted away are the shorter wavelengths of color. Can’t trap them in my photon capture boxes (cameras) if they don’t make it to me. Passing that gauntlet to blues/greens and indigos consists not only of hundreds of miles of low angle atmosphere plus all the dust and the dirt suspended within.
The sun isn’t actually occupying the line of site where it appears to be here. Because of atmospheric “lensing”, the sun is actually still completely below your eye to the horizons line of sight. It just looks like it’s up. This accounts for several minutes of differences from rise/set charts versus the observed sunrise with the day always being longer due to lensing. The atmosphere literally bends it’s light around the curvature of the earth thus the “lens” part of atmospheric lens. This courtesy of inversions and thermal-clines. The path this light took was at least 300 miles of low angle air. The higher I go topographically, the longer the light I gets path. The redder the alpenglow.