Here the BigHorn Mountains are surrounded by an odd color to cover a landscape. It was really that color lol. I saw this developing the other night. I’ve been on a mission to catch the orange light behind the BigHorn Mountains. I haven’t seen a weather window open to the BigHorns for over a month. Smoke, haze, soot and other forest fire products were blocking the view. The sun was hiding far to the right off frame. This was a night when the side shows were WAY more photogenic that the glare of the sun. The odd lighting resultant from the filtering of the light by the smoke.
The 130 miles distant 13,000 foot high mountain range was shrouded in this Orange (ish) colorcast. It was like a stage light with an orange gel in front over the landscape. As the sun moved down through progressively thicker and thicker layers of clouds, the scene disappeared. Too dark to capture.
I’ve spent a lot of time this month pursuing the Big Horns photographically. The distant range is always playing peek a boo with the weather controlling the show. I have very few Long Distance captures from this month on the ranch. Those few will slowly work their way into my work flow here. The black ridge at the in front of the BigHorns is 40 miles out from this high resolution camera.
Location: Bliss Dinosaur Ranch, Wyoming/Montana overlooking the Red Hills out to the Bighorn Peaks.
There are some technical hurdles necessary to capture something like this lol. First, you have to wait for the sun, done with it’s day, to start rolling down the hill to catch it “thunking” over the boulders for those last few “steps”. The Smoke has to be thick in the air filtering out all but the yellow through red wavelengths. The Black is for free.
You see, this is what actually happens over the horizon. I bet you thought the sun falls below the horizon to fly clear around the earth for it’s morning appointment with dawn. In reality as I show here, the sun disappears only to take the steps instead of slowly floating around the globe. Remember it has to be all the way on the other side of the planet in the morning and the stairs through the center must be the fastest way. Don’t go around, go through must be the plan…
IT takes a LONG lens to reach “over the horizon”…… (snickering). (drats…. my emoticons aren’t working at the moment on this program).
SO at any rate, no is the time to return to my normal programming lolol.
As I type this a 45 mph wind from the Northwest is bringing DENSE smoke down from a fire up in Montana 80 miles away. The air quality went from good to terrible in 30 minutes. It has stayed poor or worse since the start. We are under a Red Flag warning. No sparks needless to say. Humidity out currently say 18 percent….. Wow. (Note: this was written a week before it publishes).
Layers of ridges with 10s of miles between. Long landscape ladder perspectives that climb the gradients of color step by step are wonderful when they magically appear. Alpenglow caused by atmospherically suspended ice particles is the glow. That caused by said ice along with dust and particulates effect on the incoming sunlight winter or summer. This captures late hour with just about 5 minutes left in the day, the light is markedly golden thus the “Golden Hour” moniker. I work the golden hour anytime.. Constantly impressive, Golden Hour Photoshoots. That is done often up in this country.
I call this “working the edge of the sun”. If you do it incorrectly with what ever zoom lens your using, your going to get lens flares. Long shafts of light artifacts from stray light in your lenses. Patience and experimentation is necessary to figure out your lens. Remember not to use a DSLR type camera or a small sensor Mirrorless unless it’s rated for into the sun work. It’s tough on sensors (melts spots in them) if you point a camera incorrectly set up letting in too much light. Note that melted spots in your image chip is not a good thing unless your into abstract art through the lens. If you learn nothing else from this, don’t blind yourself with a DSLR camera pointing it at the sun. If you don’t know the difference between DSLR and mirrorless cameras, you should google and learn so you know.
It’s a challenge to do photography at the edge of the operational limits of your camera. Just don’t trash your camera back lol. I’ve done hundreds of these with the Sony Alpha 7R 2,3 and 4 platforms.. Those are full frame chips all. That fact disperses the heat from the sun over a much larger area. Those will take it. I suspect most full frame cameras will. 📷
Right into the sun Captures with layers of landscape are actually one of my favorite images. I’m not sure how many of these I’ve taken. Likely they certainly number in the hundreds. Probably only 50 or so have been finished and published from my archives of photos that need to be finished (extensive). I think it’s a 70’s thing of mine… Could be just me
I prefer to do photography without additional “filters” in front of my lens. Pointing such right into the sun usually gives me ghosts of the sun I can’t fix in the digital darkroom. If your camera doesn’t have the dynamic range the mirrorless Sony Alpha 7 versions I used for this, you will have to use Neutral Density screw on glass filters in front of your lens. Those will act like sunglasses to your camera so it can actually see what’s going on. Please don’t try to do this with a DSLR style camera. They have direct light paths to your eye and blinding has happened. The Sony Alphas are a mirrorless design that is entirely a video in the eyepiece. No direct light path to blind you.
The trick on all of these is to not overexpose the sun but yet have enough detail in the shadows to bring out the horizons. It’s a knife / razors edge of tweeking exposure back and forth. You could also adjust f-stop since it’s not as critical here but is useful for eliminating light at high settings. Pointing a camera at the sun is an exercise in turning down the camera to light a LOT before you point it at the sun (hint). Don’t burn a spot in your cameras digital sensor…. . 👀 📸
This late in the summer, the sun sets about as far north as it ever does. Here the sunset at Summer Solstice, the inclination of our earths axis has slowly turned in relation to the sun. It is now setting a little more south each day until the Winter Solstice. The lower black silhouetted ridge has trees on it. Those are full sized pine trees at 55 miles distant from my lens. The sun is a bit further out…🤔
I find a vantage point that puts me as high as my horizon when that is possible. Knowing most of the trails up on the high hills these days makes my life easier lolol. That is very true of the morning where I have to wind my way around in the dark to get places I’ve never been to before or for a long time. It’s always easier in the evening when I’ve already come that way. This is VERY big country up here. There is 100 square miles area circled by the “loop of maintained road I live on the far side of.
I personally live about 400 feet lower than the ridge I’m standing on’s perspective looking at the far northeastern setting sun. Heck it’s not even setting up north of the arctic circle at 66.5 degrees north at the moment. We have 8 hour nights currently I live VERY close to 45 degrees north. A difference of 21.5 degrees. There are 69 miles per degree of latitude. Just a mere 1300 miles to where the sun never sets to our north from my homestead on the high prairie. But the further north you go during the summer, the shorter the nights get.
You really have to see this full screen to appreciate it. It is dark but that is because the dynamic range required to look into the sun. The Camera relents. It’s inability to replicate what my eye sees is obvious to me. Technology will eventually catch up. The human eye has 5 or more F-stops of Dynamic range than the best camera. IF you blow this image up, you can see lots of detail in the dark. If you looked at the sun at the scene, it would have blinded you the glare was so intense. Cameras seeing details in the dark while looking at other very bright things is why silhouettes are created. The camera is unable to do what the eye does. I point out that the camera is better at looking into the sun than the eye is though 👀😜📸
This timeline was limited to about 15 minutes as this is just a thin slit for the sun to shine through. The cloud deck was otherwise opaque to the sun. It was actually quite beautiful as a stand alone sky show. Always trying to work a scene, I had no way to incorporate the foreground into this scene. I was up too high on the ridges and at a point JUST above the next ridge in front of the camera. No time to move. The cloud deck never lit up from under significantly on this show. That was a trick mother nature held out for a short 8 hours later for dawn the next day. That timeline will make it’s way into my work flow shortly. Stay tuned….
It sure seems that all the Pronghorn Does are pregnant. This group of 6 were hanging out on the MT/WY border with apparently nothing better to do. I was able to drive by these and then come in from the other side of them for some close ups. I was actually on the road for this capture. Having a group of pronghorn already familiar with my Black Ford F-150 Raptor (Clever Girl) this early in the year is a very good thing. I actually circled these guys, got much closer and left them not the other way around. Until they get familiar with me, running away from a vehicle is the standard response.
By late summer, I’ll have these guys thinking I’m just another cow. They will pass this on to their fawns (due within the month certainly). The lack of fear for this particular truck already This will hopefully turn into many close photos of the actors in this group. This last year was a very good wet year so I expect at least several sets of twins out of this group. Six adults turn into a family of say 14 or so… The nursery is going to be busy very quickly. So turns the wheel of life.
The males are mostly off in little groups but the male that was bossing these girls around is just off screen. I’m not sure of his relationship to the developing young. I’m doubting he had control over the group all winter while they were migrating. I’m thinking he’s probably not the father…..
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Sunset Across the 130 mile Distant BigHorn Mountains is one of quite a few BigHorn Range captures over most of last week. Amazing stuff 😲📸
Watching this alignment start up with the sun WAY left of the range less than a half hour before this. The sun will always move from left to right as well as downward. Of course it’s the horizon rising but you already know that. (The sun isn’t moving here, the earth is spinning) . The earth is tilted on it’s axis
That tilt is relative to the solar systems flat plane called the ecliptic. All the planets are circling the sun on that plane. The earths north/south axis Currently, the Earth’s axis is tilted 23.5 degrees from the plane of its path/orbit around the sun. But this tilt changes/wobbles like a top. During the long wobble cycle that averages around 40,000 years. (Based on good scientific work eh? 👁
The tilt of the axis varies between 22.1 and 24.5 degrees. Because this tilt changes, the earth is exposed to differing amounts of energy from the furnace over that interval. Paleoclimatology is something I have dabbled in. I will tell you the sun is the driver of our climate so one would assume that global changes occur as the way you face the sun. Yup, the climate has been changing since it all started as a pool of molten rock accumulated in a gravity well lol.
SO back to this photo:
This time of year, sun sets dramatically from left to right as the horizon rises here. But it rises from left to right at sunrise. (The phrase to google here is Ecliptic solar system). So tracking this and watching it change by the minute was very impressive.
Bright bright bright stuff. Shutting the camera down to light ALMOST taken with the len cap on (it’s that bright lolol) You only have 3 main things to set on your camera by working it on manual mode.
They are: “ISO” (Camera Sensitivity), f-stop (aperture or pupil size of the lens) and Shutter Speed in parts of a second (s). Figure out what is important to you (deep focus or freezing motion?). You set f-stop high for deep focal field . F-stop low for shallow depth of focus field. F-stop takes away light so high f-stop (small hole in the lens) is good for high light situations. Priority 1 taken care of.
Your next priority (2) is ISO (camera sensitivity). Low ISO is ALWAYS best because High ISO give you too much light AND a grainy appearance in the image. So LOW camera sensitivity (or slow ISO 100). High ISO is best for LOW LIGHT situation. Really HIGH ISO over 2000 is for the dark if you need it only. I consider ISO evil to go high with.
Last thing on the list is shutter speed which is your variable to adjust the total exposure. You adjust until you get the result you desire. On an older DSLR reflex type camera, you look at the image on the LCD on the back of the camera body AFTER you take the photo. With a Mirrorless Removable Lens Camera though, you get what you see on the screen INSIDE the camera, WHILE you are moving the dials the image reflects the changes you make. What you see is what you get. Instant feedback, MUCH easier for you to learn on. So if you made it this far in my text, and your looking at cameras, pick a mirrorless model, preferably a full frame/large sensor camera. Full Frame cameras have higher dynamic range than smaller sensor cameras. 📸
Don’t USE a standard DSLR camera to take sun photos and YOUR camera may not be rated to take this heat. Large sensor cameras spread out that light and don’t melt like some smaller sensor cameras would here. More important, don’t blind yourself in a DSLR even trying this. Seriously!👁