So I’m out “enjoying” the smoke in the air and I see this. Click. It was thick and a knife might cut it. But only if it were a big knife. lol
The shadows and the light are always interesting back in the pines. We have about 3 hundred acres of Jack Pines and Cedars on ranch. Most of the rest of this place is either gully, ridge top or grassy flats. All of it is good for cattle grazing at various times of the year . I’m not sure this air is good for man nor beast. I had asthma as a child but this hasn’t given me much trouble “yet”. I’ve fought quite a few forest fires and have been in much thicker. I might start wearing a mask up here just for this.
On a good note, the recent freeze (last week) has let the fighters catch up locally. The whole nation is getting seriously smoked with 90 major fires in 13 states. An area the size of Connecticut has burned in total I understand. That’s 5,500 square miles or there about… Wow. To put that in perspective: Campbell County Wyoming where I live spans 4800 square miles and this is just one county in Wyoming. That is a very large area to burn I point out.
God Bless to all those displaced by these fires. Be safe all and get ready to move fast if called to.
I’m always riding parallel ridges working the shadow line. I see some amazing silhouettes daily. The peculiar red light affiliated with forest fire smoke is characteristic. The low ground effect slowly giving way from yellow tinted clouds to white tinges on the clouds straight up. This is sort of a gradient with a broken projector screen only reflecting parts and pieces of the smooth transitions of color. If you see the “All Seeing Eye of Provenance” that the sun creates here, consider yourself in good company. You Masons out there should pick that right up on this lol. All it needs is a triangle around it.
The smokey sunsets of late have been a boom for me with orange color. If you’ve seen the orange skies making national news a week back, There have been some afternoons around here where it was indeed VERY orange. The crowd in the big west coast cities just aren’t used to it so it’s news there. Being under smoke, one experiences very subdued lighting. A LOT of ranchers are discovering the weakness in solar voltaic water pumps with this sky. Also the renewable crowd in California are figuring that out as well. If a smoke Pall covers the sky, solar panels won’t run much. I’ve had a 4000 watt solar array feeding my electric “cloud” and sending back to grid for 20 years. I bought my first solar 30 years ago. Some of that is still running but not as well under smokey skies.
Random things happen all the time. Who would have thought I’d come upon two yearlings (1.5 year old buck anyway) playing hide and seek in the woods. They both carefully backed in behind the old pine to hide from me… Not seeing each other figured they were safe… What happened after this I leave to your imagination but I suspect someone or both got a startle when they bumped. I know but I’m not telling 🙂 I unfortunately did not get much more on camera as they weren’t cooperating with my mental wishes.
Back to my normal programming.
Well the twilight was spectacular anyway as par for the course of late. Magnificent skies are the rule rather than the exception when wispy clouds are overhead and there is a lot of smoke in the air. Long traveled sunshine colored the clouds with only the finest of displays that night.
Finding two deer on a ridge in front of the show was cool. Having them pose for me, priceless. The two caught in my cameras stare were frozen in time. Click. Who can argue with photographic evidence of hide and seek play lolol.
At first I had an imaginary shark hunting the water in the distant. The waves covering all but the dorsal fin. No wait… perhaps it’s a sail boat at a good breeze in high seas. The crest of the wave hiding the hull of the sailing ship. The illusion of waves swelling in the open ocean is unmistakable. I’m often taken by flights of fancy. The freedom to search for what could be is sometimes more compelling that for what is. On that segue…
I watched this moon descend into the cloud bank on the right 15 minutes earlier. Wrote it off for the session. I figured it would be obscured. From that point on, it was just until I looked back to the horizon. Looking the other way… Preoccupied I was working the sunrise on the dawn side of the sky. I was aware (back of my mind) when the moon was setting. Having done this a few times I finally did glance around at the other horizon JUST in case. I was surprised when I looked up to see this vision. The clouds had moved to the right leaving a window to the really low moon.
Now this was taken with a huge long lens. These totally screws with your perspective. Zooming up on the relatively small mountains, makes the moon looks big. That ridge is 40 miles distant. The place I set up for this backshow of the sunrise that morning was high enough to give me views both ways. Around 4000 feet which is high ridge country in this corner of Wyoming.
There are some technical hurdles necessary to capture something like this lol. First, you have to wait for the sun, done with it’s day, to start rolling down the hill to catch it “thunking” over the boulders for those last few “steps”. The Smoke has to be thick in the air filtering out all but the yellow through red wavelengths. The Black is for free.
You see, this is what actually happens over the horizon. I bet you thought the sun falls below the horizon to fly clear around the earth for it’s morning appointment with dawn. In reality as I show here, the sun disappears only to take the steps instead of slowly floating around the globe. Remember it has to be all the way on the other side of the planet in the morning and the stairs through the center must be the fastest way. Don’t go around, go through must be the plan…
IT takes a LONG lens to reach “over the horizon”…… (snickering). (drats…. my emoticons aren’t working at the moment on this program).
SO at any rate, no is the time to return to my normal programming lolol.
As I type this a 45 mph wind from the Northwest is bringing DENSE smoke down from a fire up in Montana 80 miles away. The air quality went from good to terrible in 30 minutes. It has stayed poor or worse since the start. We are under a Red Flag warning. No sparks needless to say. Humidity out currently say 18 percent….. Wow. (Note: this was written a week before it publishes).
The horizon is a ridge 40 miles out. Those bumps are full grown pine trees making the saw teeth on the horizon. The perspective is deceiving. The area of the sky covered in this image is about the size of a postage stamp at arms length. Telescopic lenses literally give you a front row seat by crushing distance and thusly perspective you perceive. Such large celestial objects are possible. The relative apparent sizes mess with you… This actually makes the trees look HUGE relative as the sun. 863,000 miles across for that sphere, 50 feet for the tree. Based on that comparison, the sun must only be a few thousand feet tall. (shaking head side to side)…. Early Scientists/observers had it rough. They came up with the “Flat Earth” theories….
All the smoke in the atmosphere these days is good only for photography. Giving me crimson, yellow and black as my entire color pallet to capture. Three color, color schemes are fairly hard to find in nature typically. You have to narrow your search with the telephoto. There was a MUCH bigger sunset on going all around this close up. Many more colors started to appear. But when looking directly into the furnace, you only capture what light makes it to the camera. The smoke stopping ALL colors but Red/Yellow =Orange from making it to my photon traps. I can only record what is sent my way after all . I’m pretty sure that the time spent watching backcountry sunsets is not taken off your life’s timeline by the powers that be. It’s all free time….
If you stay under a large Mesocyclone long enough, your going to see some interesting things. This bolt was just ahead of a large rain shaft as the storm moved right to left. The dog leg in the precipitation shaft show a pretty huge change of direction. Winds can do very unusual things around these monster clouds. The light environment was basically pitch black post sunset but the flash bulb was adequate to the chore. I have to use a 25 second time exposure to do this kind of work. Wind is never an asset in that work. 🙂
The reason I like this is you can see the point of impact. It hit what I call “ridge 2” about 3 miles to my south of my position. I’m sure it hit a tree seeing the sparks. Fortunately it did rain which would put out any grass fires. I have seen trees burn for days internally after a strike. I have put out several of them. You could pour 1000 gallons of water on a burning tree and not put it out. It usually is nessary to tear it up to really put out an internally burning Pine tree. Most of the time the lighting runs down the outer bark blowing away chunks of the tree in the process. I see a LOT of lightning scars on the old growth timber along the ridge lines. Most trees survive the strikes. Some certainly don’t….
All work and no play makes Frank a dull boy. This is ART. Did I mention it’s art?. Viper Sky
But I really didn’t do that much to the original image which is a legit Sunset taken from my back yard. I typically can instantly visualize a sky that has been mirrored back on itself in the camera. This one, I saw the possibilities for mirror art before the camera is even involved lol. This is the same photo seamlessly folded back on itself like two mirrors at 45 degrees to each other. The left 1/2 was the original image.
In my Pareidolia infected mind, I see a large Snake with big fangs about to reach out and touch. Alternately there is a WONDERFUL Bearded Old Mans face dead center top frame. I never know what is going to magically appear at the “totem pole” that is usually formed at the “crease” where the two images are merged. I take great care to precisely align the center. Clouds and Trees are my favorite visual materials for this kind of photography and post click mirroring. I did very little to the image after the fact. If you have white clouds AND yellow/golden clouds in the same image. There isn’t much color manipulation that has occurred even though this is art and I have no rules.
This was a storm at sunset with rain falling but evaporating before it was hitting the ground. This is otherwise known as Virga. That would be a good google word for the morning … Have a great day all…
My sense of Proportion mixing with the admiration of the cowboys that built all of the 30 miles of fence on and surrounding our ranch. Pastures being shaped by topography as often as by choice. I wonder how many fence builders / fixers that have passed this way before. Dozens of good (and bad) hands over the years I suspect. I’m just the latest to stretch, patch and otherwise tend to the pasture borders.
Rotating pastures is good husbandry of the land. One big pasture is inefficient as cattle center around the water. Ranchers have found over the years that open range just doesn’t work. Rotating keeps any particular area from being overgrazed (assuming you have any grass at all un-like this year). Fences make ranches work. They also make work for ranchers lol.
The smoke Pall covering the valley distant spans the 40 mile distance to the “Red Hills”. The last ghostly ridge is what you can see of that range.
The one good thing about a Smokey Atmosphere is the effect it has on the incoming light. Mostly it just absorbs all the shorter wavelengths such as Indigo, Blue and Green. That makes orange and red disproportionately abundant (otherwise known as “ColorCast”). When you have a LOT of Red, Orange and Yellow light, everything takes on a strange “Golden Color” thus the “Golden Hour”.
The air was quite unhealthy. Similar to smoking outside except one can’t get fresh air between puffs. There are a variety of health effects with a new study indicating even “Gut” health is related to air quality of all things. The SUN (not the moon) was setting into the Pall… Close/Far Perspective with Smoke Filter… Not a condensation cloud in the sky, this is ALL ground level smoke.
There are hundreds of fires burning in the west. Many in California but every western state has something burning. Most are lightning related other might be a bit more suspicious. None the less the smoke has spread far and wide to the point where my copy of “Weatherwall™” shows me where it is the thickest. Some of the applications out there now will actually have a choice to select where the fires are. The map is covered…😔
I have only had to fight one fire this year so far fortunately. I understand the forecast is for cold weather. This is a good thing lowering the fire danger considerably. Last night was a .2 rain here with a hard rain surrounding us. There isn’t much grass to burn in this area due to drought and grasshoppers eating what’s left. Basically it doesn’t pay to run the tractor and other equipment to harvest hay. It’s very desert like this year. We normally get 14 inches a year mostly in the spring. This year the spring did not deliver AND the last two months have been VERY HOT and DRY as this narrative is written.
Dramatic occluded sunsets are typically dark. I present this dark because it was lolol. . It’s the color I was after in the highlights. It was dark enough that the dynamic range (DR) of the camera was apparent. The lack of DR there of is my point I’m thinking. My eye could discern much more detail in this lighting environment. There is a point. When the full sized sun popping through a thin slit on the horizon. Is effective already down. More of a candle light than the furnace it would be with the cloudy obfuscation. Most images would have a completely black / silhouette landscape in this light. Cameras dynamic range is lacking compared to the human eye. There are some that are better than most others lol. Give the technology a few years
There is a LOT of detail in the landscape buried in the “black” . Most of the ground here is 400 feet or so below the hill I chose to climb that evening. Driving up these hills can be challenging, but then the sun goes down and your still up the hill…..😜 One of the few disadvantages of “Clever Girl” versus my old Jeep Grand or even my Polaris Crew Ranger is being able to see over that big hood. IT does have a camera up there though…… 📷 It is also a full foot wider than my Jeep Grand Cherokee so fitting between trees I used to fit through becomes a considered thought process lolol.
Location: Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana Title: Good Evening All
This is from the early July fire. Just got to this. The crews that fought our range fire each took on a little part of the blaze. The 20 mph winds didn’t help this job. We emptied our 1000 gallon tank three times during this blaze. Here it is all over but the busy work. We and others just managed to keep this fire out of the trees just over this hill. There are 30 acres of nice north slope pine over that hill top. This tree was slightly singed by the heat. The fire was out above ground but was smoldering /very hot under the pine needles at the base of these trees. We responded to the scene within 15 minutes of me seeing it. I automatically go up on the ridges after a lightning strike.
We had to pull about 300 feet of hose to get back into those trees. The ranch uses a 5 Ton M813 truck with 6 wheel drive, a big old diesel, 10 speeds, transfer case and the works lol. I’m the driver. No air conditioning as I like to know what the crew is doing in the back is experiencing as far as heat and smoke. I could drive through places that those guys on the back might not like too much with the windows up lol. I’m a good driver on air suspension seats which help my bad neck. I wear a brace driving that big boy. It’s a tad accurate in reproducing the uneven ground under the the wheels (It’s bumpy). 54 inch high radials too lolol. One of these days I’ll post a photo of the source of this water stream lol.
If you don’t think one is dangerous and the other isn’t, you need to live up here a while. It would change your opinion. Two things that can mess up your day are in this image lol. You might have to look closer to see the 5 deer and one bedded Pronghorn. The thunderhead (Mesocyclone) Anvil is about 80 miles distant from the Bull. The sub-irrigated field still green even this late in the year.
Bulls are of course known to be temper-mental. I find generally they are lazy unless there is a Cow involved. In which case 1800 pounds of moving muscle on the hoof is a lot of hamburger to flip on the grill. This is the sized animal that if it decides to screw with you, your best bet is to start turning faster than he can lol. It’s your only hope lol. Being on a good cattle horse is a whole different experience of course.
The Huge Mesocyclone off in the distance is known to be temper-mental. Their bad behavior is due to the heating of the land by the sun during the day. The rising warm humid ground air coming into contact with cooler air aloft causing cloud growth. Like the bull, you can never predict what they are going to do.
Both will run right over you if you get in their way :(.
Mayan Pyramids on the Montana border…. Perhaps but the geologist in my pulls my imagination back in lol. Timing and position is a critical factor in this kind of image. The hill top is over a mile away with me watching the sun slowly rise while climbing up its left side. You see the sun moves up yet but it always moves to the right horizontally as well. More “Diagonally” up the sky than straight up.
So I started vividly imagining this unfolding stage play of the Mayan King awaiting the mounting of the sun god on the great pyramid. This “pyramid” is literally located 1/2 way between the Equator and the North Pole. 45 degrees North Latitude about where that tree stump is on the left. This must be a far northern suburb of the Chacchoben, Place of the Red Corn in Yucatec. But wait, the Hill seems to have fossil turtle remains, and dinosaurian parts and pieces in consistently sandstone/mudstone sequences. It is/was not built by stacking man made blocks as ancient cultures were so adept at constructing. Shape is a poor indicator of what things are. As we Pariedoliacs well know eh? The substance has to be there…
The area around the sun is VERY bright. You will need a mirrorless camera as looking into the sun through a DSLR camera could blind you. It’s a direct light path from the sun to your eye. I look at a video screen inside my camera so it’s impossible to blind yourself with one of the mirrorless cameras out there. However I suggest you check with the manufacturer to see if your particular camera can take this kind of abuse. A good use of negative space I think…. 😜
So how many faces/creature can you see / imagine on these distant storms. A “just after” sunset backshow with the dark clouds below the red being the shadow of the horizon. Montana on the left, Wyoming on the right.
This large mesocyclone was about 100 miles distant from my ranch a few nights ago. We had just fought a grass fire on ranch and this was the storm that started it all. That was a long day. I finished talking to the Bureau of Land Management fire crew that was going to sit on the “extinguished” burn site. Having someone around for a few days is a good thing after a fire.
The sun had already set in this twilight longer exposure (around a second). It was pretty dark. The smell of smoke and burned prairie in the air. I watched several snakes come out of their holes to leave the burned area at dusk. We got it out. Well, it was out 2 days later after I extinguished 2 other flair ups lolol.
At any rate:
You Pariedolia sufferers, (you know who you are), this image is classic fodder to let your imaginations run wild. The genetically derived propensity to see figures in random data. If clouds, water swirls, abstract patterns etc. set you off in a fantasy world….. good.
Personally on the left storm tower appears to me to be a Happy Jabba the Hutt from Star Wars. On the far right tower is a wolf looking left or a bear looking at you. That’s the best I got out of this but some of you always push the envelope.
A Daddy Long Legs spider surrounded by it’s 3 dimensional home/web decorated with hundreds of condensed dew drops was a lucky find. Talk about a harmless spider. (I know, some of you REALLY don’t like spiders). Others buy them as pets. I always thought they were too fragile personally as the big spiders crack like an egg. Some of you may not know my wife and myself ran the only pet shop for 6 years in a big college town. Sold that in 1986…. (one of my 9 professional careers). I have sold a LOT of Tarantulas to Frat Houses before. They seemed to like scorpions too. Needless to say I’ve been bitten, stuck, stung, and otherwise generally chewed on for 6 years by all the exotic stuff that went through our pet store.😜 I was much younger then.
Setting the stage:
We are in the middle of a 6 month long drought. That morning was HEAVILY pea soup fogged. The sun was deeply veiled to the point of the fog filter being quite effective at making this possible. Pointing the camera into the sun to capture darker detail is the challenge. Don’t try this with a DSLR camera. Mirrorless cameras won’t blind you in the process. That is a very bright sun at the top. Looking into the furnace as it were.
So when the relative humidity hits 99.9 percent, dew condenses on any cool object. Droplets in the moving air collide with larger drops nucleating around intersections or rough points in the webbing. Anywhere there is a SLIGHT disruption of otherwise smooth air flow, frost or dew will deposit there. That depends on the temperature. For a good google this afternoon, search “triple point of water” in google and see what comes up.
As with most of my work finished on a big computer monitor, full screen is preferred. Click the image to enlarge.
I’m always trying to experiment with different lighting when I do night time exposures. Here I used my yellow flashing light on the top of my Raptor (I often block backcountry roads for 10’s of minutes at a time so I like a warming strobe). So the flashing strobe is like a flash bulb but in yellow. Of course we are in a drought and the grass is brown anyway. The color cast added to the scene I thought for the Close/far perspective. I have another version of this with LED white light. Just as this, the suffuse foreground lighting diminished up the hill. Stay tuned for that image.
The star field is just about properly exposed, sharp and well populated. Interestingly, the longer you leave open the shutter, the more stars that keep appearing. Our sky here on the Montana/Wyoming border 70 miles from the nearest bright city is as dark as the North Atlantic Ocean according to NASA. One of the darkest skies in the United States. If you have a sensitive camera and a steady surface you can just about fill the frame with stars. There is close to 1000 visible in this photo alone.
When you are leaving the shutter open for 10-15 seconds at a time, ANY movement of the truck the camera is mounted on will ruin the image. It was periodically gusty during this shoot. Therefore MOST of the images I took during this timeline were ruined by the movement. No fixing 1000 stars with blur tails. Ground tripods with really long lenses are better than vehicles due to the smaller wind profile.
I just love it when architecture aligns with Astronomy and Physics. It makes my sense of proportion much more in an agreement with my position in 3-D time and space. Close / Far Perspectives are a gift when they appear to me. If I move a few inches in either direction, the effect is not there. The goal is to set up the symmetry just slightly offset. I would work this sky for an hour if it would last that long. Holy Moly!!
Really close focus wide angle lenses are so fun. Seeing how far I can pull the depth of field toward the camera in under such low lighting conditions make for an interesting photo. All of the physics that rules the natural world controls my activities and success/failures in achieving such close focus. These colors are as I remember them with the yellow sunny part of the image being “Slightly” over exposed. I trade off things like details in areas of super bright for details out the dark area of the photo. The ability to see details in BOTH dark AND bright at the same time is called Dynamic Range. The Human Eye has a dynamic range of 21 F-stops. The best camera I use (Sony Alpha 7R4) has 15 F-stops. Now your milage will vary with your camera with many cheaper cameras working well enough with 12 F-Stops.
Dynamic Range is definitely something I look at when I’m evaluating Cameras. How close a lens will focus is something I look at when buying lenses.
The wind was indeed blowing steady for Wyotana at this moment.
If I’m in the right place at the right time, I often catch the moon pausing on it’s journey to it’s zenith. I’ve even seen it casually reclining on various soft surfaces but not this time. Here’s I caught it stuck in a rocky rut on the way to work. Sometimes it takes a while for someone to come along and give you a push in this country. I’ve seen stretches of “main” road go a day with no traffic before up here. Worse this is in the deep backcountry. Fortunately… Yet again I happened to come along at the perfect time and free the moon up. Saving tidal tables world wide from being off kilter. You can’t delay clock work schedules. All it took was a nudge, a word of encouragement then onward climbing it went. 😜
It was getting fairly dark at this click during the timeline I was working to get this. If I have a clear rising or setting moon, I will try to involve a close / far perspective. Usually this is initiated by a trip out to some backcountry parallel Ridges where I can have multiple horizons just by moving my positions. Distance is always your friend for this kind of work. You want a big length focal length lens. 400mm or greater comes to mind. Also it is good to be at least 300 – 400 yards out (depending on what lens) away from the fore ground object(s). If the moon rises, I walk down the hill I’m on and get another chance at it. If it’s setting, I just climb up a few steps and keep on shooting. Tripods don’t work well for this but a monopod has some applications here.
Clouds hundreds of miles away accentuate and attenuated this image filtering the light before it reaches my lens.. Various levels of smoke from burning forests, dust and moisutre give western photographers opportunities. I am not ashamed to take advantage of it though my heart goes out to those that the fires impact.
I’ve physically fought my share of grass fires living surrounded by a giant sea of grass. Fires used to burn here from their start to the first snows putting them out. I’ve seen some tremendous sunsets as a benefit to natures actions cleaning up the dead fall that we have allowed to accumulate to dangerous levels.
I’ve said many times before that I don’t use glass filters in front of my lenses. When shooting directly into the sun, the best filters have leftddfff a ghost of the sun in my images. Offset reflective artifacts are not generally welcome to a photographer that tries really hard to be a photorealist. I will occasionally wander using lens reflections/flares in my work, but not here lol. 📷
Big Long Telephoto lenses have a tendency to CRUSH perspective like a compressed accordion . Getting topography, Windmill and Sun all to line up at the same time while at the same elevation as the sail…..not that regular an occurrence lol. I know the topography I work pretty well after ‘working it’ for decades. Knowing the direction the sun is going to rise is a matter of looking it up on google which would be about as far north as the sun gets mid June lol.
Get a compass, a map (in my head by now) and figure out “what two or three things” can line up. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE it is going to take place though. 😄
The Poetry of the moment is often hard to quantify but as poetry it does qualify. The color of the scene is a result of the cold hard physics of the world. The light proceeds on it’s path until some substance acts either to block or bend the dual nature of particles and waves. (This is a wonderful concept and worthy of an extended google search this AM). Light acts sometimes as a particle but also has wave like properties. Scientific wisdom everyone needs in their daily life but is beyond the scope of this narrative 😝 🤘
Turtle Butte from this angle is often confused with a volcanic cone (and even volcanic during a few of my journeys into satire). Maybe it’s just me. Impersonators are everywhere in geology. Things that “look like”. I can’t tell you how many people have asked me about those volcano’s. FYI, they are sedimentary remnants. Hard Cap Rocks protect the sediment below… . It’s all in the details, not the shape.
Humans are generalists. We miss details but do gather a wide interpretation of scenes at first. Shape! Then we slowly start focusing on details like composition and color. The color here is spot on to the original scene. I take great care in this exposing the highlights such that detail is still visible in them. If you’ve never spent twilights in Wyoming or Montana, you’ve never seen skies like we have. My job is to climb the 300 foot high ridges in the dark to get into position before this amazing show of artistry by mother nature. My photography is resultant of the various to and fro journeys pursuing those dual nature particles. (Photons).👀 🤔 📷
Driving up to the pass on Trail Creek Road to Rockypoint Wyoming, there is a view that tourists don’t get to see. These “little” volcanic “necks” resisting erosion and the ride to the Gulf of Mexico. The express train to the Ocean is always running though the schedule is a the whim of the environment. The sedimentary aprons around them consisting of smaller detrital chunks of the peaks piled up waiting for their ride down river.
Lighting being what it is, I chase it. Sometimes it get’s away from me. Occasionally I don’t have a camera with me (I know, Rule number 1)… If I’m in a vehicle though, I definitely have camera(s) set up for capturing an image. I say that if I can see it, I can photograph it. This looks to be a few miles out from my camera. More like 30 miles distant from my lens. Telephoto lenses crush perspective bringing in distant objects up close and personal.
This was taken during a golden sunset with the background sky being lit up by the color of the ambient light traveling through the atmosphere. The ice there reflecting the sunlight a creme soda colored look over yellow color cast peaks composed of Tertiary Porphyry Igneous rocks. Also known as the “Three Sisters”, these landmarks greeted many a pioneer in covered wagon along the trails to points west.
Location: About 10 miles from the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Twilight captures in June tend to be a very early morning rise for me. I’m thinking the night is just right at 8 hours long between sunrise and sunset these days. That makes for relatively short nights by the time I maintain my cameras for the next morning. Get up, get the dogs on patrol and something in my gut for breakfast. Then grab cam and go.
I often travel miles over two track backcountry roads to get to various locations I like to work terminator crossings. Some highpoint/ridgelines I frequent more than others but it depends on the time of year. That time of year of course controls which direction the sun is rising and setting. The sun is very far north at the moment and 2 days from the Summer Solstice as this posts (about a week after it was written on June 10th).
I get to have the sun rise and set over landscape features this time of year that I only see align for about 2 weeks. Similar short lived opportunities occur around the winter solstice as the sun rise and sets are furthest to the south. This celestial dance happens year after year. I just adjust my planning for where the “next photoshoot” is going to be based on the calendar. I run into most of the wildlife I photograph either on the way to work a sunset or after a sunrise on the way home. I’ve given up photographing wildlife in too dark an environment. Fully a waste of electrons as wildlife moves too much for low light work. The ones I do capture are rare. The wheel continues to turn if you watch.. 👀🤘
Reconstructing past lives and events grabs your minds eye coming upon an old homesteads and a windmill.
The comings and goings of old homesteads spark my imagination. There is a demolished homestead about 1/4 mile from this location. Pieces and parts of past lives past scattered about. They had their own hand dug well 35 feet deep and 4 feet wide about 200 feet from their house down in a deep gully. I filled in that hole when I first moved here. It was an “attractive nuisance” and 35 feet deep x 5 feet in diameter. Hand dug… Many settlers had to use the water at their windmill. I suspect an outhouse long since gone somewhere nearby downward of the prevailing wind but hopefully away from their water source.
This land has had cattle or sheep on it for 100 years and slightly more. That’s 5 generations of cowboys/herders that stayed the night or the summer in this treeless pasture. Finally when this wind engine was installed, being the only source of water for several miles around, the cowboys drank here too. This is very big country open back country. It’s remote and just plain challenging to get to in the winter.
This is a steel windmill which is more expensive than building the wood towers was. Wells were positioned centered in the pasture. This made it accessible to the entire area. A lot depended on the ground water geology to make the shallow wells work long term. (luck mostly early on). Don’t get me going on geology lolol.
About 10 percent of the time I drive by this remote road sign there is someone on it. This time the Kestrel, known as a “Falcon” is eating the head off a mouse. I was driving about 30 when I noted the as yet unknown bird on the post. Middle of nowhere, I had turned sideways driver window toward this guy and had but a few seconds to get the camera settings adjusted as appropriate. I keep all my cameras on Manual Mode. In fact I’ve never used them in any other mode so I do take a bit longer. If I’m driving I’m preset the camera but it still takes a few seconds….
The lighting was horrible to get this with the bright sun down behind the road sigh/post. This side of the very small raptor was in deep shadow. I dig details out of shadows as a matter of course in my photography but this one was a tough one. This is the best of 6 images he was patient enough to let me get prior to his departure. He didn’t even leave me a snack from his tasty morsel. IF I were on the other side of this bird with the light there, holy smokes would that have been a bucket list item. These are really beautiful little birds. The ability to hoover above a target is legendary. I rescued one on the highway once. I believe it lived if it survived any internal bleeds from the trauma that stunned it. I felt better anyway 🤔😀
It is fairly unusual for a Pronghorn of any sex to walk toward the camera directly. This one is a doe. I can count on one hand the number of images I have even similar to this posture. Mostly visiting photographers see their butts heading out. Oddly, she was literally walking directly toward me for some distance. Must be near sighted… Or that Black pickup looked like an angus lol.
I would indicate though that if there isn’t triplets in there, I’d say she is going to have quads. Technically this might be the biggest “Fastest” land animal in North America. She might have been a little not fast enough last fall. I will tell you with certainty that she is not as quick as she was last year before that Buck got involved. I’m really not sure if she is aware of the fact that that “coat makes her butt look big”. I’m not going to tell her. A professional has to maintain appropriate relationships with photographic subjects after all.😇📷
I see so many Pronghorn each year I can’t keep track of individual does but this one seems familiar with me anyway. She looks pretty scraggly but that is only because she is shedding in clumps of fur. She’s perfectly healthy. Most Pronghorn in cattle country have big chunks of hair off their back as going under barbed wire fences at 30 mph has it’s draw “backs”. I’ve seen those scars get infected before but it’s not that common such that it kills them from it. It’s only known in the Presidential “Book of Secrets” why they prefer to go under fencing rather than over like every other ungulate in North America. 😜👀
A Dandilion Sun filter. I use “Cellulose” filters where ever possible to moderate the glare from that ball of fire up there. Sometimes what ever is handy… in this case :). I find you are where you are with only the gear you are carrying at the time. Noted is a spring bloom of the invasive plant in the backcountry. I find isolated patches here and there anyway. Fortunately, just about every part of the plant is edible and another food source.
I have a very limited amount of time to shoot sunsets. Depending on the sky, I choose what camera/lens combination I’m going to grab to “work” the scene unfolding in front of my eyes. A Veiled Sky Sunset is an indication ahead of time to set up a “Close / Far perspective image. I only had a 400mm lens for a “macro”. Closest focus for this lens is about 4 feet away. I’ve certainly taken this shot before and will again. It’s a right of passage for the “Close / Far” perspective students to get this one.
Figuring it out is not rocket science but you do need to be in manual mode. I’ve heard from some that manual mode is scary and difficult. Wouldn’t know as I’ve never operated any of my current crop of cameras on any other mode. I don’t have a clue how to work them on automatic….
I would way prefer a 90mm (ish) macro lens though. The long macros work well for close ups of dragonflies on the wing … Most telephotos will take macroshots, the question is how far away do you need to be…. 😜📸
When I get a heavily veiled sun, I’m all about getting it behind and in focus with terrestrial objects. It’s always a good thing when this particular tree lines up with astronomic objects (sun moon). This Lone Tree on a Ridge is about 1/4 mile out in this capture. The sun is a little further behind. High Ridges are their own reward even with out the photography. This is wonderful country.
Photographic Musings: The clouds were very thick and obscuring with the sun blinking in and out from behind the veil. I am as always, reactive to the light with only a bit of premonition to guide me to the next spot from here. Half the game of photography is knowing when you got the shot and it’s time to move on. Otherwise you spend too much time at the site and miss other opportunities.
I move pretty rapidly from interesting situation/alignments of the sun or the moon by driving along parallel ridges. I work the “Shadow” line by driving it and “seeing” what develops as I move. The cool stuff to photograph as in “I know it when I see it”.
There are times I see things that are virtually impossible to capture. A fully lit sun behind this tree is a common occurrence but without neutral density glass filters in front of the camera, even these Sony Super Cameras , this would be impossible. The tree limbs would be totally washed out. I never use glass filters or even do I use a pretty much standard UV haze filter. I find they get in the way of the image more than “fixing ” what they do. A UV filter does protect your lens glass from scratches though and is probably worth it for what you would do mostly. I point cameras at the sun a lot and extra glass in front of the lens has been an issue in the past for me. Just saying….
Taken about 12 days ago from this post, narrative written 8 days ago.. Such is my work flow these days. Present future and past reflections a this remote wetlands echo back to us in time and space. A Cottonwood Tree covered dam built many decades ago. A spring fed pond is home to many a gorgeous vista. It will have many more. Each sunset/sunrise is a new pallet of color for me to explore.
I have so many choices of where to pursue the limited time I have to chase the light. Because the wind was dead calm at the homestead. The flags were slag. I thought that a trip a few miles into the backcountry to get to this place would worth the investment of time and gas. .
“Backcountry” …. I’ve defined the term before and for all the time. OK, Here’s how it goes…
This little “Heaven on Earth” is 2 miles of bumpy two track dirt/grass road from the nearest county road. That county road is crushed red scoria (“Clinker”) gravel. Generally local gravel travel over well maintained roads is a dusty pleasure. I point out that these roads are fodder for “Clever Girl”. She eats them up. 🤔👀
So… upon gaining the county gravel, it is 14 miles of curvey / hilly 1.5 lane road to the closest asphalt paved two lane highway. . It is 70 miles to the nearest 4 way 3 color traffic light but there is a 4 way red light 50 miles away lolol. Back far away from population…. = Backcountry or at least that is my definition. My nearest neighbor is about 4 miles away. 2 people per square mile density in this area while there are several hundred cows in the same area. Cattle Country with Dinosaur Bones. …. There certainly are more remote areas of North America but not a lot of difference from those to the lifestyle of living in the “backcountry”.
This spot is about 200 yards from the Montana/Wyoming Border and it has a bit of both states in the image as do most of my photos.
The science of this is a little complex but here it goes. The light source is the late day setting sun but bouncing off my back Ford Raptors hood…you know…glare..😎 That bounce is important though in getting the photo as it effects the light…
The reason you guys buy polarized sun glasses is due to that reflection. When sunlight hits the hood, the light bounces off with a majority of it being horizontally polarized. Mostly all those reflected light waves are in the same plane, not a bunch of randomly oriented waves. The sunglasses you buy are plastic lenses with all vertical lines which only allow in light that is vertically polarized. This blocks all the glare horizontally oriented.
SO that is called “Crossed Polarizers”. A double filter as it were. Take two pairs of polarized sunglasses and cross them at 90 degrees and try to look through them…. They go totally black.
NOW put something between the source of the polarized light (either the hood or the first pair of sunglasses). I used here a delicate transparent feather that will pass light…. It bends/ refracts light a little bit out of that horizontal plane so some of it makes it through the second filter this side of the feather. So you see the colors as a direct result of a single polarizing filter on my lens (hand held and rotated), the camera on a tripod and pre focused. F22, ISO 300 and 1/100th to get your camera close .. It was very bright but the filter cut out 80 percent of the light but you can change that by rotating the back filter…. . 90mm macro.