The depth of the layer of smoke that gave me this apocalyptic image was early in the timeline that night. Keep this image in mind when I post an image of that sun setting into that mist. Here the sun is up high enough that the stepped gradient (natural not done in the digital darkroom). . Many stepped gradients from photographers are artifacts from improper digital darkroom technique. This is totally natural.
I don’t believe I have ever seen conditions worse than this. All sorts of backcountry outdoor activities are not occurring. Hard to cut wood when you can’t breath. Hard to do construction too. Some folks go about 70 percent effective under atmosphere such as this. Looks like fog, it’s choking, wood smelling smoke. 2020 is sure a mulligan year. Need to throw the ball out into the fairway and re-take the shot.
Of course, you couldn’t look into this to see it without a quality mirrorless camera. Just glancing at such a scene can do damage. I only look at scenes like this through my gear. Said camera moderates the intensity.
Disclaimer: I saw this scene on a live video screen within the view finder. I can adjust my settings real time accordingly. There is no direct light path to your eye in a mirrorless camera. DSLR cameras can blind you doing this kind of work so don’t. 🙂 Some cheaper small sensor cameras can’t take this either and doing it wrong is likely to burn your cameras sensor chip. With the full frame Sony A7 Series) I’ve taken thousands of directly into the sun images. No damage to your gear if you do it correctly. Getting your exposures too dark before you point at the sun is a good idea. Use highest f-stop and low ISO for this certainly. 1/3000th or so.
Sometimes the lighting just has to control your compositions. Backlighting makes it difficult to capture detail on the shaded side. Many cameras cannot discern the subtle textures and shades of brown/black in the shade. Literally the gear makes the difference in a capture in this lighting environment. You get what you pay for is very true with cameras unfortunately.
The Whitetail mother deer well fed from her forays out onto it’s ranchland, is browsing for edibles closer to her water source. Our corrals have water 24/7/365 for them and have for two decades. This mother was raised here and her mother before, rinse and repeat. Raised on water we pump out of Cretaceous Beach Sand. The dinosaur having walked on it a few years back. Walking on corral that was bull dozed in the mid-1960’s on top of an old Cretaceous River Sand and associated shales. Those shales are complete with leaf fossils from the surrounding forest.
The deer of course is not concerned what she is walking on or where the water comes from. She is concerned with the moment. The flow of her life will provide the direction she needs past the present. All without much consideration on her part. The circle is turning for her. It’s humans that concern ourselves with the price of things next week. The consequences of our actions are a grey area to us. I’m pretty sure a deer has a definite understanding of right and wrong choices. Wrong always has a bad ending to a deer. Being grey, human feel luckier and somehow above it. But the circle is always turning. 👀
A Couple of old soldiers standing on this saddle of this mile distant ridge. The perspective long telephotos give you is crushed between the two ridges here. The far ridge is 8 miles out from my camera. Sort of a “Close/Far” perspective.
These trees are old growth that survived a major fire in the 1930’s that “burned till the snows fell”. There is a mix of grass and forested areas in this region. Our ranch is about 25 percent ‘treed’ pasture. The rest is just grass and sage with a few dinosaur fossils mixed in on the surface. That is prime dinosaur hunting ground amid those small outcrops. I never know what I’m going to find walking areas like this.
Twilight Landscapes are much easier before the sky gets too bright. Photography is a light balancing act. Having your camera try to see into the dark needs a tripod or sandbag to stabilize the camera. Extend your exposure so you can get more light. Take that gained light away by turning up your f-stop to a higher number giving you a longer field of focus in return (Double edge sword) Only of course, if you want to have it all in focus instead of just those trees lolol. To sum that up: giving up light you gain with a longer exposure then taking it away by turning up f-stop to give you deeper focus…. Then you have only ISO (Camera sensitivity to adjust to give you a proper exposure.). You can also adjust for a longer shutter too if your brave.
Widely known as the “Watermellon Beetle” They cause damage. It’s about 1.5 inches long, and take a defensive pose with a hissing sound when picked up. The are a member Family of Beetles called Scarabaeidae or the scarab beetles. This one is named Ringo I think.. I’ve seen some other beetles around here somewhere too….. just saying 😀
THe antennas are the coolest ever. They have a series of overlapping scales called lamellate plates. They are very complex. IT had them folded here. Their long lived life cycle is two years between larval and adult. The larva feed on roots in the top 14 inches of the soil.
So eating on lush succulent sedum I just had to move the pot to the light. He was fine with my invasive macros in his face. Even my very bright led ringed lens that must look like the sun incoming. This is natural sunlight however. It was in and out of the clouds so the timeline was extended. I left him sitting here. They do eat foliage but after the hail, the grasshoppers and now June Beetles in July… I didn’t even have him spend the night in my refrigerator like I normally do big bugs I want to photograph lolol. One sitting, two different macro/camera set ups. Patients exemplified.
If I find many more, I will have to take action though this is the first I’ve seen this year. You have to kill them in the larval stage in the soil. We have Tachnid Flies which parasitize them and keep them in check.
Let me start by saying that I did nothing to the colors in this image. I also did no shadows/highlight work to this. Essentially it is a raw image from the camera. It’s naturally colored exactly as it occurred as I saw it in the lens. Of a VERY small part of the sky on the horizon. The 1200 mm lens I’m using to take this images a postage stamp sized area at arm’s length of the horizon here. The ridge here is 40 miles distant from my camera. Full sized pine trees top the ridge which is effectively the horizon. I suspect the total ridge line captured here is a mile long in the frame. Attracted I was to this capture by two things. :
So the first thing to stand out to me in this beside the Harlequin color scheme are the tremendous shadows of the apparent printing in the sky. I’m still trying to read what it says as it looks as much like a block of text as any cloud formation I’ve seen in my travels. Then there are the shadows of the “letters” in the clouds which are making letters themselves. The condition called Pareidolia : seeing shapes of common things / people / faces in clouds. I love graphic presentations by mother nature. There is a message there in text in my humble opinion. We’re just not smart enough to understand it. … I thought I was seeing smoke signals….
I had very few opportunities to photograph the June 2020 Strawberry Moon as the clouds failed to provide me ample windows. Our closest celestial neighbor is coy with me sometimes. Playing peek a boo behind cloud decks. Some of these events are no shows by the actors. I drive miles to get to the right spot, and no moon, hiding behind a cloud, then it drops into the window…. this moon had it’s own agenda in mind this particular (and most) morning(s).
I arrange my schedule around such sky plays. Finding opportunity to compose properly is the result of the complex map in my head. By knowing where the moon will set, I can adjust my location to provide the “vision” ahead of the event. You have to have a camera with you (Rule 1 of Photography) of course. So premeditation is a requirement for the job of landscape photographer. You plan ahead and you bring a tool to accomplish your goal.
I don’t know the background information on this barn yet but I suspect it was built coterminously with the Main Parks Ranch Homestead Building 300 feet away. There is wisdom to build your house Northeast of the cattle yard when the predominate prevailing with is the Northwest. Something about the Scent of “O dor Corral” that has to be considered when designing a ranch compound layout circa 1900. No air conditioning then. All of this is built with rough cut locally obtained lumber.
Location: Near the Bliss Dinosaur Ranch, Wyoming / Montana borderlands (Wyotana)
Captures like this really wide angle twilight melodrama are always a welcome eye opener . Treated to this wonderful show I was. As it turns out it was just a promise of things to come. In my travels, I’ve experienced occasional morning light worthy of capturing in my photon traps last several hours as did this show. Well into the “Golden Hour” this play continued. Unfortunately there is no universal/international rating system of the various iterations I experience of twilight beauty. I might have to come up with one some day.
Taken a full 15 minutes before the horizon dropped away. Thus exposing our star in it’s full brilliance. The attenuation of it’s glare not as intense filtering through the veil of clouds on the horizon. The withering gauntlet experienced by the light on it’s path to the cloud deck above kept the shorter bluer wavelengths back. Only the strongest waves survive natures filters. True of light as it is ourselves. Nature filters out those things that can’t, won’t or are ignorant of adaptation to the conditions that prevail up on them.
The promise of a fully involved twilight sky is of a better day to come. Though sailors are to take warning so goes the wisdom of the ages. It’s a good thing living about as far away from the ocean as we do as such rules do not apply here. (We live 80 miles from the geographic center of North America). This was a wonderful day with more images from this timeline to come.
Our Lilacs are Blooming earlier this year than last. We had blooming Lilac bushes the 4th of JULY last year. This year is way drier and warmer. Lilacs beat by at least 2 weeks their late blooming past. Catching a bee on Lilac is nifty. Catching “Maverick and Goose” doing a flyby in their “hornet” is priceless lolol.
Photographic Musings: This image ended up with a particularly deep focus for this kind of work. Much of the image is fairly sharp which is noticable to me at least as I’ve done a few of these lately lolol📸
This particular ultra macro lens has a ring of LED’s around it’s periphery which helps tremendously in cranking up the f stop numbers to give yourself a deep focus. For something less than an inch long….from about 2 inches away…pretty deep field of focus….. So High F-stop = deep field of focus (thick) but you loose light gathering ability the higher the fstop number. Light has to come from somewhere, so make longer exposure speed and or turn up ISO (camera sensitivity) higher. Higher ISO numbers give you grain soo…double edge sword. Anybody got a cell phone photo like this? I’d be interested to see if they could do it…
With ALL Macro shots, more light is your friend. Putting your camera on manual and adjusting to f22 (for deep focus) makes a pin hole in the lens reducing light tremendously. So the more light you have to begin with, the better your image is going to look. Adjusting higher ISO (camera sensitivity) is your only way to get more out of the light you get from a pin hole. You can’t do a time exposure of a moving bee so 1/250th is your floor and I often take images at 1/3000 to freeze wings. Bright sun is always best.
As I point cameras directly into the sun I usually get either Crimson or Burn Umber colors depending on my exposure. I’m not one to argue with my cameras on this point as I can’t look into the scene without blinding myself. I have no choice but to trust the full frame chips that Sony uses in their various Alpha 7 series camera backs used in my work.
Getting up an hour before sunrise in the summer takes some doing to motivate at times. I usually worked the sunset 6 hours before. IT takes a while to wind down after photographing sunset so the night is really short. I usually only need 4 to 5 hours of sleep a night (if I get a short nap mid day). Historically I will work 7 or 8 sunsets or sunrises in a row. In my old age wisdom, I might not work certain types of skies. Clear skies are way common and difficult for me to justify taking the time to work them. Obviously I don’t work heavily overcast sunrises.
My day revolves around photography so if I’m not taking care of ranch business and chores, I’m working images. Either taking photos up on the high ridges or going through the timeline of files picking winners/loosers. Then there is the time to finish. The hard part are these narratives. The photos are easy 😜🤘 In full disclose, I’m also looking for fossils and artifacts as I go……
Full time photography is not for the computer challenged these days. If you don’t work 3 to 4 hours a day in Photoshop or Lightroom, I would be surprised.
Driving under rapidly growing spring Mesocyclones is always an interesting time. This magnificent display of Mammatus billows coming out of the flow bands in this huge storm transcends normalcy. Though admittedly this still growing sporty “little” mesocyclone is a small one based on local standards of 100 miles across for big ones. It’ve seen them spanning the 3 states of Wyoming / Montana / South Dakota from my high ridges. It’s right at 90 miles to South Dakota east of my door step.
Monsters each and every one of these storms. They do spawn tornadic activity. I’ve only photographed one funnel up in this country over 20 years. They do occur in the county I live in. Straight line winds are aggressive at times. The average counties up here are bigger than a couple of US states. We are on the high plains weather wise… We only get one or two tornados a year within 150 miles of here as a general observation. You don’t want to be right under a mesocyclone that isn’t moving very fast because your gonna get wet there…
Big Spinning Mesocyclones are absolutely amazing storms to observe on the sunlit side. I’ve been known to follow but storm chasing is not my tendency. I’m usually running from them more than driving toward them.😜 I deeply respect hail in this country very much. We had base ball sized (3) inch hail hit the homestead in 2008. That left a few marks… Had to replace 44000 square feet of metal roof on the combined buildings here on ranch. I’m still using pieces of that old roofing for misc. projects. Works great for raised bed gardens.
This is a VERY wide image of 130 degrees or so with the top of the frame being straight up overhead. Mitten Butte in the distance center is the 300 foot tall monadnock for scale.
Textures are revealed within the grain of the 80+ year old weathered wood. The Old Buck wagon is holding a place of honor (in his mind) a mile out from our homestead in our “boneyard”. It shares residence there with a host of other ranch utilitarian items deemed too important a resource to bury. The custom of the early days of pioneering in this country was typically to toss broken / un-fixable things into a nearby gully and call it good. Cracked cast iron with a mix of glass bottles in the mix. Some of the latter I do find intact from a known 1930’s homestead long since gone.
I’ve found abandoned two track roads leading to collapsed dug out houses in this country. Many have come before us in this high harsh ridge line environment. Life is easier down in the river valleys. Land was relatively free far from the electric grid and telephone in this remote high ground in the backcountry of Wyotana. Wagons as this were a critical technology that provided a lifeline to civilization. Providing ultimately all the products broken and discarded into the aforementioned nearby gully.
These wheels turned until they didn’t. Existing parked here a decade of decades. Now cattle rub against it, eventually breaking each and every piece of this historic relic. Living on a ranch in a semi-arid “steppe” environment preserves wood. Living with cattle on the ranch, destroys wood. The steel fittings last on. Wood to dust, steel to rust is the way of things.
If you look at the left side of this and let your imagination go… a french poodle begging… On the right side, a Gorilla looking fierce. Or if you want to really let your imagination go. I see 11 other faces in that rising cumulous cloud. (soon to be a thunderstorm as there was a LOT of lift in the air that day. Many of these thermals grew into big storms that hit to our east. .
Seeing faces in clouds or other natural scenes is termed: Pareidolia. Historically this tendency diagnosed one with psychotic symptoms/ “abnormal”. Now we are teaching computers to do it for facial recognition purposes. Making familiar patterns out of random data is a common “affliction”. It’s not just clouds of course. Hearing hidden messages in music is a similar effect. Any pattern the human mind creates out of literally random data is symptomatic.
Of course the state of medical/psychological science has improved a tad from those early days. I consider them sprits in the sky. This was caught glancing back behind me to the south won a warm evening is a good habit. Many photographers get tunnel vision working sunsets and forget to glance around. The back shows are often better than the main sunset if your chasing light like I do. I suffer horribly from this mental disease seeing faces and animals in almost every scene I look at. Some days it’s worse than others though lolol. 😜👀📸
I was following this good looking Pronghorn Doe from below. I had a long lens on it quickly stopping in my tracks. My appearing over an adjacent ridge suddenly caused it to move. Here is the story…
Sudden appearances of scary smelly, noisy vehicles always throw a wrench into a nice day grazing in the backcountry. This is not a traditional multiple exposure. It is a digital recreation of the even placing the animal precisely on the landscape as it was recorded. The digital work alone took hours but I like the result. Thought it was worth your time as well…
SO this is ALL the SAME Pronghorn “documenting” each stop over the same patch of ground. From right to left the Pronghorn moved, stopping as the bird captured in the frame flew very close to it. The spooked doe stopped and watched it. Moved about 10 feet and watched me for a few second. From that quick glance she moved into a nervous shuffle only to stop and pee (more nervous activity). A quick circle and she was back watching me yet again. The thought settled in her mind I was a threat sitting there. Thusly she decided to head more to the left, looked over the ridge, evaluated and changed her mind. Quickly zipping back to the right where she extended and left my area.
I don’t do a lot of these….. Art, did I mention this is ART? It’s built on 9 different photographs… 😜📸 2:1 Diptych Digital Composite
Literally playing “King of the Hill”, this American Eagle had quite a view. This hillock is one of the higher Buttes about (erosional remnant sometimes called “Monadnock” which is a good google word for the morning). Several hundred feet above the surrounding terrain is a good spot to look for game without all that effort of flying etc.. I’m going to have to take a climb up there as this is a hill I haven’t been up yet. It’s a little scramble to climb sandstone buttes and not without some challenge. I might put a game trail camera up there just for kicks… See what flies by…
I saw the “silhouette” of the bird from a LONG way out. Way out in the hilly backcountry, it took me about 10 minutes to get THIS close. All the while this sharp eyed bird was watching me bounce around the backcountry well away from the closest “smooth” two track trail….
The whole game was trying to get into position to take the sun RIGHT behind the bird setting on the peak. The sun was actually above the bird just off frame. IF I could have maneuvered for another few minutes, he would have been in the crosshairs between sun and my lens. No such luck as he flew away seconds after this capture. I’m not sure why he flew but I wasn’t being subtle trying to get into the right position. I always stop in intervals while approaching wildlife. Get the shot, move a little closer, get the next shot, rinse and repeat.
The spring Alpenglow was rife with orange gradients. The suspended ice in the air is responsible for the orange color. If you haven’t experienced a deep orange late evening sky before, you need to spend some time up here in the winter… I was miles out into the backcountry minutes before sunset. It was a long clear sky sunset drive back…….
That’s a LOT of BlackBirds (maybe cowbirds) in one photo. The flock surrounds the camera. This is a well placed game trail camera capture that is located at a water tank. I occasionally get migrating flocks pass through the cameras field of view. This was in mid-April when we still had some snow on the ground. I often place cameras around natural game attractants and in funnels.
As I type this it’s getting time to work sunset. I’m considering a bit early to pick up a couple of chips and service some game trail cameras. I will often leave cameras for months at a time between visits to their location. They keep a good eye on things for me when I can’t be there. It’s truly amazing when they catch and what they catch. Most of them use 2 different cameras. On for Infra-red night images and one for day images.
Each image from this particular camera tends to be a little grainy. Other cameras have other issues with the quality of the .jpg image. But they all share the silly candid nature of the wild creatures that wander by my photon traps. I’m currently running a line of 29 game trail cameras. Many of them are due to check this time of year with all the early spring migration and animal movement. I’m opening certain gates to create wildlife funnels of easy access/egress. There are usually cameras planted in those areas.
There is a huge amount of detail down in that dark with the misty transition to the backlit rain shafts, I had to publish this. It is very simple but the layering of the landscape was such a attraction. I really don’t post a lot of colorcast orange / yellow images but there is enough umber backlight to suit me here lolol.
This is a look west with the sun setting behind the rain bands. The closest ground to the camera is 10 miles out in the distance and the far ridge is 40 miles out. The weather this time of year is confused typically. I never know what I’m going to see when I drive the two track roads up to the high ridges. I’m as high up for this shot as the largest far hill. Your looking across a wide river valley occupied by the “Little Powder River” that is about 20 feet wide this time of year normally.
Oh, that little river is responsible for removing all the material between where I’m standing and that high peak. Geologists see things as happening one sand grain at a time. Each being moved down a little river over time. Given enough grains moved, mountains are formed by just being left behind.
The many layers of this landscape ladder with such subtle differences of tonations just stopped dead my scrolling through the dreaded “Photos to finish” folder… Taken a few weeks ago as it posts. April 2020.
This 99 Percent illuminated lunar disc has learned it is a lot of work to move all that cheese to the zenith of it’s orbit around the earth. . Resting too long will upset all the tidal charts that mariners use for sailing. Can’t have that…. Here I caught it resting in a soft grassy spot none the less. It saw me and rose to the occasion….
I find that the moon is a lazy celestial object. Always sitting down on the job. Here I caught the sneaky planetoid JUST lifting off the “Grass Recliner” it was sitting on. Who knows how long it was sitting there. I mean I only saw it move after I pointed a camera at it… I catch the old guy resting on unusual things all the time. This while walking parallel Ridges on the moon shadow line.
Missed are a million moments in time depending on the angle you find yourself observing a particular scene at. Every different angle will give you an entirely different viewpoint. I’m always looking at angles and what I have to do to achieve the perspective I’m looking for. The ability to anticipate the way things WILL happen and being there with a camera in your hand is about 90 percent of the photography game. The rest of getting the photo is reliant of your positioning before that time/space moment. My biggest limiting factor besides gravity is topography. Can’t stand with no ground under you or climb where there are no steps yet.
Everyone needs some purple in their life at LEAST once a week…
Rocky Mountain Columbine comes in many cultivars with various shades and hues from blues to reds with all the spectrum in between. A bicolor nature trends in the species. They are very distinctive if your not familiar with their bell shaped flowers. They have a huge elongated nectar spur . If you are unfamiliar with the flower, you should google it. You’ll see them hanging out in light shade. Stick your nose into one if you can as they are very fragrant.
These are wonderful flowers build/engineered to attract humming birds and phoenix moths. The same flower design prevents bees from penetrating to the nectar bearing parts. Long tongued nectar feeder get a break from these guys. Hummingbirds indeed are the most effective pollinator of the Columbine Flower. We have dozens of Columbine patches of naturalized cultivars mixed with groups that were here when I arrived 20 years ago.. The Homestead here at the ranch has seen many different gardeners over the 100 years of habitation on this site.
I’m pretty sure I’ve done more than all the previous gardeners combined lol. This is not to under cut their contributions. Built into this homestead were wonderful patches of flowers of all kinds. They were present when we moved here. We divided many overgrown clumps and get the fruit of that every spring now. Columbine are all about. Someone liked them a lot decades ago. You find the dandelion seed?
Arcs within arcs, an antique Deering Seeder under the Umbrella of a backcountry double arc of spectral refractions. There are only 2 arcs in this image. I have a very similar shot from last fall 2019 that has a much deeper vibrant rainbow. . I’m always on the look out for smooth curves and geometric shapes in an image and this one has 2 nested within 👀📸
IT was obviously raining at the time which is hazardous duty for me. I don’t go out in the backcountry too much in the rain. It is less than desirable to squish around in the fresh mud wrecking the trails and causing ruts. The difference here is I was already deep in the backcountry when this storm came up on me. In transit back to base I was until this idea popped into my head lolol. I have a map of such things and assemble composition opportunities in my head. So when X happens I go to Y location and so forth.
Getting to a particular location like this requires a recognition of the opportunity of course. I was about a mile away from this spot when that rainbow lit up. The light bulb went off and yonder I went (after I got just the rainbow in the camera lol). Rule 2 of photography: “Get the photo somehow” Rule 1 of photography is “Always have a camera with you”. I prefer about 5 as a minimum though I could get by with 2 in most cases…. With the right 5 camera/lens combinations I have access to every possible focal length from 10mm to 1200 mm. Just grab the right camera. The camera backs are all the same brand (work the same)……. 😜😜
White Tail Deer Get their name from an obvious anatomical attribute. They are much more gracile than Mule Deer which co-inhabit these environs. To me it always appears that these ungulates are walking “Tippy Toes” across the road lol.
I’m assuming the same old answer of “to get to the other side” applies to the classic question. I was able to anticipate their walking across the road in front of my Ford Raptor as I was traveling. I was able to stop and turn at a right angle to the roadway to give me a full side view out both my window at their future path. Sure enough they continued on and gave me the pregnant single mother “shot” of the morning. The buck apparently was no where to be found 😔. Single motherhood is a way of life in the ungulate world. The bucks are all off at some boys club hanging out together all summer. Like a nightly card game except it’s 24-7 until the rut… 😜📷
This pair is of course a pregnant mother (left) and her yearling (right). The mother is still a month or so away from giving birth I’m thinking. They were traveling alone in the backcountry when I came along. They felt it was necessary to run in front of me instead of completely away from the road.. Whitetail Deer are not as bad as Pronghorn for running in front of your vehicle but worse than Mule Deer in my experience 👁👁
The End of Brown Season is upon us. From now on there will be more green in my Landscapes (spring 2020).
That HUGE mile wide butte (called “W” Butte) is a southeastern Montana Landmark seen here from across the Montana/Wyoming border. I’m standing in Wyoming. Looking north across the border. About 30 miles distant from my camera stands the epicenter of what was at one time one of the largest ranches in the Country. Called the “W” Butte Ranch, it was big. I’ve heard you couldn’t see the edge of the ranch from that high point. I suspect that is not true. My ground was never part of that ranch to my knowledge. I’ve only seen/have deeds back to 1906 though. I’m not sure before that, pretty sure gov’t had it. Custer certainly saw that Butte on his way through here. He sure didn’t see it on his way back from the “Little BigHorn” though… A well known landmark regionally, “W” butte stands out to the traveler.
This image was captured during evening “Golden Hour” yellow light. The landscape was very spot lit that night with a high contrast dark cloud cover surrounding us. Just a small window to the sun illuminated this back show for my photon traps to catch.
That is old growth forest along that ridge with many of those trees being 50 feet or taller. There is around 500 feet difference in the elevation from the top of “W” butte and the drainage system below.
Spring leaves a few nice winter “like” scenes to offer me out in the backcountry. I have many choices where to point my cameras.
There are certain basic photographics principles one wants to follow in composing images.. I am always trying to adhere to those rules except when I don’t 👅. There is a strong rule of thirds here both horizonally and pretty well vertically.
The old masters discovered visual tunnels of which I’m always on the lookout for. Framed here by the totally frosted pine “noodled” tree. There are two Visual tunnels in this capture. Every thing I saw through the eyepiece of my camera said “Click”.
We actually have no snow cover as I type this. Late April 50 degree temps took care of that. This early April Storm was a Busy one and this is the morning after the storm at first sun cracking through the cloud deck. Even the grass is coated with ice in this capture. Any surface that was exposed to the wind had freezing fog stick to it’s surface.
This beautiful hillside that I’m standing on is pretty close to precisely 1/2 way between the equator and the North Pole. A long walk either way lolol. Its exactly 5,000,000 (Five Million) meters from this hillside to either point. Some well connected person in history decided 1 meter would be 1/10,000,000 of the distance from the north Pole to the Equator. You can covert 10 million meters into Ten Thousand Kilometers though. 45 degrees north latitude precisely. This also corresponds to the line that IS the Montana / Wyoming border.
A mere 10 months ago, this Mule Deer Buck was crossing the road “to get to the other side” (according to “Sneaky Pete” the windmill). The Sweet Clover was in bloom, the bees were filling their hives with honey from it. The 4 year old buck was just starting to grow his antlers which already have a 5×5 configuration.
I know this buck as “Tweeddle Dee” because I’ve seen him do a Tweedle Dumb thing or two over the last few years lol. He also has perfect ears meaning he’s a lover not a fighter. I’ve been watching this boy grow up for the forth year now. He’s almost respectable now, has grown and generally is very receptive to posing.
I’ve been “working around” this guy for several years now and he is pretty tolerant of me. I have to be slow in what I do with my vehicles as with any wild animal. IT’s all about getting your rig to act like a grazing animal. Stutter stop, start move 10 feet, “graze a while” move some more. You have to wait to move until their attention span lessens of their awareness of you. They go back to grazing. Wait a few seconds and move another 20 feet. Take your time.
I have worked my way into the middle of several different wild deer herds precisely doing the process above. You can’t just drive up in the middle of a group expecting them not to scatter like the wind. . They would misconstrue the quick approach as a hostile act. Only the other grazers can integrate into a deer herd. So there is an art to getting really close to any wild animal but I do stay in my rig. Getting out is a bad idea across the board. Making them used to the human form is counterproductive to their reproductive processes. I get them used to my vehicles. I never get out or push them ever. If I scared them routinely, it would be a hard thing to approach the next time.
Winter “Golden Hours” can be markedly colorcast. This is the scene as I experienced it. 99 percent of the 1.2 people per square mile living in this country were not aware of this as living up this high topographically is an exception. I only know one residence on this ridge. Everyone else was under a blanket of fog down in the valley.
Here the gold light was reflective / pervasive off the white snow. The mist / fog was thick on the valley floor hundreds of feet below. This is a Wyotana backroad over looking both Wyoming (right) and Montana (left of the sun). A few miles south of the border watching the sun rise in an atmosphere saturated with ice suspended in the air. A good place in the world to see the east horizon 100 miles out. That horizon is actually in South Dakota but the ice mist here obscures it efficiently. This time of year the sun is actually setting just north of straight east. The dividing line between Wyoming and Montana is seriously blurred in my world with most of my photos having ground and sky in both states. Morning / Evening light is mostly east and west so I’m always looking down the borderline so to speak.
Yup everything was covered by Hoar Frost and Rime Snow that morning. This is very late in the stage play that was performed without much audience buy myself. By extension of my captures your there though. I see all these
Location: High Ridge (Ridge 5) along the Montana/Wyoming border.
Jumping into my photo, “Sneaky Pete” the Windmill provides a close for this “Close / Far” perspective
Windmill Junkies Unite: 🤘🤘📸 Don’t let your mother know you look at stuff like this…. 👀
Gotta love Yellow/golden Alpenglow. A real color scheme as I experienced the scene. My photographic technique is to properly expose the highlights and worry about the shadow details later. I wasn’t so concerned with the landscape on this capture. The Bighorns look pretty close in this image. But its taken by a 1200mm lens, this give the appearance of “SLIGHTLY” zoomed in. Resulting that the Big Horns look huge, way larger than they are in real life/naked eye. Those “hills” on the far right frame are 130 miles from the camera. They are also 13,000 feet tall ranking aside some of the highest mountains in Wyoming. The area of horizon can be covered by your thumb at an arms length.
The Big Horn Mountains are indeed distant from “Sneaky Pete” the Windmill. Sneaky “randomly” photobombs my landscapes. He and his big Brother “Re Pete” are both living here on ranch. Of course they are hard core publicity seekers often managing to zip into my frames. In full disclosure I have no control over their actions. The only place I can get away from them is in the timber where they can’t follow 😜😜😜📷. (This is a years long narrative if your new to my world) Satire and all that.
Enjoy your “time off”, make the best of it you can. I’ve been working every day as hard as ever up here in the middle of nowhere. Be safe all.
It took me this long to get to this buried in a “to do” folder lolol. With “Turtle Butte” looking on at the scene. Me maneuvering around trying to get the angle on this totally ice covered landscape. Each twig, each sprig of grass was covered. The sunrise was “dramatic” to say the least with the “Wheel of the Year” Spinning under my feet.
I try to be in tune with the cycles of the Sun and the Earth. It is part of the job up here to connect on an intellectual level with the physics, “the Calculus” and the rest of the science of the scene. I am VERY earth centric and live with the sunsets and sunrises by necessity of chasing the light.
Opportunity tends to flitter away as it is prone to. I try my best to be aware of the sun’s progression north and south. Awareness of what’s coming can guide you to those hidden areas of celestial magic that present themselves.
On the horizons during it’s annual migration back and forth, the equinox aligns the rising and setting sun with an east west orientation. Here a straight east – west barbed wire fence creates a visual tunnel to take your eye to the focal point of the image. The sun or it’s reflection in the ice. . The old cedar post has seen many generations of cowboys and fence mending folks on ATV or pickup truck.
Close far perspective:
Frost on the wire…I totally am into close detail in the foreground in low light.. I get so excited about such simple things anymore. It’s the result of living in this remote place I keep saying. Humans are generalists when they look at a scene. I tend to look at separate components of an image for their own merit and attempt to combine multiple components when ever possible in my work. Multiple “heros” are always my pursuit for a better composition. 📸
Snowy days on the high ridges of the WY/MT border lands are rarer in the spring than mid winter. We do get some interesting snow squalls and falls during the spring. Winter storms in the spring impact right during calving season here in cattle country. This can be less than convenient to the rancher with new born calves falling out into snow covered frozen ground.
Your all mostly aware I have this photobombing windmill that gets into my landscapes now and then. Just ignore him. He’s handy for scale here though I must admit. The snow was obscuring most of the horizon coming down in shafts of different opacities. Overall it was an amazing sky but it was not very long lived with the sun setting within the minute. Without the direct flashlight beam, the sky shows intensity fell drastically over time with the set. It was very dark when I took this shot with just the yellow rays of the sun making it through the atmospheric gauntlet.
As I type this, a spring storm dumped about 5 inches on us last night. We needed the moisture badly as it has been a dry winter and particularly a dry spring. Receiving only 14 inches of water a year in this high almost desert land, we appreciate most precipitation event and await them eagerly. I seldom complain about rain or snow…
Location: Bliss Dinosaur Ranch, both sides of the Wyoming/Montana borderlands (Wyotana)
Here “Sneaky Pete” the windmill ( a long running narrative if your new to my world), has actually caged the sun itself. Once the sun found itself captured, it soon had enough, proceeded to sneak out the back and down behind the horizon. You could plainly see “Sneaky’s” confusion as the sun disappeared in the gathering dark. I’m sure he tries this every night but usually no one else is around to see it. Definition of insanity is to expect a different outcome the third time. I’ve wondered about his state of mind before 😜👀
Being a highly coordinated fellow to survive in the high wind environment “Sneaky” was “raised” in. Some “lubrication” may be involved. That being said, he is notorious for photobombing my landscapes, ‘lubricated’ or not…. Appearing in a highly disproportionate number of captures in my portfolio.
It’s not his fault, having an obsession with publicity is a disorder of course. A long time ago we had an agreement that he do his job and I’ll do mine. “Sneaky” apparently thought his job was to photobomb my job which is to take Landscape photos. So I end up taking his photo often as he desires. I think he works out some deals with the Pronghorns and the Deer to pose for me sometimes so I tolerate this regular transgression. Good thing I have a fence around my homestead or ol’ “Sneaky” would be down in my yard too…..
Coyote Hunting the Shoreline .(Game Trail Camera Capture)
There are 8 species in the Genus Canis. The Canis we know best is Canus familiaris (common house dog). This Coyote is Canis latrans. This is a female by the looks of it on other photos.. It’s about 4/5ths the size of a full size male. Males can weigh up to 45 pounds. From what I’ve seen, they can bite you about 30 times per second per second.😀.
I’ve known a human raised Coyote and they are a force to be reckoned with if they focus on you.That ice was 1/2 inch thick at most. If she keeps this up, it’s going to mean a cold bath if not me finding a floating clump of fur in the spring thaw.
I tend to 29 Game Trail Cameras currently and plan to expand that network considerably over time. They take very little work but a lot of AA batteries over the network lol. I endorse no particular Game camera as they ALL have issues with photo quality. The way they save .jpgs drive me nuts as I have to fix each and every one I publish. The only thing you can really adjust besides 3 levels of exposure/flash/distance, is placement. Set them on a post or tree and wait. I will have cameras working all winter concentrated where wildlings actually go. Natural funnels and water holes are the easy picks. 2×3 aspect up to 36 inches wide.
The red light passing to the pink/red “Belt of Venus” alpenglow behind the snag pine tree. That phenomena projected filtered to red light on the ice in the sky opposite of the sun. Same effect here but on the moon.
This just the atmospheric gauntlet of dust, moisture of all phase states, pollution etc block out all but the red light. So the “Worm Moon A.K.A. Lenten Moon, Crow Moon, Sugar Moon, Sap Moon, Chaste Moon or just the March Full Moon lol.
Getting topography/ hills and a celestial object to cooperate the same time can be challenging. …I know the topography I work pretty well on the Bliss Dinosaur Ranch after ‘working it’ for decades. Knowing the direction the moon is going to set is a matter of looking it up on google. Get a map, (in my head by now) and figure out “what two or three things” can line up.
I decide where to go early on but am flexible enough to change mid stream because I’m very mobile. Getting around these days in snowy or muddy hills is a requirement for this job lolol. I never know WHAT the show is going to be when I go out with cameras. I do usually know WHERE a celestial alignment will occur with what hillside. 😄 This moon didn’t sneak up on me by any means. Getting up on the high ridges is of course the place to be for such a shot. The backcountry high in the hills provide all the topography and perspective that any photographer could need. Having effectively unlimited access to many square miles of backcountry Wyotana is always a good thing with a camera.