I pleased this came out of a hand held one shot camera. Taken before the last full moon, soon forest fires west of us will cover our skies with a Pall of smoke. This prevented me from working the full moon a few days. There were smoke issues weeks ago which explains the following.
Through as little smoke as possible by taking this when it was almost straight overhead. My neck doesn’t bend that way very well these days lol. Still imparted is a brownish tint to the image. This by the soot particles floating above. Quite obvious in the eyepiece of my camera. The trick is to get the right exposure to show it. I do this by comparing the image in front of me to the image on the screen. I usually have enough time to consider such time consuming activities with celestial objects. They are not flitting off like backcountry wild critters. Anything over a minute to compose or consider an image is a luxury in this game. This is why I think of myself a landscape photographer. Geologically Slow movements are a good thing to me. The moon is a relative fast mover for me lolol.
Taken with the same lens I use for some of my terrestrial close ups. Lots of animal images through this glass. It’s pretty good equipment for looking across the prairie. Not as good for Astronomic Glass Lenses used in Telescopes. (this is just a regular camera lens). Telescopic glass typically is coated differently. There is no aperture to add diffraction effects to your bright lights. Ever see rays from bright point sources of light like the sun? Those are edge diffraction effects particularly for close/ far perspective with the moon. For you techies out there, astronomic glass usually doesn’t do as well dealing with Chromatic Aberration (Sony G-Series 200-600 with a 2x in the optic path. ). I have MUCH bigger/faster optics that don’t do as well across the board for this kind of capture.
The First Quarter Moon has risen 1/2 an hour too early to be in the optimal position for me here. It’s still mostly a rule of thirds composition lol. This was taken in mid Civil Twilight. Roughly 15 minutes after scheduled sunset. There were additionally a host of storms behind me to my west. I was in a dark environment looking at a 30K foot high+ projector screen. That reflecting the “Belt of Venus” color gradient back to my photon capture boxes.
The Mammatus usually means a collapsing storm but they can be affiliated with serious weather. Being under this monster would have been less than desirable unless you get lucky to get just rain. It does happen. I might be hyper-sensitive to hail after watching chickens egg sized hard ice fall with all other sizes below for 1/2 an hour this July. These guys ruin insurance agents profit/loss ratios in the summer. They can certainly cause massive damage in their wake. That storm has as much energy as a small atomic weapon wound up in it’s rotation. There is a LOT of mass there too remember. I wonder how many gallons of water is suspended up there … humm.
A generic thunderstorm cloud contains enough water drops to fill up a 275 million gallon container. That’s around 2.3 billion pounds of water. Alternately = 1.1 million tons of water. Assuming a thunderstorm produced one inch of rain over one square mile. This would be 17.4 million gallons of water . Weighing 143 million pounds. Amounting to around 72,000 tons). Heavier than air all of it. Lots of energy to keep it all suspended up there eh?
Still early before sunrise. The pink clouds in the distance distract from the briefness of the moons remaining time aloft this morning. Going down….. My intent was to photograph this wonderful scene with the moon much lower. I decided to take this image as that misty ground haze would totally obscure the lunar disk before it touches down. (it did). The horizon rising to meet it’s apparent descent. As the earth rotates inexorably in harmony with the cosmic clockwork of the universe.
This old working ranch barn is well maintained and fairly original to it’s early design (in this country). Ranches here were settled around 1900. There were cattle drives though this country earlier than that. This area opened up when various land grant programs from the government. Dozens of families moved up into sod houses in the area. They made the paths, figured out how to get water, did some fencing with posts they cut. This area was opened up by horses pulling wagons for decades. It’s a long way to town from here. (Gillette). Probably a 4 or 5 day round trip for supplies at first. Camping on the trail was the rule of the day.
This structure is on the historic Parks Ranch to which we are a neighbor. The Parks were a class act around 1900 (and later). Taken around 5:30 AM that morning. Getting light but still twilight “Belt of Venus pink back lighting.
A few days a month I get a chance to get SOME light from the sun at the same time the full moon is rising. This is a little late in the timeline where there is still enough light to catch the outline of the ridge. The Full Sturgeon Moon slowly emerging from hiding behind this lone tree. IT turns out the moon is shy until it has no choice and has to be exposed. I mean it turns all sorts of shades of pink, orange and red so it MUST be shy. He might have been ducking behind that tree to relieve himself before he starts the night shift. I mean the man in the moon is obviously a gentleman trying to be proper after all.
Getting Details on Close objects and far objects in the same single photo…. A matter of high #f-stop setting which give you deep focus. It also steals light preventing it from getting in the camera. So a long shutter open time is a good thing. Not too long as it will over expose the moon, not too long as this hand held shot would be blurred. I find 1/30th freehand minimum for blur. A monopod will go 1/15th. Tripod you have to keep moving, not handy, a few seconds exposure on a moving moon. That’s not good. Basically, your walking over uneven ground, moving in opposition to the moons movements. It rises, I walk closer to the hill. It goes to the right, I move to the left. Set your ISO to get a visible image on your screen. Rule of photography 127 is “Get the photo” Damn the ISO…
Taken at 2 AM by one of my game trail cameras. Of course as an Infra-red Flash automatic camera I have no choices here except for 3 levels of flash, 3 levels of sensitivity to make it flash and where to put it. The later being more important. Now the moon was full and illuminating the scene nicely thank you. Touching noses with one of her fawn ID’ing each other in the dark conditions. The other fawn is probably with the other Doe as well.
I place this camera at the gate between this field of grass and the field behind the camera where the water tank is. We keep 4 different water tanks open 364/24/7 for anybody that needs it. It’s funny how they don’t hang around water most of the time . Preferring to eat a mile or so away from where they water most of the time. I suspect that is an adaptation to Pleistocene hunting pressure near water . Back when the Large Cat population of crazy types like Saber Tooth, American Lion etc were about…. These guys are adapted to escape from those cats no longer an issue. Nothing else alive on the plains today but humans in our machinations can keep up with them. They don’t have a lot to worry about these days. As a chunk of the Pleistocene Megafauna slowly disappeared, these ungulates survived the causes of that extinction. What ever they did, it worked and here they are lolol.
This is the first image from the July 2020 full moon from this timeline. I’m still down loading images from the last 2 photographic trips into the backcountry. In the last 15 hours I’ve taken photos of the moon, rainbows, lightning, and (rainbows with lightning in the photo too). I’ve been very busy.
A significant portion of the twilight this particular morning provided obscured (at best) views of the setting moon. If I get one night a month where I get the full moon floating over sun illuminated landscapes, I consider myself lucky. THe moon disappeared as it touched down into that slight white hazy layer above the ridge. Show to the west over…now back to the east.
What I do with that morning and where I choose to set up is not entirely random I point out. Knowing WHERE the moon is going to set or rise becomes relevant to the discussion when your ready to go out the door with a box o’ cameras. Compass directions of moon/sun set and rise are handy out in the backcountry. The cyclical changes in the orbits of the moon changes where it sets. As the seasonal migration of the sun north and south are variables.
I still have to fly by the seat of my pants when the sun is rising behind me with a beautiful sunrise. Simultaneously this moon is going to disappear in a few minutes. Storms were going through the area. Best possible photographic conditions in my opinion. 😜
Finding a Huge Mesocyclone Spinning 50 miles+ off in the distance, I’m thinking “Perspective” 📸 So I had a “Far Object’. This little Spinning top of a storm with the energy of the atom bomb spread out over it’s lifetime. This is just the right 1/3rd of the storm. I easily could have made a triptych out of the total storm. Over an hour after this capture, I was chasing this storm and indeed took a very wide composite image of the sunset projecting red on this storm. Both daylight AND twilight captures of this storm are now in my portfolio.
These storms are HUGE and are the source of most of the “bad weather ” we experience during green and brown season. Think of them as potential monsters if they roll over you. They take their own time over where ever they travel. Your going to get some big rain if your under one of these for very long. Yes tornadic activity can occur out of them. Hail is also a HUGE threat.
They make ultimate IMAX™ wide theatre screen for the filtered sunlight reflecting off back to my camera). The Sun being a big projector over my shoulder with this being the backshow more mid-day . 📸 Having passed right over us. This Mesocyclone storm cloud must have been 100 miles across. Still Blue with white clouds, the twilight colors later in any sunset timeline are a result our star projecting a smooth color gradient filtered through the atmosphere.
I had very few opportunities to photograph the June 2020 Strawberry Moon as the clouds failed to provide me ample windows. Our closest celestial neighbor is coy with me sometimes. Playing peek a boo behind cloud decks. Some of these events are no shows by the actors. I drive miles to get to the right spot, and no moon, hiding behind a cloud, then it drops into the window…. this moon had it’s own agenda in mind this particular (and most) morning(s).
I arrange my schedule around such sky plays. Finding opportunity to compose properly is the result of the complex map in my head. By knowing where the moon will set, I can adjust my location to provide the “vision” ahead of the event. You have to have a camera with you (Rule 1 of Photography) of course. So premeditation is a requirement for the job of landscape photographer. You plan ahead and you bring a tool to accomplish your goal.
I don’t know the background information on this barn yet but I suspect it was built coterminously with the Main Parks Ranch Homestead Building 300 feet away. There is wisdom to build your house Northeast of the cattle yard when the predominate prevailing with is the Northwest. Something about the Scent of “O dor Corral” that has to be considered when designing a ranch compound layout circa 1900. No air conditioning then. All of this is built with rough cut locally obtained lumber.
Location: Near the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.