An old fallen soldier of the high ridges here in Wyotana bares the effects of the harsh local climate. Wood exposed to the weather will last many decades in this low precipitation climate. Rot is slowed due to our area receiving only 14 inches of precipitation average per year including snow melt. The twisted pines we grow up high are shaped by the wind. (Backcountry Furniture is what you sit on while exploring miles of these ridges to rest.)
A landslide killed this tree. Thus displacing the whole slope it was on. Roots separated from their tips by the movement of the earth and the rotational falling of the tree. Wind/Weather exposed the root ball . The washing away of the sediment originally encasing it probably took decades. The steep and treacherous hillside it is on discourages cattle from rubbing against the tree scratching themselves . All the while the pressure from cattle destroys fragile structures. There are several excellent “prairie drift wood” Snags on this hillside.
Close / Far Perspectives are always a challenge for me to see the possibilities until I get there. Sometimes I can see a photographic opportunity from across the valley. For this genera of photography I have to put myself into the point of view of a mouse. Balancing the composition, and knowing your equipments minimum focal length. I’m utilizing a WIDE 10mm full frame lens for this which is necessary to the perspective. I note just a bit of lens distortion in the corners from the german optics….
This 1/2 miles of Campbell County road is the last of Wyoming going north as directly over the crest of the first hill, is the Montana border. The Valley in the Distance is the Ranch Creek Drainage which is the first watershed going into Montana. My closest neighbors live up there. We literally live in the last house north in Wyoming. End of the electric, end of the phone and the last internet source lol. There might be a few closer to the border but not many. We have land in both states, pay taxes in both, my son went to school in Montana but we live in Wyoming. By at least 3/4 of a mile. Most of my images have both states in them (Wyotana) .
In many ways we get the best of both worlds. There isn’t much difference in the landscape north or south from this vantage point. I am actually standing at our back yard fence for this telephoto capture. The hill on the left is several miles down the road with the far hills being about 10 miles distant. The Alpenglow sky from the sun that just set 15 minutes before to the left side of the frame is still barely lighting things up. The low light causes photographers to use tripods and long exposures to saturate their captures. I’m no exception here. A window clamp on my Raptors drivers side did the trick nicely. These are very very handy things to buy on amazon. Don’t buy a cheap one as you get what you pay for.
This is the second finished capture of 3 from this sunrise stage show. The play started at 5:15 AM when I had a 5:36 appt at sunrise. There was very little indication at my homestead that this would be such a show. Taking in the information from a remote ridge lined camera I have looking east, I jumped into “Clever Girl” my Ford F-150 Raptor and started gaining altitude. A sunslit window to the light was showing…might have amounted to nothing…. I never know for sure if I’m wasting my time before I commit to an hour at least watching sky plays…
Our ranch is on a high ridge but I have to climb higher ridges to actually see sunrise. There is a 400 foot high series of parallel ridges to my east which effectively hides my east view. I see 130 miles to the west and 50 miles both north and south from my homestead. I see about 1000 yards east without climbing to the top of Ridge 1 to the east. The actual time AT my homestead I see the sun is about 1/2 hour later than what ever time the sun actually rises.
The Snow squall that was ongoing at the time (taken the first week of May). We are used to a late frost with the “last” frost being May 15th…This posting on May 20th, 2020… A very wet cold weather descended on us after this sunrise. Certainly the completely overcast (thickly so) cloud deck was quickly obscuring the solar disk at this capture. There was less than a minute of light left before the day turned to a gloomy lack of interesting light morning. Wet and rainy for a week thank god as we need the moisture.
In a huge battle many many years ago in a world far far away, someone lost their head….This did actually roll down the hill from whence it came…. It must have taken a heck of a sword to lop off that noggin. This is way bigger than I am lol.
If you’ve ever watched the spoof movie “Space Quest”, you might remember the “Rock Monster” that was chasing Captain Jason Nesmith. Some of these B sci-fi films have followings that create an entire world around the film. What follows is a short trip into that world…
Describing the creature this head obviously came from:
Gorignack is “Rock” in the language of Blue Demons) is a Biolithic species native to Epsilon Gorniar II
These creatures were known to be extremely violent. They were angered greatly by vibrations in the ground and sounds. Angry so much so that it goes on a rampage when provoked in a significant manner. The creature seems at least partially sapient as it has some form of language, the only words known “Trakahau gra fuyter!”, which means “Tranquility at last”.
It is unknown how this creature is held together, but it is a mass of many stones in a roughly humanoid form. It seems to be able to withstand the extremem conditions of outer space (at least partially). One here was obviously beheaded. Only for me to find some years later…
Back to my normal programming 😜🤘
You might note that the image has been rotated a little off normal up / top.
In early morning light, I got this silly capture the other day out in the small herd of Corriente’ cattle that let us live here. This old Spanish breed generates individual cows that are each their own character in a circus skit. Being no exception, this 4 year old mother to be has the physical limitations of not having fingers to reach in there and yank that cactus spine out of there. (I’m just guessing it was a sticker but certainly it might have been some NASTY tasting plant). Alternately, she was probably just telling me what she thought about having a long lens pointed at her.
I was working photographically this “lick after lick after lick” scenario for a few minutes anyway. I’m never sure how long some timelines occur over as a time warp surrounds me during camera clicks. I try to train myself NOT to have tunnel vision particularly when shooting pistols and cameras. Going focus forward (tunnel vision) situation will cause you miss things going on around you. I wasn’t looking for this while working a mother and calf about 70 degrees to the right. In my peripheral vision I saw a motion, got it. Rule 1.1 of photography: Have a camera with you.📸📸
This was actually framed live this precisely with the horns JUST fitting into the frame IN the camera not cropped after the fact. The problems using a fixed (non-zoom) lens is that you have to move back to make the subject fit into the frame. Usually by the time you move, the opportunity is toast. Rule 1.2 of photography: Get the picture… 📸📸
I admire the strength and tenacity of a lone tree on a flat. They are alone in their survival subject to the wild Wyotana weather. 70 mph winds here just about every year. Cold cold cold windchills. Drying winds with only 14 inches of precipitation a year. The hardships for this tree have been ongoing for at least 100 years at least for this isolated survivor. The county road continues for miles on in this huge backcountry. Traveling interstate makes you miss scenes like this. With a 45 mph rural speed limit, you might take a while to do the cross country on these roads so plan accordingly. 😀👀
A Cottonwood Tree grows in a wet area but will put roots deep into the ground. I haven’t done a ring count on this tree but 100 years seems right for it’s size. Such can be deceiving though. Really big Cottonwoods here are easily hundreds of years old. By comparison, this is not a huge Cottonwood, about 40 feet high but very wide for it’s height. It HAS to be lonely in it’s obscurity along this long passage in the fabled middle of nowhere. The nearest stoplight in any direction to this spot is around 65 miles.
Many of the trees in this local area were burned in the late 1930’s by “fires that burned until the first snows fell. This tree is certainly remote on this hill with the closest other tree being several hundred feet distant. I believe this field has been cleared of sage early on. They did a lot of that clearing by hand. Horse and pulled single row plow back in 1900 when this area was first settled
Rockypoint was located 52 miles north of Moorcroft and 57 miles northeast of Gillette. I’m not sure at this point where “Rockypoint “is” but I know where it was. About 4 miles south of this Wyotana structure that serves as a Community gathering point.
I’ve seen over 100 people crammed into that building eating some of the best pot luck dinners that rural Wyotana communities can put on. Everyone brings their best dishes for all to enjoy. I’ve been to dozens of dinners there. Locally, there is no better place to catch up on local news and gossip. Not that anybody here gossips much. We are naturally remote with a population density of less than 2 per square mile. Folks from 20 miles in all directions show up for Christmas, Thanksgiving and any other purpose those in charge decide to celebrate with a community meal. I’m thinking for the next year, it might be a little slow up there…. 😔
This was built by local families on donated land to serve just this purpose. The local ladies club that “runs” this building have fed folks remotely for numerous activities to raise the funds necessary to keep this all up. Feeding booths for rodeos, funeral dinners, and celebrations of all kinds have been served by this group. Everybody does something but hats off the the roughly dozen ranch wives that have for decades, served the community. Nothing from the gov’t here, all local.
Location: Rockypoint Wyoming, (Wyotana) about 2 miles south of the Wyoming / Montana border.
It takes most folks a second or two to orient themselves and figure out what’s going on here. This kind of really up close and personal capture is not all that easy in my experience. No matter how you maneuver, the mother cow will turn to face you. The calf follows of course. Pivoting when ever she felt I had a clear window to her calf to hide it on the other side of it’s body. There is no familiarity with new mothers. They don’t care who you are, they don’t like you much. These cattle get a little frisky eating that rocket fuel called green grass early in the spring. The hormones are flowing full through the flood gates and calves are dropping out every day somewhere near by it seems.
I believe this is the ONLY position you could actually get into the “action” zone of this capture. From the other side, you couldn’t see the cafeteria, from the rear you’ve got….. well the rear…. Can’t see the calf for the mothers legs back from that angle. I got really lucky on this as I was “circling” around her from about 80 feet out, she kept turning then for what ever reason… stopped for a few seconds. Click 📷📷
This is not the neatest of processes. I’ve seen these calve’s faces COVERED with dried milk. Soaked with wet milk too lol. Mom doesn’t have a handy towel to wipe her baby down lol.
See the medium sized Mare (Mare Crisium) at 12 oclock. The one near the edge. . That smaller crater will always point to 12 during a rising moon. It points to 3 oclock on a setting moon image. The little light from the twilight behind me was enough just to barely see the slope of that ridge. That ridge was around 10 miles from my camera/1200mm lens.
It’s not the moon that is turning in space to rotate that crater…. Actually you are the one that is spinning/rotating here on earth. IT’s all about your perspective. Question to think about…if your standing on Mare Crisium, does the earth ever set?🤔👀👅
A Supermoon is one when the moon is at perigee (closest to the earth on it’s elliptical orbit). The moon looks particularly large because it is lol. Blood Moon, Blood moons historically have actually had blood shed under them unfortunately. This has indeed influenced the course of history. The Blood red this month described from the Lunar Eclipse coincident this Super moon. I did not have a photographic window to the eclipse.😔 Syzyge (SiZ-i jee) … what a wonderful scrabble word. It’s a nifty occurrence though.
Conjunctions of 3 celestial objects (sun, earth moon) is an alignment in a straight line). A solar or lunar eclipse when all three are aligned is Syzyge Perigee syzgy… the moon is at perigee AND there is syzygy happening, aligning with the Earth and Sun, It’s termed perigee syzygy, AKA Supermoon. Now you know as much as I do about the Pink Moon this year. All my images are posted about a week or two after they are taken so this posts the 29, taken the evening of the 8th. It’s as fast as I can get to “recent” images finished and get the posted these longer /warmer days. I write these narratives right at a week ahead of their posting. (currently).
It is always better to lead than follow but it’s good to have options. An “illusion” of siamese deer. Of course this is photoshopped but I liked it enough to play with it to start with. So at any one time, one of them is the butt head in this universe? Now bear in mind here that “all work and no play makes Frank a Dull Boy”. (Now If I keep typing that page after page….. classical reference from a movie). Early spring time is always a mix of stubble and green in the hay fields. Up in the high grounds the muley eared deer do some strange things…
At any rate the deer were standing precisely in the right place for a siamese deer illusion. Admittedly, I was very sloppy with some of the cloning in this piece of ART. I built it more for fun than anything else. Over the years I’ve found a few images that meet the qualifications for this kind of work. (cartoon really). I try to work on them but perfection is a hard thing to achieve when I’m just playing around.
I still am building 4 images a day every day including photographing them. Writing this “book” that I’ve got almost 1400 pages done…..It’s a struggle at times but I keep busy and am full time working lol. These narratives are challenging by the end of the day but it’s never boring 😜
I have not photographed many American Kestrels in my travels. They are not very large at only a foot tall. Somewhere between a robin and a crow in size. They are the most common falcon in North America as well as the smallest . They are aerial acrobats though with the ability to hoover with their head motionless. None the less they are so small buffeting in the high winds here on the high ridges is visible. The vertical slashes on the face are shared by the sexes but the blue/slate wings and brown “cap” head markings are distinguishing in the males. (Update: This has been identified by a much better raptor ID’er than I as a Swainson’s Hawk. )
Kestrel eat a broad range of grasshopper sized bugs up to mice, bats, songbirds and even smaller snakes or frogs. Opportunistic hunters they are. I have seen them hunt before but are elusive to photograph being quite small. I was very fortunate to come up over a ridge top to find this guy sitting on a snowy branch. He spent about a minute and a half after we surprised each other observing me. I immediately stopped on seeing him. It was windy so he might not have heard me as he was up wind. It only took me a few seconds to bring this long lens to the task. I clicked a few images carefully checking focus each time and off he flew with speed. Apparently not happy with the surprise and this big Black vehicle. That’s 1….
WOW, I see a lot of lit up skies. This was a good one…A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The skies gradient from yellow to red is amazing to experience live thusly stealing my total attention.
I never know for sure how a twilight show is going to turn out. Overcast skies tend to be the best shows but there has to be a window from the sun to the under deck of the cloud layers. No window due to clouds blocking light equals no color. The reds and oranges you see here are the result of only those long wavelengths making it through the hundreds of miles of atmosphere. Smoke or moisture in the air can increase the effect. I’ve seen these skies so red that the color cast from the sky makes the snow purple. I have several photographic timelines of even more intense skies. This one ranks right up there with the some of the best full coverage skies.
“Sneaky Pete” the Windmill and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Here “Sneaky Pete” the Windmill has thoughtfully placed himself dead center of my portrait landscape of this twilight sky show. I of course have no control of his actions as he is an attention seeker. I get for him that free publicity he’s longing for. The “deal is he works it out ahead of time with the deer and the Pronghorn to “sit” for me if I get him in the limelight. Seemed fair to me at the time and the animals do sit for me not and then… So when ever I get a cooperative Pronghorn (rare), I tip my hat to “Sneaky” for doing what he does best. Photobomb and give me a foreground object for scale 👁👅
Note: This narrative is quite complex with so little time and space for it all lol.
Windmill Junkies Unite: Windmill Wednesday :🤘 As I’ve mentioned before, don’t let your mother know you look at stuff like this…..☯
Musings on twilight color gradients: (back to reality).
I call this kind of twilight sky gradient “Alpenbows” Blue Down to crimson has a mix in between of yellow and blue to make green It’s a classic Twilight rainbow of color in the sky. The long through the atmosphere the light from the sun travels, the different colors drop out. Only red photons survives the trip down through the low atmosphere. Yellow higher, then mix Yellow with Blue to get green in between. Complete Color Gradients such as this are not common for me to see. I’ve seen WAY more the 20 years I’ve lived on the Ranch than all the years before.
The return of the Great Blue Herons signifies the start of their nesting season on Ranch. I have only seen 4 Herons so far but it’s early. We expect 5+ inchesnow/single digits over the weekend (a week ago as this posts). The Ranch has “left the light on” for others to straggle in as they work their way back from winter haunts south. There are 6 nests in the trees across the lake from my camera where this mated pair is building a nest. The third is probably waiting for a mate that is out hunting.
The group obviously weren’t worried about my truck as the three were mostly motionless for 20 minutes all through my maneuvering. Left them still standing like this as I backed up to leave. I drove away as the sun disappeared. It seems they just don’t care about my Black Ford Raptor. I have not been much of a concern to these birds. Many local wildlife are already familiar/tolerant to my 3 month old rig. Many see it at least 2 times a day on average.
Natural behavior occurs while I’m in this rig. I just drive around like I’m a grazing animal. Stop, Start, turn, sit a minute. The truck is all black and only a little smelly/noisy. Just like a Black Angus cow :). Going really Slow in a factory “Baja truck”…. only in America.. 😜🤘📸
I approach groups of animals living here on the huge grasslands with respect. If I scare them, I don’t get to photograph them. Of course most wild animals sense your approach early. At my crossing some pre-determined line in the sand, most bolt. Learning where that line in the sand is becomes pertinent towards the pursuit of the image.
I find stopping well back, take a few photos, figure out the light, get your settings up for a quick exit shot, then move. I usually readjust my settings for quality, get the composition set and click. Then go back to settings for speed (faster shutter, more ISO and or bigger aperture/fstop.). Move closer….rinse and repeat until you get the shot. (you might think this is “tough” light to work…. You would be right).
Most of the time with really long fixed (non-zoomable) lenses, I fill the frame, get the shot and leave without causing the animals to move. (Pronghorn excepted since they move regardless). 😜
Sunrise, Moon set. This remote backcountry road here in the late Wyotana spring is easy to get around on. As I type this a spring storm dumped 6 inches on everything but the light has been flat. Six or more inches of snow that did blow around graces our backcountry drives now. At least for a few days we will avoid the mud season with 8 degrees on April 2nd, 2020. Winter comes late to the high ground of Wyoming/Montana (Wyotana).
The look back and the sky beyond is a technical challenge I’ve been working on for years. Occasionally I get one just as I remembered the scene. The inadequate technology in the cameras is unable to overcome the limitations of the physics of the moment. With a removable lens camera, this is the technical walking a tightrope. You can only capture deep focus images like this in Manual mode with a really good DSLR or mirrorless camera. It would be way easier I believe with almost any cell phone in the country. 🤣
I miss the familiarity/control of my old Jeep Grand Cherokee. It was under me for 15 years in this backcountry and never got me stuck. Of course I traded it in back in December, 2019. Last Truck sold by the local Ford Dealer that Decade. … The Raptor I drive now is WAY better but not as familiar yet. Knowing where the wider vehicle is…. tough… I digress. What a sky 📸👀
Moon Lollipop? : Full Moon Landing? : Ent Showing off Celestial Basketball?, Backcountry Harlem Globetrotters Tryouts? …… So many titles, so little space and time. 🤣📷
I find that celestial objects follow a routine in their movements. This governs my movements pursuing it’s light. Our companion in space has habits that humans have noticed over time. Many synchronize to it in ways not entirely understood. There has always been a connection between humans and the moon. Just ask any Emergency Room Doctor on Full Moon Nights. I think women even more are connected than men. Your results may vary 🤔👀
Blamed for many things historically the moon has. That lunar disk has played an important role in our history and even language. “Lunatic” is derived from several languages denotes to the madness or hysteria caused by the moon. Then even from the Old English “monseoc,” implying lunatic, epileptic and “lunatic” literally translates to “moon-sick”; From the Latin word “lunaticus,” . That originally referred mostly to epilepsy and madness. Such diseases were thought to be imparted to humans. The moon was responsible for that.
The ancients certainly noticed strange human behavior coterminous with the appearance of the full moon. As a police officer in Ohio, I noticed an increase in strange events during the full moon. The scuttle butt in the station was “watch out, it’s a full moon. Interestingly, I heard the same during my years as an EMT from that group. Hearsay.
You just have to be there to look at the right time and place about 200 yards away…… 😜😜
I’m generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this dried flower moderate the amounts of light coming into the camera. Any photo is a balancing act inside the camera of just three settings. A good New Years Resolution for many would be to learn to use that camera on Manual Mode finally. I
I find that pointing cameras into the sun gives me several different color casts from burnt Umber to Crimson (Orange here). What I was hunting for here was the dew Reflections from this dried stalk . The Windmill like look was interesting to me in this very intense camera environment. Working outside the envelope is always my goal unless there is something really cool within the envelope. .😜
Disclaimer. I only use Mirrorless cameras where I look at what I point my camera at through VIDEO. A standard DSLR camera I will never use or buy again. There is a BIG difference between the two technologies. A very good present for any photo bug out there is a new mirrorless body to fit their old lenses. They are easier to learn no question. You buy camera backs as disposables but lenses last for generations. Looking at the sun directly through a standard DSLR camera can and likely will blind you. If it doesn’t do that, it could burn a hole in your cameras digital chip. If your camera isn’t rated for this, don’t do it. Be safe out there. Pointing at the sun with a telephoto is OUTSIDE the safe envelope for most cameras.
This is the second image from this timeline I finished.
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps. I look at this with awe. It’s a rare confluence of lighting that allows this. Agood moon halo is tough to capture. Dynamic Range is a big deal in cameras if your working in dim light. The ability to see that halo is a direct function of your cameras ability to see the details of the hair on a black cat in a coal bin. Just apply that attribute here.
Photographic Musings: To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto.) Your shutter speed is your variable of the three settings you have control of in Manual Mode. The other two settings are more or less standard for moon work unless you have very fast long lenses.
Everything changes if you are using a fast f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. 15 f-stops dynamic ranch in these high end Sony Cameras ….. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights. I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. A 600mm supertelephoto lens is somewhere in the 6000 dollar range. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either E-bay or Amazon as you typically CAN return things unless otherwise stated. 🤔👀📸
Married since they were seeds from the same pine cone (likely). These three have survived a hundred years of exposure to Wyotana weather and sun.
Musings: I walk miles in the backcountry as it keeps me in shape. Well it might be the 20 pounds of gear I’m hauling on deer trails😜…. I have to do something to make up for the computer time I sit on my tail lolol.
Working in and among the trees lining remote ridge is the way to set up compositions like I’m using here. Look for opportunities to walk and follow shadow lines. Here in the backcountry I run into random opportunities to use the landscape for illusion and crushing perspective. There is SO much going on in any edge of a forest with a view of the horizon. I assume I’m looking through the “eye” of small creature, a mouse, a cat but what to level?….
The far horizon which indeed is fully involved with a setting sun. Perhaps the three’s travels through the endless sun rise and set cycles moving as in HG Well’s many movies of the “Time Machine”. What a life they have see but if they could tell the stories. I actually like the really wide angle in this. It is a big bad thing in photography to have a distant horizon not level with the image’s floor.
Getting detail out of the shadows in the foreground while looking at really bright backgrounds is a major goal of mine. Got this one 👀📸
Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.
I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.
To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.
I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.
I was checking stock tanks the other day. We had just enjoyed 4 days of overcast foggy AND windy conditions, all below freezing. There was a lot of moisture in the air freezing on what ever it contacted. Where ever there are disruptions in air flow, Hoar frost forms under these conditions. These are 3 inch long feathers which rank among the largest I’ve seen before in person. The tank water is flowing ground water. It’s 50 degrees versus the 20 degrees or lower of the surrounding colder dry air. You can watch the water vapor stir off the top surface of the tank in calm wind.
Here it attached to the thick rubber Equipment tire’s cut edge. These Coal Mine Truck Tires wore out, time to repurpose. Cost maybe 12 grand or more new. I bought one recently installed for 700 bucks. The thick rubber tire is laid down on prepared ground. Powdered concrete under the center drain PVC pipe already in place. This seals the tank upon filling the first time. These tanks will last a century and are a one time installation for me. They would be virtually impossible to hurt. Your truck would bounce off of them if you ran into it. Might break the seal lolol. Occasionally one will spring a leak, just drop some powdered concrete over the hole and fill it up with water will usually patch it. Repurposing is a ranching tradition.
Long Red, Orange and Yellow wavelengths survived the gauntlet of the atmospheric filters present. This lake looks HUGE but I assure you it’s a perspective trick of angle and light. It is a small melt water pond on ranch probably 50 feet across but that is irrelevant to the illusion. If it were not windy that night, this would have been a very nice mirror. I know the bottom here and have driven into this pond before to work it from the center. This is an ephemeral pond that will dry up in the summer. The bottom is firm thick grass.
Reflections from lakes are always darker than the skies they are reflecting. Rippled water presents a smaller surface to reflect the available light so windy surfaces are even more dark. The dynamic range of these Sony Alpha 7 series never fail to amaze me and I’ve used them for 2 years now. I put a lot of clicks on camera bodies lol. Hard use up here in the backcountry. Lots of dust /environmental exposure plus wear and tear.
This location is for all intents and purposes, directly on the Montana/Wyoming border looking almost straight west. As this posts the sun is setting closer and closer to straight west each night until the March 19 at 9:50 PM MST. It will set at 270 degrees that day but just a tad earlier lol. I will be working long east west fence lines for the next few weeks with out a doubt. The sun will be at the end of east/west roads as well. There are so many opportunities over the next week folks, pay attention to sunset and sunrise and where those “leading lines” lead to.
This from early spring 2019. The grass is growing, the hair is shedding off this Young Pronghorn Buck. They shed in clumps giving them a haggard / mange look. He’s perfectly healthy for a young un…But WHAT is going on with his horns… You have to look very carefully lolol. These guys will be appearing here on ranch within weeks of this Mid-March Post.
Pronghorn Spring Migration:
The Pronghorn are migrating shortly but I’m not seeing them up here just yet as we have snow cover high. Moving through here from the south heading through up to Montana. They are following ancient migration routes that the cowboys used to move cattle in the late 1800’s from Miles City Montana down to Newcastle Wyoming. The local version of the “Texas Trail” runs right through the western side of our ranch. Fences are little obstacle to these animals which play the “limbo game” effortlessly. They usually do go under but I do have a few photos of Pronghorn going over fences.
I figure MOST of those animals that lived on ranch all last summer are mostly 10 -20 miles south. They are working their way to the ThunderBasin National Grasslands where they have moving water (not frozen) and good feed for the winter. There are only a few roads through a pretty big piece of remote real estate between the Powder River Basin and the Wyoming Black Hills. Many Hundreds of square miles for herds to congregate in. Many ranchers maintain water stock tanks during the winter. This helps more on the margins but water is a rare thing up here when it’s been 30 below for a week.
Veiled Sun begun, the waters of life in it’s various forms all in this capture. Vapor, Liquid and Solid all co-exist under the moderating winter up here on the high ridges. Phase change occurring live real time in this “Action” photo lolol.
Currently we are loosing snow pack and the ponds are filling. Not all melts as much snow directly sublimates (google this) in this dry climate. Melting of course accounts for much snow pack depletion in the spring.
Here it undergoes a temporary pause on a long trek to the sea. Melt water ponded up in our front yard along it’s normal course through our homestead’s compound. The snow pack preventing normal contours from flowing water to the water ways on the ranch. Remaining still is about a foot of snow covering the ground. This after a long period of 50 degree days in Late February / Early March 2020. We are low on snow this year locally. I’d like to see a few more feet till early May but at 4 inches at a time from 30 degree windless storms. I’m sure I’ll get that wish…. 😜😜👀
Living up on a high ridge mean we often have snow when at lower elevations there is no coverage currently. Drop 500 feet off our plateau to the adjacent lower drainage is instructive to the paucity of accumulated frozen precipitation this year. This situation is what I call mud / ice season, sort of a sub category of white season. Green Season is 2 months away yet. Last freeze is mid-may. The mud effectively keeps me out of the backcountry 😔📷
From the Summer of 2018 which had a variety of smoke effects that I observed. This Red, White and Blue themed July Sky was appropriate for Wayback Wednesday as well as Windmill Wednesday…. Oh wait:
Windmill Wednesday: Windmill Junkies Unite : 🤘🤘🤘😜📷 Don’t let your mother know you look at “stuff” like this 👀👀
I’m trying hard to mix up what I’m posting daily OR going thematic like Moon Monday. As I am finishing my portfolio, working on images, I sometimes do a search of my files for a particular Subject) say “windmill”. I get several 1000 images across my entire computer but on my “to finish” drives, I have narrowed that field a bit. Only several hundred to go there lolol. Of course I have to deal with all the currently taken images daily too lol. I ultimately posses pretty a “set job” security just finishing images I already have taken. Literally there are years of work just finishing images.
Getting a digital camera capture/file ready to print means it has to be “Clean” with no sensor dirt allowed so to speak. Ideally I don’t have any “artifacts or false gradients/colors/hues and or any other thing that detracts from photorealism of the scene. This image is so close to the right colors of Old Glory. . It killed me that the orange wasn’t crimson but hey, I try to leave colors as I saw them. Close enough for “government work lolol.
Done in the camera (not a crop), I call this what I consider a “formally” framed image.👀 I took a great deal of precious time to precisely alight that gate with the edge of the frame. Hard to do with the angle I had to acquire to line up the banded cloud veiled moon. Camera lens distortion and other laws of physics applied. It was pretty dark too I point out as the sun hasn’t risen just yet that morning. Taken later in the fall after the first snow. All melted in this particular capture. It’s all covered by the white stuff at the time I post this in early March 2020.
There are only a few days a month when the full moon is still up while there is enough light to capture a landscape. A significant portion of those morning have obscured (as best) views of the setting moon. If I get one night a month where I get the full moon floating over illuminated landscapes, I consider myself lucky. What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
Devils Tower Landscape Ladder (7 months ago for Wayback Wednesday)
There are some contradictions in this image of the landscape leading up the the Devil’s Tower. Viewed from the northwest, this image has green fields with cut hay bales on top. This last fall of 2019 capture resulted from a very well rained on summer. Wet late in the high borderlands of MT/WY.. Captured in August, it ALL should be brown. The grass was a green as the spring in the sub-irrigated fields overlying the Fox Hill Sandstone aquifer . Usually the sub-surface geology controls the vegetation on the surface.
That 5112 foot tall Devil’s Tower National Monument is standing 1267 feet high above the surrounding ground. The high ground looks pretty close but those mounds of phenolytic porphyry are pretty distant/ big. The Tower buried by thousands of feet of sediments, stands unsupported. Those rocks surrounding them and supporting the hard rock volcanic neck up thousands of feet higher than it is now.. The soft sediments were removed all by the action of the Little Missouri River plus the Belle Fourche River Drainage. Those two drainages providing the bulk of that work locally. The soft rock is removed while the harder material makes mountains. That’s pretty much the way it works all over the planet.
The Devils tower about 40 from my vantage point on the Pass to Rocky Point Wyoming on Trail Creek Road. I’m standing Campbell County Wyoming.
This is the view that tourists never see as they are all on the other side of those hills. You can see South Dakota from this site on a very clear day…completely across Crook County Wyoming. That is a BIG county 80 miles wide anyway.
Big Male Mule Deer go to 330 pounds and the females go to 200 pounds. The are actually indigenous to North America. Those distinctive “Mule” shaped ears are obvious. They hear extremely well with those big sound catchers. I suspect they use their sense of smell way more though to detect danger. These guys are herbivores. They are survivors of what in the sequence of events back in the day, killed all the MegaFauna during the Pleistocene 11000 years ago.
Biologists say that a Bucks neck will swell up as showing the Mule Deer Buck Near Rut capture. They will swell up to 50 percent larger of a circumference adding more muscle mass. This is all related of course to the Rut which is the annual fight to breed. They live in a world of scents and hormones floating in the air from the does in the group.
Scientific data indicates: a big testosterone surge causes this growth. That dose of steroids makes the neck muscles get big and also causes the deer to become more aggressive. I had a close encounter with a deer in my back yard a few Novembers ago.
I get to see some nice bucks occasionally. Getting their image is another thing altogether. Usually this is a random event out of nowhere which demostrates Rule #1 of Photography: Have a camera/lens with you. I go out onto the ranch land with a box of cameras as standard accessories. . Each one set up with a different lens. If I wan’t to load up for some special event. My standard photographic field gear lenses collectively cover from 10 – 1200 mm focal lengths entirely and I CAN carry gear to go to 6400mm effectively if I have to. Taken with a 3200mm telescopic/ astronomical refractor telescope. By far the cheapest way to get into really long lenses.
This is a matter of perspective being CRUSHED by a long telephoto lens. What I’ve done here is zoom up on the left leg of a particularly well lit rainbow. It was a ways out anyway as this is a 1200mm lens about about a mile distant from the lens. Rainbows WAY out there are a requirement for this kind of image. Rainbows are infinitely movable as you change your position to the sun. All rainbows are on the other side of the sky from the sun since they are a refracted light phenomena. Zooming up on just the leg is the game. All rainbows are really big circles but you only see half most of the time due to your vantage point.
This “sheet” rainbow caused by liquid water drops was thin enough for me to shoot the landscape behind it. Those drops were refracting colors out of the bright sunlight at the end of this winter day. I climbed the nearest ridge and dropped my jaw. Good thing I remembered to pick it up and captures those reflected/refracted photons in my photon capture box. (camera).Remember Rainbows are alway away from the sunny side of the sky. Those rain drops each refract light back around internally to your eyes. You can look into just part of that rainbow you want a photo of. I chose those hay bales to try to resolve through the rainstorm.
This is ART done from a photograph (I did mention this is ART didn’t I?) Oh the moon was real and the cow was real but she wasn’t exactly pointing her head upward. Simply speaking I drew her head in for the moo pose within the digital darkroom. . I’m sorry, I had to cheat to get this with her “mooing”. Everything was going well except you can never get a cow to look up at the moon when your in the right position for this otherwise silly hard technical image. Getting a long uphill slope to a ridge, a cow and the waxing gibbous moon rising in enough light to get a grassy slope in focus…. lots of things to go right.. .
She was 300 yards uphill easy. 800 mm lens. The moon is out a bit further than her. Of course high f-stop numbers are in play here.
The decidedly blue color cast is my doing of course since this is art. Blue Moo and all that. A little time in the digital darkroom makes almost anything possible. No question I try to be a photorealist at ALMOST all times. I have found that all work and no play makes Frank a dull boy 😜🤘📸
Have a great evening as this posts at 7:30 Wednesday the 19th February. This is a written one week before it posted on social media.