Probably the last serious rainbow of the 2020 was this late “Golden Hour” spectral display a few weeks ago as this posts. The Sun over my shoulder was HEAVILY Smoke Pall filtered giving the marked color cast displayed here. The total lack of blue light being obvious in the refracted spectrum. All of that was absorbed by the smoke. Missing the blue/indio components gives a very odd feeling to the scene live real time. I’ve said before it reminds me of the solar eclipse in 2017 that went through the area. This is certainly one of the more extreme rainbows I’ve ever seen. There will be more of this event as it flows through my workstation.
This capture of course is a long telephoto image right into the left leg of a very tall rainbow. Late day rainbows are closer to a perfect 1/2 of a circle. From the air rainbows are circles with your shadow in the center. On the ground though, your limited to half of the circle at most. But as such sunset rainbows are relatively HUGE compared to mid to afternoon rainbows. Mid-day rainbows are wide but not tall. This one was wide AND tall. This was right at the height of the smoke generation from the west coast fires as seen here almost exactly on the border of Wyoming / Montana. This rainbow’s leg itself spans the actual borderline from my perspective lol. Exactly 1/2 way between the North Pole and the Equator it’s marks the spot.
Always grainy the pitch black capture of a Game Trail Cameral (GTC) is problematic to me. I have to look through thousands of blurry images to find one this good but…. None the less, they are always candid and without prejudice by the actors. They are always behaving naturally for those auto photon capture boxes. It takes a flash of an Infra-red LED panel to illuminate the scene. Our human eyes are incapable of seeing in this part of the light spectrum in the Infra-red band. The deer aren’t usually aware that something happened. Different cameras make different amounts of noise so sometimes they look surprised lol.
Knowing the characteristics of how the flash works on particular brands of cameras is a big deal I’m finding out. Placement of the cameras should always be that the “funnels’ one might channel the animals into the optimal flash exposure area. Just like it did here. If they would have been closer, they would have been white like the stick in the foreground. Take note where the trails are and set the camera back 15 feet for most medium settings from where you think the animals are going to be. You have a 5 foot on either side of that (generally) for sloppp.
Placement of these GTC’s is everything. It’s really the only control of the image you have is your composition and analysis of the scene. You have to figure out where everybody walks and cover that area sufficiently. Then just stand back for a few weeks to months and see what happened there.
I planted 8 cameras of the 17 that I just serviced yesterday/this am. 9 to go. I’m planting all with fresh batteries that should last the winter. If you avoid compositions where wind blows grass or branches in front of the lens, your batteries will last a year. If cattle mull around your cameras, the batteries will last a week lolol. I won’t be able to get to most of these cameras until the snow melts in the spring.
This is an amazing image to me. It is VERY hard/rare/unlikely/difficult and otherwise tough to get detail on the back of anything standing by the sun. I’m easily able to read AEOMOTOR (with the A covered by the sail). I’ve run my cameras for a bit. Having pointed at the sun a few times. I don’t believe I’ve EVER had this result…. This is a very odd color.. almost salmon. Never seen it before either. Seeing the surface detail on this side of the windmill… priceless.
First of all, this is a smoke Pall (of course) blocking about 80 percent of the suns light. IT’s very even smoke though and effectively a filter for the sunlight. The face of the Windmills Sail are in shadow. The ability of the best consumer technology is limited by your camera’s sensor chip being able to resolve the differences between really bright and really dark. This is known as Dynamic Range. THe human eye has 21 f-stops of dynamic range. The Sony Alpha 7R4 I used for this has 15 f-stops of dynamic range. That is really high for a camera in the current crop. Being able to see detail of a black cat in a coal bin in a bright white room is what dynamic range is about.
This is “Re Pete” the backcountry windmill. Big brother of “Sneaky Pete” the windmill that hangs out by my residence. I have to travel a bit and go through some gates to get to this guy. He is positioned on a wonderful little area. We call his home the “Treed Pasture”. Named that for the thousands of Jack Pines living there. This guy is functional. I’d have to change the pump leathers to get it running again though. It worked last time we used it in around 2008. Probably eeds some lube I suspect. He’s 40 feet up there and that sail is 8 feet across. A man can stand on that high platform and not come to the top of the sail. These are big machinations.
Seeming oblivious to my presence, this is Jane Doe again munching some tasty morsel off the bone dry ridge top. Her twin fawns I’ve watched growing up this summer are just off frame on either side. She has been a good mother. I actually have unfinished photos of her from last year discovered in my “to do” folder this AM.
This particular evening the three were on Rattle Snake Ridge. The first tall ridge north of our homestead. I was heading up to this high point above them. I stopped a few minutes along the way to enjoy the view of this family gathering. This ridge is a 200 foot high erosional remnant standing above the grassy flats below. The good thing is there is a very firm path that isn’t that the type of ground to turn into mud. Don’t get off the path though lol. There are areas of “Gumbo” bentonitic clay soil around. Driving over such when wet
The mom here is starting a seasonal molt giving her a mottled appearance. This is not mange. This was taken in warm weather so no need for a thick coat just yet. All deer go through this each late summer. IT’s the deer equivalent of a T-shirt. The new hair will grow in quickly and thick. The coming winter is just the wheel spinning around again from my perspective.
Close Far Perspectives are something I haven’t worked recently. The smoke plumes from western fires clogging up my horizons to anything but the sun. I get only a few terminator crossings a month any to photograph the rising lunar disk coterminous with the sun still being up (even a little like this). The dark blue you see here is seconds away from turning black in the camera. The is the edge of the envelope for what this technology can do. The silhouette would soon be fading into the black sky in minutes.
Wonderful smokey color that night though we weren’t particularly under Pall at that moment. Particulates in the higher air is likely to blame for this hue. Almost salmon but with just a tinge of red. Hard to find such things in archives of my travels.
Heads Up!… The Moon while on schedule for once a month, but October 2020 will have two. The first on October 1st, and the second on October 31st. That rarity is what coined the phrase “once in a blue moon” back in 1821, according to the Farmer’s Almanac. The “standardized” explanation of the blue moon wasn’t defined “officially” August 1937 or so the story goes… I will work both moons in October assuming the weather window to their light opens for me to capture in my photon capture boxes. Rule number 112 of photography is: no window, no images… That one is fixed in the rules of the universe I’m afraid lolol.
I photograph most storms that pass around and over our ranch. I almost never pursue them more than say 10 miles off home base. That still adds up to a lot of storms each year.
I’ve never been around a tornado on the ground before with a camera. I still haven’t lol. This was indeed rotating but disappeared before it got any lower. Rotation under a big Mesocyclone is not that unusual. I normally don’t see it so well formed. I’ve seen several in the air like this. Mid-July Weather that I’m just now getting to the images to finish. I have job security with 1000’s of images to work on with more coming in almost every day. (Shaking head side to side).
What I didn’t notice in the camera the woman’s face imagined on the tornadic cloud. It totally escaped my attention until I got the image onto my big screen at my workstation. POP… Pareidolia is a tendency that some possess to imagine anthropomorphic shapes in clouds or other random visual data. This obviously low light image is properly exposed for the conditions at the time. More light would have been helpful lol. Going to full screen with the image will help with seeing to what I refer. Kinda Scary when the clouds threaten and a face is attached to the threat looking back at the photographer…..
So I’m walking around the homestead. It was the last of the reasonable summer evenings. A bit cool. By “happenstance” I was carrying a specialized 2 foot long macro lens. It has a ring of LED lights around it’s periphery. This requires I carry an external battery back to run it in my pocket. You can NEVER have enough light to capture bugs with a Macro camera. More light = Deeper field of focus possible. Hand held capture.
Starting out, I was thinking to myself…what’s out tonight? I used the LED at the end of the lens like a flashlight (which is basically is). Looking for “Close and Personal” creatures out in the dark. Fortunately for me, this fully mature Arachnid appeared floating in mid air near an outdoor light. An old friend….. Catching bugs is a good profession. I’m glad this fellow has a job. It’s ventral view of course with it’s spinerette and the “Alien” (ET) pattern on it’s Abdomen lol.
In this Ultra Close up, I’m using a 2x macro and I’m about an inch from it to get this Macro shot. I suspect it was chilling down at the time and a little slow with summer hot nights behind us now. Well fed it looks. I’ve seen the many webs it’s been building all summer. You either love or hate these guys. Enjoy those hairy legs either way.
Taxonomy: (I believe the ID is correct).
Larinioides patagiatus, sometimes referred to as “furrow orb weavers” Family: Araneidae / Genus: Larinioides
Larinioides patagiatus (Clerck, 1757)
These guys get around. Found in: North America, Europe, Turkey, Russia (Europe to Far East), Central Asia.
A second Landscape Perspective this morning. I figure I’m a landscape photographer, I better post a good landscape every now and then lol. This Close / Far capture of the old growth trees about a mile distant, the far ridge at 10 miles with the sun a mere 8 light minutes distant (93 Million Miles).
I LOVE salmon / peach colored skies. In this case it was the smoke between me and the orange source giving what would normally be orange a decidedly grey colorcast. The dirty smoke contrasting the layers of landscape in this multiple ridge environment. I’m standing on ridge one, the sun rises over ridge 5. That’s the first ridge to my east all the way to the last I can see. That last ridge is my effective horizon. I’m not aware of any place high enough for me to see over it short of climbing the big horns. It stands about 200 feet higher than the hill I am on. I have to climb over that ridge to see over it unfortunately. I don’t miss but about 2 minutes of initial sunrise from this position.
Remember when your teacher said you’d use geometry in your lives? I actually do to a degree (pun intended). I have to imagine how this stuff works before I can decide the concept is correct.
Milling about, generally moving a bit to the north, the group was grazing a little. generally they were uneasy but I don’t think it was me they were upset about. I find that groups of these guys are the definition of jumpy lol. This perspective is through a long lens camera sideways. I’m well outside their “line in the sand” that get’s them nervous. I was stopped, engine off. Watching them for about 5 minutes at this point. It was more like they were waiting for something to happen. Maybe me moving on… hard to know.
That last ridge is known as “The Red Hills”. This was taken a few weeks ago as this posts. Still at the very beginning of some lighter smokey days. It got WAY worse later the next day. The normally crystal clear view to the “Red Hill’ turned to haze by the massive fires out west.
Visibility was 10 miles tonight as I worked the smokey sunset again driving ridges in the backcountry. It’s getting close to dense fog kind of visual occlusion as I type this. The air is just plain unhealthy. I’m not sure if “Clever Girl” even likes it. Might have to change the air filter sooner driving around in this forest fire soup. The sun disappeared tonight long before it hit the horizon. The surface smoke totally obscuring the solar disk. It was last seen around “Sneaky Pete” tonight.
Another name is “Crown” Sky. This is the second image I’ve posted from this timeline. This is the widest lens I have. The top of the frame is past straight up (over 90 degrees tall). These “Crepuscular Rays are actually over my head from the horizon. This is a first for me. I’ve never seen one this big before. It literally covered 1/2 of the sky. I figure this is about 1/4th of the sky as it continued over head quite a way.
Unfortunately there were no “Anticrepuscular” rays on the other side of the sky associated with this or I would have done the whole sky as a mosaic dome with 5 or 6 images from this lens. Still this was an awe inspiring display to witness. It lasted a good 1/2 hour too so it’s not like I don’t have options regarding image choices lol. Several hundred clicks were heard in proximity to this event from my place.
The different images each reflect the constantly changing dance of clouds blocking the rays. It’s not rays lighting up the sky, it’s shadows not lighting up part of the sky you note as distinctive. Without the shadow of the cloud tops, you would be looking at a uniformly illuminated smoke screen. That acting like a projector screen from that bright bulb. Otherwise, everything would be lit up . This is all about shadows of that big cloud above the sun.
The August Full Moon Setting over two ridges and a cloud band. I’m low down in the drainage looking upward over parallel ridges. The first a mile out. The second ridge is about 7 miles out with the cloud bank further down range. The moon is a bit further out there past that. So thus a 4 layers landscape. That cloud bank was rising rapidly to cover the moons face.
The very early daylight or late twilight depending on which second this was taken. Very close to sunrise. This was the last image from this timeline. As soon as the clouds rose to cover the moons face, I was done. IT was a very subdued color with an obvious bias toward a red colorcast. All of the color on the clouds also hitting the light parts of the landscapes in the foreground. To the best of my ability, this is exactly as I saw it. Such subtle tones are rare at sunrise or sunset where intensity is usually the result. Only during twilight or smokey days do I see such lighting.
This one was a tough one to get right. As an avowed photorealist, I try REALLY hard to reproduce here the scene I saw there. The scene was somewhat dark as the sun was Just being exposed by the falling horizon. A slight ridge to the east blocks out the earliest light, I was in shadow taking the photos being a LOT lower than that far butte.
This was a lucky random encounter while coming back from photographing the sunrise. I almost never see these guys so it’s a rare capture for me. About 5:49, the sun had just risen. Positioned perfectly with the sun behind me. The Fox had to strain to see into the bright sun. The wind was blowing toward me from him so I was a ghost. Pretty much he knew something was there. He was checking out the apparition in the glare.
The Red Fox / Grey fox debate is for another post down the road. I “Believe” this is a red fox. I can’t seen the tail tip. It’s not an insignificant discussion since the Grey and Red Fox are different Genera of Canid entirely. Not just two different species. Vulpes vulpes is the scientific name if it is a Red Fox. Lots of information out there.
At the same time 30 feet to the right was a spotted mule deer fawn watching this guy walk across the pasture in front of him. I was too close to get them both in the same frame. I would have LOVED to have had them walk up and touch noses lolol. I’d have gotten it . I bet it’s happened before. Neither species has anything to fear from the other.
These guys are low frequency sound specialists. They can hear rodents scurrying/digging about underground or under snow. I consider them an asset keeping down the numbers of rodents. I’ve never had a fox take a domerstic bird out of my barnyard. I’ve cared for a flock over 18 years. No losses by Fox that I’m aware of. They really don’t like my electric fence. They are however, watering in one of my stock tanks though so I’ll probably see him again. All my Game Trail Cameras of these guys are blurred. They tend to move along.
I have not seen too many pink full moons but this one was REALLLLLLY pink at it’s first rising. It slowly turned to a very orange orange as it rose. I have one or two images where there is a pink to orange gradient barely visible on the lunar disk. I photographed the whole timeline from just cracking the horizon to clearing the trees in many different ‘zooms”. It was truly a startling color to me at the time.
That color is frozen in my memory until I die as I’ve not seen the phenomena before this way saturated naturally. I made sure to finish the image photo-realistically accurate as I can here. The hard work for me on this capture were the details on the landscape and in the trees. The moon was “easy”.
Technically the sun was “up” above the horizon behind me for this. It was however cloistered and obscured behind a significant cloud bank. When the moon rose, the sun had about 13 minutes before it set. I continued to move around the ranch and shoot close far perspectives for the next hour or so. This month will be only this night’s work as tonight a storm moved through and obscured night 2 of the Sturgeon August 2020 moon rise from my vantage point.
I had actually worked myself into a precarious position on this cliff to get these captures. I ran out of topography to get where the composition needed to be. This is a close as I could get lol. It doesn’t look like much but I only had bare minimum equipment to get this view. I had to climb to get the angle on where the moon was to rise.
I had some bright idea of getting those old growth trees on the horizon. Since the closest trees are about 1/2 a mile out, the close far perspective doesn’t do the location justice. I had crawled up on the steep side of the tall butte I call “Lookout Butte” which you pretty much have to scramble climb up. It was pretty windy at the time which is always helpful trying to get a long lens camera still. I was pretty much resting cameras on rocks about 1/2 of the time lol.
“Grey Catbird” is the common name. Scientists call it Dumetella carolinensis. What a brazen little fellow this one was. Thrashers tend to be a bit forward with their behavior being a bit cocky so to speak. Medium robin sized birds with an attitude.. They possess a very harsh “mew” creaky call. Usually they deliver their complaints from thick bushes. This one was fairly forward. His presence to be well known was his goal. They are mimics picking up other species calls too. It is unique in North America with it’s uniform dark gray color with the black cap.
I have never seen a bird be so little afraid of our cats. To the point of landing near a group of sleeping cats on cushions and raising the dead with complaints. The ranches barn cats are very adept with birds. This seemingly suicidal all grey entry in our world just didn’t care. It’s been around for weeks now and still bothers the cats who I think try their best to ignore them. He obviously wasn’t scared of the big one eyed photographer. All the while advancing. Pointing a 28 inch long lens at him.
Talk about eyelashes. You can not see them on it’s right eye but it’s left eye’s lashes through the open beak says it all lolol. This fellow has made me laugh more times than I can count. He is predictable and consistent in his behavior toward anything in his domain. We just are staying here by his permission I’m pretty sure.
I finally get to the top of the first ridge to our east. Reaching the top, a vision unfolded around me. The telephoto crushing the distances as I turn toward the apparent shooting star in the sky. The illusion of motion fancifully provided by a cloud bank. That alone shadowing the low atmospheric ice to the left. Thus providing the obvious shooting star the proper debris tail. I actually took some rare play time and made an Inverse color negative of this resembling a remarkable comet. I might work with that image as art down the road. Talk about a naked eye comet lololol. I suggest Ray Bans™. You might remember all the Comet NeoWise images lately on your newsfeed. Well this is Comet NotSoWise. I just love it when my lenses come across natural illusions.
I by experience expose the highlights correctly and dig the details in the shadows out within the digital dark room. If you expose the landscape properly, the highlights are WAY over exposed and there is no recovering image detail that is washed out… gone… It’s easy to take a photo of the sky just like it is but unless you have a way to differentially bring out the exposure in the dark areas, you have a dark silhouette for a landscape. No camera made today I can afford would take this raw. The highlights are exactly as the camera recorded them but the formerly black landscape had all this detail hidden within the data. A program like Photoshop™ and or Lightroom™ is a really important addition to your tool kit.
Boy this is a big one. This is as they say, just the tip of this weather iceberg. Just as dangerous here with 90 percent of it out of view hidden behind a veil of it’s own doing. It’s an odd perspective, the horizon only looks tilted as your looking at a climbing ridge from left to right. The storm itself is horizontal. And did I mention BIG. 👀
The serious weather looks to be around 30 miles off. Approximately the storm is 80 miles across. I’d LOVE to have cell service up here to get live radar but that hasn’t happened yet. We are pretty remote.. It’s really handy be be able to look through these walls of clouds to see what they are doing. Not having in truck radar images is why I got caught off guard by that damaging hail storm hitting us hard a few weeks ago. I’m working these storms based on what I see. I came in from the ranch land expecting a hail shaft to be coming in but didn’t know 3 inch hail was incoming in it or that it would last for 1/2 an hour. Stalled storm…
Being Anywhere in front of these rotating masses is not a good place to be. Under the wall cloud all sorts of bad things can happen. To the rear of the storm the hail will get progressively bigger. Down draft straight winds just add to the pleasure of watching 3 inch hail bash most things to smithereens. We had 6 digit damage here on ranch in July from one of these.
With the energy of a small Atom Bomb, powered by solar energy. If you by happenstance to be directly under the business end of a stalled version of this, your going to have a big rain. We had 4 inches in 45 minutes. Sheet wash off the hill behind my house was ankle deep. I changed my landscaping due to that storm to redirect that potential wash hazard.
Layers of ridges with 10s of miles between. Long landscape ladder perspectives that climb the gradients of color step by step are wonderful when they magically appear. Alpenglow caused by atmospherically suspended ice particles is the glow. That caused by said ice along with dust and particulates effect on the incoming sunlight winter or summer. This captures late hour with just about 5 minutes left in the day, the light is markedly golden thus the “Golden Hour” moniker. I work the golden hour anytime.. Constantly impressive, Golden Hour Photoshoots. That is done often up in this country.
I call this “working the edge of the sun”. If you do it incorrectly with what ever zoom lens your using, your going to get lens flares. Long shafts of light artifacts from stray light in your lenses. Patience and experimentation is necessary to figure out your lens. Remember not to use a DSLR type camera or a small sensor Mirrorless unless it’s rated for into the sun work. It’s tough on sensors (melts spots in them) if you point a camera incorrectly set up letting in too much light. Note that melted spots in your image chip is not a good thing unless your into abstract art through the lens. If you learn nothing else from this, don’t blind yourself with a DSLR camera pointing it at the sun. If you don’t know the difference between DSLR and mirrorless cameras, you should google and learn so you know.
It’s a challenge to do photography at the edge of the operational limits of your camera. Just don’t trash your camera back lol. I’ve done hundreds of these with the Sony Alpha 7R 2,3 and 4 platforms.. Those are full frame chips all. That fact disperses the heat from the sun over a much larger area. Those will take it. I suspect most full frame cameras will. 📷
Some tasty morsel in front of him, this velvet antlered Whitetail buck considers the possibilities. Boy I wish we had this grass now. Fully headed, green, what a concept. Not any of this around here now except the deer eating straw with few heads. Yuccas are still providing some flowers locally. My deer may move off their normal range because of the crushed grass from the 2-3 inch hail storm for 1/2 an hour we had a few weeks ago. That plus drought plus grasshoppers have changed the landscape a tad this summer. You can tell it’s a white tail buck as the facial patterns are all different than a mule deer and the ears don’t look like a hairy mules ears. Whitetail are way more gracile than Mule Deer.
This wash drains about 300 acres (1/2 square mile) of ranchland. I believe water has recently up to his knees running in this based on high water marks in the gully. Flash floods are a real thing with all these Mesocyclones lately floating around the high prairie lands. The Wyotana borderlands east of here get’s it worse than we do. After all, there is a map location called Lightning Flats. It got it’s name for a good reason. While Tampa Florida may hold the title for most Lightning ever, Lightning Flats will give it a run on a good day. 😄
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana) (Note: Game Trail Camera Capture)
This is a Windmill Wednesday after all and I’ve posted several windmills today. I don’t get a lot of double red rainbows. The last of the timeline I think.
As this storm, a member of a train of storms moving up a squall line just to our east, the precipitation passed over me. Everything was wet. The Smells were tremendous with wet Sage dominating that sense. My visual neurons were firing messages to a receptive brain high on endorphins from the dramatic show unfolding before me. I’m very fortunate to be able to chase these storms. When they come by, I usually drop what I’m doing to run “up on the ridge”. Gaining elevation is the best way to see these big storms. Of course, when you go up, you go into the storm regardless. It’s a way of life going “into the storm”. You know, run to the gunfire..🤘
I’ve said before that red rainbows are rare. This one has a bit of yellow as it is a little earlier in the timeline from others you have seen published by me recently. The red colorcast is the result of no other colors making it past all the dust / moisture / ice / pollution in the air. Those particles collectively limit the rainbows choices on which colors to refract. The rain drops can’t bend Blue if Blue color isn’t there lol.
The second rainbow is as faint as it can be. They all are fainter than the main reflection and the colors (or lack there of) are reversed in order in the second bow. This was such a low light shot that it was hard to do it justice.
Technically this is a backshow of a spotlighting veiled sunset passing Belt of Venus Pink light. Such being refracted back as a red rainbow. The lower dark blue shadow through the curtain of precipitation, is the shadow of the horizon. I am in that shadow as is the ground going up the hill. (The sun had set and the only light was from other twilight lit clouds) . So this 2 second time exposure shows the dark landscape as you would suspect after sunset. Photorealist photographers are like that lol . The pink light spotlighting is above the horizon line on this east view. The rain curtain acts as a projector screen with the rainbow aligning with the 22 degree arc from the center of the rainbow.
Of course you know all rainbows could be complete circles if viewed from the air…. I’ve never seen one except by others. I don’t fly very well with an overactive inner ear.
SO, a very specific sequence of event have to occur for a red rainbow to form. A regular rainbow with a standard ROYGBIV light color spread. Therefore the water droplets there have a full spectrum of light to refract back at you. Each light color bending a little differently than the one adjacent on the chart. This spreads out the white light into it’s individual hues into the rainbow.
At this late point of the night, only pink light survives the long gauntlet through the atmosphere at the earths surface. The low angle light being without most of its GVIB portion of the spectrum. With only red light to refract, you get a red rainbow. The timing of the precipitation falling has to coincide with the exact timing of the sunset to get these. This is by far the best red rainbow I’ve ever seen even in others photos. I’m sure they are out there.
These Twins like all rambunctious baby animals frolic most of the day. Play interrupted by periods at mothers spigots to fuel such activities. Grass and Sage turned to protein and fat by an animal that has very little fat on it’s body. I’ve never seen a market for Pronghorn Milk. I suppose you would have to be pretty fast…..
I suspect there are tame Pronghorn as rescues in some gov’t program about. They are probably like any other animal raised by humans being tolerant of us. This would not be beneficial to them with the hunting culture out here. I’ve never seen them in petting zoo’s either. Their fur is not the softest ungulate fur out there. It’s kind of coarse if you’ve felt it, you’ll understand.
Mom was just off frame to the right. It’s fairly difficult to get them all in the same frame with any reliability. When mom isn’t feeding them, she’s trying to feed herself to keep up with the calorie demands. The kids do start eating grass but this is a tough year. We are very dry and JUST had a CRUSHING hail storm. Much of the grass is flat as a glass plate to the ground. It will reduce the rist of fire.
Our fire truck was started today and is more or less ready for this season. I have some things to test and make sure is stocked. The prairie is very dry is lots of hour fuel.
Lightning AND Rainbows together I have determined are an uncommon capture in the same photos. At least during my time travels lol. I’m thinking I have ONE other recent high resolution digital capture taken staring “Sneaky Pete” the windmill with a rainbow plus a lightning shaft. The storm that produced this scene gave me 1/2 dozen other similar captures that will slowly work their way into my daily published posts.
This was a very small part of a very large Mesocyclone I had been tracking on radar all day. It started down in Casper with it’s track bearing down on us. It JUST missed us by a few miles to our east. I’m sad we didn’t get the precipitation but I’m glad this monster missed us. We have had enough wind damage this year. My best to my friends/neighbors to my east after this storm. We all roll the dice with these big prairie Mesocyclones. Basically they are 100 mile across spinning tops of clouds. Tey have the power of an atom bomb expended during it’s brief lifetime. I have some AMAZING larger wide angle storm views of this storm.
Fortunately there wasn’t TOO much lightning that I saw. The fire danger is high. My lightning triggers liked the light on this particular storm. Some times none of the various triggers I use pick up a bolt. I might have three cameras set up on three different camera triggers and only one will take it. Go figure. I endorse no camera lightning triggers as of yet in my professional career. Some bolts are captures such as this.
These Tres Amigos are obviously conspiring to pull a prank on their mom just out of frame. They jump around bouncing and playing as you might expect to see from Mini Loki’s. These are legitimate triplets as I know the mother. She was enormous compared to the other pregnant Pronghorn Does in the area. I have watched them for hours now. Mom is relatively skinny having given birth to these three. Plop, Plop, Plop with no Fizz, Fizz I’m thinking.
“They are tight as three knots on a rope they are” 👀 . Yes they play most of the time when mom’s well used spigot(s) or sleep isn’t on the menu. I hope for the mothers sake that the grasshoppers this year aren’t going to be competing for this dry years vegetation. The grass crop is going to be hurt by this insect attack I’m afraid in this area anyway. More good timing. Waiting for the asteroid impact in 4 ,3 ,2 ,1 …..
I was lucky enough to completely circle this group with a box o’ cameras. If I am very careful and drive like a cow grazes, getting close is just a matter of time. I have to drive slowly through high grass these days as there are indeed fawns both Deer and Pronghorn potentially laying there unseen. (I only drive off trail on ground that I own).
One of my advantages taking photos is I’m very agile getting around to get the light and my subject properly oriented to each other. Owning the land, not having nearby boundaries to prevent me from moving into position. I could never approach these weeks old Fawns on foot. The Pronghorn mother wouldn’t allow it so zip gone…. My truck is my portable blind. In the Black F-150 Raptor, I must seem like a noisy grazing Black Angus to them. I need a horn that makes a moo sound on it. Think that might void the warrantee?? 😜 📷
Right into the sun Captures with layers of landscape are actually one of my favorite images. I’m not sure how many of these I’ve taken. Likely they certainly number in the hundreds. Probably only 50 or so have been finished and published from my archives of photos that need to be finished (extensive). I think it’s a 70’s thing of mine… Could be just me
I prefer to do photography without additional “filters” in front of my lens. Pointing such right into the sun usually gives me ghosts of the sun I can’t fix in the digital darkroom. If your camera doesn’t have the dynamic range the mirrorless Sony Alpha 7 versions I used for this, you will have to use Neutral Density screw on glass filters in front of your lens. Those will act like sunglasses to your camera so it can actually see what’s going on. Please don’t try to do this with a DSLR style camera. They have direct light paths to your eye and blinding has happened. The Sony Alphas are a mirrorless design that is entirely a video in the eyepiece. No direct light path to blind you.
The trick on all of these is to not overexpose the sun but yet have enough detail in the shadows to bring out the horizons. It’s a knife / razors edge of tweeking exposure back and forth. You could also adjust f-stop since it’s not as critical here but is useful for eliminating light at high settings. Pointing a camera at the sun is an exercise in turning down the camera to light a LOT before you point it at the sun (hint). Don’t burn a spot in your cameras digital sensor…. . 👀 📸
This late in the summer, the sun sets about as far north as it ever does. Here the sunset at Summer Solstice, the inclination of our earths axis has slowly turned in relation to the sun. It is now setting a little more south each day until the Winter Solstice. The lower black silhouetted ridge has trees on it. Those are full sized pine trees at 55 miles distant from my lens. The sun is a bit further out…🤔
I find a vantage point that puts me as high as my horizon when that is possible. Knowing most of the trails up on the high hills these days makes my life easier lolol. That is very true of the morning where I have to wind my way around in the dark to get places I’ve never been to before or for a long time. It’s always easier in the evening when I’ve already come that way. This is VERY big country up here. There is 100 square miles area circled by the “loop of maintained road I live on the far side of.
I personally live about 400 feet lower than the ridge I’m standing on’s perspective looking at the far northeastern setting sun. Heck it’s not even setting up north of the arctic circle at 66.5 degrees north at the moment. We have 8 hour nights currently I live VERY close to 45 degrees north. A difference of 21.5 degrees. There are 69 miles per degree of latitude. Just a mere 1300 miles to where the sun never sets to our north from my homestead on the high prairie. But the further north you go during the summer, the shorter the nights get.
I watched the TV commercials very carefully. Just like the internet, it was on TV so it must be true….🤔
Based on Media Learning: I’m pretty sure that there is a BIG pile of “Skittles™” behind that hill top. The shafts of tasty fruity candy falling from the sky will definitely liven things up. That’s a lot easier than milking a Giraffe for the same candy. (If you know what I’m talking about, I’m worried about you 😜. ) I actually do like skittles. There might be a few too many there for just little me to deal with. I wonder how long they will keep? We only get 14 inches of precip a year… Imagine if all those melted into one big lump…. Skittles Butte…😜 😜 📸 So many strange phenomena these days
Back to my “Normal” programming…
IF I was on that hill top, I’d be looking at a full rainbow. This far back, I only get one bit of one leg. The lighting was VERY late in the day. Tall Rainbows are late or early (low sun). Really wide rainbows low to the ground are high sun mid-day rainbows. This sheet rainbow is simply one leg of what would be a HUGE rainbow if there were rain drops higher. Being surrounded by rain in an airplane is the best way to see a completely circular rainbow. I’ve never seen a completely circular rainbow let alone photograph one.
If I would have driven quickly up to that ridge top I would have left a muddy track so I stayed where I was. Knowing where to drive up here is a big deal as “Gumbo” is about in random places. Gumbo” which is Bentonitic Clay turns to slick mud that will stick a D-10 Bulldozer. I generally don’t drive off known trail after a rainstorm. That way I avoid having to use my trucks winch and ground anchor to get out of the mud… I’ve never gotten stuck….soooooo close though lolol.
You really have to see this full screen to appreciate it. It is dark but that is because the dynamic range required to look into the sun. The Camera relents. It’s inability to replicate what my eye sees is obvious to me. Technology will eventually catch up. The human eye has 5 or more F-stops of Dynamic range than the best camera. IF you blow this image up, you can see lots of detail in the dark. If you looked at the sun at the scene, it would have blinded you the glare was so intense. Cameras seeing details in the dark while looking at other very bright things is why silhouettes are created. The camera is unable to do what the eye does. I point out that the camera is better at looking into the sun than the eye is though 👀😜📸
This timeline was limited to about 15 minutes as this is just a thin slit for the sun to shine through. The cloud deck was otherwise opaque to the sun. It was actually quite beautiful as a stand alone sky show. Always trying to work a scene, I had no way to incorporate the foreground into this scene. I was up too high on the ridges and at a point JUST above the next ridge in front of the camera. No time to move. The cloud deck never lit up from under significantly on this show. That was a trick mother nature held out for a short 8 hours later for dawn the next day. That timeline will make it’s way into my work flow shortly. Stay tuned….
From the viewpoint of the mouse enjoying the late golden hour sunset. The end of the day upon the resident of the grasslands. Looking up to see if a hawk or owl is going to end it’s life. I hope they are oblivious to their own short mortality… None the less, taking the time to enjoy the color pallet unfolding before it’s eyes. The same effect is not lost on this photographer.
Working JUST below the shadow line of the setting sun, the blinding disk is obscured by the vegetation / hillside allows for the camera to see both the highlights and the dark detail. Ultimately my goal is high dynamic range of color with shadow detail. The highlights from the shafts of light filtered through the trees were my canvas here.
The Summer Alpenglow is the result of Moisture in the air frozen at altitude into ice. Those ice plates reflect and refract the available colors remaining after the light has traveled a high angle path through the atmosphere. Helping along with dust… block the shorter wavelengths of light. Absorbed are most of the blues and greens from the pallet of available colors. Purple is a mix of red and blue. Getting the camera just below the shadow line is important. Without the direct suns glare, you have the opportunity to get some of that shadow color even with a bright sky with filtered light.
It sure seems that all the Pronghorn Does are pregnant. This group of 6 were hanging out on the MT/WY border with apparently nothing better to do. I was able to drive by these and then come in from the other side of them for some close ups. I was actually on the road for this capture. Having a group of pronghorn already familiar with my Black Ford F-150 Raptor (Clever Girl) this early in the year is a very good thing. I actually circled these guys, got much closer and left them not the other way around. Until they get familiar with me, running away from a vehicle is the standard response.
By late summer, I’ll have these guys thinking I’m just another cow. They will pass this on to their fawns (due within the month certainly). The lack of fear for this particular truck already This will hopefully turn into many close photos of the actors in this group. This last year was a very good wet year so I expect at least several sets of twins out of this group. Six adults turn into a family of say 14 or so… The nursery is going to be busy very quickly. So turns the wheel of life.
The males are mostly off in little groups but the male that was bossing these girls around is just off screen. I’m not sure of his relationship to the developing young. I’m doubting he had control over the group all winter while they were migrating. I’m thinking he’s probably not the father…..
One of my favorite antiques on the ranch is this 1920’s-1930’s Deering Seeder sitting on the toe of a high ridge. The Cretaceous Sandstones capping/covering this isolated plateau of Sage and Spanish Dagger are these hard layers and lenses of hardened sand. This hard sand/rock was cemented harder than the sandstone taken away by erosion around it. Harder due to differences in the “Diagenetic” processes that turned loose plastic sand to rock. Notice I didn’t say magic processes. Good google word for today… It’s the reason the ridge is there… Hard rock protects the softer sandstone below…
The hard cap rock this scene is built over was laid down by just one act of a 3 million year long stage show. At the End of the Reign of the Dinosaurs on the coastal slope (piedmont really) toward the Cretaceous Era “Inland Sea” Sea sediments are 900 feet down here. Above them, the Beach Sand above that marine sediment. That is named Fox Hill Formation. From the old beach is where we get our water. Above that (below me) is another 700 feet of River Sand (Hell Creek/Lance Formations) that many ancient rivers carried lazily here.
I say many because these watersheds with rivers miles wide.. (think anastomosing braided channels of dendritic sand choked channels on a massive scale. Similar to the amazon water shed. This was the last stage for the dinosaurs to live out their last moments. The coast was extant from Canada to northern New Mexico. All along the coast of that land a mere 66 million years before present.
There were untold millions of high water/flood events in the history of this land. Mountains long gone to our west fed vast quantities of sand worn from them by wind water and ice. Our Ranch lies on 14 mile wide strip of Hell Creek/Lance formation exposed on the surface. This exposed due to streams and rivers moving thousands of feet of sediment that used to be above us away. Cutting into these old beds at a slight angle. Youngest rocks west with Older to the east.
Then somebody came along and “dumped this 100 (ish) year old farm implement here giving me a subject in this remote environment. What are the chances lolol.
In my world, the past is the key to the present and the future. Integral within our processes of the present exists hand me down learning from the past. Geological process occur without our being aware of them or not. My point is understanding the past helps predict the future as well as interpreting the present.
Oh, My LED lightbar on “Clever Girl” added some flavor to this freshly rained upon dynamic sunset through a storm in the deep backcountry.