All you Windmill junkies out there might be having a little withdrawal … I thought I’d throw this in as a post. Here “Re Pete” the windmill surveys his domain with an unusual mostly blue twilight morning sky. Being a control freak, “Re Pete” here is intent to keep things around him in line. Little does he know that the crafty old sun will just sneak up over the hill and spoil his mood. This image is just a snip of the continuing adventures of the “Pete” Brothers Windmills for you their loyal followers. (You know who you are😜 )
I usually work my way out to this guy’s hangout where he gleefully “photobombs” my landscapes…. (It’s a years old narrative if you don’t understand lolol). Aermotor windmills account for the bulk of the still standing windmills out there. The company started way back in the 1888 with 24 sold the first year. By 1892, 20000 had been sold lolol. The company still exists. They also sold a LOT of steel fire “look out towers” for fire watch and being a lightning target lololol.
This business is not for sissies here in the backcountry.
I’ve only dumped ONE camera and long lens out of a moving vehicle to date. It cost around a 1000 dollars to fix that camera back. I feel that was cheap. Particularly compared to buying a replacement camera. The lens undamaged. I was traveling about 15 mph at the time. Then watched the unit tumble end to end. It was very close to this spot lolol
From the viewpoint of the mouse enjoying the late golden hour sunset. The end of the day upon the resident of the grasslands. Looking up to see if a hawk or owl is going to end it’s life. I hope they are oblivious to their own short mortality… None the less, taking the time to enjoy the color pallet unfolding before it’s eyes. The same effect is not lost on this photographer.
Working JUST below the shadow line of the setting sun, the blinding disk is obscured by the vegetation / hillside allows for the camera to see both the highlights and the dark detail. Ultimately my goal is high dynamic range of color with shadow detail. The highlights from the shafts of light filtered through the trees were my canvas here.
The Summer Alpenglow is the result of Moisture in the air frozen at altitude into ice. Those ice plates reflect and refract the available colors remaining after the light has traveled a high angle path through the atmosphere. Helping along with dust… block the shorter wavelengths of light. Absorbed are most of the blues and greens from the pallet of available colors. Purple is a mix of red and blue. Getting the camera just below the shadow line is important. Without the direct suns glare, you have the opportunity to get some of that shadow color even with a bright sky with filtered light.
Exactly on the Wyoming / Montana border, this Volcano simmers at behest of forces beyond our control. This of course is a satire and illusion of a volcano created naturally by a confluence of events and my position.
I love the long distance perspective of a properly involved deck of clouds colorcast by Alpenglow. These are real colors not unknown in this remote high country. The 180 mile long cloud deck positioned above a clear icy window to the sun. Our “volcano”, called Lookout Butte has a commanding view from the top as it’s name suggests. Being an “Insulberg” (google this), it has few characteristics resembling a Cinder Cone Volcano but for it’s shape. All form and no substance passing for an event of geologic significance in this fleeting moment. The chances of a thick layer of clouds across the sky lining up with the top is not terribly high so I cheat and move. The levers my ability to get just the right angle. The ability to move quickly from place to place is really useful for this kind of opportunistic photography. 👀
I don’t always work sunrise, but when I do, I always like a simulated volcano going off in the photo.😜. Illuminated by a dynamic gradient of long traveled cinema quality light, the actors of the stage show have a huge projection screen to perform under. Sometimes dramatic plays happen overhead taking over an hour from start to finish. I have a tough job watching entire sunsets and sunrises as they mutate from second to second.🕺 This show was the directors cut. 📸
I might take 800 photos of a particular sunrise as this. Maybe 2 or 3 images from the twilight will be finished. All the images from the timeline that morning but with different frames were equally as dramatic. Skies as above are rare but the high ridges I work have their share.
IT was very late Golden Hour Lighting and the sun was settling into a cloud deck. (thus the red colorcast… natural). I had been watching this 5x5x5 bird (5 pound, 5 foot tall bird with a 5 foot wingspan) for 15 minutes. Sitting across a pond literally on the Montana / Wyoming border, he is 50 feet up a mature CottonWood Tree. The Pond is artesian and never dries up. The birds commonly seen in marshlands in the south, are rare sightings in this backcountry setting. There is a Heron rookery on ranch so I see them more than most. This photosession was just 9 days ago as this posts.
The cottonwoods are leafing out. I could only see 1 nest in the tree line where 6 were visible a week ago. I’m worried about the huge wind storm that blew through a few days before this. I’m guessing 80 mph gusts took a few nests out. Hopefully others are just obscured by the leaves of the trees. I looked very carefully to sky other nests but could only make out one. There was a Red Tail Hawk Nest not far down the tree line that I also could not locate in the 15 minutes I was watching this timeline unfold.
Catching a bird of any size at take off is a matter of reading it’s body language. Birds OFTEN poop just before they go errrr launch (no pun intended). Then there is that Squat 200 microseconds before the feet leave the perch. Timing and anticipatory focus. I’m thinking the focal field is 2 feet deep here… maybe 3… Focus a few feet in front of where he is standing…
I left after this fellow flew the coop as the sun was going down and I was a way out in the backcountry. A few miles to go over grass fields in the dark is tricky sometimes…. .
One of my favorite antiques on the ranch is this 1920’s-1930’s Deering Seeder sitting on the toe of a high ridge. The Cretaceous Sandstones capping/covering this isolated plateau of Sage and Spanish Dagger are these hard layers and lenses of hardened sand. This hard sand/rock was cemented harder than the sandstone taken away by erosion around it. Harder due to differences in the “Diagenetic” processes that turned loose plastic sand to rock. Notice I didn’t say magic processes. Good google word for today… It’s the reason the ridge is there… Hard rock protects the softer sandstone below…
The hard cap rock this scene is built over was laid down by just one act of a 3 million year long stage show. At the End of the Reign of the Dinosaurs on the coastal slope (piedmont really) toward the Cretaceous Era “Inland Sea” Sea sediments are 900 feet down here. Above them, the Beach Sand above that marine sediment. That is named Fox Hill Formation. From the old beach is where we get our water. Above that (below me) is another 700 feet of River Sand (Hell Creek/Lance Formations) that many ancient rivers carried lazily here.
I say many because these watersheds with rivers miles wide.. (think anastomosing braided channels of dendritic sand choked channels on a massive scale. Similar to the amazon water shed. This was the last stage for the dinosaurs to live out their last moments. The coast was extant from Canada to northern New Mexico. All along the coast of that land a mere 66 million years before present.
There were untold millions of high water/flood events in the history of this land. Mountains long gone to our west fed vast quantities of sand worn from them by wind water and ice. Our Ranch lies on 14 mile wide strip of Hell Creek/Lance formation exposed on the surface. This exposed due to streams and rivers moving thousands of feet of sediment that used to be above us away. Cutting into these old beds at a slight angle. Youngest rocks west with Older to the east.
Then somebody came along and “dumped this 100 (ish) year old farm implement here giving me a subject in this remote environment. What are the chances lolol.
In my world, the past is the key to the present and the future. Integral within our processes of the present exists hand me down learning from the past. Geological process occur without our being aware of them or not. My point is understanding the past helps predict the future as well as interpreting the present.
Oh, My LED lightbar on “Clever Girl” added some flavor to this freshly rained upon dynamic sunset through a storm in the deep backcountry.
As I surprised her as I came up out of a valley. To the table top of this broad ridge I was traveling. This deer wasn’t familiar with my Ford F-150 Raptor . It is suprisingly stealthy for carrying a 470 HP power plant on board. The low and throaty moping sound is now familiar to close deer groups. I pass many everyday that hang out near my homestead. I would be hard pressed to make those deer familiar with me to even look up from grazing upon my proper approach. This girl became definitely intimidated by my presence (through no action of my own I point out lolol). She bolted like I threw something at her, clearing the fence efficiently.
Deer can jump 8 feet high but I find 6 feet more realistic . I have an 8 foot electric fence surrounding my Homesteads Compound surrounding about 10 acres. All of the ranches human, dog, duck, chicken and cats live inside that area. The rest of the critters get the remaining 3490 acres to wander. Before I put up our deer “resistant” fence, many thousands of dollars of attempted landscape projects were devoured with passion. The only deer that have penetrated our defenses in the last several years have been shown the gate they came in on. They are quickly detected by the dogs which don’t leave the compound lol. Now the young deer don’t know the green grass paradise right over the wire. Thusly there isn’t as much pressure to penetrate the barrier now.
I strongly suggest electric fence to keep deer out of your homestead . Particularly when surrounded by herds of deer that water on your stock tanks lolol.
An old fallen soldier of the high ridges here in Wyotana bares the effects of the harsh local climate. Wood exposed to the weather will last many decades in this low precipitation climate. Rot is slowed due to our area receiving only 14 inches of precipitation average per year including snow melt. The twisted pines we grow up high are shaped by the wind. (Backcountry Furniture is what you sit on while exploring miles of these ridges to rest.)
A landslide killed this tree. Thus displacing the whole slope it was on. Roots separated from their tips by the movement of the earth and the rotational falling of the tree. Wind/Weather exposed the root ball . The washing away of the sediment originally encasing it probably took decades. The steep and treacherous hillside it is on discourages cattle from rubbing against the tree scratching themselves . All the while the pressure from cattle destroys fragile structures. There are several excellent “prairie drift wood” Snags on this hillside.
Close / Far Perspectives are always a challenge for me to see the possibilities until I get there. Sometimes I can see a photographic opportunity from across the valley. For this genera of photography I have to put myself into the point of view of a mouse. Balancing the composition, and knowing your equipments minimum focal length. I’m utilizing a WIDE 10mm full frame lens for this which is necessary to the perspective. I note just a bit of lens distortion in the corners from the german optics….
Close far perspectives are always a favorite to bring to completion. Windmill Wednesday: Windmill Junkies Unite 🤘🤘
For me to publish this, I take an average of 1.5 hours per image. I then have to study that timeline to pick this photo. Then there is the small amount of digital darkroom time maybe 10 minutes.. then I have to write / type the accompanying narrative… I start at 250 words for an image. I could write 250 words about a clump of dirt these days after the last 6 months writing over 1500 narratives to accompany my portfolio images. Each post I publish on line, is an e-version of one page out of that eventual book. For now it’s all free reading lol.
So just ignore “Sneaky Pete” the Windmill. Any recognition by the public makes him insufferable. He’s been photobombing my landscapes for years up here in the high ridge lines of the Montana / Wyoming. The narrative is years long and “Sneaky” gets his share of recognition. Some fans instantly know him versus other less gregarious windmills. He is a notorious photobomber in the local tales of lore.
SOO, “Sneaky” here is the Close part. The 130 mile distant peaks of the 13,000 foot high BigHorn Mountains loom on the horizon the far…. The Windmill is 1/4 mile out, the first ridge 10 miles. The valley under the treed second ridge / mountain slope is the “Little Powder River Valley. Finally stand at 40 miles distant are the Red Hills, made of sediments from the BigHorns far distant. (Google Alluvial Fanglomerate).
Trees growing out of boulders are always a photographic target . Particularly with a LOT trees growing out of boulders. On the crest of this backcountry ridge, is a hard cap rock that has resisted erosion thusly protecting the rocks below.
This is ALL Hell Creek Sandstone. Differential erosion leaves these relatively harder boulders for me to enjoy. They are 66 million years old and that lichen can be 100 years or more old. Only rocks that are undisturbed have big lichen patches. Cattle pressure/wear from rubbing will destroy it. There are big areas of this boulder strewn surface covered with Sunburst Liichen (Xanthoria sp.), sometimes called pincushion lichen.
Bear in mind that there are hundreds of different species of Lichen that inhabit Wyoming and differentiating them exactly is sort of a science all by itself. Lichenologists have to have work of some kind. Academia is the obvious job path. I suspect that there is a use for court testimony however the job prospects of a Lichenologist is about the same as a masters in biostratigraphy such as myself. Though interestingly, biostratigraphers do a lot of work with oil companies .. My general comment about Lichen nomenclature is that you need a bachelors of science in Biology (which I have) to look at the photos or read the text. The text about the lichen is a foreign language.😀😀. I digress,
Enjoying a veiled sunset while walking around with several cameras in the remote backcountry is similar to a shooting gallery with a .22 but without the report or an occasional zinnnng…. . Lots of good stuff to shoot at. Just a click versus bang. BTW, I do carry a firearm in the backcountry. add a few more pounds. You never know exactly what your going to run into. A 10mm 1911 pistol with a 5 inch barrel is good for 300 yards… (work on that one for a while). This was taken this fall and it was pretty chilly.
This 1/2 miles of Campbell County road is the last of Wyoming going north as directly over the crest of the first hill, is the Montana border. The Valley in the Distance is the Ranch Creek Drainage which is the first watershed going into Montana. My closest neighbors live up there. We literally live in the last house north in Wyoming. End of the electric, end of the phone and the last internet source lol. There might be a few closer to the border but not many. We have land in both states, pay taxes in both, my son went to school in Montana but we live in Wyoming. By at least 3/4 of a mile. Most of my images have both states in them (Wyotana) .
In many ways we get the best of both worlds. There isn’t much difference in the landscape north or south from this vantage point. I am actually standing at our back yard fence for this telephoto capture. The hill on the left is several miles down the road with the far hills being about 10 miles distant. The Alpenglow sky from the sun that just set 15 minutes before to the left side of the frame is still barely lighting things up. The low light causes photographers to use tripods and long exposures to saturate their captures. I’m no exception here. A window clamp on my Raptors drivers side did the trick nicely. These are very very handy things to buy on amazon. Don’t buy a cheap one as you get what you pay for.
This is the second finished capture of 3 from this sunrise stage show. The play started at 5:15 AM when I had a 5:36 appt at sunrise. There was very little indication at my homestead that this would be such a show. Taking in the information from a remote ridge lined camera I have looking east, I jumped into “Clever Girl” my Ford F-150 Raptor and started gaining altitude. A sunslit window to the light was showing…might have amounted to nothing…. I never know for sure if I’m wasting my time before I commit to an hour at least watching sky plays…
Our ranch is on a high ridge but I have to climb higher ridges to actually see sunrise. There is a 400 foot high series of parallel ridges to my east which effectively hides my east view. I see 130 miles to the west and 50 miles both north and south from my homestead. I see about 1000 yards east without climbing to the top of Ridge 1 to the east. The actual time AT my homestead I see the sun is about 1/2 hour later than what ever time the sun actually rises.
The Snow squall that was ongoing at the time (taken the first week of May). We are used to a late frost with the “last” frost being May 15th…This posting on May 20th, 2020… A very wet cold weather descended on us after this sunrise. Certainly the completely overcast (thickly so) cloud deck was quickly obscuring the solar disk at this capture. There was less than a minute of light left before the day turned to a gloomy lack of interesting light morning. Wet and rainy for a week thank god as we need the moisture.
In a huge battle many many years ago in a world far far away, someone lost their head….This did actually roll down the hill from whence it came…. It must have taken a heck of a sword to lop off that noggin. This is way bigger than I am lol.
If you’ve ever watched the spoof movie “Space Quest”, you might remember the “Rock Monster” that was chasing Captain Jason Nesmith. Some of these B sci-fi films have followings that create an entire world around the film. What follows is a short trip into that world…
Describing the creature this head obviously came from:
Gorignack is “Rock” in the language of Blue Demons) is a Biolithic species native to Epsilon Gorniar II
These creatures were known to be extremely violent. They were angered greatly by vibrations in the ground and sounds. Angry so much so that it goes on a rampage when provoked in a significant manner. The creature seems at least partially sapient as it has some form of language, the only words known “Trakahau gra fuyter!”, which means “Tranquility at last”.
It is unknown how this creature is held together, but it is a mass of many stones in a roughly humanoid form. It seems to be able to withstand the extremem conditions of outer space (at least partially). One here was obviously beheaded. Only for me to find some years later…
Back to my normal programming 😜🤘
You might note that the image has been rotated a little off normal up / top.
I admire the strength and tenacity of a lone tree on a flat. They are alone in their survival subject to the wild Wyotana weather. 70 mph winds here just about every year. Cold cold cold windchills. Drying winds with only 14 inches of precipitation a year. The hardships for this tree have been ongoing for at least 100 years at least for this isolated survivor. The county road continues for miles on in this huge backcountry. Traveling interstate makes you miss scenes like this. With a 45 mph rural speed limit, you might take a while to do the cross country on these roads so plan accordingly. 😀👀
A Cottonwood Tree grows in a wet area but will put roots deep into the ground. I haven’t done a ring count on this tree but 100 years seems right for it’s size. Such can be deceiving though. Really big Cottonwoods here are easily hundreds of years old. By comparison, this is not a huge Cottonwood, about 40 feet high but very wide for it’s height. It HAS to be lonely in it’s obscurity along this long passage in the fabled middle of nowhere. The nearest stoplight in any direction to this spot is around 65 miles.
Many of the trees in this local area were burned in the late 1930’s by “fires that burned until the first snows fell. This tree is certainly remote on this hill with the closest other tree being several hundred feet distant. I believe this field has been cleared of sage early on. They did a lot of that clearing by hand. Horse and pulled single row plow back in 1900 when this area was first settled
This is not something I see everyday lol. Owls bolt quickly if approached or I don’t see them at all. They blend in rather well. I was “quietly” driving down low in a wash/gully in my UTV. Owls as a whole, stay tree perched. This one was eating a tid-bit of something, perched stationary on the side of a hill/ground. He was VERY well camo’d and I just caught some movement out of the corner of my eye. His feathers are a disruptive camo to your eye. I have NO idea how I saw him… 😄
A Great Horned Owl is a big bird with plenty of presence. They can live 15 years in the wild and have up to a 5 foot wingspan. The predators body can be up to 25 inches long and they weigh as much as a blue heron at 5 pounds. They are all about claws and beaks though they have some of the best disruptive Camo colors/pattern I’ve ever seen. These guys are easy to recognize due to their “plumicorns” which are feather tuffs resembling horns. . They are not ears. I understand they are the most common owl in the Americas. They range from the Arctic to South America. Interestingly, the male Great Horned Owl is Smaller than the Female but has a much lower pitched call than his mate. “Hoo, H’ Hoos”!
My path taken here is the proverbial “Low” road . This ground is a wonderfully dissected steep topography. Low ground between the fingers of the drainage reaching to the higher hills nearby . This forest has the spirits of dinosaur walking about as fossils do roll out of the golden Cretaceous River Sands here. It seems to me that all the Dinosaurs didn’t die at the end of the Cretaceous with the meteor/bolide that “killed the dinos”. That Extinction Level Event (ELE) killed 80 percent of Life on the planet . Took place a mere 66 million years back if you believe a geologist/paleontologist.
I caught this gal Pronghorn nibbling on grass and other goodies in Silhouette. She was catching that last mouth full before the fading twilight during the new moon. It get’s REALLY dark here in the deep Wyotana backcountry. According to NASA’s website, we are as dark as the North Atlantic Ocean here. If you live near population, you really can’t appreciate how dark the night gets here.
Pronghorn are active most of the night I find. I find them sleeping at odd hours, resting when they are tired I suspect. This pregnant female is feeding for two. I can tell she’s pregnant just by her outline this time of year. The edge detail on this capture is amazing to me.
Low light/twilight work is my stock and trade. I primarily work in terrible photographic environments just like this one lol. Lack of light will make you do bad things to your camera resulting in lots of image problems. Grainy from turning up the ISO (camera sensitivity). No or a very shallow depth of focus because you turned down your f-stop number (lower) which makes your aperture (like the iris of the lens). Finally the last setting… shutter speed…. longer the shutter is open, the more the image is subject to blurring from shaking the camera. Plus the animal is not static so your looking at blurs from having too slow a shutter. Finding a balanced compromise results in images as this… Sharp, detailed and smooth colors without grain. I love the technology of mirrorless cameras….. 📸
It takes most folks a second or two to orient themselves and figure out what’s going on here. This kind of really up close and personal capture is not all that easy in my experience. No matter how you maneuver, the mother cow will turn to face you. The calf follows of course. Pivoting when ever she felt I had a clear window to her calf to hide it on the other side of it’s body. There is no familiarity with new mothers. They don’t care who you are, they don’t like you much. These cattle get a little frisky eating that rocket fuel called green grass early in the spring. The hormones are flowing full through the flood gates and calves are dropping out every day somewhere near by it seems.
I believe this is the ONLY position you could actually get into the “action” zone of this capture. From the other side, you couldn’t see the cafeteria, from the rear you’ve got….. well the rear…. Can’t see the calf for the mothers legs back from that angle. I got really lucky on this as I was “circling” around her from about 80 feet out, she kept turning then for what ever reason… stopped for a few seconds. Click 📷📷
This is not the neatest of processes. I’ve seen these calve’s faces COVERED with dried milk. Soaked with wet milk too lol. Mom doesn’t have a handy towel to wipe her baby down lol.
See the medium sized Mare (Mare Crisium) at 12 oclock. The one near the edge. . That smaller crater will always point to 12 during a rising moon. It points to 3 oclock on a setting moon image. The little light from the twilight behind me was enough just to barely see the slope of that ridge. That ridge was around 10 miles from my camera/1200mm lens.
It’s not the moon that is turning in space to rotate that crater…. Actually you are the one that is spinning/rotating here on earth. IT’s all about your perspective. Question to think about…if your standing on Mare Crisium, does the earth ever set?🤔👀👅
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though.
Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon. Now you know as much as I do about the Pink Moon this year. All my images are posted about a week or two after they are taken so this posts the 29, taken the evening of the 8th. It’s as fast as I can get to “recent” images finished and get the posted these longer /warmer days. I write these narratives right at a week ahead of their posting. (currently).
This is an 90 degree tall image. Almost straight up is top frame. HUGE tall pillar and pretty durn good dynamic range in this capture. To look into the furnace but still be able to make out the landscape ladder is extensive DR. Most cameras would show that as a black silhouette. Try it :).
Sun pillars are shafts of reflected light. Ice reflected spotlights as it were shooting generally 90 degrees up or down to the horizon. This is BY FAR the tallest pillar I’ve ever seen.
I’ve seen them below the sun many times as well. They form on ice crystals in the atmosphere. A combination of many many reflections off the large flat face of horizontally falling plate ice crystals. The effect is very similar to any slightly tilted horizontal surface. For instance, water reflect a light source (usually the sun) and spread it out vertically. This one is REALLY big. This is due to a 12mm lens wide lens.This is not quite 2 times again the subtended angle/width of view afforded by your normal vision at around 55mm would.
The Physics explains it of course but the bigger they are, the rarer they are. The maximum extent of the pillar is about twice the maximum tilt of the plate crystals. Big oriented plates of ice positioned at a high angle are required for this particular phenomena. The crystals are all flat 6 sided plates. These fall the same way/orientation due to atmospheric resistance and their shape. Calm falling air is necessary. The high tilt is unusual. I’ve read sunpillars 5-10 degrees tall is not unusual. (I’d have to look at the meta data and do the math. It certainly seemed big to me at the time (click click click etc ).
I have not photographed many American Kestrels in my travels. They are not very large at only a foot tall. Somewhere between a robin and a crow in size. They are the most common falcon in North America as well as the smallest . They are aerial acrobats though with the ability to hoover with their head motionless. None the less they are so small buffeting in the high winds here on the high ridges is visible. The vertical slashes on the face are shared by the sexes but the blue/slate wings and brown “cap” head markings are distinguishing in the males. (Update: This has been identified by a much better raptor ID’er than I as a Swainson’s Hawk. )
Kestrel eat a broad range of grasshopper sized bugs up to mice, bats, songbirds and even smaller snakes or frogs. Opportunistic hunters they are. I have seen them hunt before but are elusive to photograph being quite small. I was very fortunate to come up over a ridge top to find this guy sitting on a snowy branch. He spent about a minute and a half after we surprised each other observing me. I immediately stopped on seeing him. It was windy so he might not have heard me as he was up wind. It only took me a few seconds to bring this long lens to the task. I clicked a few images carefully checking focus each time and off he flew with speed. Apparently not happy with the surprise and this big Black vehicle. That’s 1….
Living in a remote secluded ranch for 20 years, I’m sort of used to isolation. Many of you are battling this “stuck at home base” period of our lives feeling alone. If you feel you are battling the elements here, you know, swimming upstream, up the creek without a paddle or are just plain isolated, I understand trust me. There are not enough hours in the day as it is up here, just add more on top lolol……
To keep my equilibrium, I try to put my world into perspective daily then isolate each problem I come upon placing it into it’s own little box. Take those boxes off the pile one at a time to deal with it. Funny how some boxes disappear on their own… This lovely flower, at the prime of it’s labors, covered by an overnight chill and snow trying to kill it. Just one little box in it’s life. What doesn’t kill you makes you stronger. 👀
The ability to shrug off these burdens that we usually put on our own back is a learned skill. It’s easier to sit back and analyze arm chair quarterback others but we sometimes drift to our own foibles under this assault around us. That is a mistake and causes depression. I find it’s the second guessing that causes the most stress in life. Regret, buyers remorse…etc. So I try like heck not to do it. Worrying about something that has past is a waste of energy. The Flower took the insult shrugging it off knowing that it would be warmer later. The earth relenting to the innate ability of the species to know when to hibernate and when to grow. Like most things that seem terrible as they are happening. The tulip somehow understood the melting snow and the warmth would be coming that morning.☯
“May you live in interesting times. ” variously attributed to: Chinese Curse? Austen Chamberlain? Frederic R. Coudert? Joseph Chamberlain? Diplomatic Staff? Albert Camus? Arthur C. Clarke? Robert F. Kennedy? Hillary Rodham Clinton?
WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red is amazing to experience live thusly stealing my total attention.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
“Sneaky Pete” the Windmill and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Here “Sneaky Pete” the Windmill has thoughtfully placed himself dead center of my portrait landscape of this twilight sky show. I of course have no control of his actions as he is an attention seeker. I get for him that free publicity he’s longing for. The “deal is he works it out ahead of time with the deer and the Pronghorn to “sit” for me if I get him in the limelight. Seemed fair to me at the time and the animals do sit for me not and then… So when ever I get a cooperative Pronghorn (rare), I tip my hat to “Sneaky” for doing what he does best. Photobomb and give me a foreground object for scale 👁👅
Note: This narrative is quite complex with so little time and space for it all lol.
Windmill Junkies Unite: Windmill Wednesday :🤘 As I’ve mentioned before, don’t let your mother know you look at stuff like this…..☯
Musings on twilight color gradients: (back to reality).
I call this kind of twilight sky gradient “Alpenbows” Blue Down to crimson has a mix in between of yellow and blue to make green It’s a classic Twilight rainbow of color in the sky. The long through the atmosphere the light from the sun travels, the different colors drop out. Only red photons survives the trip down through the low atmosphere. Yellow higher, then mix Yellow with Blue to get green in between. Complete Color Gradients such as this are not common for me to see. I’ve seen WAY more the 20 years I’ve lived on the Ranch than all the years before.
I will take a photo of anything in Perspective with the moon. The Far Ridge is 40 miles out. My truck/office/photostudio is about 200 yards from the camera. I just love how telephoto lenses CRUSH perspective. This is the “Pink” moon in it’s true shade lol. I guess it was less embarrassed that it has been in past years and just went orange just for this sitting.
From here on down I worked this moon extensively. This April 2020’s Pink moon had a window to it’s rise and set every time near full illumination this month. I seldom get one chance a month let alone 3 terminator crossings in a row while full close to the horizon. This was a rare weather window. I’m about a week behind with most posts. I bring some images forward ahead of the line to finish the same day but not very many.
From my homestead, it’s about a 3 mile two track trip to get to this high point on a remote ridge in Wyotana. This was still 20 minutes before sunrise which would occur over my shoulder. You get a glimpse of that sunrise in the Ford Raptors aluminum wheel. So far this is an exemplary expedition vehicle for me. New in December I have 1200 miles on it with 800 of that being in the backcountry. It is literally a ranch truck that I’ve been known to take into town. I used to go into town about once a month. These days, I have gone into town more than that as I was delivering product from my day job. I work in an “essential” occupation according to Homeland Security… . Nuff Said on that.
The return of the Great Blue Herons signifies the start of their nesting season on Ranch. I have only seen 4 Herons so far but it’s early. We expect 5+ inchesnow/single digits over the weekend (a week ago as this posts). The Ranch has “left the light on” for others to straggle in as they work their way back from winter haunts south. There are 6 nests in the trees across the lake from my camera where this mated pair is building a nest. The third is probably waiting for a mate that is out hunting.
The group obviously weren’t worried about my truck as the three were mostly motionless for 20 minutes all through my maneuvering. Left them still standing like this as I backed up to leave. I drove away as the sun disappeared. It seems they just don’t care about my Black Ford Raptor. I have not been much of a concern to these birds. Many local wildlife are already familiar/tolerant to my 3 month old rig. Many see it at least 2 times a day on average.
Natural behavior occurs while I’m in this rig. I just drive around like I’m a grazing animal. Stop, Start, turn, sit a minute. The truck is all black and only a little smelly/noisy. Just like a Black Angus cow :). Going really Slow in a factory “Baja truck”…. only in America.. 😜🤘📸
I approach groups of animals living here on the huge grasslands with respect. If I scare them, I don’t get to photograph them. Of course most wild animals sense your approach early. At my crossing some pre-determined line in the sand, most bolt. Learning where that line in the sand is becomes pertinent towards the pursuit of the image.
I find stopping well back, take a few photos, figure out the light, get your settings up for a quick exit shot, then move. I usually readjust my settings for quality, get the composition set and click. Then go back to settings for speed (faster shutter, more ISO and or bigger aperture/fstop.). Move closer….rinse and repeat until you get the shot. (you might think this is “tough” light to work…. You would be right).
Most of the time with really long fixed (non-zoomable) lenses, I fill the frame, get the shot and leave without causing the animals to move. (Pronghorn excepted since they move regardless). 😜
Sunrise, Moon set. This remote backcountry road here in the late Wyotana spring is easy to get around on. As I type this a spring storm dumped 6 inches on everything but the light has been flat. Six or more inches of snow that did blow around graces our backcountry drives now. At least for a few days we will avoid the mud season with 8 degrees on April 2nd, 2020. Winter comes late to the high ground of Wyoming/Montana (Wyotana).
The look back and the sky beyond is a technical challenge I’ve been working on for years. Occasionally I get one just as I remembered the scene. The inadequate technology in the cameras is unable to overcome the limitations of the physics of the moment. With a removable lens camera, this is the technical walking a tightrope. You can only capture deep focus images like this in Manual mode with a really good DSLR or mirrorless camera. It would be way easier I believe with almost any cell phone in the country. 🤣
I miss the familiarity/control of my old Jeep Grand Cherokee. It was under me for 15 years in this backcountry and never got me stuck. Of course I traded it in back in December, 2019. Last Truck sold by the local Ford Dealer that Decade. … The Raptor I drive now is WAY better but not as familiar yet. Knowing where the wider vehicle is…. tough… I digress. What a sky 📸👀
Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.
This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.
I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances
Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷
I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
You just have to be there to look at the right time and place about 200 yards away…… 😜😜
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
Always Photobombing, “Sneaky Pete” the windmill graces my landscapes. I have no control over his actions but he seems to get into my landscapes a lot doesn’t he? 😜📷
This from early last spring. Green Grass is about a month away from the highlands at the time this posts. If you currently have growing grass, appreciate it under your feet lolol. By Mid May we are past the point of frost (mostly). I’ve seen snow in every month of the year living in Wyoming for the last 30 years. There is no promise after May 15th it won’t frost again. We had Lilacs blooming on the 4th of July last year. Most of you have lilacs in March and April latest I suspect.
Fully involved back show skies in front (sunset over my left shoulder) where JUST the top of the windmill is lit up, is all about timing. The shadow that is covering me is of the ridge 40 miles to my rear. The sunset was veiled by this deep weather system . Parts of the longest traveled red rays made their way between the lower bluish layer. All the way through to under light the much higher red/orange layer of clouds above. Backshows are well worth taking photos of if you can remember to turn around and look at them. About every 3 or 4 minutes I turn around and glance behind me while watching sunsets.
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸