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Once in a Blue Moon

Once in a Blue Moon
Once in a Blue Moon

Once in a Blue Moon

Capturing a Halo around a full moon is not that easy as the full moon’s brightness usually overpowers the dimmer clouds surrounding. Most cameras can’t take it but the veil of clouds reducing the brightness REALLY helps.

I look at this with awe as it’s a rare confluence of lighting that allows a good halo to be captured around the moon.

Photographic Musings:

To take a full moon without clouds, the ISO 100, 1/100th and f-11 manual mode settings are a good starting place. This is more like ISO 250, 1/50th and f11 (lowest f stop/biggest aperture on this telephoto. Your shutter speed is your variable of the three settings. The other two settings are more or less standard for moon work unless you have very fast long lenses. Everything changes if you are using a f-4.5 600mm super-telephoto lol. Fast telephotos are wonderful for this if you have a camera with a very wide dynamic range too. The ability to see the darks against the brights is what that is all about. Dynamic Range in your camera is a big deal if your working low lights, twilights and nights.

I used a big super-telephoto fast Canon lens on a Sony Alpha 7RII to do this work. That lens is somewhere in the 6000 dollar range used. IT’s obviously prohibitive and 13K to buy one new. I suggest getting a used one through either ebay or amazon as you typically CAN return things unless otherwise stated.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Once in a Blue Moon

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Perspective March 19th Equinox

Perspective March 19th Equinox
Perspective March 19th Equinox

Perspective March 19th Equinox (Today is the Equinox or old Pagan “Ostara” in the Wheel of the Year)

I try to be in tune with the cycles of the Sun and the Earth. It is part of the job up here to connect on an intellectual level with the physics, “the Calculus” and the rest of the science of the scene. I am VERY earth centric and live with the sunsets and sunrises by necessity of chasing the light.

Opportunity tends to flitter away as it is prone to. I try my best to be aware of the sun’s progression north and south. Awareness of what’s coming can guide you to those hidden areas of celestial magic that present themselves.

On the horizons during it’s annual migration back and forth, the equinox aligns the rising and setting sun with an east west orientation. Here a straight east – west barbed wire fence creates a visual tunnel to take your eye to the focal point of the image. The sun or it’s reflection in the ice. . The old cedar post has seen many generations of cowboys and fence mending folks on ATV or pickup truck.

Close far perspective:

That nail on the post just made this photo for me lolol. 👀👀 totally am into close detail in the shadows. I get so excited about such simple things anymore. It’s the result of living in this remote place I keep saying. Humans are generalists when they look at a scene. I tend to look at separate components of an image for their own merit and attempt to combine multiple components when ever possible in my work. Multiple “heros” are always my pursuit for a better composition. Anyone notice the mustard weed highlighted on the bottom 📸

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands

Title : Perspective March 19th Equinox

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Homestead Reflections Melt Water

Homestead Reflections Melt Water
Homestead Reflections Melt Water

Homestead Reflections Melt Water

Veiled Sun begun, the waters of life in it’s various forms all in this capture. Vapor, Liquid and Solid all co-exist under the moderating winter up here on the high ridges. Phase change occurring live real time in this “Action” photo lolol.

Currently we are loosing snow pack and the ponds are filling. Not all melts as much snow directly sublimates (google this) in this dry climate. Melting of course accounts for much snow pack depletion in the spring.

Here it undergoes a temporary pause on a long trek to the sea. Melt water ponded up in our front yard along it’s normal course through our homestead’s compound. The snow pack preventing normal contours from flowing water to the water ways on the ranch. Remaining still is about a foot of snow covering the ground. This after a long period of 50 degree days in Late February / Early March 2020. We are low on snow this year locally. I’d like to see a few more feet till early May but at 4 inches at a time from 30 degree windless storms. I’m sure I’ll get that wish…. 😜😜👀

Living up on a high ridge mean we often have snow when at lower elevations there is no coverage currently. Drop 500 feet off our plateau to the adjacent lower drainage is instructive to the paucity of accumulated frozen precipitation this year. This situation is what I call mud / ice season, sort of a sub category of white season. Green Season is 2 months away yet. Last freeze is mid-may. The mud effectively keeps me out of the backcountry 😔📷

Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)

Title: Homestead Reflections Melt Water

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Landscape Twilight Windmill

Landscape Twilight Windmill
Landscape Twilight Windmill

Landscape Twilight Windmill

Windmill Weekend, Windmill Junkies Unite 🤘🤘👀 You know who you are 😜

Notorious Photoboming Windmill “Re Pete”, brother of “Sneaky Pete” the Windmill. They continuously photobomb my landscapes / skyscapes. I of course have no control over their actions as you that follow this long running narrative certainly understand. Each of the “Pete” brothers has his distinct characteristics and personality.

“Re Pete” the Windmill is an AerMotor brand I think was built in the 1920’s. Aermotor windmills account for the bulk of windmills out there. The company started way back in the 1888 with 24 sold the first year. By 1892, 20000 had been sold lolol. The company still exists. They also sold a LOT of steel fire “look out towers” for fire watch and being a lightning target lololol. “Re” is located about 3 miles into the backcountry from my homestead. It’s all two tracks and some interesting terrain to cross to get there. Nothing is close here. Its quite hard as I post this mid-winter to get to this windmill. I guess if he wants the publicity that he seeks, he’ll have to come to me …. 😀

Veiled sun sunsets where the sun dives behind the cloud always give me pause to do a close far perspective but since the angle to see this windmill through the trees changes nightly, I have to check in regularly. The topography isn’t always cooperative in composing such images as this. .

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Landscape Twilight Windmill

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Show Me the Ranch Gate

Show Me the Ranch Gate
Show Me the Ranch Gate

Show Me the Ranch Gate

Sunset through a Veiled sky just after the horizons shadow passed over me. The hills behind me are still in daylight. The contrasts are difficult for a camera system to capture. To have detail instead of shadow in this kind of shot speaks to the gear.

It is now mid winter up here on the ridges of Northeastern Wyoming and SouthWestern Montana. In this view west both states are in the distance. That mountain range is 40 miles distant from my camera. From the middle of the corral system next to our homestead looking west. I can’t tell you how many cattle have been through these corrals over the last 100 years. I suspect it is in the 30,000 range or there about.

Our ranch is a small “hobby” ranch versus the big ranches in the 20 Thousand Acres (or more) spread that surround me. Our place is only 3500 acres or 5.5 square miles. It’s enough to keep me busy that’s for sure. Never underestimate the power of a piece of ground to be a black hole for your time and money lol. Even worse, there are dinosaurs in this ground lolol. They take some of my effort from time to time up here too. There are 30 miles of fencing on or around my ground. I’ve spent my share of time building and fixing fences over the years. I have some fence work to do in these corrals at the moment. I had some bulls go through an outer fence behind the gate. Dang!

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands. (Wyotana

Title: Show Me the Ranch Gate

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Notch in the Trees Sunset

Notch in the Trees Sunset
Notch in the Trees Sunset

Notch in the Trees Sunset

2×3 portrait orientation

Veiled sunsets as this are best viewed from high on the ridges here in the Wyoming / Montana borderlands. I travel deep into the high ridges to find views like this. A visual alley appears in front of me, I crunch to a stop and line up the composition. I find it’s easier for these scenes to find me than me to find them. Give the ridge a walk and see what pops up is one method I have used with some success. Of course getting up there is another discussion all together lol. It’s been muddy lately so I haven’t gone up the hill until tonight. It’s frozen up there now. There is no reason to tear up the turf that took hundreds of years to stabilize. It’s one thing to drive over grass when dry, it’s another thing leaving ruts in the ground. Ranchers are the best caretakers because we don’t want to hurt the productivity of the ground. I seldom drive off the two tracks and usually dismount to walk the scene.

Of course my photo timeline is governed by where I am and what the sky is doing so I’m pretty versatile. My rig will drive across most things but snow drifts will stop me. So far this year drifts have been far and in between with the deep snow being on slope sides. Stands of Yucca brush will trap deep snow and stick the unwary backcountry traveler. I drive a very agile new Ford F150 Raptor. Built/configured just for this. It’s a wonderful upgrade to my 2005 Jeep Grand Cherokee. I carry a radio anyway 🤔📷

Location: Bliss DInoaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Notch in the Trees Sunset

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Whirling Windmill Cutting Cheese

Whirling Windmill Cutting Cheese
Whirling Windmill Cutting Cheese

Whirling Windmill Cutting Cheese

Narrowly avoiding disaster, I talked the Windmill from cutting into that cheese… Save it yet again. 👀

“Sneaky Pete”the Windmill here provides a perspective regardless of his intent to photo-bomb this moon capture. I have no control over his actions. He just likes the attention. He and his bigger older brother “Re Pete” live and work here on ranch. They seem to work their way into my landscapes way higher than the statistical average compared to other ranch creatures. 😜😜😀 Windmill Wednesday, Windmill Junkies Unite : 🤘

Photographic Musings:

Manual Mode Phobia: (You know who you are) ….📸

Close / Far perspectives are a complex photographic challenge for all of you. An automatic setting on your camera is not going to do this image.

I’ve gone through the basics a few times and will entertain questions below for photographic solutions to your working on manual mode aversion. (Kind of like fear of swimming). You just have to jump in and turn that top dial to M. Then you figure out which control wheel controls each of the three settings you change in manual mode. ISO (Camera Sensitivity), f-stop (size of the aperture/pupil in the lens), finally Shutter Speed.

You only need to understand those three things to run on Manual mode. Their relationship to each other and how messing with one, requires you to mess with the others a tad to compensate the amount of light coming into the camera. Your riding a three way light teeter totter trying to balance those settings.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Whirling Windmill Cutting Cheese

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Pine Branch Veiled Sun

Pine Branch Veiled Sun
Pine Branch Veiled Sun

Pine Branch Veiled Sun

A wonderful veiled sun rising with the branches of a ridge lined pine providing the close part of the Close / Far perspective here.

Photographic Musings:

Topographically, I’m working just over the lip of this ridge but a bit back. (hundred yards). Opportunities like this after photographing that sun coming up over a ridge 20 miles out are important parts of the timeline. I move quickly to transition to working a closer ridge several hundred yards out as the horizon drops away from the suns face. A sunrise is a busy period of moving from place to place to take advantage of the terrain. It is very important to know WHERE to be and WHEN to move to the next shot.

Shadow line:

I work “Parallel” ridges because I’m very mobile to look for interesting leading lines and angles. Byworking that shadow line I am able to do shots like this with a long telephoto. Click and move as I get a photo. Keeping busy to use the little timeline I had left in this capture.

The glare from the sun is quite a hard thing to deal with. I am literally looking into the sun with this camera. You’ve GOT to turn your camera to HIGH F-stop, LOW ISO and your shutter speed is used to balance the equation. With a telephoto like this I’ll be running f-64. You adjust either with a neutral density filter in front of your lens, or higher shutter speeds. Many consumer cameras don’t have 1/8000th shutter like the higher end models do to compensate . So faster shutter speed to reduce light into the camera may not be as much of an option depending on your equipment.

Bliss Dinosaur Ranch, Wyoming/Montana

Title: Pine Branch Veiled Sun

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Lone Tree Lamp Shade

Lone Tree Lamp Shade
Lone Tree Lamp Shade

Lone Tree Lamp Shade

Up here in the backcountry I use what ever is handy to reduce the glare from that big Light Bulb in the sky.

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass in front of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Lone Tree Lamp Shade

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Burning Bush Ridge

Burning Bush Ridge
Burning Bush Ridge

Burning Bush Ridge (Cellulose Filter/Tree and all that)

As I’m walking along a parallel ridge waiting for little areas of zen to pop up, I sometimes am satiated. A vision is not an actual manifestation but something that occurs in the mind. An apparition is a physical manifestation of the spiritual object. I’m not sure that the difference is important in the scheme of things eh?

This scene would have given Moses second thought and pause. No human eye could have peered into this lone pine tree filtered glare. You would be blinded very quickly if you tried so don’t.

Lone Tree:

Only a few of it’s pine cones have yielded children. Little pines have started up along this ridge to start the forest back again in 100 years. Most of this country is open due to a big forest fire back in the 1930’s that burned till the snows came. There are treasures here.

Geology Under the tree.

I’ve left this spot untouched paleontologically intentionally. There are copious chunky dinosaurian fossil remains in the rocks in and around this particular tree. It’s on my ground so I own them. The fossils I’m seeing don’t demand my attention as I have a more more efficient/better bone bed to work elsewhere. That tree shelters this bone site.

This site has donated a croc tooth along with some Triceratops teeth off the surface. Teeth and large chunky bone are way different sized/density. Fossil precursors are sorted by cross sectional density. Rivers sort debris like gold pans based on current velocity. I know for a fact there is a tail vertebra about the size of your palm under a rock up there. In my world, I’m not excited by it. As they ran across them. I believe fossil sites had Native American Visitors not and then. Finding huge bird like bones on the surface would have messed with them.

I left it there as a matter of respect for the site. There are many of that particular vertebra in the ranch collection. It’s not scientifically valuable and I can show it the rare visitor that makes it up there as an untouched site letting them find it on their own as a matter of their education. There have been a few. This is near one of our rifle courses so there is relatively easy access to the site. Maybe a dozen folks have been there besides me.

The rocks there are of course Hell Creek/Lance formation. A 700 foot thickness of terrestrial river sands/gravels/siltstones/mudstones etc. All riverine based fossils, fish, turtles, crocs, amphibians, freshwater stingrays, dinosaurs, mammals, snakes, avian dinosaurs, This region has some of the best uppermost Cretaceous rocks exposed in the world. Our ranch has rock containing dinosaurian remains from the end of the dinosaurs reign. Then a meteor came crashing into Yucatan Mexico and changed everything.

Location: Bliss DInosaur Ranch, Wyoming/ Montana borderlands.

Title: Burning Bush Ridge

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Snowy “Red Hills” Twilight

Snowy "Red Hills" Twilight
Snowy "Red Hills" Twilight

Snowy “Red Hills” Twilight (dark environment low light image. )

I am up on one of the highest points around for this capture. It was quite windy at that moment. That shakes your camera… hardly helpful lolol. Ridgetops are terrible spots for exposure to the relentless wind.

Overlooking the Little Powder River Valley 40 miles to the Red Hills all the way to my lens. The hill is known on ranch as “RattleSnake Ridge” or just “Rattlesnake”. . Someone blew up a rattlesnake den up here in the 1970’s is the story for the name of where I’m standing. The ridge between the camera view to the far Range is part of the “Prairie Dog Hills”. This is a view almost directly west along the MT/WY border. Both State in the frame.

The Distant Red Hills earn their name. Because of the far ridges tendency to literally be red in the morning. The pink Belt of Venus often drops down from the sky to the hills themselves. That color band drops opposite the rising sun covering the peaks. The red color reflects off of the already red rocks making up the ridge line. (“Clinker Geology” is a good google phrase).

Here the sun had just set behind the distant ridge 5 minutes prior to me turning my lens to this scene. The other side of the ridge is quite red and still illuminated. I am sure of it lol. What I see on that ridge in the morning, is what someone on the other side sees in the evening. Highlights. Here I’m in it’s shadow. Position and topography are my masters.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands *Wyotana”. 3×2 aspect to 3 feet.

Title: Snowy “Red Hills” Twilight

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Drifts Through the Discs

Drifts Through the Discs
Drifts Through the Discs

Drifts Through the Discs

I’m pretty sure that light can not get “flatter” than this but I could be wrong. What I love about this image is the huge number of grey’s there are resultant from that matte screen. This was pretty far away from the gravel / county road out to the ranch bone yard. The drifts between the plowed road and this old plow are numerous and sometimes high and wide. Short Drifts you can punch through, Wide drifts you go around or you get stuck lol

The Ranches “Bone Yard” is a small patch of ground populated with disused antique farm equipment, good scrap metals and old stuff generally. Some of it is serviceable, some of it is not. A little welding here/there, then a tractor and your discing with anything that will pull the thing. There are many spare parts out in the boneyard.

I spent a month one year cleaning it up of mostly wood and old tires which are now buried in a building materials only landfill. It’s taken full trailers of steel from long times past from that boneyard when steel scrap was worth something. I’d get 400 – 500 dollars a load or scrap steel back in the day. There are still a LOT of equipment there that no doubt traces it’s history back to the beginning of the ranch. 100 years of accumulation leaves some interesting stuff lol. I’m thinking that every ranch of any size and length of ownership has a similar “Bone Yard”.

Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Drifts Through the Discs

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Grass Sunlight Filter

Grass Sunlight Filter
Grass Sunlight Filter

Grass Sunlight Filter

Our here in the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was a wonderful veiled sky with a diffuse sun and a dense cloud deck above. The combination of the two required a foreground for the image to suit me.

To use the head of a shoot of grass to grace a veiled sunset is not a new effort but is always a worthy target. Grass contains such an elegant form. Smooth curves abound. Over the years I have found that “you are where you are during the final minutes of sunset”. My mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fact with a wonderful sky as behind this shoot and use a seed head.

I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use “cellulose” filters to reduce the glare from the furnace above. Here I’m letting this stand of grass moderate the amounts of light coming into the camera. Even a few percent help. Any photo is a light balancing act inside the camera. You onlyhave just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Title: Grass Sunlight Filter

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Landscape View to Red Hills

Landscape View to Red Hills
Landscape View to Red Hills

Landscape View to Red Hills

Let me start of by saying I LOVE trees growing out of rocks/boulders. This area on our ranch has a few trees demonstrating this phenomena. Where they grow the roots break up the much larger rocks under them into smaller rocks. I’m slowly starting to make a map of these in my head to refer to when the lighting is right. Heavily veiled skies as above are really good for doing perspectives and frames with foreground objects as this. Trees have their own attractions of course being the natural frames that they create are often better than the sunset/rise behind them lolol.

This is a view of the “Red Hills” (Their real Name). 40 miles distant on the horizon looking almost straight west.. Being a very wide angle lens capture, those hills on the horizon appear smaller here than they would look live. Your eye is naturally equivalent to a 55 mm lens. This image is at least 90 degrees wide at 24mm .

The scene in the sky was actually quite bright which made it hard for even the best camera technology to get the detail in the shadows. I run into technological brick walls all the time working outside or on the edge of the envelope of the light I see up here. Mostly my solution for it is to expose the highlights correctly and worry about the shadows in the digital dark room.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana).

Title: Landscape View to Red Hills

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Solstice Evening Geometric Sky

Solstice Evening Geometric Sky
Solstice Evening Geometric Sky

Solstice Evening Geometric Sky

Of course I immediately saw the triangle in this veiled sky taken on solstice eve. Such forms in the sky are fleeting. I levitate toward and will image natural geometry in the world as I see it. The lens turns towards the light. The veiled sky imparted an orange color cast to the alpenglow that was rife at this moment in space and time.

I managed to get up on the local roof of the world. It’s a little slippy on the slopes. I actually own a new vehicle (F-150 Raptor) with studded snow tires . I’m thinking it’s an ideal expedition/backcountry vehicle. I got up on this hill with a 4000 pound Jeep Grand Cherokee. We’ll see if the heavier Raptor will make the pilgrimage to this high point.

Slightly right center on the horizon you can see the Big Horn Mountains at 130 miles. Snow covers the ground. We definitely had a white Christmas up here in Wyotana. Actively snowing during Christmas day. This is a 50mm capture which is equivalent to the way your eyes see the world.

No telephoto effects here. When you see me post images of the Big Horns Taken from here, consider the actual size of those 13,000 foot high range. Holding your thumb out at arms length would cover the range as you see it from this viewpoint. This is reality to our eyes but telescopic lenses literally crush perspective making the very far larger but things that are closer much larger proportionally. 🤔👀

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands (Wyotana)

Solstice Evening Geometric Sky

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Sunny Sunny Sunset

Sunny Sunny Sunset
Sunny Sunny Sunset

Sunny Sunny Sunset

I do a bit of close up photography of the sun and the moon. This is the sun on a smokey summer night as the horizon rose to meet it. Usually one would have to either totally shut down the camera to light or use a glass neutral density filter on front of the camera to photograph this. With enough forest fire derived smoke in the atmosphere, the picture becomes easier.

This sun as are most of the sun images I’ve taken at the solar minimum show no sun spots. We are literally at a sunspot low since 1913. Low sunspot numbers lead to a cooler climate on a general level due to a large number of reasons. We are in solar cycle 24 (since 1755 when they were first noticed and subsequently recorded. These cycles from low to high sunspot numbers with an average 11 years. This is a very interesting time to be an informed geologist watching the climate “debate”. I’ve been following this since 1976.

The Maunder Minimum was an extended period from 1645 to 1715 where it got cold as the sun (the furnace) turned down the heat. Known as “the Litle Ice Age, the growing season in Europe shortened by a full month. Crop losses caused mass famines . The population of Iceland decreased by about half. . Exceptionally severe winters were the rule in North America. China had to change the crops it had grown for centuries to adapt .

If the furnace turns itself down, famine with hard times follow. Warm times geologically have been periods of high biological activities. We better hope it doesn’t get colder….. During Maudner: (Solar radiance was down about .24% lower than current levels so it doesn’t take much)

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Sunny Sunny Sunset

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Channeling Japan in the Backcountry

Channeling Japan in the Backcountry
Channeling Japan in the Backcountry

Channeling Japan in the Backcountry is a capture that brings the orient to mind. Classic Pines, striking sunsets, sloping ground. I’ve never done an “Uphill” on the sun’s side before. The extra negative space somehow balances this equation of light and time.

This was a cold morning and I had been looking for a place to do this as the sky was phenomenal. A veiled sun is always a good subject to work on Parallel Ridge. Follow the shadow line and see what lines up. Get some trees a few hundred yards out, turn up your f-stop and see if you can get them in focus with the background. A long focal field utilizing a telephoto lens is possible. But only at the great cost of a loss of lighting getting into your camera. You have to turn light gathering ability up in your camera by either increasing your camera sensitivity(ISO) AND OR use a longer exposure to enable light in over a longer period of time.

So distance from your forground object is your friend. Don’t forget to look behind yourself when you “step back”. The few times I’ve fallen with camera gear were ALL walking backwards. I’ve stumbled a few times doing other things but falling on my ass….all walking backwards. Save the cameras though lolol. Scrambling around the ridges and hills covered with sage, yucca and other low bushes is challenging for vehicles AND on foot. Loose rocks. I’ve put a few miles over such terrain. Sure footedness is a skill I have been lucky enough to develop.

It’s the camera’s I’m worried about lolol. I drop or somehow ding one about once a year. Fortunately I’ve only ever damaged camera bodies. The lenses have done fine. I watched a long lenses 3K dollar rig bounce off the ground

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: Channeling Japan in the Backcountry

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BigHorn Sun Over the Notch

BigHorn Sun Over the Notch
BigHorn Sun Over Notch

Weather this year has been cooperative in getting the Setting BigHorn Sun over the Notch between the 13,000 foot high peaks.

The Sun apparent motion is from left to right as well as down so it actually set on the peaks to the right. It’s kind of tricky to figure out where to set up for an image like this. I’m WAY out away from the range at 130 miles for this shot and the area in the sky this image covers is tiny. Hold up your thumb at an arms length and your covering it from where I am. Those are HUGE peaks, they just get smaller as I move away. The sun doesn’t change size so quickly lolol.

This sky was a Sunslit. The sun came down from the thick cloud deck above to light up the narrow strip of the sky. The relative difference in dynamic range of the bright sun and the much less bright land makes silhouettes. My eyes could have seen details in the land if I wasn’t totally blinded by the sun at that moment.

I remind you it’s not the sun that is setting. It’s the horizon that is rising. Things are as they are, not as they seem or as you were told. This is the basis science works off of. The trick is to determine how they are … The essence of discovery is the effort to discern the way things actually work. Electricity comes out of the wall right?

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands

Title: BigHorn Sun over the Notch

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Lone Tree on Veiled Sun

Lone Tree on Veiled Sun
Lone Tree on Veiled Sun

Lone Tree on Veiled Sun. When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). The Lone Tree on a Ridge is about 1/4 miles out in this capture. The sun is a little further behind.

Photographic Musings:

The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities. I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.

There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and glass infront of the lens has been an issue in the past for me. Just saying….

Disclaimer:

Don’t point a DSLR camera into the sun. It can blind you if you look into the eyepiece and it will probably burn a spot in your digital image chip in the camera. I use a full frame mirrorless Sony Alpha 7R 2’s ,3’s and 4’s which I routinely point at the sun. Resultant… no apparent damage to the cameras over several years of this.

If your buying gear soon….

Mirrorless Cameras: I’m not blind now because I look through the a Mirrorless cameras eyepiece which has a video screen behind the glass so no direct path of light to blind you. Newer mirrorless cameras do this video thing. Older Designed DSLR’s don’t show you your image until AFTER YOU CLICK. Mirrorless Cameras show you your settings changes live on screen and you get what you see when you click not after. If your shopping for cameras, I would tell you to buy mirrorless. Particularly if you work outside with cameras. Studio it’s not critical either way.

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

Title: Lone Tree on Veiled Sun

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Moon Leaning in for a Haircut

Moon Leaning in for a Haircut
Moon Leaning in for a Haircut

In a rare moment of personal grooming, I caught the Moon Leaning in for a Trim on “Sneaky Petes” rapidly spinning blades. Talk about cutting cheese!!📸

Photographers notes: I’m illuminating “Sneaky Pete” the photobombing Windmill with the LED lightbar of my UTV. It was pitch black out but for the lightly veiled moon. The blur is both Wyotana wind and long exposure time. Only a veiled moon will work for this kind of shot. An un-encumbered moon is too bright for our cameras limited dynamic range to resolve the difference. Also, distance from the terrestrial object is your friend. This is a 200 yards out shot on the windmill…a bit further for the moon… Park Rig and start walking back and turn up your fstop for focal depth lolol. Tripod…

If your new to my “world”…. “Sneaky Pete” is a years long narrative of mine. He’s quite the fellow/character and his brother windmill here on the ranch….”Re Pete” are both always photobombing my landscapes. I have no control over their actions but I snuck up on “Sneaky” for this one 🤣 His second job as a barber and all that …… He’s (wait for it) ………….. “Moonlighting” for this job 😎

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

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Buck Watching a Veiled Sunset

Buck Watching a Veiled Sunset
Buck Watching a Veiled Sunset

This Mule Deer Buck was definitely watching this Veiled Sunset.

I find linking up deer with the moon (harder) and or the sun to be a challenge of finding the right topography that enables me to “work” the scene. In this case (all hand held camera shots walking across backcountry grassy, yucca, rocky terrain), moving as the deer and the sun moves. 800mm telephoto. I worked this deer and his partner (off frame for this capture) for about 20 minutes which is about 400 clicks or so with several cameras ….Forever in my world….

The hard part is getting them to “look up” between bites when I’m about 300 yards away on a parallel ridge and they are used to me being on the prairie with a noisy ATV. He really was watching that sunset. I’ve seen them do it many times.

I was lucky enough to wander into this kind of deer versus sun on a ridge 4 times last year and only once this year so far. Hit or miss on deer habits…..

Location: Bliss DInosaur Ranch, Wyoming/Montana borderlands.

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Sunrise over Mitten Butte

Sunrise over Mitten Butte
Sunrise over Mitten Butte

Sunrise over Mitten Butte is a little out of season but I’m trying to get a few of my better works available on the gallery.

This is actually over state land just south of my ranch (1/2 mile). I seem to remember that it was really cold at the time. (well sub zero) All the clouds were ice and not rain droplets…..