The morning that showed me this view was 14 hours earlier than when I typed this narrative. It’s rare that I take a photo and schedule it to be published the same day. Sort of like being a bouncer choosing who gets to enter a nightclub. If your a “looker”, you go right to the front of the line. There are several thousand images for me to finish at the moment lolol. They are sitting in a folder on my workstations desktop called “Images to finish”. Job security 📸
The texture on this wonderful old snag from 100 years of exposure to the elements. It is harsh here in Wyotana with hot high altitude sunny summer days and terribly dark cold winters. Wood rot here take a LONG time as 14 inches a year average of precip tends to reduce rot. There are a LOT of “Snags” around from the 1930’s fire that “burned until the snow fell” up in this country. This one developed even more character as those orangish spots are bruises from the hail storm that threw up to 3 inch ice balls at it. The Mountain in the knot hole is known to me as “Turtle Butte”. It is precisely on the Montana/Wyoming border about 1/2 and half. 🤔
This is the second of a series with this Snag. I worked it a few years back as well. The lighting was entirely different then and it hadn’t hailed lol. The old masters would go back to the same place again and again to get different light. It was harder to travel then. I just work a very large area of backcountry photographically.
Wyotana is a mystical place somewhere near the border of Wyoming and Montana. That demarkation line between the two American Redoubt states is 360 miles long. I consider the “Zone” of Wyotana is about 10 miles wide. That makes a total 3600 square miles in this exotic land. That included area is 3 times larger than Rhode Island. Largely unknown, it includes parts of Yellowstone is mostly remote containing some of the most Mountainous country in the US. This is Cowboy Country from the east border of South Dakota west. All the way to the Yellow park boundary on the west.
Wild Wonderful Wyoming and Big Sky Montana have a few cultural differences. These largely result from Montana having more larger population centers. Their population derived from more migrants exiting huge cities on the coast. Wyoming is more rural with mostly rural local populations. There are HUGE areas of Montana is very similar culturally to HUGE areas of Wyoming. The oil industry and blue collar hydrocarbon guys come and go but a rancher is a rancher on both sides of the border. Our ranch IS in both states by the way lolol. Living in a remote rural ranching community on either side of the border is an entirely different existence from living near population. I’ve operated in both environments and way prefer the “long drive to town”.
Oh, the photo… taken 10 days before it posts as a side show to the main sunrise to the left of frame. I love complex skies with spring Alpenglow… 5:15 AM for this capture. My summer nights are getting shorter until the summer solstice….. Tough schedule to work both sunset and sunrise….
Driving two track roads during Nautical twilight up high in the backcountry is easier when there is no snow or mud on the ridges. It still takes me 10 to 15 minutes to drive up to this location I call sunrise ridge. By the time I arrived this morning, it was still Nautical Twilight with maybe 30 minutes to go till sunrise. The sky starts to light up quickly from here on. , the air is crisp, the smell of sage and pine are rife.
There is little wind this morning which is uncommon. I start to feel the sunrise coming on. It’s something you can feel akin to a quickening. 👀
This was taken in early May. Dry year so far but mud is my current nemesis because I loath to leave tracks. I have a new vehicle now with excellent capabilities so I should be a productive spring up on the ridge tops. Looking up this hill for proper perspective, no lower yellow band yet. The yellow hasn’t made it this far yet.. The red from rays of the sun that made it through the gauntlet of hundreds of miles of atmospheres and moisture. The cloud bottoms were wave troughs dropping into the light and turning red as a result. As bright as the highlights are, the over all scene was dark. This you can see by the darkness of the foreground where I was sitting. It’s below the camera’s threshold of Dynamic Range. My eye’s could see landscape here. Not the camera though… 👀👀📸
I photographically work hundreds of sunrise and sunset landscapes every year. Having seen most variations of that theme, I’m always looking for rare variations. By definition each sky show is unique with attributes usually pleasing to the eye. This deep complex sky caught my attention out of the pile of “to do” images waiting for attention. This capture I absolutely adore.
It’s REALLY HARD to be an accurate photorealistic artist reproducing images as I recall / experienced the scene. I see SO many tweeked / over colorized images posted on the photography forums. When you see electric blues and pure oversaturated colors, you should just keep scrolling past them in my humble opinion. I very RARELY see deep electric blue skies in the real world for example.
These muted colors with the deep red layers buried far behind the cloud deck covering the “Red Hills (the ridges name). I could have easily intensified those layers in the digital dark room. This would have turned this into a deep crimson and the yellow would be canary detail less yellow with very blue clouds below. That is some artists stock and trade. Take a photo, bring it into photoshop and turn up the “volume” on the color sliders. It’s a cheap and unsophisticated way to get attention.
The camera technology I use is totally inadequate to accomplish what my eye sees. They don’t have the dynamic range human eyes do. To compensate for this, I reproduce these scenes precisely the way that nature presented them to me. I actually can see the scene live real time in my lens as I adjust the dials. Thusly I am able to A/B that scene with what is in the sky at the time. They still take work to fix…..I have been an art director of 9 other graphic artists and print buyer of many many publications. I would NEVER buy for publication or print an impossibly colored nature scene. (Hint to those artists out there that like using color enhancing slider controls). To do it right is MUCH harder and way more professional. The other professionals instantly know cheap tricks…
Would you rather see nature or some digital dark room mutation?