As I surprised her as I came up out of a valley. To the table top of this broad ridge I was traveling. This deer wasn’t familiar with my Ford F-150 Raptor . It is suprisingly stealthy for carrying a 470 HP power plant on board. The low and throaty moping sound is now familiar to close deer groups. I pass many everyday that hang out near my homestead. I would be hard pressed to make those deer familiar with me to even look up from grazing upon my proper approach. This girl became definitely intimidated by my presence (through no action of my own I point out lolol). She bolted like I threw something at her, clearing the fence efficiently.
Deer can jump 8 feet high but I find 6 feet more realistic . I have an 8 foot electric fence surrounding my Homesteads Compound surrounding about 10 acres. All of the ranches human, dog, duck, chicken and cats live inside that area. The rest of the critters get the remaining 3490 acres to wander. Before I put up our deer “resistant” fence, many thousands of dollars of attempted landscape projects were devoured with passion. The only deer that have penetrated our defenses in the last several years have been shown the gate they came in on. They are quickly detected by the dogs which don’t leave the compound lol. Now the young deer don’t know the green grass paradise right over the wire. Thusly there isn’t as much pressure to penetrate the barrier now.
I strongly suggest electric fence to keep deer out of your homestead . Particularly when surrounded by herds of deer that water on your stock tanks lolol.
An old fallen soldier of the high ridges here in Wyotana bares the effects of the harsh local climate. Wood exposed to the weather will last many decades in this low precipitation climate. Rot is slowed due to our area receiving only 14 inches of precipitation average per year including snow melt. The twisted pines we grow up high are shaped by the wind. (Backcountry Furniture is what you sit on while exploring miles of these ridges to rest.)
A landslide killed this tree. Thus displacing the whole slope it was on. Roots separated from their tips by the movement of the earth and the rotational falling of the tree. Wind/Weather exposed the root ball . The washing away of the sediment originally encasing it probably took decades. The steep and treacherous hillside it is on discourages cattle from rubbing against the tree scratching themselves . All the while the pressure from cattle destroys fragile structures. There are several excellent “prairie drift wood” Snags on this hillside.
Close / Far Perspectives are always a challenge for me to see the possibilities until I get there. Sometimes I can see a photographic opportunity from across the valley. For this genera of photography I have to put myself into the point of view of a mouse. Balancing the composition, and knowing your equipments minimum focal length. I’m utilizing a WIDE 10mm full frame lens for this which is necessary to the perspective. I note just a bit of lens distortion in the corners from the german optics….
Close far perspectives are always a favorite to bring to completion. Windmill Wednesday: Windmill Junkies Unite 🤘🤘
For me to publish this, I take an average of 1.5 hours per image. I then have to study that timeline to pick this photo. Then there is the small amount of digital darkroom time maybe 10 minutes.. then I have to write / type the accompanying narrative… I start at 250 words for an image. I could write 250 words about a clump of dirt these days after the last 6 months writing over 1500 narratives to accompany my portfolio images. Each post I publish on line, is an e-version of one page out of that eventual book. For now it’s all free reading lol.
So just ignore “Sneaky Pete” the Windmill. Any recognition by the public makes him insufferable. He’s been photobombing my landscapes for years up here in the high ridge lines of the Montana / Wyoming. The narrative is years long and “Sneaky” gets his share of recognition. Some fans instantly know him versus other less gregarious windmills. He is a notorious photobomber in the local tales of lore.
SOO, “Sneaky” here is the Close part. The 130 mile distant peaks of the 13,000 foot high BigHorn Mountains loom on the horizon the far…. The Windmill is 1/4 mile out, the first ridge 10 miles. The valley under the treed second ridge / mountain slope is the “Little Powder River Valley. Finally stand at 40 miles distant are the Red Hills, made of sediments from the BigHorns far distant. (Google Alluvial Fanglomerate).
This 1/2 miles of Campbell County road is the last of Wyoming going north as directly over the crest of the first hill, is the Montana border. The Valley in the Distance is the Ranch Creek Drainage which is the first watershed going into Montana. My closest neighbors live up there. We literally live in the last house north in Wyoming. End of the electric, end of the phone and the last internet source lol. There might be a few closer to the border but not many. We have land in both states, pay taxes in both, my son went to school in Montana but we live in Wyoming. By at least 3/4 of a mile. Most of my images have both states in them (Wyotana) .
In many ways we get the best of both worlds. There isn’t much difference in the landscape north or south from this vantage point. I am actually standing at our back yard fence for this telephoto capture. The hill on the left is several miles down the road with the far hills being about 10 miles distant. The Alpenglow sky from the sun that just set 15 minutes before to the left side of the frame is still barely lighting things up. The low light causes photographers to use tripods and long exposures to saturate their captures. I’m no exception here. A window clamp on my Raptors drivers side did the trick nicely. These are very very handy things to buy on amazon. Don’t buy a cheap one as you get what you pay for.
Yup, it was a little windy for this capture. The problem with time exposures (low light generally with a punctuated flash during the click) is that wind shakes everything. I was sitting in my vehicle with an open window with metallic objects sticking out. All while next to a tall metal object on a hill top. Perfect place to take lightning photos I’m thinking… What could possibly go wrong? 😀😜👀📸
SO: Windmill Wednesday… Windmill Junkies Unite: 🤘 “Sneaky Pete” the windmill risking all to jump into my Lightning image. Hazardous work environment for the young guy.
Blurring a windmill is easy even in a soft breeze. You just have to leave the shutter open long enough to allow the blades to move during the exposure. This is complimentary to lightning as the longer the shutter is open, the more likely it is that you’ll catch a bolt. I also use lightning triggers but they only initiate the click. It’s me that sets the camera up. Lightning I tend to close the camera down to light and do 5 second exposures with ISO and Fstop set dependant on ambient light. This storm was fairly dark so I used ISO 200, 5 seconds and f22. Your setting will vary. Wind will keep your shutter MUCH shorter than 5 seconds. More like .25 seconds. This is where those lightning trigger gadgets come in very handy. Set to ISO 100, 1/25th, F18 and start there with a trigger. Hope this helps… Lightning is tough trying to anticipate it. You might get 1 in 10 flashes If your very quick…
This is the second finished capture of 3 from this sunrise stage show. The play started at 5:15 AM when I had a 5:36 appt at sunrise. There was very little indication at my homestead that this would be such a show. Taking in the information from a remote ridge lined camera I have looking east, I jumped into “Clever Girl” my Ford F-150 Raptor and started gaining altitude. A sunslit window to the light was showing…might have amounted to nothing…. I never know for sure if I’m wasting my time before I commit to an hour at least watching sky plays…
Our ranch is on a high ridge but I have to climb higher ridges to actually see sunrise. There is a 400 foot high series of parallel ridges to my east which effectively hides my east view. I see 130 miles to the west and 50 miles both north and south from my homestead. I see about 1000 yards east without climbing to the top of Ridge 1 to the east. The actual time AT my homestead I see the sun is about 1/2 hour later than what ever time the sun actually rises.
The Snow squall that was ongoing at the time (taken the first week of May). We are used to a late frost with the “last” frost being May 15th…This posting on May 20th, 2020… A very wet cold weather descended on us after this sunrise. Certainly the completely overcast (thickly so) cloud deck was quickly obscuring the solar disk at this capture. There was less than a minute of light left before the day turned to a gloomy lack of interesting light morning. Wet and rainy for a week thank god as we need the moisture.
In a huge battle many many years ago in a world far far away, someone lost their head….This did actually roll down the hill from whence it came…. It must have taken a heck of a sword to lop off that noggin. This is way bigger than I am lol.
If you’ve ever watched the spoof movie “Space Quest”, you might remember the “Rock Monster” that was chasing Captain Jason Nesmith. Some of these B sci-fi films have followings that create an entire world around the film. What follows is a short trip into that world…
Describing the creature this head obviously came from:
Gorignack is “Rock” in the language of Blue Demons) is a Biolithic species native to Epsilon Gorniar II
These creatures were known to be extremely violent. They were angered greatly by vibrations in the ground and sounds. Angry so much so that it goes on a rampage when provoked in a significant manner. The creature seems at least partially sapient as it has some form of language, the only words known “Trakahau gra fuyter!”, which means “Tranquility at last”.
It is unknown how this creature is held together, but it is a mass of many stones in a roughly humanoid form. It seems to be able to withstand the extremem conditions of outer space (at least partially). One here was obviously beheaded. Only for me to find some years later…
Back to my normal programming 😜🤘
You might note that the image has been rotated a little off normal up / top.
In early morning light, I got this silly capture the other day out in the small herd of Corriente’ cattle that let us live here. This old Spanish breed generates individual cows that are each their own character in a circus skit. Being no exception, this 4 year old mother to be has the physical limitations of not having fingers to reach in there and yank that cactus spine out of there. (I’m just guessing it was a sticker but certainly it might have been some NASTY tasting plant). Alternately, she was probably just telling me what she thought about having a long lens pointed at her.
I was working photographically this “lick after lick after lick” scenario for a few minutes anyway. I’m never sure how long some timelines occur over as a time warp surrounds me during camera clicks. I try to train myself NOT to have tunnel vision particularly when shooting pistols and cameras. Going focus forward (tunnel vision) situation will cause you miss things going on around you. I wasn’t looking for this while working a mother and calf about 70 degrees to the right. In my peripheral vision I saw a motion, got it. Rule 1.1 of photography: Have a camera with you.📸📸
This was actually framed live this precisely with the horns JUST fitting into the frame IN the camera not cropped after the fact. The problems using a fixed (non-zoom) lens is that you have to move back to make the subject fit into the frame. Usually by the time you move, the opportunity is toast. Rule 1.2 of photography: Get the picture… 📸📸
I admire the strength and tenacity of a lone tree on a flat. They are alone in their survival subject to the wild Wyotana weather. 70 mph winds here just about every year. Cold cold cold windchills. Drying winds with only 14 inches of precipitation a year. The hardships for this tree have been ongoing for at least 100 years at least for this isolated survivor. The county road continues for miles on in this huge backcountry. Traveling interstate makes you miss scenes like this. With a 45 mph rural speed limit, you might take a while to do the cross country on these roads so plan accordingly. 😀👀
A Cottonwood Tree grows in a wet area but will put roots deep into the ground. I haven’t done a ring count on this tree but 100 years seems right for it’s size. Such can be deceiving though. Really big Cottonwoods here are easily hundreds of years old. By comparison, this is not a huge Cottonwood, about 40 feet high but very wide for it’s height. It HAS to be lonely in it’s obscurity along this long passage in the fabled middle of nowhere. The nearest stoplight in any direction to this spot is around 65 miles.
Many of the trees in this local area were burned in the late 1930’s by “fires that burned until the first snows fell. This tree is certainly remote on this hill with the closest other tree being several hundred feet distant. I believe this field has been cleared of sage early on. They did a lot of that clearing by hand. Horse and pulled single row plow back in 1900 when this area was first settled
I caught this gal Pronghorn nibbling on grass and other goodies in Silhouette. She was catching that last mouth full before the fading twilight during the new moon. It get’s REALLY dark here in the deep Wyotana backcountry. According to NASA’s website, we are as dark as the North Atlantic Ocean here. If you live near population, you really can’t appreciate how dark the night gets here.
Pronghorn are active most of the night I find. I find them sleeping at odd hours, resting when they are tired I suspect. This pregnant female is feeding for two. I can tell she’s pregnant just by her outline this time of year. The edge detail on this capture is amazing to me.
Low light/twilight work is my stock and trade. I primarily work in terrible photographic environments just like this one lol. Lack of light will make you do bad things to your camera resulting in lots of image problems. Grainy from turning up the ISO (camera sensitivity). No or a very shallow depth of focus because you turned down your f-stop number (lower) which makes your aperture (like the iris of the lens). Finally the last setting… shutter speed…. longer the shutter is open, the more the image is subject to blurring from shaking the camera. Plus the animal is not static so your looking at blurs from having too slow a shutter. Finding a balanced compromise results in images as this… Sharp, detailed and smooth colors without grain. I love the technology of mirrorless cameras….. 📸
Rockypoint was located 52 miles north of Moorcroft and 57 miles northeast of Gillette. I’m not sure at this point where “Rockypoint “is” but I know where it was. About 4 miles south of this Wyotana structure that serves as a Community gathering point.
I’ve seen over 100 people crammed into that building eating some of the best pot luck dinners that rural Wyotana communities can put on. Everyone brings their best dishes for all to enjoy. I’ve been to dozens of dinners there. Locally, there is no better place to catch up on local news and gossip. Not that anybody here gossips much. We are naturally remote with a population density of less than 2 per square mile. Folks from 20 miles in all directions show up for Christmas, Thanksgiving and any other purpose those in charge decide to celebrate with a community meal. I’m thinking for the next year, it might be a little slow up there…. 😔
This was built by local families on donated land to serve just this purpose. The local ladies club that “runs” this building have fed folks remotely for numerous activities to raise the funds necessary to keep this all up. Feeding booths for rodeos, funeral dinners, and celebrations of all kinds have been served by this group. Everybody does something but hats off the the roughly dozen ranch wives that have for decades, served the community. Nothing from the gov’t here, all local.
Location: Rockypoint Wyoming, (Wyotana) about 2 miles south of the Wyoming / Montana border.
It takes most folks a second or two to orient themselves and figure out what’s going on here. This kind of really up close and personal capture is not all that easy in my experience. No matter how you maneuver, the mother cow will turn to face you. The calf follows of course. Pivoting when ever she felt I had a clear window to her calf to hide it on the other side of it’s body. There is no familiarity with new mothers. They don’t care who you are, they don’t like you much. These cattle get a little frisky eating that rocket fuel called green grass early in the spring. The hormones are flowing full through the flood gates and calves are dropping out every day somewhere near by it seems.
I believe this is the ONLY position you could actually get into the “action” zone of this capture. From the other side, you couldn’t see the cafeteria, from the rear you’ve got….. well the rear…. Can’t see the calf for the mothers legs back from that angle. I got really lucky on this as I was “circling” around her from about 80 feet out, she kept turning then for what ever reason… stopped for a few seconds. Click 📷📷
This is not the neatest of processes. I’ve seen these calve’s faces COVERED with dried milk. Soaked with wet milk too lol. Mom doesn’t have a handy towel to wipe her baby down lol.
See the medium sized Mare (Mare Crisium) at 12 oclock. The one near the edge. . That smaller crater will always point to 12 during a rising moon. It points to 3 oclock on a setting moon image. The little light from the twilight behind me was enough just to barely see the slope of that ridge. That ridge was around 10 miles from my camera/1200mm lens.
It’s not the moon that is turning in space to rotate that crater…. Actually you are the one that is spinning/rotating here on earth. IT’s all about your perspective. Question to think about…if your standing on Mare Crisium, does the earth ever set?🤔👀👅
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though.
Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon. Now you know as much as I do about the Pink Moon this year. All my images are posted about a week or two after they are taken so this posts the 29, taken the evening of the 8th. It’s as fast as I can get to “recent” images finished and get the posted these longer /warmer days. I write these narratives right at a week ahead of their posting. (currently).
This is an 90 degree tall image. Almost straight up is top frame. HUGE tall pillar and pretty durn good dynamic range in this capture. To look into the furnace but still be able to make out the landscape ladder is extensive DR. Most cameras would show that as a black silhouette. Try it :).
Sun pillars are shafts of reflected light. Ice reflected spotlights as it were shooting generally 90 degrees up or down to the horizon. This is BY FAR the tallest pillar I’ve ever seen.
I’ve seen them below the sun many times as well. They form on ice crystals in the atmosphere. A combination of many many reflections off the large flat face of horizontally falling plate ice crystals. The effect is very similar to any slightly tilted horizontal surface. For instance, water reflect a light source (usually the sun) and spread it out vertically. This one is REALLY big. This is due to a 12mm lens wide lens.This is not quite 2 times again the subtended angle/width of view afforded by your normal vision at around 55mm would.
The Physics explains it of course but the bigger they are, the rarer they are. The maximum extent of the pillar is about twice the maximum tilt of the plate crystals. Big oriented plates of ice positioned at a high angle are required for this particular phenomena. The crystals are all flat 6 sided plates. These fall the same way/orientation due to atmospheric resistance and their shape. Calm falling air is necessary. The high tilt is unusual. I’ve read sunpillars 5-10 degrees tall is not unusual. (I’d have to look at the meta data and do the math. It certainly seemed big to me at the time (click click click etc ).
I have not photographed many American Kestrels in my travels. They are not very large at only a foot tall. Somewhere between a robin and a crow in size. They are the most common falcon in North America as well as the smallest . They are aerial acrobats though with the ability to hoover with their head motionless. None the less they are so small buffeting in the high winds here on the high ridges is visible. The vertical slashes on the face are shared by the sexes but the blue/slate wings and brown “cap” head markings are distinguishing in the males. (Update: This has been identified by a much better raptor ID’er than I as a Swainson’s Hawk. )
Kestrel eat a broad range of grasshopper sized bugs up to mice, bats, songbirds and even smaller snakes or frogs. Opportunistic hunters they are. I have seen them hunt before but are elusive to photograph being quite small. I was very fortunate to come up over a ridge top to find this guy sitting on a snowy branch. He spent about a minute and a half after we surprised each other observing me. I immediately stopped on seeing him. It was windy so he might not have heard me as he was up wind. It only took me a few seconds to bring this long lens to the task. I clicked a few images carefully checking focus each time and off he flew with speed. Apparently not happy with the surprise and this big Black vehicle. That’s 1….
Living in a remote secluded ranch for 20 years, I’m sort of used to isolation. Many of you are battling this “stuck at home base” period of our lives feeling alone. If you feel you are battling the elements here, you know, swimming upstream, up the creek without a paddle or are just plain isolated, I understand trust me. There are not enough hours in the day as it is up here, just add more on top lolol……
To keep my equilibrium, I try to put my world into perspective daily then isolate each problem I come upon placing it into it’s own little box. Take those boxes off the pile one at a time to deal with it. Funny how some boxes disappear on their own… This lovely flower, at the prime of it’s labors, covered by an overnight chill and snow trying to kill it. Just one little box in it’s life. What doesn’t kill you makes you stronger. 👀
The ability to shrug off these burdens that we usually put on our own back is a learned skill. It’s easier to sit back and analyze arm chair quarterback others but we sometimes drift to our own foibles under this assault around us. That is a mistake and causes depression. I find it’s the second guessing that causes the most stress in life. Regret, buyers remorse…etc. So I try like heck not to do it. Worrying about something that has past is a waste of energy. The Flower took the insult shrugging it off knowing that it would be warmer later. The earth relenting to the innate ability of the species to know when to hibernate and when to grow. Like most things that seem terrible as they are happening. The tulip somehow understood the melting snow and the warmth would be coming that morning.☯
“May you live in interesting times. ” variously attributed to: Chinese Curse? Austen Chamberlain? Frederic R. Coudert? Joseph Chamberlain? Diplomatic Staff? Albert Camus? Arthur C. Clarke? Robert F. Kennedy? Hillary Rodham Clinton?
WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red is amazing to experience live thusly stealing my total attention.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
“Sneaky Pete” the Windmill and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Here “Sneaky Pete” the Windmill has thoughtfully placed himself dead center of my portrait landscape of this twilight sky show. I of course have no control of his actions as he is an attention seeker. I get for him that free publicity he’s longing for. The “deal is he works it out ahead of time with the deer and the Pronghorn to “sit” for me if I get him in the limelight. Seemed fair to me at the time and the animals do sit for me not and then… So when ever I get a cooperative Pronghorn (rare), I tip my hat to “Sneaky” for doing what he does best. Photobomb and give me a foreground object for scale 👁👅
Note: This narrative is quite complex with so little time and space for it all lol.
Windmill Junkies Unite: Windmill Wednesday :🤘 As I’ve mentioned before, don’t let your mother know you look at stuff like this…..☯
Musings on twilight color gradients: (back to reality).
I call this kind of twilight sky gradient “Alpenbows” Blue Down to crimson has a mix in between of yellow and blue to make green It’s a classic Twilight rainbow of color in the sky. The long through the atmosphere the light from the sun travels, the different colors drop out. Only red photons survives the trip down through the low atmosphere. Yellow higher, then mix Yellow with Blue to get green in between. Complete Color Gradients such as this are not common for me to see. I’ve seen WAY more the 20 years I’ve lived on the Ranch than all the years before.
I will take a photo of anything in Perspective with the moon. The Far Ridge is 40 miles out. My truck/office/photostudio is about 200 yards from the camera. I just love how telephoto lenses CRUSH perspective. This is the “Pink” moon in it’s true shade lol. I guess it was less embarrassed that it has been in past years and just went orange just for this sitting.
From here on down I worked this moon extensively. This April 2020’s Pink moon had a window to it’s rise and set every time near full illumination this month. I seldom get one chance a month let alone 3 terminator crossings in a row while full close to the horizon. This was a rare weather window. I’m about a week behind with most posts. I bring some images forward ahead of the line to finish the same day but not very many.
From my homestead, it’s about a 3 mile two track trip to get to this high point on a remote ridge in Wyotana. This was still 20 minutes before sunrise which would occur over my shoulder. You get a glimpse of that sunrise in the Ford Raptors aluminum wheel. So far this is an exemplary expedition vehicle for me. New in December I have 1200 miles on it with 800 of that being in the backcountry. It is literally a ranch truck that I’ve been known to take into town. I used to go into town about once a month. These days, I have gone into town more than that as I was delivering product from my day job. I work in an “essential” occupation according to Homeland Security… . Nuff Said on that.
The return of the Great Blue Herons signifies the start of their nesting season on Ranch. I have only seen 4 Herons so far but it’s early. We expect 5+ inchesnow/single digits over the weekend (a week ago as this posts). The Ranch has “left the light on” for others to straggle in as they work their way back from winter haunts south. There are 6 nests in the trees across the lake from my camera where this mated pair is building a nest. The third is probably waiting for a mate that is out hunting.
The group obviously weren’t worried about my truck as the three were mostly motionless for 20 minutes all through my maneuvering. Left them still standing like this as I backed up to leave. I drove away as the sun disappeared. It seems they just don’t care about my Black Ford Raptor. I have not been much of a concern to these birds. Many local wildlife are already familiar/tolerant to my 3 month old rig. Many see it at least 2 times a day on average.
Natural behavior occurs while I’m in this rig. I just drive around like I’m a grazing animal. Stop, Start, turn, sit a minute. The truck is all black and only a little smelly/noisy. Just like a Black Angus cow :). Going really Slow in a factory “Baja truck”…. only in America.. 😜🤘📸
I approach groups of animals living here on the huge grasslands with respect. If I scare them, I don’t get to photograph them. Of course most wild animals sense your approach early. At my crossing some pre-determined line in the sand, most bolt. Learning where that line in the sand is becomes pertinent towards the pursuit of the image.
I find stopping well back, take a few photos, figure out the light, get your settings up for a quick exit shot, then move. I usually readjust my settings for quality, get the composition set and click. Then go back to settings for speed (faster shutter, more ISO and or bigger aperture/fstop.). Move closer….rinse and repeat until you get the shot. (you might think this is “tough” light to work…. You would be right).
Most of the time with really long fixed (non-zoomable) lenses, I fill the frame, get the shot and leave without causing the animals to move. (Pronghorn excepted since they move regardless). 😜
Sunrise, Moon set. This remote backcountry road here in the late Wyotana spring is easy to get around on. As I type this a spring storm dumped 6 inches on everything but the light has been flat. Six or more inches of snow that did blow around graces our backcountry drives now. At least for a few days we will avoid the mud season with 8 degrees on April 2nd, 2020. Winter comes late to the high ground of Wyoming/Montana (Wyotana).
The look back and the sky beyond is a technical challenge I’ve been working on for years. Occasionally I get one just as I remembered the scene. The inadequate technology in the cameras is unable to overcome the limitations of the physics of the moment. With a removable lens camera, this is the technical walking a tightrope. You can only capture deep focus images like this in Manual mode with a really good DSLR or mirrorless camera. It would be way easier I believe with almost any cell phone in the country. 🤣
I miss the familiarity/control of my old Jeep Grand Cherokee. It was under me for 15 years in this backcountry and never got me stuck. Of course I traded it in back in December, 2019. Last Truck sold by the local Ford Dealer that Decade. … The Raptor I drive now is WAY better but not as familiar yet. Knowing where the wider vehicle is…. tough… I digress. What a sky 📸👀
Lone Trees and Large Suns are in an of themselves, each worth of pursuing with a long lens. (1200mm). 300 yards out,. With the dramatic veiled sun and clouds in front, I was able to pull a Japanese scene out of this light.
This Isolated Lone Tree actually has a fossil site at it’s base that I’ve not collected much. I just walk around the surface there and I have not dug. I even left a caudal (tail) vertebra under a boulder there so there is always a fossil to find there. If you were astute looking around you might see large chunky bone fragments coming out of the sandstone in a small outcrop under the ledge to the right of the tree. I keep this place native for the rare person(s) I would take to this place. One of my 4 rifle courses for the Wyoming Tactical Rifle Championship surrounds this hill top.
I have a theory that is certainly just anecdotal. I believe that the soil types derived from the underlying sediment from fossil sites is easier for this species of pine tree to grow in than surrounding soils. MANY of the small fossil sites in this Cretaceous Sandstone Country have either a big majestic Snag laying around or a tree growing just above the fossil site. It is a “working” theory in the jargon of science in that I’m always trying to observe subtle nuances
Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷
I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
You just have to be there to look at the right time and place about 200 yards away…… 😜😜
Always Photobombing, “Sneaky Pete” the windmill graces my landscapes. I have no control over his actions but he seems to get into my landscapes a lot doesn’t he? 😜📷
This from early last spring. Green Grass is about a month away from the highlands at the time this posts. If you currently have growing grass, appreciate it under your feet lolol. By Mid May we are past the point of frost (mostly). I’ve seen snow in every month of the year living in Wyoming for the last 30 years. There is no promise after May 15th it won’t frost again. We had Lilacs blooming on the 4th of July last year. Most of you have lilacs in March and April latest I suspect.
Fully involved back show skies in front (sunset over my left shoulder) where JUST the top of the windmill is lit up, is all about timing. The shadow that is covering me is of the ridge 40 miles to my rear. The sunset was veiled by this deep weather system . Parts of the longest traveled red rays made their way between the lower bluish layer. All the way through to under light the much higher red/orange layer of clouds above. Backshows are well worth taking photos of if you can remember to turn around and look at them. About every 3 or 4 minutes I turn around and glance behind me while watching sunsets.
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
Layers of Landscape to the first big ridge stretch for 40 miles in the distance. The Alpenglow illuminated BigHorn Mountains are saturated in an orange color cast projecting off of the deeper snow cover of the slopes. There are still spotty snow in the low and sheltered northern slopes and the deeper slopes of the 130 mile distant peaks. 1200 mm telephoto.
This of course is a time exposure as it were. I consider anything longer than 1/4 second a time exposure best done on a tripod or some support. You can take photos like this free handed but your ISO is going to have to be so high that you’ll get grain on your image. A minimum handheld speed with a long lens is about 1/100th. With a telephoto your going to have to compensate for the lack of light somehow as they are not a fast lens. Turning up camera sensitivity? This will unfortunately give you larger grain to your image and add noise to the color. It will however bring an image in.
The first rule of photography is get the shot. The second rule is get it right !. Longer time exposures give your camera a chance to gather light the easy way. You always want as LOW and ISO as you can get away with. Low light images like this look wonderful if done on a tripod. Not so much hand held. I use a clamp on my car window with my favorite tripod head on it that mates to my cameras. Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands
Married since they were seeds from the same pine cone (likely). These three have survived a hundred years of exposure to Wyotana weather and sun.
Musings: I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol.
Working in and among the trees lining remote ridge is the way to set up compositions like I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. There is SO much going on in any edge of a forest with a view of the horizon. I assume I’m looking through the “eye” of small creature, a mouse, a cat but what to level?….
The far horizon which indeed is fully involved with a setting sun. Perhaps the three’s travels through the endless sun rise and set cycles moving as in HG Well’s many movies of the “Time Machine”. What a life they have see but if they could tell the stories. I actually like the really wide angle in this. It is a big bad thing in photography to have a distant horizon not level with the image’s floor.
Getting detail out of the shadows in the foreground while looking at really bright backgrounds is a major goal of mine. Got this one 👀📸
With full reverence to the classical reference to a Clint Eastwood movie in Jackson Wyoming. You might remember the Orangutan that liked to use hand signals?. Having done traffic stops as a police officer I assure you such things have happened in the real world lol. I think I’ve seen it all at this point lol.
Perspectives using leading lines to draw the eye to the focal point in the distance is a trick as used by the old masters. The trick for us modern photograhers using cameras is to see the frame as those master painters would. It’s hard to improve on their senses of perception from the 3D world to the 2D frame of an image. The more I do this photography thing, the more I believe I’m thinking like a painter.
Of course I don’t get to choose my color pallet. I am only what is provided by the grand designer of such things. I watch what is going on around me. To where my eye is drawn, I often follow physically. Then evaluate/ compose if appropriate. Click.
There are SOOO many little areas of Zen. Spread about the remote backcountry they are randomly.. I just haven’t noticed them all yet. I’ve driven the same paths for decades to get from point A to point B. I strongly suggest getting of the beaten trail, look at where you are versus where you’ve been before. Go to somewhere you haven’t been.
In the 20 years I’ve been intensively driving the 5.5 square miles of my ranch, I still haven’t seen everything. Not even close. My nephew and his brother in law were driving around the ranch and found an old 1920’s truck 1/2 buried by time and blowing sand. I had never seen it before and have yet to make it to that spot.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
This was an attempt to get together a backcountry soccer game but there was no crowds in the cheap seat, or the stadium for that fact but me.
Upon arriving at the venue, hearing that it’s not good to be in groups of more than 5. This of course because of the Corona Virus, the Antelope ran away. The intimidating behavior /show of force of the deer herd of course was obvious. It demonstrated the military bearing of the group. Intimidation won the day here. The Pronghorn were awarded the loss. The Deer team, awarded the win for the opposing teams failure to take the field.
Back to my normal programing
Late summer 2019 when the Pronghorn were still around. They migrate about 30 miles to the south every winter and currently are absent as this posts. I will see them within the month I would think. It depends on how late the big spring snows are. The deer winter over hanging out somewhere near the water holes we keep open for them.
There are actually two parallel trails that the deer are walking on. I point out was pure coincidence for the alignment. They continued on up the hill quite a ways like this. I just took photos and tried to keep my jaw out of the way. I’ve never seen deer make a formation before lolol.