Sunset of an Old Wheel which will slowly turn to rust.
Slower than wood which will quickly turn into dust.
But not as fast as the all of the rest of us.
Surely turns the wheel of life I trust.
(Frank Bliss 2019).
Snowy landscapes with patchy cloudy sky…MADE for perspectives. Instantly a 12-24mm comes out and I’m considering low angle deep focus shots into a bright sun. The bright sun allows you to turn up your f-stop to a high number which gives you deep focus and cuts down some of the bright light from the sun. It also gives you that nice star around the sun. Those are diffraction artifacts in the photo, attractive as they are. If you had used a lower f-stop and a faster shutter speed to balance, you would have a smaller/less noticable star diffraction. You’d also have the foreground out of focus.
So the photo lesson: if you remember nothing else. f-stop high numbers = Long/deep layer of things that are in focus. All at the cost of a lot of light. I had plenty to spare of with this sun looking at me. High f = less light going into the camera but long focus.
This is an antique Plow. Abandoned in the backcountry probably as far back as the 1920’s. A horse team pulled plow, never saw more than a few horsepower. The work, the sweat, the toil behind this plow was incredible. Used turning over centuries old sod. All to make room for hybrid grass . Those same grasses are thriving in the same fields they were planted in . Those were the “hay” days of turning sage brush into hay fields .
(Illusion of a Tsunami wave coming into the shore but it’s all clouds)
Getting just the right angle toward a sunset with the foreground is a challenge sometimes. I wander the hills sides and ridge tops of the remote borderlands of Montana/Wyoming. I the the big distances in either an UTV (Polaris Ranger Crew) or my Ford Raptor F-150. The distances in this area are such that covering a lot of ground is a necessity to find these locations. I always ride to the distant ridge but usually am walking around for the duration of what ever event I’m photographing. My timelines smoothly go from mounted to unmounted captures.
By walking or riding along parallel ridges, I’m able to see first and quickly compose these scenes. As I’ve always said, if I can see it in my environment, I generally can capture the scene in these high tech photon traps I use.
Looking into the sun is an “edge of the envelope” activity that is best left to mirrorless cameras as I use. DSLR cameras are dangerous to do this with as there is a direct light path to your eye through the camera. Mirrorless cameras have a video screen inside of the eye piece viewer. There is NO direct light path to blind you with concentrated light from the lens. Please don’t try this with a DSLR camera. You CAN capture this with a DSLR but you have to do it without looking through the camera WHILE you are taking the image. Set up your rig before you point and don’t look through your DSLR camera at the sun…
As I’m driving along the slope of a ridge roughly parallel to these married trees, I see many opportunities. Frames work by me rapidly but obviously as I travel. I usually have to keep about 1/2 an eye on the terrain as there is nothing like a deep game trail that will ruin your focus. I’ve had them bounce cameras around more than a few times. As I work the opposite slope of this valley, I have chance after chance of just this kind of “Japanese” image from the hills of Wyotana. Veiled suns are always worth of pursuing photographically in my experience. Particularly if you can get a “Close / Far Perspective working. Distance from those trees is your friend 👀📷
Realize of course that I would be blind looking very much into the brightness of such a vista. At this point in the sunsets timeline, the light is waning with a decided chill to the air. The warmth rises and the cold fingers of air from above run down into the valleys. Markedly cooler temperatures as the light gives way to the dark. I am fortunate to use technology that lets me evaluate the wonder of such scenes. I see live real time images as this in my view finder. Mirrorless cameras are WONDERFUL that way. You couldn’t even look at your focus with a DSLR camera without risking your eyesight. If you don’t know the difference between the two camera types, it’s time to do some homework. Particularly if your considering a purchase. I now consider DLSR cameras as the “Beta Max” of the current production camera world.
All natural colors from the grey of the clouds to the green of the grass that is now starting to grow. A taste of spring has slowly permeated the local climate. All climate is local of course. As a Geologist, I will tell you the earth has NO climate. It has ALL climates lolol. Watch when someone says the “earth’s climate”. I have discovered in my travels, that when someone starts an argument on Climate with that phrase (earth’s climate) , it’s a pretty good indicator that they don’t have a clue about what they are talking about lolol. I’ve seen this so many times.
This was actually rain and not snow for a change. I haven’t seen rain for 6 months since before Oct,1, 2019 when winter started last year. I remember it well as I was on the road the day before in the BigHorns. Those are about 130 miles just left of frame here with this view to the north west as this thing was coming in. The mountains on the far left were 40 miles distant from my camera at this click. Anybody else see a face in the thunderhead??👁👁
Dark environments…Open up your camera a bit. Little bit lower fstop, a bit slower speed or a little more ISO (camera sensitivity). All THREE setting this way will increase the amount of light into your camera. Each effect the light gathering ability of your rig. Your just trying to balance light with the other attributes of those three, each of which is a double edge sword. More on that later…
My camera lens front just from the warm car, captured two flakes of frost falling from the trees. Those ice flakes hit the warm glass and turned to liquid with the heat transfer. Providing two extra lenses for me to peer “through”. Artifactual obviously ….. Pretty anyway 😜😀📸
I usually don’t publish images with lens artifacts but the artist in my liked the way this came out. In full disclosure I had to fix the flare on the right which for what ever reason doubled enough to be distracting from the symmetry of the image. Just a slight double ghost I fixed there. So technically I removed a beer can from the postcard photo here. ART.
I have a tendency toward pointing cameras into suns lol. This was a photo I took AFTER the main twilight show that morning. The twilight lighting was truly amazing but as soon as the sun cracked the horizon, chapter two of this stage show began. No intermission either !. The orange red color cast early light was saturating all the white frost and snow surfaces for the next few minutes. Sometimes the same red light that colors the “Belt of Venus” variety of Alpenglow works it way down on the ground. Particularly up on the high ridgelines. Add a little hoar frost, a bit of white ice and you have a perfect reflective surface to light up. Light up just like the Belt of Venus was doing coterminously with this image but over my shoulder. The back sky was all pink down to the ridgelines.
Looks like the aftermath of Captain Kirk having used his phaser weapon on my Morton Building. …. Actually a rising sun through HIGHLY Turbulant clouded air mass that got creative with the actual round shape. Since the sun is still below actual line of sight, the light being bent around the planet by the “atmospheric lens”. Red and Yellow light the only to arrive at my photon traps.
Certain Atmospheric Conditions create very unusual distortions of the sun. I watch somewhere around 500 sunrises/sunsets a year up here in my work. Give or take according to weather window whims. Now I’m counting a sunrise and 1 and a sunset as another one here. I work the light when ever it appears to need working lolol.
The number of distortions I see this severe is a few every other year or so. I don’t think I’ve ever seen a building shape. If you look really hard…I imagine an RV moving away right in the yellow shape but that is pushing it lololol. The sculpted edges were moving real time though the lens live.
The atmosphere was absolutely “ROILLING” boiling, distorting, mirage (ish). Looking at an area of sky smaller than your thumb on an outstretched arm, this 1200 mm magnification image is a very small portion of the sky. The sun, on the other hand, subtends an angle of approximately 0.52° (31 arc-minutes) to an observer on the Earth. It’s amazing and a striking coincidence. By sheer chance, it is almost the same as the angle subtended by the moon. I digress, this image is 1.5 degrees wide. It’s a pretty small slice of a 360 degree pie that morning 😀👀📸📸