Here on the high ridges of the borderlands of Montana / Wyoming there are millions of acres of grasslands. This was very bright sky with a sharp sun and a dense cloud deck above the glare. The combination of the two required a foreground for the image to suit me.
To use randomly obtained feather to grace a veiled sunset is not a new effort but is always a worthy target. Feathers contains such an elegant form. Smooth curves abound. Over the years I have found that “you are where you are during the final minutes of sunset”. My mind wanders to the “filter materials at hand” for this kind of Close / Far perspective. When your in the middle of a square mile of pasture land, you have to act fast with a wonderful sky as behind this shoot and use what is at hand.
I am generally soured on using glass filters in front of my cameras while shooting into the sun. I WAY prefer to use natural filters to reduce the glare from the furnace above. Here the edge reflections create a bullseye into the camera. Even a few percent light reduction helps. Any photo is a light balancing act inside the camera. You only have just three settings to play with . I suggest to you that it would be good to learn to use that camera on Manual Mode finally. (If you don’t already know how). I am happy to keep talking about HOW I take my photos for you guys to follow along. Ask if you have a question. 🤔📷
Flowery Friday LIttle Pixie Antennas….caught them feeding I did lol……
I always use natural objects to filter out the excessive light from the sun into my camera. This particular plant sat for me so I managed to get under it and line it up. It’s getting harder and harder to get that low anymore lol. I find the only way to capture this actually in focus is to look through the eyepiece to fine tune as this close a subject (about a foot) is tricky.
Boy do butterflies like this flower around mid-summer. These plants topped by large clusters of flowers spot through out our gardens.. As a genus, they have a vibrant range of colors. I’ve seen red, lavender, white, pink purple and I hear about orange phlox. Trivia word of the day: Phlox means Flame in Greek.
All but a few of the 65 species of Phlox are native to North America. It’s presence in our gardens here in Wyoming is suspect.Human intervention may have been involved. We didn’t plant Phlox in the gardens at our homestead. I suppose a seed from a bird dropped from it’s transport. Something about 100 years of gardening around this old homestead comes to mind as the cause though lol. .
You need a HIGH f-stop number for the deep focus plus it’s reduction of light. ISO 100 (low ISO for bright light camera sensitivity), and use shutter speed to adjust for what ever lighting scenario/exposure levels you wish. Establish/ always set your main priority in this case F-stop first and adjust the other two setting (ISO and Shutter speed) as secondary considerations.
Rose Bells Pasque Flower during sunset.(Geum triflorum) I believe. Everyone needs some purple in their live once a week.
These late spring/early summer blooms are only found in deep woods on eastern forested slopes. It’s harder to find them along the edge of these groves of trees. There is no other way to wait until the late afternoon and take advantage of the lowest sun to highlight it’s fuzz. These are not very large flowers being about 6 inches total in height. Just above the spring clumps of grass under the thick blanket of pines.
It’s easy to miss them as they are not found in quantity but usually ones and twos. Of course you have to go belly down to get this angle, be on a steep hillside, wait for Alpenglow to start. Then there is the camera settings lolol. Looking into a bright glare with a camera is it’s own little world of adjustments. I am very fond of using cellulose filters as above to handle the excess glare. I’ll use transmitted light to achieve the exposure. This might as well be an x-ray of this bloom as its so bright and the flower so delicate. They remind me of fuzzy tissue paper. They are quite soft.
This flower is not to be confused with Prairie Smoke which has long purple tendrils. Pasque Sun Filter. The plant is indeed darker purple without all that transmitted light flowing through the petals. The net effect is to lighten the actual flower color. The Blurry area behind my in focus field is called “Bokeh”. You should google this word if you don’t know it already. (Assignment). There should be a test later.
Deer Back Sun Filter Profile is one of about 6 images I’m going to finish from this 800 image timeline. There are many images that are similar but subtly different. I can’t finish all of them as many aren’t as good so….. Number 3 of 6 I believe at this post.
I was able to maneuver around on this small group of deer ruled by this buck. The glare from the sun is very significant in this rarefied light environment. Most cameras would wash out everything. This Sony Alpha 7R4 with a 600 x2 lens on it for an effective 1200 mm focal length at a few hundred feet distance. I was working the “Shadow line”. I find where the shadow of the hillside is and “go” there. Adjust for where the deer is and move backwards with the shadow as the sun sets. (the horizon is actually rising remember ).
Being able to maneuver around with the deer being unconcerned of course is the key to this. In this particular case, I was in a car. I have several sessions similar to this where I was working a parallel ridge several hundred yards away. The deer will even tolerate me away from my vehicle as long as I dress the part and mostly hide my form. I generally am dressed in heavy camo of various kinds depending on the day and how wet it is. I always obscure my human form. I’m still noisy and smelly to them though. Basically I’ve achieved “just another grazer” status with this group. I left them, they didn’t run away from me. If fact I stopped and talked to another rancher down on the county road and pointed them out up on the hill. A rare encounter on a very backcountry road.
We don’t have drive by shootings but we do have a few drive by shoutings up here 😝
I always use natural objects to filter out the excessive light from the sun into my camera. This huge moth was a little low to the ground for me but I managed to get under them and line it up. It’s getting harder and harder to get that low anymore lol. I find the only way to do this is to look through the eyepiece to focus as this close a subject (about a foot) is tricky.
This Glover Silk Moth has a 5 inch wingspan. It’s as big as your hand.. Found all along the east/west slopes of the Rocky Mountains from Mexico to Canada. Coincidentally that is also where our ranch is located roughly lol. Liking my backyard apparently.
Like most silk moths they eat various plants during the larval stage. The adults do not eat. This one was hanging out on thie flower one morning. Being chilled, had no interest in flying away. The troublesome part was lining this up just so that the sun was entirely behind the butterfly. Nothing but some transmitted light through a pair of wings PLUS the highlights. That antenna system is a magnificent development that I as a ham radio operator am jealous of. 🤔😜
I see several of these guys each spring. They are typically not worried about me much. They get cold over night and are pretty slow until the sun warms the day. I am usually out pretty early on sunny spring mornings looking for critters JUST LIKE THIS.